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Significant in young adult literature
Significant in young adult literature
Significant in young adult literature
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Recommended: Significant in young adult literature
Age is Just a Number Why can’t adults read YA books? Why are adults getting judge because, of the books they choose to read? Ruth Graham stated in her slate article “Against YA” that “Adults who read YA books should feel embarrassed.”(Graham) Ruth Graham gives some good information on why they shouldn’t but she lacked a lot of support behind her opinions. The type of book genres you read does not define you as an adult or teenager. Adults should be able to read whatever type of genre they feel the need to. Different people have their own opinions on why they think Ruth Graham is wrong. When Ruth Graham Published her article “Against YA” in June of 2014 author Elisabeth Donnelly released an article following up Ruth’s’ as a condescending. In …show more content…
Elisabeth’s article she gives Ruth credit by stating that her data about the people who buy young adult literature. Elisabeth agreed with her to this extent that “the manner in which YA has taken off as a genre means that a demographic of women aged 30 to 44 accounts for 28 percent of YA sales.”(Donnelly) Where Ruth and Elisabeth parted ways was with Ruth bashing certain books and calling them trashy. Elisabeth felt as if she hadn’t really read the books or giving them a chance. Elisabeth also stated in her article that “There are really good YA books out there.”(Donnelly) Elisabeth pushes Ruth to go and pick up a copy of “Meg Rosoff’s How I Live Now”. (Donnelly) Elisabeth proceeds on to defend adult YA readers by giving a reason why they read the certain genre. She stated that YA books endings are “wrapped up neatly”. Another awesome point that Elisabeth had was that Ruth did not know if the women only read YA books or if they actually read other genres on top of the YA books. Overall Ruth Graham had some points that all the other people agreed with but some of her points was outrageous. With some of Ruth’s good information, she bashed books. She bashed books by calling them “trashy stuff” and that there is not “serious literature” in the books. Ruth proclaimed that YA books are for teens and not for adults, but the YA books are growing more detailed for the age ranges she considered the genre to fall in. In “Darkness too Visible” the author Meghan Cox Gurdon touched on the points in her article that was published in June 2011. Meghan hit the facts by explaining a story about a parent that was looking for a book for their son. Meghan says that the parent thought “It was all vampires and suicide and self-mutilation, this dark, dark stuff”. Meghan went on to say that the YA adult literature she read was less detailed than what todays YA detail is. The YA literature she describes as todays is “Darker”. (Gurdon) What she means by darker is that the information in the books are not for the 12-17 year old category. Meghan’s article basically reflects that if our teens grow up reading about “kidnapping”, “incest” and etc. That they would be doing these things because that’s what they read about as a teen. Meghan thinks that the YA today is for kids and for adults. Another valid point that Meghan made was that if the teens were heavily reading the YA literature of today that it would be harder to raise them. You will be very lucky to find YA literature in today’s writing world that is written with less detail and that is actually appropriate for the teens of our generation. She even put out some titles of YA literature that she thinks is appropriate for the teens of our generation. The titles she put out were “Ship Breaker by Paolo Bacigalupi (2010)” for the young men and “Ophelia by Lisa Klein (2006)” for the young women. Today’s YA literature is actually wrote for adults and not teens. (Kelly) In "No, You Do Not Have to be Ashamed of Reading Young Adult Fiction" Rosenberg touched on the fact of Ruth bashing the people who read YA books. Rosenberg fired back at Ruth with “Just 28 percent of Americans reported reading 11 or more books in 2013.” This statement meant that adults had to read YA literature or some other form closer to it. Rosenberg stated that those that read the YA literature are the “highly engaged readers.” Rosenberg also defends YA literature by saying that if Ruth would have known that YA literature was a category with many different sub-genres then she would think different or could have better reasons on why not to read them. The sub-genres of “historical fiction and romance and etc”. These are some of the best sellers in the book world cause that’s what catches the minds of people. Rosenberg believes that “plenty of material aimed at adults is aimed at hitting the pleasure centers of the brain and providing endings that satisfy our most childish sense of fairness.” This means that there is not the same ending in every YA book. The authors of YA books switch it up and make seem like some sort of reality. By Ruth trying to say “Adults should be embarrassed for reading YA books”(Graham) is not going to make them stop. In Ruth’s “Against YA” she came with some great clauses but also she lacked very many. Rosenberg in "No, You Do Not Have to be Ashamed of Reading Young Adult Fiction" pointed out a few of them that caught her eye. Rosenberg thought that Ruth’s case would have been better supported “if her piece made a comprehensive case against readers who seek out a certain kind of easy enjoyment and moral satisfaction no matter where they find it.” Rosenberg’s meaning of this meant that adults read it because it’s easy or just because the readers really don’t have a meaning for reading the YA literature books. Something else that stood out to Rosenberg was that Ruth’s survey data from a research firm also suggested that “e-books make many readers more likely to read so-called guilty pleasures.” (Rosenberg) The guilty pleasures include the YA literature (teen fantasies). Rosenberg suggested that Ruth should considered that adults reading YA literature were maybe trying to get a better understanding of the mind of teenagers. Rosenberg also stated that the people reading YA literature might become “avid readers”. (Rosenberg) People cannot just give up on the “romance” and “happy endings” because someone wants them to feel embarrassed. Ruth attacks YA literature in a horrible way.
