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Merits and demerits of gossip
Merits and demerits of gossip
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Rumors and the spreading of gossip are an every day occurrence in our modern society. In The Aeneid “Book IV: The Passion of the Queen,” {FINISH}. Virgil uses Rumor to embody the horrible traits of gossip to show how it spreads and how gossip always ends in disaster. Virgil first uses Rumor to describe and to personify the terrible attributes of gossip. A main aspect of The Aeneid “Book IV” is the character of Rumor and how through her, information travels to other characters. Rumor is the literal embodiment of gossip and is seen like that in The Aeneid. Just like actual gossip, “Rumor/ Thrives on motion, stronger for the running,/ Lowly at first through fear, then rearing high.” (228-230). Virgil aptly demonstrates how Rumor, just like the …show more content…
concept of gossip, does best when quickly spread from word of mouth. {MORE} Virgil also describes Rumor as, Monstrous, deformed, titanic. Pinioned, with An eye beneath for every body feather, And, strange to say, as many tongues and buzzing Mouths as eyes, as many pricked-up ears. (235-239) Gossip is often times frowned upon or thought of as a bad thing and Rumor is described in a way that will provoke a negative image of her. She is given traits of a monster and {FILL IN BLANK & CONCLUDING SENT.} After Virgil introduces the terrible traits of Rumor, he then uses her to show how rumors flow from person to person and place to place. (blah blah lead up to quote blah blah) By night she flies between the earth and heaven Shrieking through darkness, and she never turns Her eyelids down to sleep. By day she broods, On the alert, on rooftops or on towers Bringing great cities fear, harping on lies And slander evenhandedly with truth. (240-245) {ADD SENTENCE} Virgil not only shows how rumors and gossip wind through places, but also that more times than not gossip is full of lies and can bring fear and unfavorable opinions onto people. {CONC. SENT.} Virgil finally uses the effects of gossip to show the anger of King Iarbas and the death of Dido. Her twisting course Took her to King Iarbas, whom she set Ablaze with anger piled on top of anger… King arbas crazed by the raw story. (254-256, 264) This is the first example of Rumor causing trouble in others’ affairs. Rumor brought the news of Aeneas and Dido’s relationship to the King which in turn brought his anger onto other people. Virgil also uses Rumor as the indirect and initial spark in Dido’s suicide. Evil Rumor, Shameless as before, brought word to her [Dido] In her distracted state, of ships being rigged In trim for sailing. Furious, at her wits’ end She traversed the whole city all aflame With rage… (386-391) Rumor brought the news of Aeneas leaving to Dido while she was already in a poor state of mind, which propelled her further into her ultimate decision of suicide.
If Rumor had not given Dido the information on Aeneas, then Dido may not have found out about him leaving or at least may not have been as blind sided by the news. Virgil’s use of Rumor and gossip is still a common theme in today’s society. Just like Rumor thought that spreading the gossip of Aeneas and Dido’s relationship would be harmless, many people still think that today, but in most cases rumors or gossip have negative themes. According to the article “Understanding the Impact of Rumors and Gossip” by Sherri Gordon, “gossip and rumors can destroy a person’s self-confidence and affect their self-esteem. It can also lead to depression, suicidal thoughts, eating disorders, anxiety, and a whole host of other problems”. {ADD MORE} Virgil uses the character of Rumor to show how rumors flow and how gossip always ends badly, while personifying all of the terrible traits. By Rumor being considered a monster, by spreading gossip all through the lands, and by bringing rumors to King Iarbas and Dido, Virgil expertly uses Rumor to portray the disastrous results of gossip in both The Aeneid and in modern
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The bee simile is a prominent figure in Virgil’s Aeneid, appearing first in Book I, and then later in Book VI. The careful arrangement and placement of the similes in the text implies that Virgil considered them to be highly significant to the understanding of his work. Each allusion to bee imagery in the Aeneid provides insight into what Virgil views as the perfect society - a diligent, patriotic, well-organized, dutiful community of likeminded individuals working towards a singular, noble end. Through his use of the bee similes, Virgil emphasizes the importance of the collective over the individual, the theme of rebirth, and the eventual rise of Rome.
Braund, Susanna Morton. “Virgil and the Cosmos: Religious and Philosophical Ideas.” The Cambridge Companion to Virgil. Charles Martindale, ed. Cambridge: Cambridge UP, 1997. 204-221.
While the Aeneid does outline the future of Rome, it also highlights the pains of war, and also exposes his audience to a culture of violence, which they may be unfamiliar with. The act of balancing one’s duty towards others and his or her personal desires was a conflict that many people struggled with. By presenting the struggle between balancing inner desires and and personal responsibilities, Virgil offers his audience a framework that enhances their overall understanding of the poem.
