Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The house as the topic for the house on mango street
The house on mango street analyse
How does the house on mango street relate to today
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The house as the topic for the house on mango street
“If we do not feel grateful for what we already have, what makes us thinks we’d be happy with more?”(Anonymous) In the story “The House on Mango Street¨, the author Sandra Cisneros writes about a girl named Esperanza who doesn’t feel grateful for what she has and uses that to have a negative outlook on life. The story portrays a theme of sometimes people may not always be grateful for what they have, but it’s what makes them who they are. Throughout the story, Esperanza describes how she feels ashamed because of her environment; “Those who don’t know any better come into our neighborhood scared. They think we’re dangerous. They think we will attack them with shiny knives,” (28). Esperanza lives in the bad part of town. Her neighborhood is known for having sketchy and mysterious people in it. Because she lives in this neighborhood people also make assumptions about her. At school one day, Esperanza wanted to stay and eat her lunch but only the privileged kids got to stay and eat. One day, Esperanza decides she wants to stay and eat too. But, when she gives the note to Sister Superior she decides Esperanza she have to still eat at home. she makes Esperanza point to her house and makes her feel ashamed and upset of where she lives; “Which one? Come here. Which one is your house?... That one? She said pointing to a row of ugly three-flats, the ones even the raggedy men are ashamed to go into,” (45). Towards the end of the book Esperanza’s view on Mango Street doesn’t change. She is talking to her …show more content…
Throughout the story, Esperanza faces difficulties and hardships that help her become who she is. Her environment, her home, and her friends are the ones who shape her to be who she is. Though she may not be grateful for what she has, and who she has, it’s what makes Esperanza who she
When Esperanza is struck by the realization that she is not accepted in society, she aspires to bring a more hospitable environment to fruition. At the beginning of The House on Mango Street, Esperanza is questioned by a nun about where she lives. The condemning tone of the harridan shakes Esperanza, causing her to state, “There. I lived there… I knew then I had to have a house. A
In the book, Esperanza doesn’t want to follow the norms of the life around her; she wants to be independent. Esperanza states her independence by stating, “Not a man’s house. Not a daddy’s. A house all my own,” (Cisneros 108.) The syntax of these sentences stick out and are not complete thoughts, yet they convey much meaning and establish Esperanza’s feeling of not belonging. Esperanza’s feeling of not belonging is also emphasized when her sisters tell her that the events of her life have made her who she is and that is something she can not get rid of. Her sisters explain that the things she has experienced made her who she is by saying, “You will always be esperanza. You will always be mango street. You can’t erase what you know” (105.) What her sisters are trying to tell her is that the past has changed her but it doesn’t have to be a negative thing; it can be used to make her a better person who is stronger and more independent. Esperanza realizes that the things around her don’t really add up to what she believes is right, which also conveys the sense of not
Esperanza finally comes to the conclusion that she does not need to fit into the mold of Mango Street. She also realizes that by making her own world, she can do bigger and better things and come back to help others on Mango Street. Not everybody can fit into the same mold and Esperanza made her own. . Esperanza leaving shows that she is a leader and hopefully she will have the others from Mango Street follow in her path. Maybe other people will fit into Esperanza’s mold or they will use her as an example. Esperanza used the other women as an example to make something of herself so all of the negative people she meets and has in her life, they made her the person she wanted to be.
Esperanza is the heart and soul of this story. She changes and develops new habits over the course of the book. Because of how the book is written, she’s also the main character who gives the story it’s unity. Everything in the story is told in her perspective anyway so she could be the narrator and the protagonist. Even the stories about other characters have some sort of connection with Esperanza. She is The House On Mango Street, she is Esperanza.
Esperanza begins as a very wealthy girl in Mexico, and doesn’t think about how lucky she is to have the privileges that she has. She can have almost anything she wants and has to do little work. Esperanza barely even thinks about the lower classes. They are not part of her life. But when her ranch is burned down and her father killed, she has to leave Mexico and enter the United States as an illegal immigrant. But by doing so, she is forced into contact with many people far less wealthy and well-off than her. When Esperanza enters Zacatecas to board the train, she is surprised that they are not in the fancy section. Instead, they are in a car with peasants and beggars. “Esperanza had never been so close to so many peasants before. When she went to school, all of her friends were like her. When she went to town, she was escorted and hurried around any beggars. And the peasants always kept their distance. That was simply the way it was. She couldn’t help but wonder if they would steal her things.” (p. 67). Esperanza has an obvious suspicion of the peasants during her train ride. She tells her mother that she cannot travel in this car , and that the people didn’t look trustworthy. A little bit into the trainride ...
