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The influences and contributions made by Ludwig Mies van der Rohe
The influences and contributions made by Ludwig Mies van der Rohe
Modernism in architecture
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S.R. Crown Hall, which is the home of the College of Architecture at the Illinois Institute of Technology is one of the most beautiful, modern pieces of architecture that the City of Chicago has to offer its residents. This simple, steel and glass structure is the perfect representation of the modernist era of architecture and really creates an atmosphere that is extremely captivating to its viewers. As you look at it during the day, the panes of glass reflect the sky surrounding it and creates an almost seamless transition between its sleek, rectangular steel frame and the vast area around it, making a gem to the campus of the Illinois Institute of Technology and also to the City of Chicago.
S.R. Crown Hall, which was designed by the German architect Ludwig Mies van de Rohe, whom was originally part of the Armour Institute of Technology which was a technical training school in the city. The school had made him the director of the department of architecture there in 1938 with high hopes that he would be able to transition the program into an internationally recognized program. After he moved from Germany to Chicago, he redesigned the school's architecture curriculum and hoped that he could help students understand the relationships between architecture, history, and the environment to develop inspirational and influential structures that applied these fundamentals.
In 1940, the Armour Institute became the Illinois Institute of Technology. Then, 16 years later, Ludwig Mies van de Rohe's masterpiece came to life. In 1956, one of his most well-known buildings in the City of Chicago known as S.R. Crown Hall, was completed. This building captured all of the things that Ludwig had inspired his students to capture in their work. He us...
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... of architects and engineers, I have a very warm heart for buildings of this nature. I am extremely blown away by steel and glass structures so I am very pleased I got to report about this structure. I did not go inside though because I was running short on time but I do plan to go back and find a way to visit or tour the building.
As I stated before, I was extremely moved by this building. With my background with architecture that I have, I would strongly suggest and encourage people to go and see it. I admire it very much and I think it is incredible. It has a lot to offer to the City of Chicago through its architectural and historic significance. Over the years, Ludwig Mies van de Rohe's masterpiece has become an essential gem to the campus of IIT and the City of Chicago and I also believe that this building needs to be more well known to the people of Chicago.
James F. O'Gorman, Dennis E. McGrath. ABC of Architecture. Philadelphia: University of Pennsylvania Press, 1998. Document. October 2013.
With the Pantheon being built over 1700 years ago, it’s amazing that architects are still using features and techniques from this work of architecture in modern creations. The use of this type of classical architecture will continue to be used in works for public space due to its remarkable exterior appearance and it’s long lasting structural durability. When both Jesse hall and the Pantheon are compared it is possible to see their similarities from the types of domes that top each, their external facades, and their interior plan. While they share many similarities, the differences that Bell and Binder used in their creation make this work of architecture unique to many other public spaces.
...ch allows the person to enter the glass atrium connecting all of the wings of the building, which was added in 2012. Breuer was honored with the commission after he had shown his design abilities in other aspects throughout the city. The museum expansion was just one of the few of Breuer’s designs that still stand today. Breuer’s work in both furniture design and architecture has been around for many years, and will continue to be around for many more to come.
This 11 by 7 inch color lithograph seen here depicts the Manufactures and Liberal Arts Building at the Chicago World's Columbian Exposition of 1893. As the main exhibit space of the fair, it was the largest building ever constructed at the time and the most visited site at the exposition. The general scheme for the building was laid out during the early planning stages of the Chicago fair. It was to be located facing Lake Michigan on its long axis and the east end of the Court of Honor, where the other main buildings were grouped, on its short axis. Architect John Wellborn Root, partner of fair director Daniel Burnham, devised the basic function for the building. Because Root died early in the planning stages, the program was radically altered by his successor Charles Atwood. The latter's idea for a clear span surrounded by galleries prevailed, as fair organizers were intent to surpass that of the famous Galerie des Machines at the Paris exposition of 1889. New York architect George B. Post (1837-1913) was chosen to design the Manufactures building from a group of mostly eastern architects selected for the major fair buildings, including Richard Morris Hunt and McKim, Mead and White. His experience in large classically detailed New York buildings such as the Produce Exchange (1881-84) and the Havemeyer Building (1891-93), both demolished, made him a good candidate to uphold the White City ideal of the fair, emphasizing classical canons of composition and ornamentation. His expertise in the use of iron and steel, as in the large interior light court of the Produce Exchange, would come in handy if the Manufactures Building was to succeed in its "clear-span rivalry" with the Galerie des Machines (Hoffmann).
The second place in St. Louis that is historically significant is the St. Louis Art Museum. The museum was founded in 1879. At this time it was named the St. Louis School and Museum of Fine arts. In 1906 it was reopened. All admission fees for the museum were terminated once the museum became a public place supported by taxes from the city of St. Louis.
