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The descriptive writing of loneliness
Literary analysis essay about loneliness
Literary analysis essay about loneliness
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While serving as an incredibly impactful piece of indirect characterization for Denver, there are many dynamics of this paragraph that I found intriguing. There are so countless powerful phrases within the short excerpt making it almost too difficult to decide where to begin. Nevertheless, I think beginning with my relation to the words is an acceptable starting spot. This girl is clearly hiding from the world that she fears, whether it be from personal experience or what her mother has taught her, she is afraid to face the world and attempts to take refuge in a secret room. This is so similar to all human being as running away from our problems or fears is a common instinct that, in fact, propels the dilemma to greater proportions. I know
Inevitably, loneliness will overpower any other foul emotion and influence a person to make a change. This is seen in everyday life as people are constantly searching for attention, new comrades or someone to relate with. When analyzing this paragraph I saw it as a perfect foreshadowing of the development that this character will undergo. At this point, her years of solitude have most likely scarred her socially, emotionally and psychologically, but eventually she will find the courage to venture out of her comfort zone. Other notable elements within the excerpt include Morrison’s eloquent and epic writing style equally matched by her ability to connect with the reader emotionally. Many of the sentences within this short paragraph could be extracted as quotes to demonstrate a theme. For example the sentence, “Veiled and protected by the live green walls, she felt ripe and clear, and salvation was as easy as a wish,” allows for the reader to search their memory for their own experience of salvation or serenity. While this remains a great paragraph, the amazing thing is that much of the book is filled to the brim with powerful
While walking downtown with her girlfriend, the author describes as, “[her] heart began to skip every other beat, pounding, pounding, pounding … [as she stood] paralyzed like a frightened, little jackrabbit.” Repetition of the word “pounding” in the text develops a fast pace, indicating the urgency and panic felt by the author; terms such as paralyzed are utilized to emphasize the urgent, panicked mood. However, sanguine moods still persist throughout the narrative. For example, in the opening paragraph the author describes how she, “watch[ed] the golden dots of morning light glide across [her] ceiling, [and she] melted into a feeling of peace specific to the freedom of early summer.” Terms such as “golden,” “glide,” “peace,” and “early summer” help the reader detect a placid mood in the text, directing the reader towards the state of contentment the author feels surrounding her relationship. Mood differentiations in the text, from the urgency of the narrator’s walk downtown to the tranquil peace of the narrator’s relationship, indicate the contrasting aspects of the LGBT+ community, both in terms of the impending fear of violence, and the love that is the
“Winter lies too long in country towns; hangs on until it is stale and shabby, old and sullen” (“Brainy Quotes” 1). In Edith Wharton’s framed novel, Ethan Frome, the main protagonist encounters “lost opportunity, failed romance, and disappointed dreams” with a regretful ending (Lilburn 1). Ethan Frome lives in the isolated fictional town of Starkfield, Massachusetts with his irritable spouse, Zenobia Frome. Ever since marriage, Zenobia, also referred to as Zeena, revolves around her illness. Furthermore, she is prone to silence, rage, and querulously shouting.
-Toni Morrison uses strong diction to resonate the central message that the most unexpected people/places have the deepest meaning in life. In the novel it states,“ In the safe harbor of each other’s company they could afford to abandon the ways of other people and concentrate on their own perceptions of things.” (Morrison, 55) Toni Morrison shows how they were important in helping each other understand the world around them. By the author using the word abandon, she displays how they needed to escape the world when it came to focusing on their relationship. She could have easily used “they left the world” but by using the word abandon it adds more depth to just how powerful they were to one another. Toni Morrison used perceptions to help relate to the powerful bond of their friendship. In the novel, Sula and Nel saw things very different. Sula perceived the world with its imperfections by rebelling against society. Nel perceived the world in a warped sense and felt the need to follow society’s rules. Sula was an unexpected force in Nel’s life, which impacted her view on the world and her future.
In the novel Beloved, Toni Morrison focuses on the concept of loss and renewal in Paul D’s experience in Alfred Georgia. Paul D goes through a painful transition into the reality of slavery. In Sweet Home, Master Garner treated him like a real man. However, while in captivity in Georgia he was no longer a man, but a slave. Toni Morrison makes Paul D experience many losses such as, losing his pride and humanity. However, she does not let him suffer for long. She renews him with his survival. Morrison suggest that one goes through obstacles to get through them, not to bring them down. Morrison uses the elements of irony, symbolism, and imagery to deal with the concept of loss and renewal.
Toward the end of Beloved, Toni Morrison must have Sethe explain herself to Paul D, knowing it could ruin their relationship and cause her to be left alone again. With the sentence, “Sethe knew that the circle she was making around the room, him, the subject, would remain one,” Morrison catches the reader in a downward spiral as the items around which Sethe makes her circles become smaller in technical size, but larger in significance. The circle traps the reader as it has caught Sethe, and even though there are mental and literal circles present, they all form together into one, pulling the reader into the pain and fear Sethe feels in the moment. Sethe is literally circling the room, which causes her to circle Paul D as well, but the weight
...She writes of the type of person that one can only hope exists in this world still. The message of her writing and philosophy is contained in a single phrase from the novel: “I swear by my life and my love of it that I will never live for the sake of another man, nor ask another man to live for mine,” (731). This is an inspiration, awakening an inner voice and drive that impels each person to do their absolute best. It implores the soul of the reader to awaken, to become the ideal of the human spirit, and to rise until it can rise no higher. It is a call to anyone with reason, anyone with the strength to be an Atlas, and it is reminding him or her of their duty to live up to the individual potential. For as long as there are those who would hear the message, there will still be hope for mankind.