She was not a master of style, plot development or characterization, but the intensity of feeling and aspiration are evident in her narratives that overrides her imperfections. Sandra Cisneros’ The House on Mango Street, written in 1984, and Anzia Yezierska’s Bread Givers, published in 1925, are both aimed at adolescent and adult audiences that deal with deeply disturbing themes about serious social conditions and their effects on children as adults. Both books are told in the first person; both narrators are young girls living in destitute neighborhoods; and both young girls witness the harsh realities of life for those who are poor, abused, and hopeless. Although the narrators face these overwhelming obstacles, they manage to survive their tough environments with their wits and strength remaining intact. Esperanza, a Chicano with three sisters and one brother, has had a dream of having her own things since she was ten years old.
Symbolism is the key to understanding Sandra Cisneros’ novel, “The House on Mango Street”. By unraveling the symbolism, the reader truly exposes the role of not only Latina women but women of any background. Esperanza, a girl from a Mexican background living in Chicago, writes down what she witnesses while growing up. As a result of her sheltered upbringing, Esperanza hardly comprehends the actions that take place around her, but what she did understand she wrote in her journal. Cisneros used this technique of the point of view of a child, to her advantage by giving the readers enough information of what is taking place on Mango Street so that they can gather the pieces of the puzzle a get the big picture.
matter how hard people wish on a star or on a candle, the wishes never seemed to be
Although Esperanza is constantly reaffirming that she wants to move away from Mango Street, we know by the end novel that she will one day return to help those who will not have the opportunities Esperanza has had in her life. Indeed, in the closing pages Esperanza admits that she cannot escape Mango Street. She can never again call it home, but it has influenced her dreams, formed her personality, and she has learned valuable life lessons from its inhabitants. That is why, explains Esperanza, she tells stories about the house on Mango Street, revealing the beauty amidst dirty streets and unveiling her true inner self, the peace of knowing that her “home is where her heart is.”
At first, Esperanza is young, insecure, and immature. Her immaturity is apparent when she talks about her mom holding her, saying it is, “sweet to put your nose into when she is holding you and you feel safe” (Cisneros 6-7). This shows Esperanza’s insecurity because her mom is still a big comfort source to her. She feels a false sense of comfort because her mom is there and will protect her. In addition, Esperanza’s immaturity is shown through her dislike for outsiders of the neighborhood when she says, “They are stupid people who are lost and got here by mistake” (Cisneros 28). This indicates how defensive and protective Esperanza is towards her barrio by calling outsiders stupid for reacting the way they do, even though she dislikes Mango Street....
Mango Street consists of mostly female characters. These characters are strong and inspirational, but they are unable to escape the suppression of the surrounding environment. According to one critic, "The girl's mother, for instance, has talent and brains, but lacks practical knowledge about society because, says Esperanza, Mexican men 'don't like their women strong' " (Matchie 69-70). It is Esperanza's mother who tells her to never be ashamed because shame can only hinder her dreams. In "The Three Sisters", the women tell Esperanza that she is special and remind her not to forget where she came from when she finally makes it out of Mango Street. This inspiration makes Esperanza understand that she must help others who aren't as fortunate to leave as she is.
Sandra Cisneros' strong cultural values greatly influence The House on Mango Street. Esperanza's life is the medium that Cisneros uses to bring the Latin community to her audience. The novel deals with the Catholic Church and its position in the Latin community. The deep family connection within the barrio also plays an important role in the novel. Esperanza's struggle to become a part of the world outside of Mango Street represents the desire many Chicanos have to grow beyond their neighborhoods.
There are many major life decisions we need to make as part of growing up. The choices we make can be traced back to several factors. Often these major decisions are influenced by those we are close to as a child. Esperanza discovers the impact her upbringing in the novel House on Mango Street, by Sandra Cisneros. She discovers that her culture and those she looked up to determined the person she became because of the things she learned from their choices. In House on Mango Street Sandra Cisneros suggests that the community we live in or the society we’re part of determines our individuality. The impacts of those we are closest to in our societies often have the greatest effect.
Mickey and Minnie, Shrek and Fiona, Barbie and Ken, Troy and Gabriella, Cinderella and Prince Charming, … Even before I knew what love meant, I already knew that coping with the opposite gender came hand in hand with growing up. In the book The House On Mango Street by Sandra Cisneros, the author displays how the narrator Esperanza discovers that men play an important role in her transition to adulthood. However, Esperanza highlights that the kind of impact boys have on you, depends on your actions and qualities.
In Sandra Cisneros’ The House on Mango Street, the vignette “Mango Says Goodbye Sometimes” teaches that, in order to mature, one must accept where they come from. In “Mango Says Goodbye Sometimes,” the protagonist, Esperanza, finally accepts her past community. Cisneros writes, “I am going to tell you a story about a girl who didn’t want to belong… I put it down on paper and then the ghost does not ache so much. I write it down and Mango says goodbye sometimes. She does not hold me with both arms. She sets me free” (Cisneros 110). When Cisneros uses the phrase “a girl who didn’t want to belong,” she shows that Esperanza was ashamed of where she came from. Specifically, by using the words “didn’t want” she displays how Esperanza truly felt about Mango Street, but now, Esperanza accepts her past community which has helped her to become more mature.