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The pressures of being a teenager
House on mango street summary
The pressures of being a teenager
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Mickey and Minnie, Shrek and Fiona, Barbie and Ken, Troy and Gabriella, Cinderella and Prince Charming, … Even before I knew what love meant, I already knew that coping with the opposite gender came hand in hand with growing up. In the book The House On Mango Street by Sandra Cisneros, the author displays how the narrator Esperanza discovers that men play an important role in her transition to adulthood. However, Esperanza highlights that the kind of impact boys have on you, depends on your actions and qualities.
I have never understood boys and I will not waste time trying to understand them. Just like Esperanza, when I was little, I was completely disgusted by them; Esperanza says: “The boys and girls live in separate worlds”(Cisneros,
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8). Separate worlds? More like separate galaxies, universe or dimensions. I will never forget how when I was around first or second grade, my mother used to tell me things like: “los niños siempre molestan a las niñas que les gustan”, this clearly explains that we did not know how to express our feelings around each other. Later on, I think that going through adolescence, bras, first periods and so on, physically separated us even more. However, there already existed a mental or sentimental connection. My first real crush was around sixth grade, but it changed throughout the years. I think this sentimental inconsistency is linked with immaturity, and how we really do not know what we want at such young age. Even though I have developed into the type of person that, for better or for worse, does not really care what others think, I do believe that what others say or feel about us, influences us while growing up. I remember going to my first “quinceaños” and how boys started talking about how girls look. They started talking about how “esa man ta wena” or how she was not hot, and that sort of stuff. They also started commenting on how some girls wore short skirts or dresses, and some too short. One of the best parts of going to a “quinceaños” on Friday or Saturday was listening to “los cuentos” on Monday at school. On one of those anxiously awaited Mondays, was not so fun at all. One of my best friends came running to tell me that she heard people were saying that I kissed some random guy. That rumor utterly offended my proper reputation. But the day got even worse when my friend told me “la próxima ves no te pongas ese traje espalda’ fuera pues”… I could not believe those words came out of her mouth.
I was not dressing up to for any boy or girl; I wore that dress because I like it. I wore that dress for myself. This reminds me of when Mr. Benny tells Esperanza and her friends that girls should not be wearing high heels. Cisneros writes: “They are dangerous, he says. You girls too young to be wearing shoes like that. Take them shoes off before I call the cops, but we just run” (41). Esperanza is erroneously taught that being feminine is dangerous, and that she should avoid things such as high heels to save her dignity from being diminished by men. However, just like Esperanza, I strongly disagree. I will not deny that I felt disappointed after I heard that rumor, (which was not the last rumor invented about me) but that is how “el que no debe no teme” became my motto through adolescence. And it was hilarious finding out that the ones inventing those rumors were always boys I never even …show more content…
liked. While mentioning her grandmother (who is also her “tocaya”) and her supposed friend Sally, she repeats the image of both women looking throughout windows after they get married. She mentions this when she was younger while describing her grandmother, and repeats it later on after she grows up while describing Sally. This represents that, to Esperanza, being free is an essential right to succeed in her transition as a woman. Thus it is evident to the reader that Esperanza does not want to become like her grandmother, and nevertheless, like Sally. The narrator says while referring to her grandmother: “ I have inherited her name, but I don’t want to inherit her place by the window” (11). (I constantly question myself if Esperanza would ever want to get married). As a young woman, I would like to add to Esperanza’s observation that being free does not mean avoiding men as an significant part of your life.
My parents are divorced and I treasure the fact that my mom embodies the power of feminism. That might be the reason why I have never felt like I needed a man. This also explains why my guy friends used to tell me “es que eres muy complicada” (throwback to where I said I did not understand boys… I clearly know the will never understand girls either). Many say women are from Venus and men are from Mars. However, my mother always taught me that the right boy would even fly through space just for you. If you do not believe it takes that much effort to get to a girl who has strong independent ideals, tell that to my boyfriend (mayor plot twist, I know). That is how I know that strong women are also the ones who still know their own way through life, even when having a man by their side. As old as I get, I will still believe that staying true to yourself will always lead you to your Prince Charming. I definitely want to get married one day, but I know for sure that you will never find me melancholically looking throughout a
window.
In the story the house on mango street there are both young girls, Sally and Esperanza. Both girls desire adventure, love, and beauty. However, Sally is more outgoing and confident than Esperanza. She has confidence that she is beautiful. She play the role of a strong female that never get hurt by any boys. Esperanza admires and looks up to Sally. Esperanza does not want to be a "weak woman" and she sees Sally as her role model. Their home lives contrast also Ironically. Sally is physically abused by her father each time he catches her with a boy. On the other side Esperanza and her family communicates well. Sally sees her self as a women and not the type of women a person that isn't confident of herself and that's what Esperanza likes.
