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Discuss the themes of apocalyptic literature
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When a child is born in a post-apocalyptic world, what is one to do? Leave the baby behind, kill it, raise it as well as one possibly can under the arduous circumstances? In Cormac McCarthy’s The Road, two parents are faced with the birth of their son, and how to keep him alive for as long as they can. Family, starvation, illness, and death all play a role in the parents’ ultimate sacrifice to ensure their son’s ability to survive in the post-apocalyptic world around them.
During the hard times of the apocalypse, the family from The Road completely fell apart. One of the sacrifices the parents make for their son is their family. Between the hazardous conditions of the now post-apocalyptic world, as well as the birth of their son, the family’s unraveling was inevitable. In order to provide efficient care for the boy, they had to let one another
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go. If they would have stayed together, it would have slowed them down. It was hard enough to keep his son going without having to keep his wife going throughout the journey as well. The woman makes the decision to sacrifice her son to her husband, as well as her husband to her son. She did this by walking out on them. It seems quite harsh of a mother and a wife to do; however, it was what she deemed necessary for her son’s survival. She exclaims to her husband, in one of his dreams, “he ripped his heart of me the day he was born,” referring to her son (McCarthy, 57). Her heart being ripped out of her is a representation of her pessimistic view of the future she envisioned for the boy. She also sacrificed her husband to her son when she left him to care for the boy. She knew that he was the only person strong enough to get the boy through the demanding times, for she knew she couldn’t protect him because even she, herself, sought a way out of the world. The man regretfully had to sacrifice his wife at the expense of being able to give the boy the best chance of life he could. His regret in letting her go is shown through his dreams. He has dreams that he tried to help her; however, that wasn’t the case. His mind was trying to rewrite his wrong by helping her in his subconscious. Despite all of his mourning, he needed to let her go for the boy. If he didn’t, there’s a chance that they wouldn’t have made in nearly as far as they did for several different reasons. These reasons include, but aren’t limited to: her mental illness, she could have become physically ill, so they would have needed to stop to care for her, and lastly, food would have been any even bigger issue. Furthermore, considering food is increasingly scarce, feeding the man’s self is strenuous enough without having to feed his son also. Nevertheless, the man is sure to feed both himself and his son. In order to do this, he sacrifices a majority of his food and drink to the boy. This upsets the boy on numerous occasions, one being when the man gave him all of the Coca Cola and only taking one small sip. At one point he tells his father “If you break big promises you’ll break big ones too,” (McCarthy, 34). He then complies with the boy’s wishes to eat and drink also; however, if he had it his way, he would give the boy all the food and drink he had without hesitation. Consequently, since the man wasn’t able to provide his and his son’s bodies with nutrition and warmth during the harsh winter season, their odds of becoming ill were inexorable. Due to the fact that the family didn’t deign cannibalism and had shelter only for a day or two at a time, they were extremely malnourished. Conversely, though these things would be more apparent to make one physically ill, it can also make one mentally ill. Unfortunately, both parents were victims of both types of illness. While each person experienced different illnesses spawning from varied things, they were both terminally ill. The woman suffered a mental illness most closely related to a deep-set depression. Throughout her short time in the novel, she was in constant chagrin over her thoughts of her and her son being defiled and then eaten by the cannibals. In turn, she grew tired of her never ending distress and sought a way out of her misfortune. She was also ill in the consideration of recently giving birth in her bed. Although her husband seemed to know what he was doing, there are still far more risks involved with delivering a baby at home versus in a hospital. This possibly played a role in her depression, perhaps postpartum depression. In the novel, it is apparent she loves her son; however, when she is mentioned, she is never holding or being around her son. It’s as if she had no desire to have essentially anything to do with him, nor anyone else, after his birth. She even tells her husband that she would rather killed their son rather than to let him live (McCarthy, 57). According to MayoClinic.org, those affected by postpartum my often experience symptoms such as: difficulty bonding with their baby, withdrawing from family and friends, thoughts of harming one’s self or their baby, as well as recurrent thoughts of death or suicide. The man is battling illness ass well. Though more physically than mentally ill, he is still in a very critical state. Throughout