“Sam was a prince of a man” were the words used to describe the late great by “the Queen of Soul” Aretha Franklin (Crossing Over). Sam Cooke was far more than a prince he was a king. Cooke’s life and legacy is one that will never be matched. He was a pioneer in the music business, an unmatched vocalist, the voice of the civil rights movement, and a man with an insatiable appetite for women. He was a musical pioneer creating a sound that the world had never heard before. Cooke successfully crossed pop music and gospel to create soul music. The mastermind that is Sam Cooke created a song that would “…exemplify the sixties' Civil Rights Movement” (Wikipedia). Sam Cooke was at the height of his career when he was murder. Cooke was an extraordinary man with an ordinary weakness, his desire for women. These desires ultimately lead to his untimely death. Sam Cooke was a man of many faces the artist, the activist, the administrator, and finally the adulterer.
The critical acclaimed “A Change Gonna Come” begins with Cooke’s smooth yet emotional vocals yelping “I was born by the river in a little tent”. The words are not very far from the truth. Cooke began his life on January 22, 1931 in Clarksdale, Mississippi. Born Samuel Cook, he was the fifth child of Reverend Charles and Annie Mae Cook. Reverend Cook moved his family from the “up from the Mississippi Delta” (Krajicek) to Chicago in 1933. Cooke was raised in a God fearing household were his father instilled the importance of working hard for everything you want in life. At a very young age Cooke made it clear to his family that he intended on being a being a singer; he never planned to work a normal job (Krajicek). Cooke by no means desired to live the life of an average job, bec...
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... Music - Observing Change: Sam Cooke and the Civil Rights Movement." Gapers Block - Slow down & Check out Chicago! 11 Feb. 2010. Web. 17 June 2010. .
Palmer, Robert. "POP LIFE - New York Times." The New York Times - Breaking News, World News & Multimedia. 17 June 2010. Web. 17 June 2010. .
Panache, Myra. "The Mysterious Death Of Sam Cooke." Panache Report. Web. 17 June 2010. .
"Sam Cooke: Crossing Over." American Masters. Public Broadcasting Service (PBS). 11 Jan. 2010. Television.
Wikipedia contributors. "Sam Cooke." Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 16 Jun. 2010. Web. 17 Jun. 2010.
James Earl Jones’s early life was difficult, and he was a part of the Great Migration. He was born in Arkabutla, Mississippi in 1931. Jones was raised by his maternal grandparents, for his father had left his mother when Jones was very young. She too left him at a young age, but visited from time to time. “I rejoiced in her visits, yet her impending departure brought me to grief” (Jones 18). Jones’s grief was routed in a feeling of abandonment. His did not see his father for many years, and his mother’s visits were infrequent, but his grandparents were very loving, and he would respect them as his parents (Jones 21). His attachment to his grandparents profoundly affected his life when he was nearly abandoned again. At age 5, his grandparents decided to move north to Michigan, and on the way they stopped by Memphis, Tennessee where they attempted to leave Jones with his paternal grandmother. ...
... gospel singer, had he lived for six more months. Presley also revealed his spirituality through racial reconciliation. His appreciation for black and white southern gospel music was evident, and he even showcased black performers as his backup singers. In a concert song entitled “An American Trilogy,” Presley challenged southerners to transcend sentiments rooted in racism that dated back to the Civil war. Presley’s spirituality can be seen as a white working-class southern spirituality. Overall, Presley’s southern spirituality drastically influenced his music and his career embodied the southern movement toward using modern entertainment to reach all with the age-old message of the gospel.
Werner, Craig Hansen. 2006. A change is gonna come: music, race & the soul of America. Ann Arbor: University of Michigan Press.
Some people may call him “The King”, Elvis Presley is a well-known musician who stepped out of the norm and created a different kind of music. Presley combined pop, country, gospel, and black R&B to create his musical style. Presley caught everyone’s attention with his dance moves and musical talent. Elvis Presley led the way for many musicians, and has impacted the lives of many people.