The House on Mango Street by Sandra Cisneros is about a girl who struggles finding her true self. Esperanza sees the typical figures like Sally and Rafaela. There is also her neighbor Marin shows the “true” identity for women on Mango Street. She also sees her mother is and is not like that at the same time. The main struggle that Esperanza has is with beauty. This explains why most of the negative people that Esperanza meets on Mango Street, and her gender, helped her see the mold she needed to fill in order to give herself an identity.
“The House on Mango Street” emphasizes on this issue, even broadens to explain other controversial matters such as abuse, misogynistic views, and stereotypes. The protagonist, Esperanza Cordero moves to Mango Street where she must witness the abuse affecting her friends, neighbors, and family. Either Sally a close friend, Mamacita a neighbor, or her own mother handling 4 children. Over the course of the novel Esperanza changes physically and mentally. Through the use of imagery as well as complex, descriptive vignettes Cisneros epitomizes the misogynistic views within Esperanza’s
As the chapter opens, the first impression of Sire is one of a James Dean type of character. Sire and his friends are just sitting on their bikes, pitching pennies, or in other words, gambling. Esperanza tells us that she is scared of them, which makes me wonder why she would be afraid of them? She then says how her dad calls him a “punk.”
Sandra Cisneros once said “'Hispanic' is English for a person of Latino origin who wants to be accepted by the white status quo. ’Latino' is the word we have always used for ourselves.” In the novel I read, The House on Mango Street, by Sandra Cisneros the main character a twelve-year-old Chicana (Mexican-American girl), Esperanza, saw self-definition as a struggle, this was a major theme in the novel through Esperanza’s actions and the ones around her. Esperanza tries to find identity in herself as a women as well as an artist throughout the novel through her encounters. Esperanza was able to provide the audience an image that was vivid of her surroundings by her diction and tone. Esperanza presents a series of stories that she deals with in her neighborhood as she is growing up. Esperanza arose from poverty and always dreamt of having a house of her own. Sandra Cisneros' strong cultural and gender values have a tremendous influence in The House on Mango Street. Cisneros feels that the Mexican-American community is very abusive towards the treatment of women because men are seen as the powerful, strong figure. Women are seen as failure and can’t strive without men in a Mexican-American community. In this novel you can see a cultural approach which examines a particular aspect of a culture and a gender studies approach which examines how literature either perpetuates or challenges gender stereotypes.
The House on Mango Street characterizes a community of girls and women restricted in their movements within the barrio. The roles of these girls and women are translated through the eyes of a child. When women in the barrio are confined, they can become a victim of abuse due to male domination. Women are confined to interior spaces in addition to their domestic roles as daughters, wives, and mothers. They live inside the barrio, but desire to escape and live outside the barrio. In addition, women can escape their restricted lifestyle by receiving an education. Esperanza, the child narrator is the only one who escapes this ethnic lifestyle (Mullen 6).
Now, in modern times, affairs seem to be a natural phenomenon of daily life. They are popularly seen in movies, novelas—soap operas and also expressed through literature. Although they are conventionally characterized as passionate and exciting, they can also catalyze a lot of thought and uncertainty for the individuals involved. “Migration” written by Rosa Alcala is a poem that takes a different approach in describing what an affair is. In her poem she rather focuses on describing the stressful cognitive affects that occur as a result of being involved in an affair. Through figures of speech, persona and images the author is able to establishes the feeling of the poem as cautious uncertainty.
The House On Mango Street by Sandra Cisneros is a fictional novel set in 1950’s Chicago. Centering around Esperanza’s Mexican American family and their neighbors on Mango Street, the story illustrates Esperanza’s growth and gain of experience. Throughout the story, Esperanza obtains insight on many diverse aspects of life, one being how different she is from the men and even the other women in her culture and society. She recognizes that many of the women in her life are opressed, and identifies that she craves to be different and more independent. Through the use of figurative language, Cisneros asserts that when women allow themselves to be dominated by men, they may be prevented from pursuing their aspirations.