In Toni Morrison’s Beloved, love proves to be a dangerous and destructive force. Upon learning that Sethe killed her daughter, Beloved, Paul D warns Sethe “Your love is too thick” (193). Morrison proved this statement to be true, as Sethe’s intense passion for her children lead to the loss of her grasp on reality. Each word Morrison chose is deliberate, and each sentence is structured with meaning, which is especially evident in Paul D’s warning to Sethe. Morrison’s use of the phrase “too thick”, along with her short yet powerful sentence structure make this sentence the most prevalent and important in her novel. This sentence supports Paul D’s side on the bitter debate between Sethe and he regarding the theme of love. While Sethe asserts that the only way to love is to do so passionately, Paul D cites the danger in slaves loving too much. Morrison uses a metaphor comparing Paul D’s capacity to love to a tobacco tin rusted shut. This metaphor demonstrates how Paul D views love in a descriptive manner, its imagery allowing the reader to visualize and thus understand Paul D’s point of view. In this debate, Paul D proves to be right in that Sethe’s strong love eventually hurts her, yet Paul D ends up unable to survive alone. Thus, Morrison argues that love is necessary to the human condition, yet it is destructive and consuming in nature. She does so through the powerful diction and short syntax in Paul D’s warning, her use of the theme love, and a metaphor for Paul D’s heart.
The daughter alludes to an idea that her mother was also judged harshly and made to feel ashamed. By the daughters ability to see through her mothers flaws and recognize that she was as wounded as the child was, there is sense of freedom for both when the daughter find her true self. Line such as “your nightmare of weakness,” and I learned from you to define myself through your denials,” present the idea that the mother was never able to defeat those that held her captive or she denied her chance to break free. The daughter moments of personal epiphany is a victory with the mother because it breaks a chain of self-loathing or hatred. There is pride and love for the women they truly were and is to be celebrated for mother and daughter.
Friendship. It is easily found for a majority of people. For some, it is not. August has trouble making friends. His face is an obstacle that prevents him from doing things that normal people can accomplish. The looks of his face should not be problem, and to some people it is not. While reading Wonder, I was able to relate to the main character August, because like myself, he loses and gains friends.
In the story, “Recitatif,” Toni Morrison uses vague signs and traits to create Roberta and Twyla’s racial identity to show how the characters relationship is shaped by their racial difference. Morrison wants the reader’s to face their racial preconceptions and stereotypical assumptions. Racial identity in “Recitatif,” is most clear through the author’s use of traits that are linked to vague stereotypes, views on racial tension, intelligence, or ones physical appearance. Toni Morrison provides specific social and historical descriptions of the two girls to make readers question the way that stereotypes affect our understanding of a character. The uncertainties about racial identity of the characters causes the reader to become pre-occupied with assigning a race to a specific character based merely upon the associations and stereotypes that the reader creates based on the clues given by Morrison throughout the story. Morrison accomplishes this through the relationship between Twyla and Roberta, the role of Maggie, and questioning race and racial stereotypes of the characters. Throughout the story, Roberta and Twyla meet throughout five distinct moments that shapes their friendship by racial differences.
At the start of the novel, Sethe tries to avoid the past and bury the traumatizing memories of her past. Part one opens with the words "124 was spiteful" (3) which sets the tone for the first portion as it associates a Sethe's home with a failure to face the past and thus, bitterness and pain. Sethe appears to realize the impossibility of escaping from memories and tells Denver, "`The picture is still there and what's ...
Under the orders of her husband, the narrator is moved to a house far from society in the country, where she is locked into an upstairs room. This environment serves not as an inspiration for mental health, but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper which is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
Toni Morrison’s powerful novel Beloved is based on the aftermath of slavery and the horrific burden of slavery’s hidden sins. Morrison chooses to depict the characters that were brutalized in the life of slavery as strong-willed and capable of overcoming such trauma. This is made possible through the healing of many significant characters, especially Sethe. Sethe is relieved of her painful agony of escaping Sweet Home as well as dealing with pregnancy with the help of young Amy Denver and Baby Suggs. Paul D’s contributions to the symbolic healing take place in the attempt to help her erase the past. Denver plays the most significant role in Sethe’s healing in that she brings the community’s support to her mother and claims her own individuality in the process. Putting her trust in other people is the only way Sethe is able to relieve herself of her haunted past and suffering body. Morrison demonstrates that to overcome the scars of slavery, one must place themselves in the hands of those that love them, rather than face the painful memories alone.
The setting of the story is rather mysterious, yet tense. The story first begins in a haunted house where a mother by the name of Sethe , and her daughter Denver harbor the burden of the ghost called Beloved. The setting of the characters living in this home, gave the reader a supernatural feel from the beginning of the novel. From every flashback of Sethe’s life to the smallest bit of the life she once had, Toni Morrison throws the reader back into a puzzling moment which forces the reader to evaluate the roots of Sethe’s life .Each setting revealed something different about the main character Sethe .
Social class is a major theme in the book The Bluest Eye by Toni Morrison. Toni Morrison is saying that there are dysfunctional families in every social class, though people only think of it in the lower class. Toni Morrison was also stating that people also use social class to separate themselves from others and apart from race; social class is one thing Pauline and Geraldine admire.Claudia, Pecola, and Frieda are affected by not only their own social status, but others social status too - for example Geraldine and Maureen Peal. Characters in the book use their social class as another reason for being ugly. Readers are reminded of the theme every time a new character enters into the book.