Minority entrepreneurs have many barriers they have to overcome in order to be successful. Some typical problems they face are limited access to capital, lower equity investments, and less exposure to entrepreneurship. Minority entrepreneurs are twice as likely to be turned down for traditional lending, which can discourage them from even applying for a loan. Not only that but they are less likely to be considered by traditional or angel investors. They also generally live in run down areas, with poor schooling and less access to successful people. One entrepreneur who has hurdled over all the barriers and became extremely successful is Russell Simmons, the co-founder of Def Jam Records.
Biography of Russell Simmons
Russell Simmons was born in Queens, New York, on October 4, 1957. Growing up in Queens, he spent part of his adolescent years as a street hustler. During his middle school years, he sold marijuana and was even a member of a local gang. He was arrested twice on other charges and was given probation. At eighteen he began taking college classes in the New York area and started working at an Oranje Julius, but financed his clubbing lifestyle by selling fake cocaine. One night in 1977 while at a club he saw the clubbers going crazy over a song from Eddie Cheeba, an early rapper and DJ, he decided that it was the sound of the future. Simmons quit selling fake drugs and left college to begin promoting concerts and forming his own management company for artists. He called his company Rush Management. He managed Kurtis Blow, and Run-D.M.C.. In 1884 he partnered with Rick Ruban and founded Def Jam Recordings and starting the cultural revolution known as hip-hop.
Businesses & Industries
¬¬Russell Simmons has his fingers in a ...
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...nced everything from music to finance and philanthropy. He has been the architect in creating the trends in current pop culture. A majority of Simmons’ endeavors would fall into the venture opportunity school of thought, and he took an integrative approach.
My Thoughts
Simmons built an entertainment empire, with hip-hop at the foundation. By fighting for hip-hop, even when everyone said it was a fad Simmons taught me that, even if everyone doubts something, all it will take is one person to believe and to fight for what they believe in. I also learned that if one person starts to work towards a goal, it would pave the way for others to follow. Simmons often said that “Black culture or urban culture is for all people who buy into it and not just for black people. Whether it’s film or TV or records or advertisement or clothing, I don’t accept the box they put me in.”
Another case is that of 17-year-old Kendrick Johnson whose death was initially ruled the result of accidental suffocation. A second autopsy produced a different conclusion, but when the second autopsy was performed, his body had been stuffed with newspaper, and his organs were missing ("Organ Trafficking, Melanin Theory & the Fountain of Youth -," n.d.). The brain, heart, lungs and liver were missing. He also discovered Johnson's death was due to blunt force trauma to the right side of his neck (Archer,
Hip-hop culture has been a global phenomenon for more than twenty years. When introduced into the American culture, the black culture felt that hip-hop had originated from the African American community. The black community was being denied their cultural rights by the supremacy of the white people, but hip-hop gave the community the encouragement to show their black pride and televise the struggles they were facing in the world. The failure and declining of the movements, the influential, rebellious, and powerful music is what reshaped Black Nationalism, unity and to signify the struggle. The African Americans who suffered from social and political problems found that they similar relations to the political movements, which allowed the blacks to be able to voice their opinions and to acknowledge their culture openly.
Dreams come and go every night, but some dreams tend to stay for a lifetime. I have always dreamt to become a professional athlete in some way or another. Growing up I have always looked up to many different athletes. Whether it was Ladanian Tomlinson on the football field or Kobe Bryant on the basketball court I have always had some athlete that I wanted to be like someday.
Since the early to mid 90’s, hip-hop has undergone changes that purists would consider degenerating to its culture. At the root of these changes is what has been called “commercial hip-hop". Commercial hip-hop has deteriorated what so many emcees in the 80’s tried to build- a culture of music, dance, creativity, and artistry that would give people not only something to bob their head to, but also an avenue to express themselves and deliver a positive message to their surroundings.
It is a day in the summer of 1974 on the block of 1520 Sedgwick Avenue, Bronx, NY. The grass is blazing, the air is fresh, and the kids are shrieking with joy. This is where it happened. DJ Kool Herc popped in his new record playing smooth rhythms of jazz and blues with the integration of Jamaican sound creating a new genre that would soon sweep the nation. He called it Hip-Hop. Some would call it “black noise”, but to urban African Americans it was music they could own; music they could learn to appreciate and adore. As they faced afflictions like racism, oppression, drugs, and much more, they used this new found hip- hop to express their thoughts and feelings. Today, we try to understand where this passion and substance in rap has escaped; if it was left to wither in the blazing grass, or blow away in the fresh air. Today, we try to understand what is hip hop, and why it’s becoming the “black noise” we once denied it to be. Ever since rap officially emerged in the 1970s, critics had a negative reaction; even when rap had meaning and substance and consisted of people telling their stories. Now that rap has become more contemptuous, critics have began to question what rap is really about. It is clear themes have changed: But at what point? And how? Furthermore, how has this impacted blacks and their image, who dominate the rap industry. Conclusively, while themes in mid 20th century rap have been known to revolve around aspects like politics and unity, currently rap has underwent a dramatic change now producing themes that promote violence, among many other things, and has ultimately painted a negative image of African Americans.