the novel, he coughs up blood quite a bit and becomes increasingly fatigued. This could be caused by a number of diseases. McCarthy never reveals exactly what the man’s illness is, so there’s no way to know, for sure, what it is. Nevertheless, he had the continuous will to save his son (Collado-Rodriguez, 45). He’s also an obvious victim of Post Traumatic Stress Disorder (PTSD). Going through the apocalypse alone is enough to cause one to have PTSD. Between going through the apocalypse, delivering his son, and losing his wife in such an insufficient amount of time there’s no way he doesn’t have PTSD. In being both mentally and physically ailing, the man began to truly envy the dead and lose hope (William, paragraph 5). Unlike his wife; however, he deemed it necessary to push through all his inner and outer demons to ensure the boy’s survival. Although his illnesses were becoming more and more overwhelming, he forced himself and his son forward to the very “edge of death” (William, paragraph 4). He did this by forcing himself and his son to keep going no matter the circumstances. Whether they were sick, tired, or hungry, the man wanted them to keep going because he believed that staying in one area for too long was unsafe. He thought that if they found shelter and let their guard down for more than a few days, other people would find them and kill them. The limitations of sacrifice for this family fell into the extreme category. In this particular case, their final sacrifice is the ultimate sacrifice. Although knowing the expense of their son’s survival was their lives, they sacrificed them anyway. The woman’s death had to do with more than just dying for her son, but it was still, in part, a gesture made for him. The man, despite all odds, kept going until his last night. Although the man pushed himself farther than his wife was willing to, she was still a beloved wife and mother. The woman, prior to her death, had been dwelling on several things that led her to the decision to take her own life. She thought about all of the horrifying things that could happen to her, as well as her family if they were to stay in the world much longer. In her mind, she knew that they would go through starvation, cannibalistic attacks, and either witnessing death or becoming the dead. She didn’t want any part of what the world had become, so after thinking about whether or not to take her son with her, she brought her time on Earth to an abrupt end. The man fought until the very end to get his son to the south for the winter. He successfully completed his mission, but the south wasn’t what he had envisioned it being. It was just as cold and gray as Tennessee, where their quest had began. Upon arriving at the beach, the man knew his life was coming to a cessation. He didn’t tell the boy until the day he realized he wouldn’t make it through the night. He was definite about his death on this day, so he told his son. The boy was very adamant on his father being wrong and refused to keep going without him, showing the bona fide love he had for his father. The man knew that he was the only thing the boy had left, but urged him to keep “carrying the fire” (McCarthy, 278-279). He died that night, and when the boy woke up and realized he was gone, he was extremely upset and was at a loss as of what to do next. He put the tarp they’d used for shelter over the man so he wouldn’t just be lying out in the open and waited for, perhaps, his very own death now that he had no one to guide him. After the man’s death, it seems as though the boy won’t make it much longer.
Luckily, the boy is spotted by a family who cajoled him into coming with them by telling him they’re also the good guys. The boy decided to go with the family in order to continue to “carry the fire” for his parents. This shows that the boy possibly inherited the man’s will to survive (Collado-Rodriguez, paragraph 10). Considering the new family have a deference for the boy’s feelings about his loss, the let him talk to his father instead of pray. This makes the boy feel a bit more comfortable with them, and leads the reader to wonder how far they will be able to go.
The man kept the boy alive through the cannibalism, fire, and ice in the world, but now the boy’s survival depends on the new family (William, paragraph 6). Due to the fact that they have their own children to worry about, it is hard to tell if they’ll be willing to sacrifice as much for him as they will their own kids. However, McCarthy finished the book on a very optimistic look for the boy. It seems as if he’s going to be able to live on and possibly rebuild the new
world. In conclusion, in order for survival, sacrifices must be made. The two parents from Cormac McCarthy’s novel, The Road, had to make drastic sacrifices to ensure their son’s survival. Those sacrifices included their family, food, health, and lives. In the end, they paid off and the boy was able to continue the journey for his parents. Through the boy’s dedication to his father, he is able to keep his head up and bare through his pain and trauma to finish the quest he began with his father since he was born. This, although McCarthy never tells the reader what becomes of the boy, leaves the audience with optimistic thoughts of the boy being the last bit of light in the world, and hopefully being able to rebuild the world one step at a time.