The TD Centre is a landmark of Toronto. It is one of the most recognizable elements of the downtown core. It has gained this status for two main reasons. The first one concerns its historical significance: the complex was one of the first of many skyscrapers built in the international style. The second reason is personified by the individual behind the planning and realization of the project: Mies van der Rohe. The building was the last high-rise the world-famous modernist created and therefore it embodied all of his concepts and beliefs on the international style. The complex as a whole stands out in the multitude of high-rises of the downtown core because of its typical, recognizable and repeated style. The original three point configuration by Mies has been expanded during the years with three new buildings by architectural firm Bregman and Hammond. Those new additions are different in the relationship they create and extend to the original buildings. In approaching the complex a distinct feature becomes clear. The complex itself is an urban extension of the international style. When entering the area both by car and as a pedestrian an individual is not only witness to a number of remarkable buildings but finds himself immersed in a modernist urban space. In this short analysis it is important to pay specific attention both to the type of construction and to the materials used. All of those elements are important in recognizing how the development of the TD Centre in the 60s shaped the architecture of downtown Toronto and became a widely imitated example of managing the public space surrounding a building.
My first experience at the museum was a good one. I had so much fun even after we were done with the Norton-Simon. Being a business major, I did not know that art could speak to me as it did. It has not influenced me so much as to change my major, but it did open my eyes to a whole new world. Now when I look at art, I do not just see a pretty picture, but what the artist is actually trying to say.
It is the new decade after the end of world war two and modernism is a well-established practice. Its pioneers and spearheads are prevalent figures looming over the new architects and designers who are trying to make their mark in the shadows of such historically influential people. With new technologies and materials emerging from the world wars the next era of modernism had started to evolved, bringing with it philosophies and ideas which seemed far removed from those of the pioneers of modernism “What emerged in the late 1940s and 1950s was an expanding synthesis of questions utterly removed from the confident statements of the pioneers.”(Spade 1971,10) Two significant buildings were designed in the 50's, both of them for educational institutes and to house students of architecture, there were both designed in completely different styles and methods. The first is Ludwig Mies van der Rohes' Crown Hall, finished in 1956 and designed as a part of a campus master plan for the Illinois Institute of technology in Chicago. Mies' design for Crown Hall is one of his most realised expressio...
Why I feel as if this building is very pleasing is because for one, it brings a positive vibe to Saginaw’s downtown area. Being that the city of Sag...
When walking through Boston's renowned Harvard Yard, one may scope out the mixture of architecture throughout its landscape. From the traditional Memorial Hall influenced by Romanesque churches, to the Carpenter Center for the Visual Arts, Harvard Yard is like a salad bowl of architecture. Perhaps because I am a lover of Victorian style structures, or maybe because of its interior's beauty and richness, Memorial Hall intrigued my interest most of all.
I first visited the Guggenheim Museum two weeks ago with Claus, my friend from Germany. We had the MOMA in mind but I guess talking, talking we must have passed it by. Half an hour from the MOMA we found ourselves in front of the Guggenheim, the astonishing white building that was Frank Lloyd Wright's last project. Why not? We said to ourselves. And so we walked right in.
Philip Cortelyou Johnson (July 8, 1906-January 25, 2005) was an influential American architect who played a significant role in both understanding and creating recognizable landmarks and buildings internationally and throughout the country. With his influence as a historical architect, he has had a tremendous effect on today’s generations of architects and his legacy will live on through his inspirational buildings and works. Johnson was born in Cleveland, Ohio to a well known Dutch family who is recognized for laying out the first town plan of the Dutch settlement, known as New Amsterdam. Born in New York, Johnson often took time off of school for extended trips to Europe, causing his love and fascination with architecture. In 1928, he met Ludwig Mies van der Rohe, who at the time was designing the German Pavilion, and had also joined forces with the architectural historian Henry Russell Hitchcock, forming a lifelong competitive and collaborative relationship that inspired Johnson to discover his new profound love for architecture. Johnson was an influential individual within pop culture, not only with his modern buildings, but also was mentioned in David Bowie’s, “Thru These Architect’s Eyes” and appeared in Nathaniel Kahn’s 2003 documentary, “My Architect”, which highlighted Louis Kahn’s legacy of being one of the most influential architects of the 20th century. “Johnson the hedonist had little truck with the view that architecture could be a force for social good but viewed it as an aesthetic experience, a triumph of style that would dominate the skylines of corporate America. Not surprisingly, he was viewed as morally suspect by many of the austerely ascetic founders of Modernism” (The Times). Philip Johnson played a signific...
The Willis Tower has a very unique and strange structural design. The Willis Tower’s architect firm was the company Skidmore, Owings & Merrill (SOM). It was the company that provided the Willis Tower’s architect, Bruce Graham. It also provided the Structural Engineer, Fazlur Rahman Khan. The pla...
Mies created established characteristics that became essential for modern architecture. “Less is more”. These three words really jump started the modernist movement in architecture and embodies the philosophy of minimalism. Stripping away the ornament and décor to get to the essence of a building. Mies van der Rohe changed architecture through these radical ideas. Many of these concepts we still see today in modern and minimalist styles. The simple and open plan has been replicated
.... All those interested in studying the field of architecture must study this extremely wonderful piece of architecture because will provide them with great knowledge and experience , not theoretically but practically. Worldwide , there are smaller samples of the tower of Pisa to show the admiration of this tower.