Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The road cormac mccarthy theme essay
How is imagery presented in the road not taken
The road cormac mccarthy critical essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The road cormac mccarthy theme essay
Pushed to the Breaking Point
Imagine a world where everything is black and covered in layers of ash, where dead bodies are scattered throughout the streets and food is scarce. When earth, once green and alive, turns dark and deadly. A story about a man, his son and their will to survive. Within the novel Cormac McCarthy shows how people turn to animalistic and hasty characteristics during a post-apocalyptic time. Their need to survive tops all other circumstances, no matter the consequences. The hardships they face will forever be imprinted in their mind. In the novel, The Road, author Cormac McCarthy utilizes morbid diction and visual imagery to portray a desperate tone when discussing the loss of humanity, proving that desperate times can lead a person to act in careless ways.
McCarthy uses morbid diction to display a desperate tone about humanity to prove desolation can cause one to act in horrendous ways. In the novel the man and the boy had seen the smoke rising from the
…show more content…
forest, so they had decided to go and check out the fire. When they got there the man was rummaging the woods to see if he could find anything to eat . When the man wasn’t paying attention to the boy he comes across a deceased infant. McCarthy then describes the child as a, "charred human infant"(McCarthy 198). Cormac McCarthy utilizes the morbid diction in this passage to convey a desperate tone to show a loss in humanity. McCarthy is proving that desperate times call for desperate measures within this passage. He is showing this because the infant had been eaten by the people in the woods. By describing the child as a "charred human infant", McCarthy is using morbid diction to convey his tone. Charred is an example of morbid diction because McCarthy could have said burned or black, but he choose charred which evokes a gruesome tone. McCarthy's phrase, "charred human infant", is used to further reveal the desperation and the loss of humanity in this passage. The morbid tone further portrays how McCarthy is showing that in desperate times, such as a post-apocalyptic society with little to no life, people will do anything it takes to survive, even if it means killing an innocent baby and eating it. This baby symbolizes a loss of humanity within the novel because the characters have taken such drastic measures in a time of need.Within the same section McCarthy states about the infant, "headless and gutted" (McCarthy 198). McCarthy's use of diction within this passage is used for a purpose. The purpose is to showcase the authors tone, desperate. McCarthy is also trying to say something about humanity. The way McCarthy describes what the boy had seen shows how desperate the people who ate the child were. The baby has its head cut off, its insides out and it was burnt. McCarthy is showing that when the circumstances are dire enough, such as no food left, ones emotions are heightened and all they have on their mind is to survive. McCarthy's morbid diction is used in such a way that the message McCarthy is trying to communicate is not stated matter-of-factly it makes the reader think about the plot and what happened. The message towards humanity is hinted at within the word choice. This further goes to show how extreme a person can turn out to be in the worst of times, when desperation and survival take over ones mind. McCarthy's use of diction in the novel, and mainly in this passage, are used to describe the event in such details to evoke a morbid tone within the reader in order to display how McCarthy feels about the loss of humanity within the novel. McCarthy also uses sensory imagery to display a desperate tone towards humanity to prove that desperation can lead a human to act inhumanely. The little boy finds a dead baby in the woods where three men and a women were camping the night before. This traumatizes the boy so the man takes them away and onto the road. The baby had been described, in vivid details, as "...charred human infant headless and gutted and blackening on the spit" (McCarthy 198). McCarthy includes this visual imagery to showcase the desperate tone of the passage. The visual imagery creates a desperate tone. It vividly depicts the infant and how it is found. McCarthy includes this type of imagery into the piece to show just how barbaric humans can be when humanity is lost. When McCarthy describes the infant as charred, headless, gutted and black this paints a very descriptive picture in the readers head. The very graphic images that are depicted add the desperate tone. If these people are hungry enough to eat a baby, that a women has carried in her womb for quite some time, must mean something. McCarthy included this for a reason, to paint a picture in the readers head so that the tone can be clearly seen and identified. Desperation can drive people to insanity. In the same paragraph McCarthy shows another form of imagery, tactile imagery, and adds "...picked the boy up...holding him close" (McCarthy 198). The author includes this tactile imagery in order to portray the desperate tone. This quote is tactile imagery because words such as "picked" and "holding" are used which can be felt by the characters in the story. McCarthy describes what the father does to the boy after this traumatic event to symbolize a loss of humanity within this novel. The dead baby and the boy’s reaction to witnessing the dead baby all contribute to the tone. The desperation in this quote is evident because the boy could not walk, nor did he want to walk because he was so afraid of what he had just seen. The boy’s loss of innocence that McCarthy writes about also provides evidence towards McCarthy's message towards humanity. With his loss of innocence comes a loss in humanity as well because of the inhumane action that was described. The characteristics that represented within this quote, and also within this passage, are all used to sketch out a desperate tone when discussing a loss of humanity and how the inhumane actions are evident when dealing with one’s desperation. McCarthy's use of sensory imagery within the novel, showcases the desperate tone when discussing the loss of humanity and how people will do anything to survive in a society like this. In The Road, a novel by Cormac McCarthy, visual imagery and morbid diction are put to use to convey a desperate tone while talking about the baby which is no longer alive in order to convey a message about humanity and how desperate times can lead a person to do barbaric things.
