Mojica mocks the White Women and their perpetuation of the Indian Princess stereotype, and exploitation of such Native myths to control and reshape the actual material formations of their white societies. She, also, ridicules the continuous confirmation that the whites are supposed to civilize and uplift the savage through representing a number of caricatured suffragettes and Charbonneau; the impotent savage master. She suggests that the presence of the Native Women in the collective White imagination is almost entirely a matter of racist myth and Euro-American patriarchal stereotypes which confine them to one of two categories, squaw or princess (120). The suffragettes' formulation and celebration of the Sacagawea myth mask their …show more content…
white agenda. Suffragette #1 says "I created Sacajawea and made her a living entity". Mojica mocks the mid-century novelists who depicted Sacagawea in love with Clark to create racial comity to Anglo-American conquest. Suffragette#1 reads from her story entitled The Conquest. She gives a vivid portrayal of the shift of representation of Sacagawea from squaw to Indian Princess.
Suffragette#1 describes Sacajawea as "Madonna of her race. She had led the way to a new time"(Birdwoman 2.68). Mojica contradicts the Sacagawea's myth as a lover to Clack; therefore, Suffragette #2 imagines "the excitement, the romance of trekking across the untamed, untouched, Virgin territory with those two handsome captains!"(Birdwoman 7.76) She claims that Sacagawea must have been terribly in love with one of them: "(I think) it must have been Clark with the red-hair"( Birdwoman 7.76). Mojica asserts the white discourse reflects the idea that the White colonizers, who wanted land, try to lessen their guilt through convincing themselves and the colonized that they only desired to civilize the tamed land with the help and consent of the Native Women. Norman K. in "Sacagawea’s Nickname, or The Sacagawea Problem"(2006) suggests that if "the woman named Sacagawea had not appeared in front of Lewis and Clark in November of 1804, she would have to have been invented"(14). The White discourse has kept imagining and inventing stories about Indian Princesses falling in love with the white men so Mojica attacks this invented stereotyping in her Birdwoman when Suffragettes # 2 reinvents a romance between Sacajawea and Clark, The red haired
white man. Sufferagettes#1, searching the history, says "I struggled along the best I could trying to find a heroine . . . Out of few dry bones, I created Sacajawea "(Birdwoman 8.76). Native Women like Sacagawea and Pocahontas, for centuries later, have been used for a number of goals and agendas. Carmen Gomez-Galisteo, in the review "Traitors, Intermediaries, or Myths?", confirms this idea when he suggests that the Native Women have been manipulated "from the creation of a glorious national past to women's suffrage, mythologizing them for better or worth"(1). Suffragettes # 1 announces her decision to issue an appeal to Women's Organization across the country to defray the cost of commissioning Sacajawea's statue, raise $7000.00! and sell Sacajawea's buttons and Sacajawea's spoons (Birdwoman 2.68).
Examination of the female experience within indigenous culture advanced the previous perceptions of the native culture experience in different ways. This book's nineteen parts to a great extent comprise of stories from Pretty-Shield's
Sacagawea, also known as Bird Woman, was born to a Shoshone chief in 1788, in Salmon, Idaho. At the age of twelve, she was captured and sold to the French Canadian fur trader, Toussaint Charbonneau, and was made one of his many wives. Setting forth after the conformation of the purchased land, Lewis and Clark approached the hired interpreter, Charbonneau and his unknown Native American wife. They were to serve as guides for the party. Being only sixteen, her and her husband accompanied Lewis and Clark, graciously directing them on the expedition. She later gave birth to a boy, Jean-Baptiste, nicknamed “Pompey”, at their fort. Since Clark had become deeply attached to the infant he offered to take him, when weaned, to educate him as his own child. Less than two months later, the expedition was to continue and Sacagawea had her infant son strapped on her back sharing the hardships of the journey. Sacagawea posed as a guide, spectator, and translator because she was familiar with the geography, animals, and plants. When traveling through the land, she quieted the fears of other Native American tribes because she served a...
