Scarvelli The Messina Analysis

59 Words1 Page
bulb-icon

Recommended: Ancient egyptian art

While living in Egypt for thirty-five years, Scarvelli studied the landscape, mounuments, and the general way of life of the people living there. The Messina, now Sicily, born artist marketed to tourists’ interest of exotic Egyptian views. By substituting purples for shadows and using delicate washes for the sky and water, Scarvelli brought an ethereal quality to his

Show More
Related

  • Extrinsic Analysis on Un Sac De Billes, by Joseph Joffo

    880 Words  | 2 Pages

    Un Sac De Billes is an autobiography written by Joseph Joffo, a French writer. The story is based on the life of Joseph Joffo and his family during the early nineties. The Germans invaded Paris in 1941 and the Jews happened to be affected the most. The Germans made it mandatory for the Jews to put on an étoile jaune (yellow star) in order to be distinguished from the others. The Joffo family was in distress since they were also Jewish. Thereafter, anytime Joseph, 10 years of age and his brother Maurice, 12 years old went to school with the star on their uniforms, their classmates scoffed at them; even their teachers treated them in a prejudiced manner. Joseph’s dad, Mr. Joffo reasoned with his boys to abscond from Paris to a secure zone, Zone Libre where Henry and Albert, their older brothers resided. Joseph and Maurice affronted a lot of hardships at that vulnerable age; they fled from city to city in order to survive. After the Germans left, the brothers returned to Paris. The Joffos were reunited except their dad who lost his life in the hands of the Germans.

    Read More

  • Comparison Essay

    703 Words  | 2 Pages

    In conclusion, although Mycerinus and Kha-merer-nebty II and Augustus of Primaporta, do appear very different, come from entirely different geographic regions and were separated by thousands of years, they do have many things in common. When we consider subject, style, and function; perhaps other works of art have more in common than they appear to have.

    Read More

  • The Coloristic Virtuosity of Venetian Painting as Exhibited by Andrea Schiavone's "The Marriage of Cupid and Psyche"

    1110 Words  | 3 Pages

    Goldner, George R., Lee Hendrix, Gloria Williams Sander, N. J. L. Turner, and Carol Plazzotta. "Andrea Schiavone." In European drawings: catalogue of the collections. Malibu, Calif.: J. Paul Getty Museum, 1988. 114.

    Read More

  • The Palette of King Narmer

    968 Words  | 2 Pages

    The Egyptian culture was a culture that lasted about 3,000 years and was located near the Nile River. The Nile River provided most of the resources for the Egyptians; therefore, a lot of the artwork was based on representing these bountiful resources. Another major influence of the artwork that was created was the kings and gods that were held at such high standards (Stokstad and Cothren, 50). There is one king in particular that was known in history for his great accomplishments, this king was King Narmer. The Egyptian’s expressed their respect for this king through a palette known as The Palette of Narmer. This piece is one of the firsts of Egyptian times that sets the morals for Egyptian artwork; it was created in the Early Dynastic time period. The Palette of Narmer tells a vast political story of the history of Egypt and the king, King Narmer.

    Read More

  • Lorenzo's Influence: Lorenzo De Medici And The Renaissance

    1441 Words  | 3 Pages

    Lorenzo De Medici can be considered as one of the most influential men of the 13th century. His work in political affairs and administration were renowned in all Italy and his family could count on him in every aspect. Lorenzo was also a promoter of a new period called Renaissance. He was one of the first “mecenate” to explore this new way of art. In this project, I will concentrate how he developed art in Florence, giving a clear example through an Artist of that period that was working for him: Sandro Botticelli. His work “The Spring” is a well-defined example of what we can call “art in the Renaissance”, in particular for the Italian Renaissance.

    Read More

  • Artemisia Gentileschi Analysis

    1454 Words  | 3 Pages

    Artemisia Gentileschi is considered to be one of the great painters of the Baroque era, and is especially venerated for her mastery of the Caravaggesque style. Her power as an artist comes not only from her technical and creative capabilities, but also from her acute understanding of and involvement in theoretical discourse on painting and the genius of the artist. Known for her vigorous depictions of powerful Biblical heroines that do not conform to typical images of femininity and through the intensity of the Caravaggesque style, Gentileschi’s work can be considered quintessentially Baroque.

    Read More

  • Art From Baroque Period Through The Postmodern Era

    1462 Words  | 3 Pages

    Baxandall, M., Giotto and the Orators: Humanist Observers of Painting in Italy and the Discovery of Pictorial Composition, 1350-1450, Oxford, 1971. Bellori, G.P., Le vite detpittori, scultori et architetti modern), Rome, 1672. ed. E. Borea, intro. G. Previtali, Turin, 1976.