He always wants to help someone else in need before himself, whereas the father is only concerned about their own personal wellbeings. He “is the one” who worries about their ethical choices and wants to help a stranger in any way he can (259). McCarthy proves the importance of the boy’s spirit of love for other people when his dad dies and he must take the leap of faith to continue along the road with a new family. Despite all the corrupted people they encountered beforehand, the boy meets someone who is “carrying the fire” (129). This mantra by the father and son, symbolizes hope and humanity. The qualities Steinbeck labels for a writer to create in his writings can be summed up in “carrying the fire” since the two never did give up. It is the greatness of the heart and spirit Steinbeck notes that is “inside [them]. [And] [i]t [is] always there” (279). It is noteworthy that even in the midst of death and ashes, the two are able to hold onto their relationship and sanity. The “good guys” can continue to carry meaning and structure in their lives, even in a time where society turned into a battle to survive on the remnants of
When the man and boy meet people on the road, the boy has sympathy for them, but his father is more concerned with keeping them both alive. The boy is able to get his father to show kindness to the strangers (McCarthy), however reluctantly the kindness is given. The boy’s main concern is to be a good guy. Being the good guy is one of the major reasons the boy has for continuing down the road with his father. He does not see there is much of a point to life if he is not helping other people. The boy wants to be sure he and his father help people and continue to carry the fire. The boy is the man’s strength and therefore courage, but the man does not know how the boy worries about him how the boy’s will to live depends so much on his
...en-year-old girl”. She has now changed mentally into “someone much older”. The loss of her beloved brother means “nothing [will] ever be the same again, for her, for her family, for her brother”. She is losing her “happy” character, and now has a “viole[nt]” personality, that “[is] new to her”. A child losing its family causes a loss of innocence.
Imagine a world where everything is black and covered in layers of ash, where dead bodies are scattered throughout the streets and food is scarce. When earth, once green and alive, turns dark and deadly. A story about a man, his son and their will to survive. Within the novel Cormac McCarthy shows how people turn to animalistic and hasty characteristics during a post-apocalyptic time. Their need to survive tops all other circumstances, no matter the consequences. The hardships they face will forever be imprinted in their mind. In the novel, The Road, author Cormac McCarthy utilizes morbid diction and visual imagery to portray a desperate tone when discussing the loss of humanity, proving that desperate times can lead a person to act in careless ways.
The pages 276-278 begin with a confrontation between the man and the thief. This extract presents a harsh and unforgiving side to the man's character which differs to his portrayal in earlier parts of the novel. He is previously presented as kind and morally upright which contrasts to the cruel and almost immoral way his character behaves in this moment of the novel.
The structure and language used is essential in depicting the effect that the need for survival has had upon both The Man and The Boy in The Road. The novel begins in media res, meaning in the middle of things. Because the plot isn’t typically panned out, the reader is left feeling similar to the characters: weary, wondering where the end is, and what is going to happen. McCarthy ensures the language is minimalistic throughout, illustrating the bleak nature of the post-apocalyptic setting and showing the detachment that the characters have from any sort of civilisation. Vivid imagery is important in The Road, to construct a portrait in the reader's mind that is filled with hopelessness, convincing us to accept that daily survival is the only practical option. He employs effective use of indirect discourse marker, so we feel as if we are in the man’s thought. The reader is provided with such intense descriptions of the bleak landscape to offer a feeling of truly seeing the need for survival both The Man and The Boy have. The reader feels no sense of closu...
...acters, an unidentified apocalypse, and specks of detail, allowing readers to imagine a desolated setting on a blank canvas. Its two main characters, who symbolize the last strength for the human race, are forced onto a road that stretches to the coastal shores. The absent presence of everyday humans, plants, and wildlife generally fits the science fiction genre. Conversations between both father and son are limited to plain words that the child may only comprehend to. As a result, all responses produce disheartening lines of gloom and obscurity, though the child remains innocent during the days of darkness. He is also an icon of hope that the father holds onto, endlessly tending to the child’s living. Overall, this novel presents the terrible apocalypse in the modern times of before, to the aftermath between two characters who will soon meet their fate.
Do not dwell in the past, do not dream of the future, concentrate on the mind on the present moment. In Cormac McCarthy’s The Road, a man and his son, who remain unnamed throughout the novel, are on a journey heading south after an unnamed catastrophe has struck the world. The conditions they face are unforgiving: rotting corpses, fires, abandoned towns and houses. The man and his son are among the few living creatures remaining on Earth who have not been driven to murder, rape, and cannibalism. Unfortunately, the father’s health worsens as they travel, and by the time they reach the ocean, he passes away. The boy remains by his side for days until the boy meets a kind family who invites him to join them. The boy must say goodbye to his father,
People always like to refer to themselves as “independent”. Independence may seem like a great ideal in modern society, but in a post-apocalyptic world, a sense of dependence is unavoidable. Maslow’s Hierarchy of needs help us to understand what people depend on. In Cormac McCarthy’s The Road, survival of the boy and the man is due to their dependence on their human nature and ability to support one another.