The United States has had a long relationship with the Haudenosaunee people. When Europeans invaded North America, beginning in the end of the 15th century, they found a land already inhabited by a large group of people, who they called Indians. Although their subsequent relationship was plagued by disease, wars and fights for domination, there was, inevitably, some exchange of goods, like crops, and ideas between the two peoples. Most notably, even the “Founding Fathers” of the U.S. were influenced by the Haudenosaunee Confederacy’s ideas about democracy and government. One aspect of the relationship, however, is rarely mentioned: the impact that Haudenosaunee women had on early feminists in the U.S. The two groups of women interacted very closely during the 19th century, and prominent feminist voices in the U.S., like Elizabeth Cady Stanton, Matilda Joslyn Gage, and Lucretia Mott, were heavily influenced by the native women’s many freedoms.
In The White Man’s Indian, Robert Berkhoffer analyzes how Native Americans have maintained a negative stereotype because of Whites. As a matter of fact, this book examines the evolution of Native Americans throughout American history by explaining the origin of the Indian stereotype, the change from religious justification to scientific racism to a modern anthropological viewpoint of Native Americans, the White portrayal of Native Americans through art, and the policies enacted to keep Native Americans as Whites perceive them to be. In the hope that Native Americans will be able to overcome how Whites have portrayed them, Berkhoffer is presenting
Sacagawea, or also referred to as Sacagawea with a “g” or Sacakawea with a “k”, is known for her history in the Lewis and Clark expedition.(Sacajawea) She was born in Lemhi Mountains, which is now called Idaho, in 1788. She was the daughter of the Chief of the Indian Tribe, Shoshone. When she was 12 years old in 1800, she was kidnapped by the Hidasta Indian Tribe and taken to North Dakota. The Hidasta Indians also took several others along with her, and raided her Tribe from their stuff, killing a few people. A year after her arrival she was bought or gambled by a French-Canadian fur trapper, Toussaint Charbonneau, he made her his wife along with all his other “wives”. When she was 16, in 1804, she had gotten pregnant. By that time Lewis and Clark were setting up camp for the winter in Fort Mandan and had hired her husband as a translator. They later learned that Sacagawea spoke Shoshone and Hidasta, so they then asked her to join them, and she gladly accepted. “The soil as you leave the heights of the mountains becomes gradually more fertile. the land through which we passed this evening is of an excellent quality tho very broken, it is a dark grey soil” (quotes Lewis as he travels through Idaho Country.)
In late October, The Corps of Discovery reached the Mandan Indian Villages in what is now known as North Dakota, where they built a fort and spent the winter. There, Lewis and Clark met a French Canadian trapper named Toussant Charbonneau, who was hired to be an interpreter. His 17 year old Shoshone Indian wife Sacagawea and child, Jean Baptiste, also went along on the trip. The explorers were thrilled at their good fortune. They hoped she could possibly lead them back to her native people. Also, Sacagawea could serve as a translator (Women in World Hi...
Fitts, Alexandra. "Sandra Cisneros's modern Malinche: a reconsideration of feminine archetypes in Woman Hollering Creek." International Fiction Review 29.1-2 (2002): 11+. Academic OneFile. Web. Mar. 2014.
Lakota Woman Essay In Lakota Woman, Mary Crow Dog argues that in the 1970’s, the American Indian Movement used protests and militancy to improve their visibility in mainstream Anglo American society in an effort to secure sovereignty for all "full blood" American Indians in spite of generational gender, power, and financial conflicts on the reservations. When reading this book, one can see that this is indeed the case. The struggles these people underwent in their daily lives on the reservation eventually became too much, and the American Indian Movement was born. AIM, as we will see through several examples, made their case known to the people of the United States, and militancy ultimately became necessary in order to do so.
Over the past few decades, research on women has gained new momentum and a great deal of attention. Susan Socolow’s book, The Women of Colonial Latin America, is a well-organized and clear introduction to the roles and experiences of women in colonial Latin America. Socolow explicitly states that her aim is to examine the roles and social regulations of masculinity and femininity, and study the confines, and variability, of the feminine experience, while maintaining that sex was the determining factor in status. She traces womanly experience from indigenous society up to the enlightenment reforms of the 18th century. Socolow concentrates on the diverse culture created by the Europeans coming into Latin America, the native women, and African slaves that were imported into the area. Her book does not argue that women were victimized or empowered in the culture and time they lived in. Socolow specifies that she does her best to avoid judgment of women’s circumstances using a modern viewpoint, but rather attempts to study and understand colonial Latin American women in their own time.