Author Hillary Kelly in “In Praise of Reading Whatever the Hell You Want” defended YA literature not as a writer but as a strong reader of the literature. She stated that she would “keep rereading the Harry Potter books until she died”. That statement right lets us know that she is an adult who reads YA literature. She does not read it because it’s easy. She reads it because she has a connection with the books inside the YA genre. Hillary bashes Ruth for making the YA literate look “ridiculous”. Hillary also believes that Ruth does not really know what YA literature is about. Hillary attacks Ruth at her weak details within her essay. Hillary says “Graham claims that unlike adult books, YA books have “satisfying” endings.”(Kelly) In Hillary eyes Ruth does not list any books that talk about stuff that actually goes on in the world (real life events). Hillary believes that Ruth is just attacking adult YA readers at their academic level and not really looking to understand why the books are being read by the adults. Ruth sets all adults that read YA literature on the same pedestal and does not give them any separation or differences. Ruth is doing the minimum work of looking at people who read YA literature. If Ruth wants people to consider her argument she has to come with some better facts on why adults actually read YA literature. Hillary makes the statement that “she has to understand why they want to actually revisit there childhood literature”.
(Kelly) Ruth Graham’s article is not accurate because she is judging people just because they read the YA literature books. Ruth is not actually reading the adults gestures or reactions after they read the YA literature books compared to their reactions when they read the adult literature. Adults now of days do not read adult literature because it does not really vibe with how they are feeling or the events in their life. A good valid point that Damien Walter made was that adult literature is not amongst the bestsellers all the time. Damian pulled up one of the only adult literature that was a bestseller in 2013. The book was called “The Goldfinch” by Donna Tartt it was a bestseller but it was actually wrote about his young adulthood. (Walter) Ruth needs to come with different aspects and views within her article to make it a little more agreeable. Ruth Graham in her “Against YA” article said that YA literature is not “serious literature”. (Graham) What exactly is serious literature to Graham? Is not the selling of books and people’s enjoyment of reading the type of literature considered serious literature? If Graham considered all of these factors as serious literature then YA literature would be serious literature. If she considers adult literature as serious literature. Serious literature in Walter eyes is about “a middle-aged person struggling with career collapse and sexual frustration.”(Walter) Who wants to repetitively read that type of literature book after book? Walter also went on to say “YA literature is the most serious literature”. (Walter) Not just because he reads it but because it’s books a brought by lots of people and people actually enjoy the type of stuff that is written in YA literature. Also YA books are always in the bestsellers category. Ruth Graham needs to produce some statistics to prove that YA literature is not “serious literature”. Young or adult YA literature is awesome and you shouldn’t be judge for reading it. Adults should be able to read whatever you want. Don’t let a silly little article persuade you or make you want to stop reading the type of literature you love. Reading literature you love keeps you reading and reading. And remember reading expands the mind and keeps the mind fresh and ready to think.
In “I Know Why the Caged Bird Cannot Read” (1999), Francine Prose argues that literature is not being exposed to and taught to high school students in the way that it should be and that students learn to “loathe” it due to this. Prose provides her audience with her personal experience as both a mother and a college professor along with her own research on the books and suggested purposed of them. She continues to expand on this topic in order to help illuminate the importance of literature itself, not being associated with personal experiences or morals. Prose’s position is valid and she makes her essay directed towards school boards, teachers, and students and continues to maintain a critical tone throughout her essay.