The family dynamics of the household changed throughout the years of Dominic’s childhood. When Dominic was born, we lived in a rural neighborhood apartment that was not completely safe (My Virtual Child). Once Dominic’s sister Alexandra was born, we began saving more money and purchased a house in a safe rural neighborhood. At the end of Dominic’s childhood the household consisted of both parents and two children, Dominic and Alexandra. Throughout his childhood, his uncle stayed a summer and on another occasion a different uncle stayed for a few weeks. Both parents were employed throughout the entire childhood which resulted in placing Dominic in child-care as soon as possible (My Virtual Child).
Due to the unfavorable conditions, the man and the boy do not have the capacity to love in a healthy way. They are “each the other’s world entire” (5), depending on the other solely and wholly, with no need for anything else. The man even goes as far as to compare his son to God; “He only knew the child was his warrant. He said: If he is not the word of God God does not exist” (4). The diction riddled with desperation adds to the plain syntax. For, it is a simple truth, but only to the man and boy. In this post-apocalyptic society, there is no room for error: survival should be the single-most important thing on people 's minds, not a God that may or may not exist. This unhealthy worship is telling of McCarthy 's complicated yet overall negative view of humanity. While it is not wrong to depend on one another, a vital line is crossed when they believe they are all the other has. It brings on moments such as when the boy questions his father about death. He asks, “What would you do if I died?”(9). To which the father responds, “If you died I would want to die too”(9). McCarthy’s seemingly affectionate yet harrowing tone is evident in the promise of death the father and son make. The man and the boy are one of the only examples of the good that remain in this desolate world. To have those who are good make such a haunting promise is proof, not
In the Novel The Road, by Cormac McCarthy, survival becomes the biggest quest to life. The novel is set to be as a scene of isolation and banishment from people and places. The author uses the hidden woods as a set of isolation for the characters, in which creates the suspense of traveling to an unspecified destination near the shore. Cormac McCarthy creates a novel on the depth of an imaginative journey, which leads to a road of intensity and despair. The journey to move forward in an apocalyptic world transforms both of the main characters father and son tremendously as time progress. In particular, the boys’ isolation takes him from hope to torment, making him become fearful and imaginative. The images indicate that McCarthy’s post apocalyptic novel relies on images, particular verbal choices, and truthful evidence to how isolation affected the son emotionally and physically.
The passage by Thomas Paine basically states that people do not appreciate that for which they did not sacrifice, but people that give everything they have for what they desire are the ones who give it value and meaning. In fact, some people may call this statement inaccurate and cynical; consequently, they try to argue the view that people can have the ability to value and treasure that which is given to them. However, even though people can be grateful for gifts they receive, it will never have the same value as it would have if they had endured to attain it. Through examples of both religious and secular, people can see the truth of Paine’s declaration.
In Cormac McCarthy’s The Road, in the post-apocalyptic world that the man and the boy live in, dreams begin to take on the form of a new “reality.” As the novel progresses, the man’s dreams, initially memories remnant of his pre-apocalypse life, become “brighter” as the boy’s dreams become darker and nightmarish. Through the use of color and distinct language, McCarthy emphasizes the contrast between reality and dreams. The man’s reliance on bad dreams to keep him tied to the harsh reality alludes to the hopelessness of the situation; he can never truly escape. McCarthy suggests that those who strive for a life that no longer exists are deluded with false hope. Having dreams is a natural human tendency, but in a world that has become so inhumane, the man can’t even afford to retain this element of being human. The loss of the past is a concept that the characters living in this ashen world struggle with, and McCarthy presents memory as a weakness to be exploited.
Adam, a corporal officer, starts as man who works everyday to catch the ‘villains’ of society, but is not spending enough time with his family, especially his son. He favors his nine year old daughter over his fifteen year old son. Adam views his daughter as a sweet child, and his son as a stubborn teenager who is going through a rebellious stage. However, when his daughter is killed in an accident, his perspective of family changes. In his grief, he states that he wishes he had been a better father. His wife reminds him that he still is a father and he realizes that he still has a chance with his son, Dylan. After his Daughter’s death, he creates a resolution from scriptures that states how he will be a better father. Because of the resolution he creates, he opens up to and spends more time with his son. By th...