Stereotypes dictate a certain group in either a good or bad way, however more than not they give others a false interpretation of a group. They focus on one factor a certain group has and emphasize it drastically to the point that any other aspect of that group becomes lost. Media is one of the largest factors to but on blame for the misinterpretation of groups in society. In Ten Little Indians, there are many stereotypes of Native Americans in the short story “What You Pawn I Will Redeem”. The story as a whole brings about stereotypes of how a Native American in general lives and what activities they partake in. By doing so the author, Alexie Sherman, shows that although stereotypes maybe true in certain situations, that stereotype is only
Feminism and Indigenous women activism is two separate topics although they sound very similar. In indigenous women’s eyes feminism is bashing men, although Indigenous women respect their men and do not want to be a part of a women’s culture who bring their men down. Feminism is defined as “The advocacy of women 's rights on the ground of the equality of the sexes.” In theory feminism sounds delightful despite the approaches most feminists use such as wrong-full speaking of the opposite gender. Supposedly, feminism is not needed as a result of Indigenous women being treated with respect prior to colonization. Thus, any Native woman who calls herself a feminist is often condemned as being “white”. This essay argues that Indigenous women may
It represents Sacagawea, as Deniz suggests, in the form of "the fully assimilated American woman" (Sacagawea's Nickname 14). She is instrumentalized as a proponent of the assimilation of Native Americans. Sacajawea in the first act of the play rushes in the arms of her husband the white French trader, Charboneau, asserting that she is not frightened of the white newcomers addressing her husband: "You come into the land of the sun and buy me from the Chief who steal me from my people, The Shoshones./ Me no more slave but a wife of fur trader"(Sacajawea 1. 4). The newcomers proved to be Meriwether Lewis and William Clark who came to lead an expedition (1804-1806). Their mission was to find a hypothesized water-route linking the Atlantic and Pacific oceans. Anna Wolform's Sacajawea praises Charbonneau and all White men from the very beginning of the first scene. George Wemyss, in The Invisible Empire white Discourse, Tolerance and Belonging(2009), suggests that "dominant discourse constructs 'white' as a category which people from various 'non-white' backgrounds may . . . aspire to in order to become part of the white elite. When challenged, the discourse shifts to include different categories of people as 'white' in different contexts" (13). She is not afraid of the whites because her husband Charbonneau is the white man who bought her from the chief who
The history regarding the treatment and abuse of the Cherokee people during the 19th century is a well researched topic of discussion. The Trail of Tears is known as the forced movement of the Cherokee people out of their homeland into what is present day Oklahoma. It was named The Trail of Tears due to the disastrous effect it had on the Cherokee people and many died of starvation along the journey. After the Civil War the Cherokee people faced the repercussions of the Dawes Act of 1887, which forced allotment of Indian territory and forced assimilation. Considering the Cherokee Women in Crisis, Carolyn Johnston focuses on the changing gender roles of Cherokee women and how their suffering differed from the men. Johnston limits the areas of
For example, in the local school, stereotypes such as the image of the ‘wild man’ are consolidated by claiming that there was cannibalism among the indigenous people of the northwest coast (Soper-Jones 2009, 20; Robinson 2010, 68f.). Moreover, native people are still considered to be second-class citizens, which is pointed out by Lisamarie’s aunt Trudy, when she has been harassed by some white guys in a car: “[Y]ou’re a mouthy Indian, and everyone thinks we’re born sluts. Those guys would have said you were asking for it and got off scot-free”
As a female in Africa, the opposite of male, woman suffers sexual oppression; as an African, the opposite of white in an ever-colonized nation, the African woman also suffers racial oppression. Nnu Ego, Emecheta's protagonist, became at once for me the poster female of Africa, a representative of all subjugated African women, and her story alerted me to all the wrongs committed against African women, wrongs that could only be righted through feminist discourse. As with many surface readings I have performed as a student of literature, however, my perspective on The Joys of Motherhood began to evolve. First, I realized and accepted Nnu Ego's failure to react against oppressive forces in order to bring about change for herself and the daughters of Africa. I consoled myself, reasoning that the novel still deserves the feminist label because it calls attention to the plight of the African woman and because its author and protagonist are female.