Cormac McCarthy in The Road portrays the man and the boy as “good guys” throughout the book even with the world collapsing around them by their catchy phrase “carrying the fire”. They remained good guys by feeding off each other’s company which also helped contribute to their strong father-son bond despite all the tragic events along the road.
McCarthy portrayed the two protagonists as good guys by showing how they refrain from cannibalism. The young boy noticed the other boy’s “gray and rotting teeth. Claggy with human flesh”(75). The boy becomes aware of another boy’s teeth with gaps filled with human blood and organs. The young boy now considered the other boy a “bad guy” even at an age of innocence. The little boy then asked his father “We wouldn’t eat anybody, would we? Even if we are starving? The man replied, No. Of course not”(128-129). The young boy then questions his father if they would ever eat anybody in order to survive. After seeing savages along the road killing and eating each other for a source of food. With his father confirming him they wouldn’t do anything un...
In Cormac McCarthy’s The Road, the author makes various references to the Bible and to religion. Those references also can be compared on how they have changed the way of humans in real life. Along with how the boy maintains his innocence throughout this whole book even when he witnessed events that could’ve changed him. The man tried to the best of his abilities to preserve the innocence of the boy. Through all of the obstacles that they both faced, the man managed to keep the boy safe and even in his last moments he was sure that he taught his boy how to tell when people were good.
He always wants to help someone else in need before himself, whereas the father is only concerned about their own personal wellbeings. He “is the one” who worries about their ethical choices and wants to help a stranger in any way he can (259). McCarthy proves the importance of the boy’s spirit of love for other people when his dad dies and he must take the leap of faith to continue along the road with a new family. Despite all the corrupted people they encountered beforehand, the boy meets someone who is “carrying the fire” (129). This mantra by the father and son, symbolizes hope and humanity. The qualities Steinbeck labels for a writer to create in his writings can be summed up in “carrying the fire” since the two never did give up. It is the greatness of the heart and spirit Steinbeck notes that is “inside [them]. [And] [i]t [is] always there” (279). It is noteworthy that even in the midst of death and ashes, the two are able to hold onto their relationship and sanity. The “good guys” can continue to carry meaning and structure in their lives, even in a time where society turned into a battle to survive on the remnants of
George Fitzhugh’s, Cannibals All (Excerpt) is a primary document that appropriately argues that it is in the United State’s best intentions to preserve negro slavery across the South and the rest of the country in effort to sustain better lives for American negroes. Frederick Douglass argues in his piece, Narrative of the Life of Frederick Douglass, An American Slave that society is responsible for shaping the negro community into slavery, and that abolition is necessary to remove that from existence. The author, Fitzhugh is a considerably significant individual who has a strong political background and is recognized for pro-slavery theology, influencing him to be a prominent figure in the context of arguing for the justification of slavery.
A grotesque body is one that is open, sickly, comprised of many parts, and overflows in excess. In Montaigne’s Of the Caniballes, Europeans view figures of cannibalism as the Native inhabitants of the New World. The consumption of humans involves opening up the contained body, allowing its inner parts to be abjected beyond its internal boundaries. For colonizers, participants of cannibalism are barbarians who eat their victims by transforming their classical bodies into grotesque forms. As a result, these cultural practices make them inferior and savage compared to the modern Europeans. However, in reality, Europeans are also closely related to cannibalistic practices. A Short Account of the Destruction of the Indies written by Las Casas show how Spaniards are barbaric in their character. They lack control and engage in a series of horrific excesses due to their insatiable hunger for power and
In The Road McCarthy establishes a post-apocalyptic world in which the majority of population are cannibals. It is established that the public (majority) is hazardous to the two protagonist of the novel. The father and son are forced to kill or be killed. By thrusting the father and son into a world with their actions are predicated by the actions of the public, McCarthy is attempting to illustrate the significant influence one’s environment has on an individual. When the father and son are together in seclusion McCarthy showcases maturity in each of the characters. The conversations they have become more philosophical.
The world Cormac McCarthy wrote about is certainly the grimmest and most decayed place a person may live in, because of the absence of law managements and higher authorities which should guide or oppress the population, and the freedom humanity has at its hands. McCarthy wants to point out the reality that humans should be allowed to exercise their free will, but must not exaggerate, and develops circumstances which display the extent to which people are willing to abuse their independence and unleash their dark side. because the majority of the inhabitants of this planet are willing to resort to other means of survival, which are selfish and immoral, if not for the existence of legislation and order.
The structure and language used is essential in depicting the effect that the need for survival has had upon both The Man and The Boy in The Road. The novel begins in media res, meaning in the middle of things. Because the plot isn’t typically panned out, the reader is left feeling similar to the characters: weary, wondering where the end is, and what is going to happen. McCarthy ensures the language is minimalistic throughout, illustrating the bleak nature of the post-apocalyptic setting and showing the detachment that the characters have from any sort of civilisation. Vivid imagery is important in The Road, to construct a portrait in the reader's mind that is filled with hopelessness, convincing us to accept that daily survival is the only practical option. He employs effective use of indirect discourse marker, so we feel as if we are in the man’s thought. The reader is provided with such intense descriptions of the bleak landscape to offer a feeling of truly seeing the need for survival both The Man and The Boy have. The reader feels no sense of closu...