McCarthy is trying to show that during desperate times there is a sudden loss in humanity due to the uneasiness and the drastic measures one will take in order to survive. A person will do anything it takes to survive in desperate and desolate worlds. McCarthy is proving this with his diction and choice of imagery. A man and a boy set out to survive in a tragic and dangerous world, where the main food source is depleting and all resources are deteriorating. A novel about what is left of a man’s family and how they struggle to survive. Humanity is tested and shows just how extreme ones actions can be. The want for life is tested, one could question whether or not survival will be possible for the man and the
boy. Work Cited McCarthy, Cormac. The Road. New York: Alfred A. Knopf, 2006. Print.
And in the interview, when the host Winfrey asks a question about “where did this apocalyptic dream come from?” And McCarthy responded to her by mentioning his son John, and McCarthy says about one night, he checked in a hotel with his son John, and John fell to sleep. He felt this town is nothing moving, but he could hear the trains going through. And he came up an image of what this town might look like in 50 or 100 years, then he thought a lot about his son John, and 4 years later, he finished the novel “The Road.” In the late of the interview, McCarthy said: My son practically convert to this book and without him, this book would not come
McCarthy’s use of biblical allusions help to create a setting in which all the characters have more complex parts to play than what it seems like at first glance. The allusions also create the tone, which is somber, and almost dream like. The protagonist had his “palms up” while sleeping, which could mean that he fell asleep as he was praying, or in other words pleading. Yet when he woke up “it was still dark”, this creates a hopeless ton because even after all of the begging, the world he woke up to was a dark one. When the wolf dies, the protagonist imagines her “running in the mountains” with different
Readers develop a compassionate emotion toward the characters, although the characters are detached and impersonal, due to the tone of The Road. The characters are unidentified, generalizing the experience and making it relatable – meaning similar instances can happen to anyone, not just the characters in the novel. McCarthy combined the brutality of the post-apocalyptic world with tender love between father and son through tone.
"McCarthy, Cormac (1933-)." Modern American Literature. 5th ed. Vol. 2. Detroit: St. James Press, 1999. 249-251. Gale Virtual Reference Library. Web. 24 Feb. 2012.
... middle of paper ... ... When people today hear McCarthy’s name, most automatically think ‘liar, he was crazy, he ruined peoples lives.’ Some people, however, would say that ‘yes, he may have been wrong on most of his points, but he knew what was happening and he had been desperately trying to warn the people about Communism.’
McCarthy wrote the novel in ways that force readers to remove themselves from their comfort zones. He wrote The Road with a lack of punctuation that can make things somewhat confusing for readers. Some critics find that without quotation marks it makes the book hard to follow. But when I read the book I found that after the first fifty pages I understood when the characters were speaking. Finding that I had to pay a little more attention didn’t bother ...
