Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
National identity
The advantages and disadvantages of national identity
National identity
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: National identity
Berlin has always been one of the world’s most interesting cities. From its early socialist rallies of WWI to the destruction of the Berlin Wall in 1989, the city has historically played a crucial role in many international conflicts, disputes, deals, and resolutions. Such is the case in Ryoo Seung-wan’s film The Berlin File. Released in 2013, the movie centers on a North Korean spy that is forced to go on the run in the city after an illegal arms deal falls through. This South Korean spy film is a thriller for the ages that encapsulates an interesting take on genre and has similar themes to several other Asian martial arts films. The Los Angeles Times describes the martial arts film genre as a subgenre of an action film. A martial arts film will tell a story utilizing several training and battle scenes between main characters. The spy film …show more content…
He is only shooting back at those who are trying to kill he and his wife. The two genres are independent, but they merge well to give the audience quite the suspenseful ride. Given these facts, it would be hard to classify The Berlin File under one category over the other. Rather, the movie is a distinct combination of both martial arts and spy genres. One of the movies that The Berlin File has many similarities with is Kang Je-gyu’s 1999 film Shiri. Kang is a South Korean director just as Ryoo Seung-wan is. In Shiri, a rogue group of North Korean spies attempts to assassinate the North and South Korean leaders to start another revolution with the hopes of reuniting both countries. One of the biggest themes between both Shiri and The Berlin File is the concept of nationality. Regardless of the fact that the latter is set in Berlin, the most important element of both films is the separation of North and South Korea. Not only is the separation important, but the differences in the two peoples is highlighted as well. In Shiri, this is very transparent because the rogue North
A small, smoke-filled and well-lit room with a small circular table, some buffets and other furniture. Having everything typical to a middle and upper class residence, this room symbolizes the type of citizens who are tired and afraid of M’s reign of terror. Having the mobster’s meet in this room in the first place, Lang highlights the notion of the silent, scared majority of Berlin who will accept any course of action just to see to it that their children are safe and that their normalcy of life continues on, before M began abducting children. The cigar smoke filling the room is symbolic of the haziness and gray area that such a situation presents. One may stop to ask themselves, “Is this right? Are we doing the right thing by setting the mob loose on M?” or “If I was a criminal, would I want due process and a fair investigation and trial?” By the mob and the people taking matters into their own hands, they are essentially submitting to fear and thus usurping the due process of law. By having the mobsters in the room, the citizens are okay with ends being justified by the means and show that have lost complete and utter faith and trust in the police to keep their children
For the unit two we watched two movies that were made during the GDR period. One of them, Berlin- Corner Schonhauser, was filmed before the wall and the second movie, The Rabbit is Me, was filmed after the wall. Both films were accepted while they were made, but at the end, they were both banned. The general idea is, that as much as these two movies tried to follow the GDR’s rule during the freeze time, but still they were trying to show a realistic socialist society, and so that cause the movies to be banned. Life before the Berlin wall was a little different than the life after the wall and so that’s the reason that these two movies are different than each other, while Berlin- Corner Schonhauser is mostly showing young generation and their
In the year 1961, the building of Berlin Wall called upon disasters in Germany. United States controlled the west of Berlin while German Democratic Republic held the East. Being stuck under the rule of day to day terror, people from East Berlin were making their way to the West Berlin. West Berlin was a safe spot and freedom checkpoint in the middle of terror. To stop the moving of East Berliners, the East German government decided to build a barrier that limited and halted the East Berliners from leaving. But the battle to control Berlin between, the United States and the Soviet Union, had been taking place since after the division of Germany. The German Democratic Republic wanted better control over its people to spread its communist ideas
In Style Wars, one sees how social marginalization affected graffiti writers in 1970s and 1980s New York. Firstly, Style Wars chronicles how the city government employed racist policing and propaganda to criminalize writers of color. Secondly, the documentary shows that newspapers and TV networks unequally privileged writers of higher socioeconomic status through front-page and prime-time coverage. Thirdly, the film depicts graffiti writers who conformed to masculine norms as disproportionately visible throughout the city. Although many writers featured in Style Wars minimized barriers against making art, legal racism, classist media coverage, and interpersonal masculinity limited recognition for certain writers.
Taylor, Frederick. "The Berlin Wall: A Secret History." History Today Feb. 2007: 43-49.SIRS Issues Researcher. Web. 20 Feb. 2012.
The end of World War I, according to some European historians, occurred on May 8, 1945 or V-E Day. A day marking the change of the world’s enemy from Nazi Germany to Communist Russia. Fears of Communism, the totalitarian government of Soviet Russia, were invited through the use of propaganda in the media by the United States government. Illustrating this type of propaganda is the motion picture, The Red Menace released in 1949 by Republic Motion Pictures provides acumens of the fears and concerns on the minds of Americans during a period in America’s history known today as the Cold War.