    Read More

  • Decoding Ancient Egyptian Culture: The Palette of Narmer

    1169 Words  | 3 Pages

    Ancient Egypt is a culture that lasted for thousands of years and with that came an abundance of art and artifacts that are still being examined today. Not much is exactly known about Ancient Egyptian culture but there are somethings that Archaeologist can infer about their culture. One piece that can shed some light onto the ancient Egyptians is the Palette of Narmer. The palette is intriguing both aesthetically and historically we will talk about both.

    Read More

  • Giovanni Bellini

    1175 Words  | 3 Pages

    Giovanni Bellini was born in Venice, Italy around 1430. He was the son of Jacopo Bellini, an esteemed painter at the time, and probably began his career along side his brother as an assistant in his father’s workshop. Though his artwork was influenced by many of his friends and relatives, Giovanni possessed certain qualities in his compositions which set him apart from the others. He blended the styles of both his father and brother-in-law, Andrea Mantegna, with his own subtle appreciation of color and light, the high regard he held for the detail of natural landscape, along with the very direct human empathy he placed in his painting. These components of Bellini’s personal style became foundational to the character of all Venetian Renaissance Art. Bellini later developed a sensuous coloristic manner in his work which became yet another characteristic he contributed to the Venetian Renaissance Art.

    Read More

  • Nebamun Hunting in the Marshes

    1110 Words  | 3 Pages

    The Metropolitan Museum of Art. ‘Egyptian Art’, The Metropolitan Museum of Art Egyptian Art. New Series, Vol. 41, No. 3, Egyptian Art (Winter, 1983-1984): pp. 1+3-56

    Read More

  • Botticelli

    1140 Words  | 3 Pages

    ...elli made a big difference in Florence, Italy. He worked for the famous Medici family. The Medici family was very important in the Renaissance. They controlled the Florence city and they were very wealthy. They valued him very much. Since Botticelli’s paintings were known for their poetic feeling, they either told a story or showed a famous scene from a mythological or religious subject. The masterpieces never had anything to do with science or nature. Not all of the characters were real they just had to stand for a purpose in the painting. Botticelli’s master Fra Filippo Lippi impacted his life by getting him to start to paint pictures. Without his assistance he would have never learned to paint any of the famous masterpieces in the Renaissance. He learned about mythological subjects and how to use decorative details. Lippi got him to be the gifted artist he was.

    Read More

  • Titian

    1116 Words  | 3 Pages

    Titian had many accomplishments in his lifetime. In 1518, Titian’s Assumption of the Virgin was shown at the Church of the Frari in Venice. It was in this composition that Titian seemed suddenly to absorb the achievements of the Roman High Renaissance style. At the time, it was learned that Titan had not traveled much, and therefore assumed that he squired this knowledge of art by visiting artists, studying their drawings and reproductive engravings. During the decades following his appearance in the art life, Titian’s reproductions placed him along with Michelangelo, as the most powerful artist in Europe. He was recognized for his mythical paintings, three of which he created for Alfonso I d’Este of Ferrara, called The Bacchanal of the Andrians, The Worship of Venus, and Baahus and Ariadne. Among his many patrons, the most important were the Spanish Habsburgs. Titian’s fame, wealth, and social position resulted from his patrons and admirers. His major artistic inhibitions included being especially creative with diagonal placing and perspectives, as well as setting up unusual spectator viewpoints. Among his most famous works, rests the picture known as The Gypsy Madonna. This picture ...

    Read More

  • Renaissance Venice

    763 Words  | 2 Pages

    Brown, Patricia Fortini. Art and Life In Renaissance Venice. New York, NY: Harry N. Abrams, Inc., 1997.

    Read More

  • Art Analysis: Portrait of a Woman With a Man at a Casement

    2038 Words  | 5 Pages

    “ The paintings of Filippo Lippi are frequently characterized by two features: an interest in minimizing the divide between world, image and the presence of humor, both bodily and representational. Although these two aspects of Lippi's art might initially seem unconnected, this paper suggests that both can be associated with the use of scientific perspective. Lippi's spatial concerns can be understood as a reaction to the distancing of the iconic image that accompanied the invention of perspective.”

    Read More

  • The Importance Of Art: The Birth Of Botticelli's Life

    2712 Words  | 6 Pages

    Knowing a masterpiece is first knowing a little bit about the artist behind the masterpiece. Sandro Botticelli was born in Florence, Italy and lived from 1445-1510. His real name was Alessandro Filipepi but he was brought up by his brother who nick-named him Botticelli meaning “little barrel”. The book Sandro Botticelli Life and Work by Ronald Lightbown talks about how Botticelli spent his entire life in Florence, experiencing some of the most common hardships that were expected during the fifteen century such as plague, flood, hard winters, and famine. Botticelli was a famous early Renaissance painter and is recognized for his well-known painting Primavera, which was known as the largest mythological painting of the Early Renaissance. This work has a humanistic nature and is said to reflect contemporary ...

    Read More

More about Scarvelli The Messina Analysis

Open Document