By focusing on macro-level regenerative violence, McCarthy embraces Paul Valery’s thesis. This theory of the Assumed Infinity can be conceptualized through the concept of the trend versus momentary fluctuations, and the importance of each] in its own right. Specific moments in life are where there are bursts of adrenaline, feelings of emotion, etc, and are short and are encapsulated in a moment. Trends ignore all of the miniscule bumps along the road, no matter their importance, and rather focus on the form and the end goal of the pattern. Paul Valery states that in compliance with this theory and in thriving for unattainable perfection, he “fashioned for myself a poetry void of hope, a poetry that had no other purpose and almost no other law than to establish for me a way of living with myself, for a part of my days. I set no term to it, and I imposed conditions enough to provide matter for labor without end.” In Valery’s mind, the path towards perfection began with no hope and focused on the bare minimum of laws. Essentially, a destruction of all the unnecessary parts of the world, and focusing only on the bare necessities. This poetry which Valery describes is the beginning of his work, which he describes as “matter for labor without end.” The concept of working with no end is an embrace of the concept of
Novelist Cormac McCarthy believes his dark books reflect the harsh events of human nature. McCarthy had a vision of life that was plain and simple in his mind making it harder for some readers to accept. In an interview Oprah asks McCarthy where the apocalyptic dream came from and he replied “I went and stood at a window, and I could hear the trains coming through, a very lonesome sound. I just had this image of these fires up on the hill and I thought a lot about my little boy” (New York Times
The structure and language used is essential in depicting the effect that the need for survival has had upon both The Man and The Boy in The Road. The novel begins in media res, meaning in the middle of things. Because the plot isn’t typically panned out, the reader is left feeling similar to the characters: weary, wondering where the end is, and what is going to happen. McCarthy ensures the language is minimalistic throughout, illustrating the bleak nature of the post-apocalyptic setting and showing the detachment that the characters have from any sort of civilisation. Vivid imagery is important in The Road, to construct a portrait in the reader's mind that is filled with hopelessness, convincing us to accept that daily survival is the only practical option. He employs effective use of indirect discourse marker, so we feel as if we are in the man’s thought. The reader is provided with such intense descriptions of the bleak landscape to offer a feeling of truly seeing the need for survival both The Man and The Boy have. The reader feels no sense of closu...
McCarthy portrayed the two protagonists as good guys by showing how they refrain from cannibalism. The young boy noticed the other boy’s “gray and rotting teeth. Claggy with human flesh”(75). The boy becomes aware of another boy’s teeth with gaps filled with human blood and organs. The young boy now considered the other boy a “bad guy” even at an age of innocence. The little boy then asked his father “We wouldn’t eat anybody, would we? Even if we are starving? The man replied, No. Of course not”(128-129). The young boy then questions his father if they would ever eat anybody in order to survive. After seeing savages along the road killing and eating each other for a source of food. With his father confirming him they wouldn’t do anything un...
In Cormac McCarthy’s Sci-Fi novel, “The Road”, two mysterious people, a father and his curious son, contact survival of the fittest during tragic apocalyptic times. With a shopping cart of food and supplies, they excavate into the remains of tattered houses, torn buildings and other sheltering places, while averting from troublesome communes. In the duration of the novel, they’re plagued with sickness that temporarily unable them to proceed onward. Due to the inopportune events occurring before the apocalypse, the wife of the son and father committed suicide due to these anonymous survivors lurking the remains of earth. The last people on earth could be the ‘bad guys’ as the young boy describes them. In page 47, the wife reacted to this, stating, “Sooner or later they will catch us and they will kill us. They will rape me. They'll rape him. They are going to rape us and kill us and eat us and you won't face it. You'd rather wait for it to happen. But I can't.”
McCarthy’s novel clarifies the affects isolation made for the traveler’s in the story. In particular to the son, isolation affected him in a more discrete way than the father. Everything he sees and experiences goes into great affect in what makes
The Road, by Cormac McCarthy, follows the journey of a father and a son who are faced with the struggle to survive in a post-apocalyptic world. The two main characters are faced with endeavors that test a core characteristic of their beings: their responsibilities to themselves and to the world around them. This responsibility drives every action between the characters of the novel and manifests in many different ways. Responsibility is shown through three key interactions: the man to the boy, the boy to the man, and the boy to the rest of the world. It is this responsibility that separates McCarthy’s book from those of the same genre.
"McCarthyism and "The Great Fear" Framing the Climate of Cold War America." Joseph McCarthy as the Epithet of an Era. n. page. Print. Secondary.
...he “dead white and sightless eyes”(1); this creature represents the evils of humanity and its failure to exist. McCarthy blurs the border between dreams and reality in order to emphasize the inherent weakness of humans to let their realities be taken over.