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Aeneas compared to Odysseus and Achilles
Aeneas compared to Odysseus and Achilles
Aeneas compared to Odysseus and Achilles
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In the first passage, Juno displeased by her inability to stop the trojans from getting to Italy, conveys her dismay through exemplification and position. At this point in the story, Juno’s plans to stop the Trojans from getting to Italy have all been futile. Juno mindful of the fact that Aeneas and his people are going to bring the destruction of the lands she favors most, Carthage, is desperate to stop them. At the beginning of the speech, Juno realizes that the fates refuse to let her stop Aeneas and his people from getting to Italy “mene incepto...Aiacis”(lines 4-6). Here the reader is able to see why Juno is in such a state of dismay. She is unable to use her power to help those who worship her the most, questioning her power as a divine …show more content…
The Queen proceeds to compare herself to Minerva, who was able to sink and drown an entire greek fleet on account of one man’s madness “Pallasne...acuto”(lines 6-12). Juno uses this example because Minerva, a goddess of lower stature and rank than herself was able to punish those that disrespected her priestess, once again questioning the power of the goddess. Yet Juno herself was not able to stop one man who will bring about the destruction of Carthage, making her question if people will come and honor her at her altars, or even respect her place among the divinities. In the second passage, Aeneas returns to find his family, with an inflamed mind “exarsere ignes animo”(line 1) and falls into a state of dismay when he lays eyes upon Helen. Realizing that Helen is the cause of all his misfortunes, Aeneas contemplates the action of ending her life. In the passage Aeneas notes that there is no fame for one who punishes a woman, but knows that he will be praised for punishing Helen, and that punishing her would calm his mind “feminea...satiasse meorum.’’(lines 10-13). Here the reader is able to see that Aeneas’ state of dismay is due to the fact that people dear to him are dying all around and while he can’t save them, he can rid the world of the person that caused the
How much control do women have over their emotions in the Aeneid? In his poem, Virgil frequently shows women in situations where irrational thoughts lead to harmful choices. Specifically, Virgil presents women as being easily influenced by their emotions. Consequently, these characters make decisions that harm both themselves and those around them. Throughout Aeneas’s journey, divinities such as Juno and Venus are seen taking advantage of the emotions of different women, influencing these characters to act in ways that ignore important priorities. Not only does Virgil present women as completely vulnerable to their emotions, but he also shows the problems that arise when these women engage in decisions where they put their own feelings ahead of their people. Virgil explicitly shows women neglecting important responsibilities when he describes passages concerned with Dido’s affair and her death, the Trojan women burning their own ships, Queen Amata’s opposition to Latinus’s proposal and her tragic death.
Aeneas witnessed, for apparently the first time in his understanding, the horrors of war and the vile nature that it brings out in men. He calls it an `inhuman shuddering" because the act he has just witnessed is so far from the realm of decent human behavior and it causes an equal reaction.
“I was obliged to memorize the wanderings of a hero named Aeneas, while in the meantime I failed to remember my own erratic ways. I learned to lament the death of Dido, who killed herself for love, while all the time, in the midst of these things, I was dying, separated from you, my God and my Life.
By mentioning the downfall of his people during the Trojan War and foreshadowing his destiny by "Sparing the conquered" Trojans and "battle down the proud" Greeks, can be looked upon as a reinforcement of his duties not only to his dead father and family, but to the entire Trojan population. To let another character found and rule Rome would just prove the failure of his people again, as shown through the Trojan war. Aeneas feels great pride and energy regarding his role in history and is anxious to continue on his journey. The gods are trying to convince Aeneas to value duty to his city and family, a kind of affiliation or relation by virtue of descent as-if from a parent, above duty to a lover by mere affiliation, or arbitrary association. This perspective on an appeal to authority still hinges on a relationship between Aeneas' desire for affiliation and public authority as the authority of filial priority. We learn early on in this epic that Aeneas is a very important character because of his divine parentage. After all, his mother is the Goddess Venus and his father's brother was the King of Troy. His mother is more concerned with his destiny than with his happiness. She makes Dido fall in love with Aeneas and then he falls in love with the Carthaginian queen in return. Despite the fact that he is happy, his mother is one of the gods working to make him fulfill his destiny. This "destiny" is truly revealed to Aeneas in the underworld when he encounters a few fellow Trojan comrades.
In The Odyssey and Hymn to Demeter, both Penelope and Demeter love and miss their family members. When Demeter hears her daughter Persephone’s cry, “a sharp grief took hold of Demeter in
Historically, Juno’s reasoning for hating the Trojans stems from the Punic Wars, which Juno knows will one day serve to “overturn her Tyrian fortress” (1.20)—that is, she knows that Carthage, her favored city, is destined to win the Punic Wars in the future. She hopes to stop Aeneas’s journey because she knows that he will be the one to found Rome, setting in motion the destruction of Carthage. This begins the theme of Juno’s attempts to defy fate, which runs throughout the poem. Two additional factors fueling Juno’s hatred of Troy stem from mythology: “One was the Judgement of Paris that bypassed, insulted her beauty. / Hate for Troy eviled her eye. Add Ganymede, raped and exalted.” (1.27-28) The Judgement of Paris was a contest between Minerva, Venus and Juno for the title of the
Heroes, a concept that was important to Romans, were supposed to be pious, fate-followers, and have good morals when it comes to those that they are supposed to be taking care of. Aeneas knows, after the message from Jove, that it is no longer morally right or pious to stay in Carthage just because of his affair with Dido and because he enjoys the ‘sweet’ land of the city. On leaving Carthage, Aeneas has put everyone above himself, and this can further be seen in Book VI, when Aeneas is in the Underworld and is hurt by the fact that Dido has passed because of him, and that she no longer cares about him (Aeneid, VI. 455-460). Aeneas even tries to explain to Dido (and the readers) that he did not leave Carthage under his own self, that he only did so because the gods said that he had to . As a Hero, Aeneas does not act exactly as he wants to; as a Hero, Aeneas does all that the gods tell him to, in order to achieve the greater good, in this case: giving Ascanius his fated future
Thesis: Despite his accomplishments and the glory associated with his life, Aeneas only achieves the status of hero through divine intervention, and this god-given position causes him just as much grief as it does splendor.