Throughout The House on Mango Street Esperanza learns to resist the gender norms that are deeply imbedded in her community. The majority of the other female characters in the novel have internalized the male viewpoint and they believe that it is their husbands or fathers responsibility to care for them and make any crucial decisions for them. However, despite the influence of other female characters that are “immasculated”, according to Judith Fetterley, Esperanza’s experiences lead her to become a “resisting reader” in Fettereley’s terminology because she does not want to become like the women that she observes, stuck under a man’s authority. She desires to leave Mango Street and have a “home of her own” so that she will never be forced to depend on a man (Cisneros 108). During the course of the novel Esperanza eventually realizes that it is also her duty to go back to Mango Street “For the ones that cannot out”, or the women who do not challenge the norms (110). Esperanza eventually turns to her writing as a way to escape from her situation without having to marry a man that she would be forced to rely on like some of her friends do.
The question, “What do you want to be when you grow up?” is often asked by teachers, parents, friends, and family addressing younger children. It would seem that most Americans have within them the sense that dreams do have the potential to become reality. People often choose to see the “bright futures” of children in order to reassure them they can be anything they want to be. It seems as though there are no barriers to reach a goal if enough hard work is applied. Does this truth transcend cultural divides? Do people of minority in the United States have the same hope about their futures as the majority does? Sandra Cisneros depicts the unique dreams of Mexican-American women despite cultural depression in her story The House on Mango Street.
Sandra Cisneros’s coming of age novel The House on Mango Street, is a good example of an instance where the ‘macho man’ stereotype is extenuated. Esmerelda, the narrator, is growing up in a very traditional patriarchal culture. In this environment, the men are seen as the head of the family, often controlling what his wife and family can do. In the chapter, “Alice Who Sees Mice” Esmerelda tells about a girl, Alice, who was forced to take her mother’s role and care for her younger siblings and father. When she attempts to go to school to escape the life, her father berates her sections and tells her that her
The House on Mango Street is the tale about a young girl named Esperanza who is maturing throughout the text. In it Esperanza documents the events and people who make up Mango Street. It is through this community that Esperanza’s ideas and concepts of the relationships between men and women are shaped. She provides detailed accounts about the oppression of women at not only the hands of men who make up Mango Street but also how the community contributes to this oppression. As the young girls and women of Mango Street try to navigate the world they must deal with a patriarchal society that seeks to keep them confined. By growing up in this environment where women are confined Esperanza seeks desperately to depart from Mango Street for fear
A Small Place by Jamaica Kincaid presents the hypothetical story of a tourist visiting Antigua, the author’s hometown. Kincaid places the reader in the shoes of the tourist, and tells the tourist what he/she would see through his/her travels on the island. She paints a picturesque scene of the tourist’s view of Antigua, but stains the image with details of issues that most tourists overlook: the bad roads, the origin of the so-called native food, the inefficiency of the plumbing systems in resorts, and the glitches in the health care system. Kincaid was an established writer for The New Yorker when she wrote this book, and it can be safely assumed that majority of her readers had, at some point in their lives, been tourists. I have been a tourist so many times before and yet, I had never stopped to consider what happens behind the surface of the countries I visit until I read this essay. Kincaid aims to provoke her readers; her style of writing supports her goal and sets both her and her essay apart. To the reader, it sounds like Kincaid is attacking the beautiful island, pin-pointing the very things that we, as tourists, wish to ignore. No tourist wants to think about faeces from the several tourists in the hotel swimming alongside them in the oceans, nor do they want to think about having accidents and having to deal with the hospital. It seems so natural that a tourist would not consider these, and that is exactly what Kincaid has a problem with.
To begin with the chosen poem is the street written by Octavio Paz in 1963. The poem style is written in free verse consisting of 14 stanzas, the poem does not consist of rhyme patterns or many literary devises. The meaning behind The Street by Octavio is about how Octavio is not sure what he wants exactly sure out of life, After Octavio resigned from being Mexico’s’ ambassador he was not sure if he made the right choice or if what he is going to do now. Although By the end of the poem he is trying to come to terms with his decision so he finally confronts "nobody." The street, by Octavio Paz uses an extended metaphor and imagery to convey the struggle which he has inside of himself. In his poem, “The Street”, Octavio Paz uses the literary devise of an extended metaphor, and imagery, and a mysterious, foreshadowing almost tone to capture the reader’s attention.
Along with the skirt, came the looks. Perhaps I was more sensitive to them because I was new to cross-dressing in public and was watching people for their reactions. Some people looked with disdain, some only with confusion, and some probably thought I was just a fledgling transgender who hadn’t really yet mastered her feminine look. I was expecting these looks. I knew they would come and I wanted them to. I was not trans, just a boy wearing a skirt. I wanted them to see that I exist.