...ain groups consider books to be immoral does not mean they need to be pulled from the shelves. Censoring is acceptable for the youth, but there is an age when we all grow up and are able to handle books with explicit content.
In conclusion, I think the author Deborah Tannen had a reasonable argument but her supporting evidence were somewhat biased and they were not strong enough to fully support the arguments. Moreover, she did introduce opposing opinions; she just looked at the argument from a woman’s point of view. As far as my personal opinion goes women are judged alittle more than men, but that does not mean men are free this societal evaluation.
Did you ever think that books that have sex, obscene language, and immoral subjects can make a good book? The Catcher in the Rye has been on the banned reading list for exactly those reasons. The book was mainly put on disapproval from between 1966 and 1975 in almost every school district in the United States. The book was said to be so bad that in 1960 a teacher in Tulsa, Oklahoma, was fired for assigning the book to an eleventh-grade English class. Despite some opposition to the novel, however, J.D. Salinger’s The Catcher in the Rye should be on a reading list for the freshman students because it gives a crystal clear image on how the world is in violence, sex, and obscenity and the book also teaches the motifs of lying and deception.
An example of this content is in the book “I looked at Miss Baker, wondering what it was she got done. I enjoyed looking at her” (Fitzgerald 13-14). This is a clear example of why the novel should be banned. As Nick Carraway is meeting Tom and Daisy Buchanan, their friend Jordan Baker is at the house. Nick then goes on to talk to her and describe her in an inappropriate manner. “She was a slender, small-breasted girl, with an erect carriage, which she accentuated by throwing her body backward at the shoulders like a young cadet. Her gray sun-strained eyes looked back at me with polite reciprocal curiosity out of a wan, charming, discontented face” (Fitzgerald 1.13-14). These comments are clearly unsuitable for anyone in elementary, and could even be argued that they are inappropriate for middle/high school. These adult references can wrongly influence someone who reads the novel that based on the kind of person Nick is, that it is okay to do what he does. The comment could also not be understood by the reader, which could be in a classroom/library. One more reason the novel should be banned is because it promotes alcoholism and illegal business. "I found out what your 'drug stores' were.’ He turned to us and spoke rapidly. ‘He and this Wolfsheim bought up a lot of side-street drug-stores here and in Chicago and sold grain alcohol
Freedom of expression is not limited to adults, minors too, have the right to freely express themselves and receive information. Therefore, minors have the right to read any materials they desire. By banning The Catcher In the Rye, and novels of the like, the rights of U.S. citizens are restricted. & nbsp; The novel, The Catcher In the Rye, should not be banned from inclusion in the literature courses taught at the high school level.
To women and some men, she is a hero, and to anti-feminists she is a villain. Moreover, there are still many people who do not applaud Ruth on the wonderful changes Ruth has made to American society. For growing up in the mid 90s, it is shocking to some that Ruth is not against abortion. After fighting for women to have the freedom to decide for themselves, Ruth said, “Reproductive choice has to be straightened out. There will never be a woman of means without choice anymore. That just seems to me so obvious. The states that changed their abortion laws before Roe are not going to change back. So we have a policy that only affects poor women, and it can never be otherwise.” However, Ruth is not against nor for abortion rather she is wants people to be able to make their own choices. She said, “The emphasis must be not on the right to abortion but on the right to privacy and reproductive control.” Also, Ruth is an advocate of same sex marriage. She wants freedom for everyone and for every one to be allowed to make their own decisions. She said, “In recent years, people have said, ‘This is the way I am.’ And others looked around, and we discovered it’s our next-door
From the years 2000 to 2009, 5,099 books were challenged in school libraries, classrooms, and public libraries. Most of the books on this list were banned because of objectionable content such as sexual references, profanity, violence, and the fact that the book was considered “unsuited to age group” (American Library Association). Even prior to the year 2000, censorship and banned books had become an issue for schools in particular all across the country for these very reasons. While the The Color Purple by Alice Walker does contain the objectionable content mentioned prior, it should not be banned because objectionable content found in the book is accessible through the internet and social media, one person’s complaint should not determine another’s choice, and high school students should be mature enough to handle the adult content.