Rumors can break and humiliate people’s lives. A good example of this would be when Don John was passing rumors to corrupt Claudio’s and Hero’s relationship. Don John brings out that Hero is disloyal to Don Pedro and Claudio so they would be tricked by a false statement and insult Hero in many...
The Aeneid In the Aeneid, the author Virgil outlines the significance of authority by reiterating the need for Aeneas to fulfill his destiny in relation to pietas, devotion to family and country, as the central Roman virtue in the underworld. Virgil successfully uses the underworld to capture and dramatize the importance of authority by allowing Aeneas to see the future Rome due to his leadership through many forms and histories of Roman authority. Once the Trojans were on the shores of Italy, Aeneas had yet another duty to fulfill: a visit to the underground, where he met Sibyl, the "holy prophetess (pg. 149). " After the God Delian (pg.149) breathed "visionary might" into Sibyl, she and Aeneas were able to visit the Earth's hidden world. In this world, he learned what happens to the souls of the dead.
Virgil. “The Aeneid, Book IV”. The Norton Anthology of Western Literature. 8th ed. Vol. 1. New York: W.W. Norton, 2006. 974-95. Print.
Does Turnus pose a threat? From one point of view, Aeneas seems to always have the military upper hand, and Turnus seems physically inferior, thus not threatening. However, from a different perspective Turnus is deceptive, thus menacing. When he thinks h...
...he other, the gate of ivory, a perfect and glittering gate through which spirits send false dreams into the world. Rather than sending Aeneas through the easy exit, Virgil sends him through the gate of ivory. The only reason Anchises would escort Aeneas through a gate of “false dreams” is to evaluate Rome’s future. All of the glories that Anchises prophesied earlier were artifices because (and Virgil once again correlates passages) Rome will eventually be overcome with its desire for expansion and wealth and be destroyed. Therefore, it is easily established that Virgil simply was not only celebrating Rome to please the king, but to secretly critique it as well. Anyone who believes otherwise merely fails to assess the details that Virgil includes in his implications that Rome will eventually fall and its future is not as certain as the Roman people may believe.
Klytaimestra has thought up an ingenious plan to uncover the outcome of the Trojan War as quickly as possible; however, when she tries to share the news, the Chorus castoffs her declaration. This constant stichomythia between the Chorus and Klytaimestra annoys her because of the persistent disbelief, “And you have proof?/That, or a phantom spirit sends you into raptures” (272-274). The Chorus, which consists of men, do not accept that a woman can have any sort of knowledge before they do. They dismiss her claims until they hear it from a male messenger, which makes Klytaimestra very angry: “I cried out long ago!/You made me seem deranged” (580-586). Further, when she explains how she discovered the outcome, the men automatically assume that because she is a woman, she got her information from gossiping. “Just like a woman/to fill with thanks before the truth is clear . . . So gullible. Their stories spread like wildfire,/they fly fast and die faster;/rumours voiced by women come to nothing.” To the Chorus, a woman to devise a plan as clever as Klytaimestra’s, is inconceivable. But even after Klytaimestra’s facts are proven, the Chorus will later undermine her abilities again.
Dodds, E. R., (1966). On misunderstanding Oedipus. In Kennedy, X. J., & Gioia, D., Literature an introduction to fiction, poetry, drama and writing (6th ed.). (pp. 900-901). Boston: Pearson
In William Shakespeare's play The Tragedy of Julius Caesar, two speeches are given to the people of Rome about Caesar's death. In Act 3, Scene 2 of this play Brutus and Antony both try to sway the minds of the Romans toward their views. Brutus tried to make the people believe he killed Caesar for a noble cause. Antony tried to persuade the people that the conspirators committed an act of brutality toward Caesar and were traitors. The effectiveness and ineffectiveness of both Antony's and Brutus's speech to the people are conveyed through tone and rhetorical devices.
a very important role in the play Othello. The character of Iago uses his public perception as an
[15] Lyne: Further voices in Virgil's Aeneid: p.85. [16] Aeneid: book 4.323-324. [17] Aeneid: book 1.13. [18] Aeneid: book 12.1069 ff.
Owen, E. T. "Drama in Sophocles' Oedipus Tyrannus." 20th Centruy Interpretations of Oedipus Rex. Ed. Micheal O'Brien. Englewood Cliffs, N. J.: Prentice-Hall, 1968. 33-35. Print.
In the passage Aeneas notes that there is no fame for one who punishes a woman, but knows that he will be praised for punishing Helen, and that punishing her would calm his mind “feminea...satiasse meorum. ’’(lines 10-13). Here the reader is able to see that Aeneas’ state of dismay is due to the fact that people dear to him are dying all around and while he can’t save them, he can rid the world of the person that caused the