McCarthy established his work to demonstrate the facts of immorality, fear, and the end of American standards in the aftermath of a terrible truth. In the novel, the shortage of resources has driven many survivors to murder, robbery, and even cannibalism. The principle of the narrative is the result of the shocking event that life is considered to nothing more than survival. Therefore, people in the region became very frustrated and are so agreeable under certain situation to hand over the most important concept in their life, which is their humanity and lose everything in order to survive. But, in every time and in every place in the world, we can find individuals who can continue to live stronger and are able to hold onto their morals in life. The father and the boy fight to keep what humanity they have left to be the good guys after they have realized that keeping humanity while surviving is important in someone’s life, While it is easier to turn to evil and become a bad
In Cormac McCarthy’s The Road, the author makes various references to the Bible and to religion. Those references also can be compared on how they have changed the way of humans in real life. Along with how the boy maintains his innocence throughout this whole book even when he witnessed events that could’ve changed him. The man tried to the best of his abilities to preserve the innocence of the boy. Through all of the obstacles that they both faced, the man managed to keep the boy safe and even in his last moments he was sure that he taught his boy how to tell when people were good.
Standing between boy and the man are the villain's. Most of the book is dark and grey with evil everywhere. Villain's in The Road can be described as cannibals, rapist, and murderers. The show no humanity, and only want to survive, even if it means eating other humans. In a conversation between the man and his wife, she states all the things the bad guys will do when they find them,
In McCarthy’s novel The Road, one of the main issues deals with cannibalism and the moral/ethic issues of survival. Though McCarthy depicts cannibalism negatively in this post-apocalyptic world, it is apparent that cannibalism is necessary for humans to survive when there is no real food to eat. Whether they know what’s actually good vs what is actually bad, they still have a reason to try and stay alive even though things are absolutely terrible around them. Staying alive, to carry the fire for the good of humanity. In a world where everything is just coming to an end, people resort to eating each other in order to stay alive. Where there are bad and good people, but what does it actually mean to be bad? Eating human beings or not helping those people in need of help?
People always like to refer to themselves as “independent”. Independence may seem like a great ideal in modern society, but in a post-apocalyptic world, a sense of dependence is unavoidable. Maslow’s Hierarchy of needs help us to understand what people depend on. In Cormac McCarthy’s The Road, survival of the boy and the man is due to their dependence on their human nature and ability to support one another.
In the Novel The Road, by Cormac McCarthy, survival becomes the biggest quest to life. The novel is set to be as a scene of isolation and banishment from people and places. The author uses the hidden woods as a set of isolation for the characters, in which creates the suspense of traveling to an unspecified destination near the shore. Cormac McCarthy creates a novel on the depth of an imaginative journey, which leads to a road of intensity and despair. The journey to move forward in an apocalyptic world transforms both of the main characters father and son tremendously as time progress. In particular, the boys’ isolation takes him from hope to torment, making him become fearful and imaginative. The images indicate that McCarthy’s post apocalyptic novel relies on images, particular verbal choices, and truthful evidence to how isolation affected the son emotionally and physically.
It is a novel based in a post-apocalyptic world that revolves around the lives of a father and his son who are just trying to survive. With everything around them destroyed and stripped of life, the two continue their lives hoping for better days to come. They live in a constant state of fear with everyday being spent constantly moving and scavenging for food, all while trying to remain unnoticed. Living in a world where survival is the only goal, the idea of morality has become non-existent. Cannibalism is a major fear because everyone around them is a potential predator. But in this “Barren, silent, godless” (The Road 4) world, where “the days more gray each one then what had gone before” (The Road 1), the man and his son are able to hold their own. Their sense of morality remains intact and they refuse to resort to the lifestyle that the majority of people around them have chosen. They feel as though certain actions are intrinsically wrong and therefore never justifiable. The man refers to himself and his son as the “good guys” and Erik J. Wielenberg explains that they follow a specific moral code. This code includes the rules: Don’t eat people, Don’t steal, Don’t lie, Keep your promises, Help others, and Never give up. (Wielenberg 4). According to these principles, cannibalism is never justifiable. Although the threat of starvation has caused the society to resort to cannibalism, the man and his son promise one another that regardless of the situation, they will refuse to do it. “We wouldn’t ever eat anybody, would we? ..No matter what?” The father assures his son by repeating, “No. No, matter what” (The Road
In Cormac McCarthy’s The Road, in the post-apocalyptic world that the man and the boy live in, dreams begin to take on the form of a new “reality.” As the novel progresses, the man’s dreams, initially memories remnant of his pre-apocalypse life, become “brighter” as the boy’s dreams become darker and nightmarish. Through the use of color and distinct language, McCarthy emphasizes the contrast between reality and dreams. The man’s reliance on bad dreams to keep him tied to the harsh reality alludes to the hopelessness of the situation; he can never truly escape. McCarthy suggests that those who strive for a life that no longer exists are deluded with false hope. Having dreams is a natural human tendency, but in a world that has become so inhumane, the man can’t even afford to retain this element of being human. The loss of the past is a concept that the characters living in this ashen world struggle with, and McCarthy presents memory as a weakness to be exploited.