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Eng 225 final film paper on the movie Scarface
Scarface and the american dream
Eng 225 final film paper on the movie Scarface
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The Greatest Movie Ever Made
Perhaps the best movie to ever bless the eyes of any American is the 1983 Brian DePalma gangster movie classic, Scarface. Scarface is the tale of Tony Montana and his journey through his new life in America in the early 80’s Cuban immigrant movement. The movie depicts the American dream, to be successful, perfectly. Scarface and its main star, Al Pacino, also shows movie watchers in detail, the process of going from “rags-to-riches” since that is what he did in the feature. Lastly, Scarface is perhaps the best movie to ever be made because it basically contains all the characteristics that are that of a great movie.
First of all, Scarface is one of the greatest feature films ever because it illustrates the American dream perfectly, which is to be successful. This story goes in to detail on what some people are willing to do in chase of the American dream. Tony Montana or Scarface was a man who knew what he wanted, but did not have the patience to get it honorably. This description fits many of today's Americans. The fact that so many people can relate to this obsession with obtaining the American dream, is the reason this movie is considered a classic. Though the way he achieved this dream was not honorable and honest, Montana, through illegal means, became very successful at what he did. This movie, perhaps better than Wallstreet (1987), New Jack City (19...
The characters in these films were savvy, secretive and wealthy unlike the gangsters seen in Little Caesar and Scarface: The Shame of the Nation. Brian De Palma’s Scarface (1983) payed homage to the original, and although they follow roughly the same storyline, De Palma’s remake is more reminiscent of The Godfather films than its predecessor. Tony Montana (Al Pacino), the film’s main character, worked his way up from poverty by selling drugs and committing horrifying acts of violence in order to attain the power, wealth and woman he so desired. In his 1983 review of Scarface, Pulitzer prize winner, Roger Ebert states “Al Pacino does not make Montana into a sympathetic character, but he does make him into somebody we can identify with, in a horrified way, if only because of his perfectly understandable motivations” (RogerEbert.com). More than fifty years later, Ebert expresses similar thoughts to those of Robert Warshow, esteemed film critic and author of “The Gangster as a Tragic Hero.” “…We [the audience] gain the double satisfaction of participating vicariously in the gangster’s sadism and then seeing it turned against the gangster himself.” (Warshow) These sentiments are exactly what the censorship of the 1932 version intended to prevent, yet Scarface (1983) did not receive the same scrutiny. Despite the mixed reviews that Howard Hawk’s original Scarface: Shame of the Nation and Brian De Palma’s
Chinatown is regarded by many as one of the best films ever created. In 2007, The American Film Institute named “Chinatown” as #21 on their list of 100 greatest films! Chinatown is a great film because it is able to show how far people are willing to go to obtain riches and how a detective is willing to go to great lengths to solve the mysteries in front of him. The movie has been talked about in abundance and has even been influenced by real life events from the water company in Los Angeles. It is closely related to corruption and the 1% which people still talk about till this day. In the movie “Chinatown” directed by Roman Polanski, a private detective hired to expose an adulterer finds that he is caught up in a web of deceit, corruption, and murder. Somewhat relating to this is the article “Of the 1%, by the 1%, for the 1%” written by Joseph E. Stiglitz. In the article Stiglitz writes about how democracy in America is a mirage and that the rich
The movie “Scarface” is the story of one these immigrants who came to the United States seeking money and power but ended up with much more than he ever excepted. Al Pacino plays the main
The classic gangster film focusing on a host of norms defined by some of the first gangster films. This genre originated as an escapism from the negative depression era. People would flock to see the gangsters go from rags to riches with their glitzy lifestyle and beautiful women. As Shadoian puts it, “The gangster’s fizzy spirits, classy lifestyle, and amoral daring were something like Alka-Seltzer for the headaches of the depression” (Shadoin 29). Not all this came easily for the gangsters though, bloodshed is defined as a part of business with guns a constant motif. Despite these negative outcomes, it’s easy to see how this genre was such a great elusion from the everyday where the American Dream seemed like it might not even exist anymore.
In film, many times the auteur often uses the medium to convey a moral or make a social commentary. In the case of Howard Hawkes’s original version of Scarface, there is more being portrayed through the characters then merely the story. Hawkes makes a statement about the façade of organized crime, and the farce of the American Dream.
Al Capone, America’s most prominent Mafia figure in the 1920’s, also known as “Scarface” for a scar running down his left cheek. Capone didn’t hide in the shadows like most figures in such a shady occupation. He didn’t shy away from the camera, more like he welcomed it, and aimed to be seen by the public as a respectable businessman and a pillar of the community. Surprisingly, Capone wasn’t from a distinctly poor community, his father earned a living as a barber. Capone was introduced to the gang life by a friend and from there it all went downhill and into the life of a gangster.
