If by soul you mean that somebody went in contradiction of their views and values then there must have been enough gain to justify such a decision. What that gain is, it is challenging to determine. Perhaps a sacrifice is seen as reasonable in order to gain status, fortune and authority. Which leads to the question about whether artists and other famous people might have originally lost their “soul” in giving it to the public to reach their position leading to part of their being not belonging to them anymore?
The Golden Rule, “Do unto others as you would have them do unto you” is an ancient, well-accepted imperative for exchange. However, it comes up short for achieving accomplishment in occupational and in life. Success is not about you;
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When Dorian all but acknowledges to Basil’s murder, Lord Henry flippantly dismisses him, since his worldview holds that “crime belongs exclusively to the lower orders.” Only Lord Henry, who has never actually done any of the belongings he has inspired Dorian to do, could have the luxury of this thought. By keeping himself free from sin, even as he argues the potentials of sinning, Lord Henry lacks the terrible consciousness of guilt and its incapacitating effects. While the street preacher’s rhetorical questioning about earthly gain at the cost of spiritual loss (from the New Testament, Mark 8:36) haunts Dorian, it holds no real meaning for Lord Henry. At this stage, however, not even truthful self-awareness is plenty to save Dorian. In his final minutes, he attempts to regret the murder of Basil, the suicides of Sibyl Vane and Alan Campbell, and his uncountable other sins by nonparticipation from seducing and ruining a adolescent village girl. The inconsistency between the horror of his crimes and this minor act of remorse is too great. Furthermore, he comprehends that he does not want to confess his sins but rather have them humbly go away. The portrait reflects this insincerity and drives him to his final, anxious act. He approves it is better to destroy the last evidence …show more content…
The books that the world calls corrupt are books that show the world its own dishonor.” Before leaving, Lord Henry requests Dorian to visit him the next day. That night, Dorian goes to the locked room to aspect at his portrait. He hopes his result to alter his life will have changed the painting, and he considers that perchance his decision not to ruin the innkeeper’s daughter’s status will be mirrored in the painted face. But when Dorian gazes at his portrait, he sees there is no modification except that “in the eyes there was a look of cunning, and in the mouth the curved wrinkle of the hypocrite.” He understands his disgraceful attempt to be good was no more than insincerity, an attempt to minimize the seriousness of his crimes that falls far short of punishment. Furious, he grasps a knife, the same weapon with which he killed Basil and drives it into the portrait in an effort to destroy
Through the novel Henry’s conversations with Dorian and Basil Hallward depict him as an invested disciple of Pater. Henry’s insight into to Pater’s philosophy can best be seen when he states that, “the only horrible thing in this world is ennui” or boredom (Wilde 220). Henry echoes Pater’s distaste for the formation of habits and not having new experiences that bring the individual out of their daily rut. Henry is the one who advises Dorian to live his life to fullest and to appreciate art and beauty, but the reader is not privy to Henry’s private life or his internal thoughts. While Henry accurately represents Pater’s ideals through his speech the reader cannot assume that he also enacts them in his daily life. The reader is reminded of their lack of insight into Henry’s character when Basil continually states “you don’t mean a single word of all that, Harry” (200). Basil is a close friend to Henry and from the beginning of the novel Basil is not blind to flaws of Henry’s character. In fact, he is fearful that Henry’s influence will corrupt Dorian. Due to the readers disconnect to Henry’s character the words of ...
Basil goes to speak to Dorian to tell to him of the rumors they have been spreading. Many people believe him to be immoral and a corrupting influence that must be avoided to keep one’s good name. Hearing such rumors trouble Basil because he worships Dorian so strongly and is so devoted to him. He even refuses to exhibit the portrait of Dorian, the imitation he made, “Because, without intending it, I have put into it some expression of all this curious idolatry.” (13 Wilde) Basil feared that the world would be able to tell how much he adored Dorian. Continuing his conversation, Basil claims “but you, Dorian with your pure, bright, innocent face, and your marvelous untroubled youth—I can’t believe anything against you.” (127 Wilde) Which is to say that Basil believes that when one commits sin it changes the man’s outward appearance, corrupting him and since Dorian is beautiful he is without sin...
With the fateful encounter with Lord Henry, Dorian is ushered into a world of idealistic art and beauty. Lord Henry plays a key role in introducing a new world in which beauty, youth and sensations dominate. First, Lord Henry employs a powerful strategy of developing Dorian's self-consciousness of his ow...
William Shakespeare is widely known for his ability to take a sad story, illustrate it with words, and make it a tragedy. Usually human beings include certain discrepancies in their personalities that can at times find them in undesirable or difficult situations. However, those that are exemplified in Shakespeare’s tragedies include “character flaws” which are so destructive that they eventually cause their downfall. For example, Prince Hamlet, of Shakespeare’s tragedy play “Hamlet,” is seemingly horrified by what the ghost of his father clarifies concerning his death. Yet the actions executed by Hamlet following this revelation do not appear to coincide with the disgust he expresses immediately after the ghost alerts him of the true cause of his death. Thus, it is apparent that the instilled self doubt of Prince Hamlet is as the wand that Shakespeare uses to transform an otherwise sad story to an unfortunate tragedy.
life: the Golden Rule. The Golden Rule states “do unto others as you would have them do unto
Hamlet’s sanity began to deteriorate when learned that his father’s death was not an accident, but rather a foul deed committed by the newly crowned King of Denmark. “If thou didst ever thy dear father love – Revenge his foul and most unnatural murder” [Act I, v l .23-25]. As a mysterious ghost appeared in the terrace, Hamlet learned of a murderer that would prove his fealty towards his father. As he contemplated the appalling news recently brought to his attention, the control Hamlet had over his actions was questioned. “O villain, villain, smiling, damned villain! My tables meet it is I set it down, That one may smile, and smile, and be a villain. At least I am sure it may be so in Denmark,” [Act I, v l. 106-109]. Hamlet’s hatred toward his father’s killer caused him to relate the tribulations between murder and the aspects of Denmark as a country together. As with most of the conflicts Hamlet faced, his lack of ability to avenge his father’s death, furthered the deterioration of his life and surroundings.