Even when one becomes an artist in the industry, there are many troubles that go along with the tag of being a recording artist in the urban division. One example is seen in the article, “The Business of Rap: Between the Street and the Executive Suite” by Keith Negus, where columnist, J.R. Reynolds, mentions the closing of the urban division at Capitol Records in 1996, calling it “the systematic extermination of black music at Capitol Records”, saying that it did not make any sense because the genre was doing well in the market (528). The black music division is often subject to this kind of cutting compared to others. Negus also states that “despite the influence of rap and hip hop on the aesthetics of music, video, television, film, sport, fashion, dancing and advertising, the potential of this broader cultural formation to make a contribution to music industry business practices is not encouraged” (534). The sad fact of the matter is that this is true. It is almost like the larger companies take from the smaller urban divisions in order to make themselves look better without giving credit where it is due and in turn, because those companies are not seen to be doing well in the market, they are dropped from the label. Ted Swedenburg explains this in the article “Homies in The ‘Hood: Rap’s Commodification of Insubordination”, when he states that “while the major academic rock critics usually acknowledge black musicians’ essential contributions to pop and occasionally write sympathetic a...
As hip hop culture became prevalent in pop culture, so did black culture. Hip hop stems from black struggle. Their vernacular, songs, and spiritual ways were different from what whites were used to. Their different lifestyle of “living on the edge” was intriguing yet inaccessible for the whites living among them. Thus, this initiated America’s fascination with the culture. It became about what people assume and perceive about black people rather than what they actually are. In essence, an essential to cool is being on the outside, looking in. In the media and celebrities today,
In conclusion, these theorists who explore hip hop all have generalized ideas of what hip hop represents. Johnson is more oriented towards the female side of hip hop, whereas Jeffries is focused on the unity side of what it offers and Smitherman thinks that it is a black CNN. Although each scholar focuses on different aspects of hip hop, it is evident to point out that all these aspects correlate with one another. Hip hop is a cultural tool formed out of a need to take a stance on the issues that relate to the black community. And that it’s a voice to relate and unite people who share the same struggles on which to advocate change.
Hip hop music can been listened to anywhere and can be listen to by anyone who has the internet and is able to. Popular hip hop artist today like Kendrick Lamar, ASAP Rocky, Jay Z and Kanye West are able to have their music played and their styles, beliefs, and attitudes be heard and seen where ever a fan chooses to do so. Fans can follow hip hop artist daily through social media sites like Facebook and twitter and hip hop artists are able to gain popularity faster than ever before. Hip hop today still acts as a format for artist to show support towards problems in American society. For example hip hop artists like Kanye West and Kid Cudi have shown support for blacks in America, with campaigns and slogans like, Black Lives Matter and I Can’t Breath that are protest against police killing innocent black
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Black culture in our society has come to the point where it is allied with pop culture. The most popular music genres, slang terms, to dance forms it all comes from black culture. Hip hop emerged from black culture, becoming the soul of it that is seen in the media. Hip hop helped the black community by creating new ways of expressing themselves, from breakdance, graffiti, rap and other music, to slang. This culture was rooted in their tradition and created from something new. Hip hop created a new form of music that required the use of turn tables, ‘cuts’, loops, rhythm, rhyme, stories, and deep-rooted emotions, but also incorporated black oral forms of storytelling using communal authors.
To say it lightly, Stanley Crouch does not like the hip-hop genre of music. The dreadlocks, the clothing style, and the "vulgar": gold chains are just a few things he does not approve of at all. (Crouch, 1 ) It astounds him to see how far African-American music has fallen since the days of the Motown. Stanley was quoted as saying this about rap, "It is rudeness, vulgarity, and pornography disguised as ‘keeping it real.'" (Crouch, 1) He also went on to say the hip-hop music genre has the worst impact of all music genres on our culture today. (Crouch, 2) Crouch believes one does not need much talent to become a successful rapper unlike the jazz greats he listens to all the time.
From its conception in the 1970's and throughout the 1980's, hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesn’t share the same experiences that drive the music. An artists’ success hinges on pleasing consumers, not the community. In today's world, it isn’t about music that rings true for those who share the artists' experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop.
The third president of the United States said that “I was bold in the pursuit of knowledge, never fearing to follow truth and reason to whatever results they led.” In this class, we did just that. Find the truth. In this essay, I will discuss the flaws and the things we did correctly, the grades and the knowledge, and the play and the work. Since this class’s goal was to turn my views of Sports and Culture upside down. I will work from the bottom by discussing the juxtaposition between play and work first.
Hip- hop is a standout amongst the most compelling musical sorts on the globe. There are rappers everywhere that know what amount of an impact their music can have. Some entertainers attempt to utilize that force of impact to do great (Ruiz INT).