The gangster genre within films in America has accomplished numerous positive criticisms and constant willing audiences due to containing outstanding spectacles and mind-blowing action. The Godfather, being second on the IMDb Top 250 Movies, has set a new popular concept to life within the Mafia from their point of view. Doing so, creating a positive association. Yet within Italy, the same topic contains a complete different view. Movies such as I Cento Passi demonstrate unenthusiastic view by those whom are outside yet negatively affected by those members. Unlike American films, the gangsters are not as often viewed at the protagonist and are the main causes for the problematic events. But how different is Italian Mafia and American Mafia in cinema?
Another common theme of this wildly intoxicated era was that of the gangsters. In the twenty-first century when the word gangster is uttered, often times images of minorities in baggy clothes comes to mind. However, when discussing the Prohibition Era the lives of gangsters are seen as much more glamorous, and none were more glamorous than that of the ultimate American gangster, Al “Scarface” Capone. Capone’s name brings to mind images of pinstripe suits, underground bars, bootleggers, flappers, and gun fights. His image embodies that of the Prohibition Era and his influence throughout society carries through it. Alphonse Capone is the ultimate American gangster.
“Scarface”, an original gangster film created by Brian De Palma, has captured audience’s attention by remarkable editing shots and the superb use of mise-en-scene. “Scarface”, originally released December 9 of1983, is a drama revolved around the life of Tony Montana who is played by Al Pacino. Tony gets his name by the scar on his face going over his right eye. He was born in Cuba who immigrated to the United State who then starts his life in Florida from the bottom of the drug cartel to soon making his way up to becoming one of the most powerful cocaine cartel leaders in Miami. What made this film so realistic was because at the time, Miami was becoming a huge crime scene to cocaine smuggling and drug wars. According to Answers.com, this time was brutal and the people associated with this lifestyle were known as “Cocaine Cowboys” (par.3). It was a time where it wasn’t unusual to see and hear about drug related deaths. Brian De Palma captured all of this by his utilization of editing style and application of precise mise-en-scene.
They wear fancy suits, drive luxurious cars, and parade around with different women each day. Although being a gangster has some advantages, everything comes with a price. Tom and Matt were such successful gangsters that they attracted enemies from other gangs. The audience watches as Tom and Matt walk down the street, and suddenly gunshots are heard, Matt has been shot and killed. The audience may have assumed all the violence and tragedy would end there but the death of Tom only sparked a bloody mob war. This film was one of the first films of its time to show a mob war which were very common during the 1920s. Competition was one of the biggest parts of being a gangster. Al Pacino who played a famous gangster in the movie The Godfather says in the film, “Everybody loves you until you become competition.” Gangsters were perceived as powerful men who were above the law and who could handle anything, but that is not always the case, especially for Tom. In the end of the film, Tom reign as a gangster comes to an end. He wanted to get revenge for his friend Matt, but it only resulted in his death as well. Some people aren’t as tough as they think they
Money, murder, power, and loyalty, the epitome and basic essentials of any Mafia movie. Initially, when watching two of the most popular titles in this genre, Goodfellas and The Godfather, they may have similar themes, but in all truth, they are on completely opposite ends of the spectrum. While Goodfellas welcomes you to the family with a friendly smile and a voice-over, The Godfather makes you stand astray and watch in silence as an outsider.
The Godfather is the “dark-side of the American dream story” (Turan, pp2). The film follows the practices of a fictional Italian mafia family, the Corleone’s. Though most Americans do not condone the practices of the Italian mafia, they cannot deny that Francis Ford Coppola’s The Godfather is a cinematic masterpiece. This film gave insight to a mysterious way of life that the average person does not have knowledge of. As the audience is educated about the mafia they also are introduced to many stereotypes.
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
For example the release of The Godfather, while considered by many to be one of the best movies of all time, also created a host of prejudice and negative stereotypes. Italian Americans gained a reputation for organized crime and were often associated by the public as mobsters. This paradox was greatly supported by the movie, The Godfather (Fordham). The success of this movie innately resulted in other films and shows that encouraged the negative stereotypes of Italian Americans in regards to the mafia and organized crime. Italian American fought these stereotypes back with media releases that romanticize Italian culture. For example, movies that involve large family dynamics that create, “deep-seated nostalgia for the ‘old neighborhood’” and enhance the appreciation for Italian culture and combat negative stereotypes
Clint Eastwood’s 2011 film, J. Edgar staring Leonardo DiCaprio as J. Edgar Hoover, depicts the personal accounts and reflections of Hoover’s life and professional journey (J. Edgar Hoover). Responsible for the advancements of modern day crime investigation, and the initial establishment of the Federal Beau Of Investigation, J. Edgar Hoover successfully directed the FBI for 50 years. Narrated in retrospect, the film portrays significant events throughout his career. In the film J. Edgar Hoover was accurately portrayed as rabidly anti-communist and his manipulation tactics were true to life as well. However, Hoovers flashback in the movie of arresting high profile criminals and solving key cases is dramatized emphasizing he did it all. In the end of the film Hoover’s partner Tolson accurately reveals Hoovers historic false claim to fame of arresting high profile criminals.