Lord Henry easily influence Dorian because he is young and young people can copy everything what old people say and does. Dorian listened to Lord Henry that being gorgeous is better than to have manners. He showed this like when he just liked Sibyl because she can act but when Sibyl forget about her acting, he unliked her and just dumped her. When Sibyl killed herself, at first Dorian is kind of guilty but then Lord Henry told him that it is not his fault. That Sibyl is only a girl. Also, with the death of James and Basil, he felt really guilty. With James, he feels like because James was the brother of Sibyl so like James is threatening him. Basil also kind of influenced him because he also made Dorian realized or showed Dorian the world of beauty. And with Basil, Basil is the one who knows everything about him and the one who made his portrait that Dorian feels like it is not right because all he see on his portrait is his guilt and every bad thing he did. He blamed Basil for it. He also destroyed the painting because it is not working right and its just becoming worse and worse when his sins are increasing. When he destroyed the portrait, he used the knife that he also used when he killed Basil. At the end, when he destroyed the painting, he also killed himself. The book is
“Wilde was under the impression that it is possible to be spiritual and religious, but he found himself incapable of achieving it.” (Pearce, 214). If Dorian were able to first feel guilty for his actions, he could have ended up more like Dantès.
...major sin, he also knows that he must avenge his father's death. He could not continue to live knowing that he was not able to put his father's soul to rest, "My thoughts be bloody or be nothing worth."
The Picture of Dorian Gray was a remarkably well-written book due to the reaction of its themes by society. In the preface of the novel, Wilde introduces the opinion that "...there is no moral or immoral book. Books are well written or badly written. That is all." Numerous views can be taken upon this fastidious comment. Many would agree that Wilde is justifiably correct because the preface was written with the intention that his readers understand the deeper meaning of the themes than worrying about whether it is considered morally acceptable; or perhaps, the view that it could be considered moral or immoral by the impact it has on the readers' lives. Even though there are several positions held on what The Picture of Dorian Gray's most important meaning is about, the most prominent is the novel as a moral book. Lord Henry Wotton immediately begins to corrupt Dorian's mind after they first meet by forcing his immoral thoughts of "yielding to temptation" which allows Lord Henry to hold his attention. After listening for quite a while to Lord Henry's views, Dorian begins to change his own to match them, and therefore begins to live a life of immorality. The yellow book is a device that Lord Henry uses to further corrupt and drive Dorian deeper into the pits of sin. Through Lord Henry's influence, the changes in Dorian Gray, and the impact of the yellow book, Oscar Wilde efficiently reveals The Picture of Dorian Gray as a moral book.
was intended to be firmly rooted in reason. His anger results in his need to seek revenge
Wilde shows Lord Henry grasping onto Dorian and his moral beliefs, “There is no such thing as good influence Mr. Gray. All influence is immoral-immoral from the scientific point of view.” Dorian quickly transforms from an innocent young man, to a wicked deceitful man. Lord Henry knowingly influences Dorian, “People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is.” The craving for eternal beauty acts alongside with Lord Henry in the demise of Dorian. “As he thought of it, a sharp pang of pain st...
Careful examination of Dorian’s initial susceptibility to influence, willingness to commit sin, and interactions with other characters prove Lord Henry plays the biggest role in transforming Dorian from pure to vicious. With his cunning theories and brainwashing comments, Dorian cannot muster the strength to resist Lord Henry’s dominating nature, showing there are no limitations in relationships when it comes to influence. The topic of which character primarily influences Dorian to turn to a dishonest lifestyle is undeniably significant in understanding the purpose of the characters as well as the deeper meaning of the text.
Oscar Wilde's novel, The Picture of Dorian Gray, explores the themes of influence, corruption and conscience. “The obvious influence of Lord Henry upon Dorian shows how one may corrupt another to such an extent that one's own conscience withers and dies”(Weintraub 116).
When Dorian Gray first meets Lord Henry at the studio of artist Basil Hallward, he is fascinated with Lord Henry’s wit and the radical social doctrines that he advocates. Dorian is easily molded and falls for the argument he hears. According to Lord Henry the goal of new hedonism, “to realize one’s nature perfectly…to give form to every feeling, expression to every thought, reality to every dream” (198-199). As far as philosophies go this seems rather innocuous until Lord Henry goes on to clarify that, “every impulse that we strive to strangle broods in the mind, and poisons us…the only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing” (199). Lord Henry’s advice entices the malleable Dorian, who does not seem to realize that Lord Henry may advocate giving in to every impulse, even the destructive ones, but he does not follow this advice himself. As Basil Hallward informs Lord Henry, “you never say a moral thing, and you never do a wrong thing. Your cynicism is simply a pose” (188). Dorian, however, takes Lord Henry’s advice concerning new hedonism at face value and the results are disastrous.