In conclusion Berlin Wall was an important milestone in the growth of the Cold War. It was the expansion that represented the thinking of a determined Communist system. Western Capitalism, which was more powerful, eventually defeated the system. The massive wall that did so much harm to a country was finally destroyed, and the people of Germany could now live the way they all wanted to live. They could live the life of freedom. Since the fall of the Berlin Wall East Germany has went through a lot of changes, and it still is not easy for all of the people in East Germany. But no matter how hard it is for the people of East Germany now, it is better than being alone and separated from their families, friends and rest of Europe.
In the last fifty years the German Democratic Republic has been a nonstop changing country. In Germany, the terms “East” and “West” do not just represent geographically regions. It runs much deeper than that, and there is still a large gap in the way of life, and political and social conditions of the whole country. While most German’s were sleeping on the night of August 13, 1961, the East German government began closing its borders. In the early morning of that Sunday, most of the first work was done: the border to West Berlin was closed. The East German troops had begun to tear up streets and to install barbed wire entanglement and fences through Berlin. Between 1961 and today, the Berlin Wall saw many changes, and so did the people that it entrapped.
“Apocalypse Now” is a legendary war film directed by Francis Ford Coppola. The film’s main theme is devastation, violence, and horror. In this film Coppola thoroughly scrutinized the main characters ideas, behavior, and emotions to depict the darkness and the horror of war. His goal was to make the audience part of the horror. He wanted the audience to have a tremendous impact on this film and he succeeded with the perfect use of sound and editing in the ending sequence of his film. I will demonstrate how Coppola exploits a wide array of sound and editing to create suspense, intensity, and anxiety in the sequence to affect the audience’s emotions, using diegetic ambient sound effects, non-diegetic music, voice over and four editing types.
In his most famous novel Goodbye to Berlin, British writer Christopher Isherwood is exploring different characters living in Germany (esspecialy Berlin) in the times of Nazi rising. However, his novel is not about politics. It is about ordinary people with ordinary troubles and thoughts. However, the reader can find various remarks on politics and political opinions. The aim of this essay is to find and explore expressions of political atmosphere, manily in portrayals of the characters.
The Berlin Crisis reached its height in the fall of 1961. Between August and October of that year, the world watched as the United States and the Soviet Union faced off across a new Cold War barrier, the Berlin Wall. In some ways, the Wall was Khrushchev’s response to Kennedy’s conventional buildup at the end of July, and there were some in the West who saw it that way. However, as Hope Harrison has clearly shown, Khrushchev was not the dominant actor in the decision to raise the Wall, but rather acquiesced to pressure from East German leader Walter Ulbricht, who regarded the Wall as the first step to resolving East Germany’s political and economic difficulties. The most pressing of these difficulties was the refugee problem, which was at its height in the summer of 1961 as thousands of East Germans reacted to the increased tensions by fleeing westward. But Ulbricht also saw the Wall as a way to assert East German primacy in Berlin, and thus as a way to increase the pressure on the West to accept East German sovereignty over all of Berlin.
Full Metal Jacket is written and directed by Stanley Kubrick. The film was released in 1987 and it is starring Matthew Modine (Joker), Vincent D’Onofrio (Pyle), Adam Baldwin (Animal), and R. Lee Ermey ( Guy.Segr. Hartman).
What does it mean to give yourself completely to your vocation or life? We find in a fictional story from Wes Anderson, his eighth feature presentation, “The Grand Budapest Hotel” What it means to be completely giving of oneself. Even though Wes’s movie is fictional, we find many deep and underlying themes, tones, and values. these are values are applications that anyone male or female that one can implicate in ones life to any situation. The main values we can find in the movie are simple, but can improve life ten-fold. Three easy steps to improving ones life are as stated: gratitude, positivity, and you must contribute yourself 100% of the time no matter how hard the road in front of you is going to
In the modern day era, we find in society a ubiquitous usage of technology that seems to be never ending and forever growing. Included with this notion, the broad subject of surveillance is of course included. Contemporary surveillance, or more specifically technological surveillance, has been described as ambiguous; meaning that it is often misunderstood or open to different interpretations. The representation of surveillance within popular culture has played an impacting role on how we as a society perceive it and this raises certain questions that may reflect back on to society. The 1998 film Enemy Of The State directed by Tony Scott, Starring Will Smith, Gene Hackman and Jon Voight is considered to be a ‘spy-thriller’ blockbuster. Its central themes explore a range of surveillance techniques and equipment and also provides some insights, no matter how realistic or unrealistic they may be, into the real life security organisation; The National Security Agency (NSA). Using this film as an example and analysing how these themes are represented will hopefully allow us to key these ideas back to modern surveillance theories and practices.
"The Spoils of Berlin." New African Feb. 2010: 18-33. New African. Web. 9 Mar. 2011. .