Bessie Smith is the best blues singer of the twentieth century because the legacy she left behind still affects us today. Bessie Smith is known as the “Empress of Blues”, and this title is well deserved. Bessie Smith is the most influential and significant blues singer of the twentieth century. Bessie Smith's ability to have full control over the genre was amazing because it allowed her to have a soulful but powerful performance ("Bessie Smith Queen of the Blues"). Smith's work ethic that was drilled in by her older sister helped her launch and continue on with her successful career. Because of Smith's work ethic, she was able to rise out of poverty and into fame (Forman). Bessie Smith influenced many other singers like Billie Holiday, Janis Joplin, and more ("Bessie Smith"), and she also had role in changing the musical landscape for African American women (Machado). During her prime, Bessie Smith sold thousands of records and was well paid ("Bessie Smith Queen of the Blues"). She signed with Columbia Records and the focus of her songs were about a woman's control over her body and sexuality (Machado). Smith's success gave hope to
Known as the “Empress Of Blues”, Bessie Smith was said to have revolutionized the vocal end of Blues Music. She showed a lot of pride as an independent African-American woman. Her style in performance and lyrics often reflected her lifestyle. Bessie Smith was one of the first female jazz artists, and she paved the way for many musicians who followed.
According to Albert Murray, the African-American musical tradition is “fundamentally stoical yet affirmative in spirit” (Star 3). Through the medium of the blues, African-Americans expressed a resilience of spirit which refused to be crippled by either poverty or racism. It is through music that the energies and dexterities of black American life are sounded and expressed (39). For the black culture in this country, the music of Basie or Ellington expressed a “wideawake, forward-tending” rhythm that one can not only dance to but live by (Star 39).
Epstein, Dan. 20th Century Pop Culture: The Early Years to 1949. Philadelphia: Chelsea House Publishers, 2001. Print.
Many African-Americans consume what is known as “soul food”, for which, it is very popular within the black community. Soul food is an African-American cuisine that can be traced back as far as African, however, the term itself was not coined until the mid-1960s. It also comprise an important element of the cuisine of the general American south. Soul food was adopted and modify during the African slave trade and it was during this time food African cuisine and southern European cuisine became one big melting pot.
Stanley Newcomb Kenton is one of the most influential figures to be found in all of jazz history, even being called "the most significant figure of the Modern Jazz age" by Frank Sinatra (Agostinelli, 6). Kenton's progressive concepts of how music is written and performed greatly affected the genre of jazz, and created something new and unique. Always under controversy, Kenton and his band always strove to do something different, never settling into a niche for long periods of time. Even today, when hearing modern jazz performers (particularly big bands) one can often hear the influence from Kenton's music.
Louis Armstrong’s rendition of “(What Did I Do to Be So) Black and Blue” altered various components of the original tune as he incorporated several jazz techniques typical of the 1920’s and pulled the piece out of its original context of Broadway. Doing so greatly changed the piece as a whole and its meaning, to call attention to the necessity of civil rights for the black population. Armstrong’s life was not purely devoted to music. As a civil rights advocate for the black population in the U.S., he grabbed the attention of the government through his fame and helped to bring equal rights to his brethren. But at times, Armstrong allowed his actions to undermine the importance of African American civil rights, which created negative sentiments
Before the war started, a wealthy white man by the name of John Hammond worked to integrate black and white music.1 Since his childhood, he enjoyed the music of numerous black artists, and he wanted to share his love with the rest of America. He used much of his inherited fortune to make this possible. He went against the general opinion of society and his parents, who despised black people. Hammond refused to ignore black artists’ musical abilities because of their color, “I did not revolt against the system, I simply refused to be a part of it.”2 He used his money to organize the most eclectic group of musicians ever assembled, for an integrated audience of his time. Hammond’s efforts made an indelible impact on the music industry. The musicians Hammond introduced in...
Whitney Houston is considered one of the greatest singers of our generation. According to the Guinness Book of World Records, she holds the record of being the most rewarded female artist of all time. I chose her as my topic, because she represents resiliency and tenacity, despite her troubled experiences with drugs and her personal life. Whitney Houston comes from a family with an amazing, musical pedigree; her mother, Cissy Houston, was a successful back-up singer for Aretha Franklin and Elvis Presley. Dionne Warwick is her first cousin, and Aretha Franklin is her godmother.
Influential as both a singer and composer,[3] he is commonly known as the King of Soul for his distinctive vocals and importance within popular music. His pioneering contributions to soul music contributed to the rise of Aretha Franklin, Bobby Womack, Al Green, Curtis Mayfield, Stevie Wonder, Marvin Gaye, and Billy Preston, and popularized the likes of Otis Redding and James Brown.[4][5][6] AllMusic biographer Bruce Eder wrote that Cooke was "the inventor of soul music", and possessed "an incredible natural singing voice and a smooth, effortless delivery that has never been surpassed".[7]
Havrilesky, Heather. “Stalking Celebrities.” Remix: Reading and Composing Culture. Ed. Catherine G. Latterell. 2nd ed. Boston/New York: Bedford/St. martin’s, 2010. 446-450. Print.