Books are banned for many reasons but more times than not it is because of the sensitive information found within the novel that agitates the reader. As long as people have been able to develop their own opinions, others have sought to prevent them from sharing. At some point in time, every idea has ultimately become objectionable to someone. The most frequently challenged and most visible targets of such objection are the very books found in classrooms and public libraries. These controversial novels teach lessons that sometimes can be very sensitive to some but there is much more to challenged books than a controversial topic. What lies within these pages is a wealth of knowledge, such as new perspectives for readers, twisting plots, and expressions that are found nowhere else. For example, To Kill A Mockingbird, contains references to rape, racial content, and profanity that have caused many to challenge the novel in the first place. The book was banned from countless
... maturity levels rise? In my opinion we should allow Americas youth to read the books that they please. But to allow this I believe there needs to be a rating system to tell parents and the children the level of maturity the book is and why it is rated so. This will allow youth to mature at a constant rate as they read, rather than having them mature at an extremely fast rate. This allows our youth to mature at a reasonable rate so that they are aware of life’s difficulties but not bombarded with unnecessary information to pollute their young minds.
I believe in the fact that everyone has their own opinion and the right for freedom of speech and press. People might say that I have no opinion or that I dont know what I am talkin about because I am under 18, but I still stand behind my opinion. The recent controversy over the censorship and banning of Toni Morrisons "The Bluest Eye" is simply a group of people trying to give thier opinion. They got their right and where able to challenged the book, but are now taking this too far. I believe this should be eliminated and they should not be able to get their way by threatening their point. The mother who has challenged this book has every right to censor what her child reads. As for other parents they might want their children to read this book. I dont see how this women really sees herself as Bakersfields "parental figure" and takes it among herself to say what other peoples children may read. Personally I feel as if she thinks me and my peers too stupid to understand the meaning of the book, and not mature enough to seperate the reality of those 11 "pornographic" lines. Sex, incest, and rape are all things that are real and happen in our world. Many children are exposed to these unpleasant realities. I believe that this women is out of touch with her daughter if she thinks that her daughter does nott know what these things are. I am very insulted at the fact that she thinks it her job to take on the responsibility to choose what I can not read. I have two parents already that make fine descisions for me, I don't really need another one. Those 11 lines are said to be pornographic and probably are when taking out of text. Those 11 lines are merely particles of the total piece of literature. I have not yet read "The Bluest Eye," but plan to. This book is said to be very eduactional and a great piece of literature. Should students really be banned from reading this book because of 11 lines? If any parent does not want to have their child read a book they have every right to not let them, but this women should have no say over any one elses child except her own. Also I think it very ridiculous of her to carry this on any further than it has already gone.
In Rebecca’s article there are many things that I do not agree with. The first argument that I have to disagree with is when Rebecca stated that the American Library Association recommends books for young readers, but these recommendations reflect their liberal values and the books recommended by the ALA contain cures words and graphic sexual information (Hagelin). I got in contact with the ALA and I asked them, “Do your librarians or any of your higher branches read any of the books on any of your book lists?” I got a response back from a lady named Angela Maycock who is the assistant director for the Office for Intellectual Freedom. Angela responded saying, “I assume when you ask about ALA’s boo...
scholarly literature argument is still going on today. For example, the Captain Underpants series by Dav Pilkey has been challenged many times since its first debut in 1997. According to the ALA, this series was banned in some schools due to “insensitivity and being unsuited to age group, as well as encouraging children to disobey authority.” So if the belief that children’s books shouldn’t be for the imagination but for intellect has lasted for centuries, does this mean we should ban children from books that we consider to be for entertainment and not scholarly advancement? Given that fiction is something still being written today, and growing in popularity as shown by the massive fan bases of young adult novels such as the Twilight series by Stephanie Meyers or the Harry Potter series by JK Rowling, I don’t believe the banning of imaginative literature is going to happen anytime soon. But should it? The question is something school authorities still struggle
of attacking the reader and getting him or her to listen to what she has to say.
Literature has been part of society since pen met paper. It has recorded history, retold fables, and entertained adults for centuries. Literature intended for children, however, is a recent development. Though children’s literature is young, the texts can be separated into two categories by age. The exact splitting point is debatable, but as technology revolutionized in the mid-twentieth century is the dividing point between classic and contemporary. Today’s children’s literature is extraordinarily different from the classics that it evolved from, but yet as classic was transformed into modern, the literature kept many common features.