In Book I, we learn that Aeneas will be facing many obstacles on his journey because Juno (Hera) “in her sleepless rage” does not favor him (1.7). An issue Odysseus also had to deal with. The difference here is, unlike Odysseus who has angered Poseidon by blinding his son, Cyclops, Aeneas has not done anything to provoke this rage. Juno holds a grudge against Paris for not choosing her in a beauty competition against Minerva (Athena) and Venus, “that suffering, still rankled: deep within her, / Hidden away, the judgment Paris gave” (1.39-40). She also knows what is to come of Carthage, “That generations born of Trojan blood [Aeneas] / Would one day overthrow her Tyrian walls,” a city “[Juno] cared more for…/ Than any walled city of the earth” (1.31-32, 24-25). We know that Aeneas is set to build Rome so she will try her hardest to make him fail on his journey. In the case of Odysseus, Athena interc...
50),” manifests her rage though the physical fire set to the Trojans ships by the women. Juno’s divine wrath against Aeneas stems from two events; the first being Paris choosing Venus as the fairest women compared to Juno and Minerva. The second being the Trojan descendants are fated to destroy Juno’s favorite city, Carthage. Juno understands she cannot stop Aeneas from reaching fated Italy, but she still does everything in her power to make the journey difficult. Juno’s burning rage is most clearly seen when she sends down her messenger, Iris, to convince the Trojan women to burn Aeneas’ fleet. Aeneas and his crew had just landed in Eryx and held festivities to honor Anchises. As the men are distracted by the games, Iris impersonates Beroe and persuades the women to light “burning torches” (V.635) and ignite the ships. The women act on their emotions and are easily persuaded because they want to stop traveling and stay in Eryx. Iris is “the first to seize destroying flame” (V.641) and throw it onto the ships. The women “watched in horror” (V.643-4) but soon join the attack. The “raging fire didn’t slaken” (V.680) until Jupiter intervenes and releases a “rage of pouring rain and thunder” (V.694). Juno’s internal rage is demonstrated though the external fire set by Iris and the women. The destructive fires and the manipulation of the women’s emotions emphasize the rage Juno feels that is only be smothered by Jupiter’s
... wife and home as well as his place in Carthage in the name of the gods, in the name of a quest that does not directly benefit him. From this pursuit, he does not stand to gain spoils, and the most that could be said of his fame would be drawn from his descendents. It is this moral stance, this understanding of universal placement, of purpose, that sets Aeneas apart from other heroes.
When discussing the fate of Aeneas, a thought provoking question is posed that is commonly debated. If Aeneas is commanded by fate, does he have free will? It is important to approach this question with a solid understand of fate. There are two common sides to the debate of whether Aeneas had free will or not. One view believes Aeneas had no choice but to follow his destiny because he was commanded by fate, and prophesied to found the race that will one day build Rome. The other side states Aeneas did indeed have free will, and even though his fate was set, room is available within his fate for events to change. One can argue Aeneas makes some of his own choices, but no particular detail of his life is untouched. Destiny determines that the Trojans will found a city in Italy, but it does not stipulate how that will happen. This is where room is left for free will. After much research and considering the views of many commentators and the proof they showed, the answer can simply be found by going back to the text of The Aeneid.
Venus visits Jupiter, worried as it seems like Aeneas will die at sea despite his destined founding of Rome. Jupiter calms Venus, saying “…I shall tell you more, unrolling for you the secrets… of the Fates. He will…” (1.262 -263) – here Jupiter lists the future accomplishments of Aeneas, as well as his descendants. Fate is a solid entity in The Aeneid, and Venus becomes less worried after hearing Jupiter’s proclamations.
The protagonists of both poems are heroes, nevertheless, they are heroes from two separate cultures. Aeneas embodies the Roman value of duty. He is given a task by the Gods to leave Carthage and found an empire in Rome. Immediately after receiving this message, Aeneas is prepared to obey. “Aeneas was truly overwhelmed by the vision, stunned, his hackles bristle with fear, his voice chokes in his throat. He yearns to be gone, to desert this land he loves, . . .”. (137) It is Aeneas’ instinct to obey the command of the Gods. Aeneas is willing to comply despite the fact that he knows he will be deserting “the land he loves”: leaving his lover, Dido and the satisfying and peaceful life he could have had. Aeneas sacrifices his personal happiness for the good of his people and his
Aeneas is often referred to as 'pious Aeneas', and this is also how even he...