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Historical context of Shakespeare's plays
A comparison of two film versions treatment of shakespeare s romeo and juliet by zeffirelli and luhrmann
Aspects of romeo and juliet
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Recommended: Historical context of Shakespeare's plays
Romeo and Juliet is a play about two teenagers who fall in love and break through the conflict of two families, the Montague’s and the Capulet’s. The balcony scene is essential in developing the contrast of these two young lovers, who express their love for one another. It tells us more about the characters and their personalities, and what they are willing to do for each other. The two films by Franco Zefferelli (1968) and Baz Luhrmann (1996) of Romeo and Juliet, Shakespeare’s famous play, have many similarities and differences between the two. They include several different literary and dramatic elements as well as cinematic elements in the balcony scene of Romeo and Juliet.
A literary element in Romeo and Juliet is how Romeo describes Juliet as the rising sun. “It is the east, and Juliet is the sun. Arise, fair sun, and kill the envious moon.” (2.2.3-4) This is when Romeo sees Juliet when sneaking into the orchard for the first time. He is saying that she is “the sun”, which means she is lightening his dark and depressing mood and he rises to her. The metaphor of the sun banishing the moon could also be how quickly she changed his world. Another literary element would be, “Tis but thy name that is my enemy; Thou art thyself, though not a Montague. What's Montague? It is nor hand, nor foot, nor arm, nor face, nor any other part belonging to a man. O, be some other name! What's in a name? That which we call a rose by any other word would smell as sweet.” The literary device is an analogy where she is comparing Romeo to a rose. The meaning is, the Capulet’s hate the Montague’s but this hatred has gone on for years and neither family really knows why they hate each other. Juliet has fallen in love with a Montague and knows t...
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...ifferent ways for that specific time period. The 1968 Romeo and Juliet film by Franco Zefferelli is more an impact towards Shakespeare and is more true to the original play as it relates to the traditional historic time period. The balcony scene where Romeo and Juliet express their love and passion for one another actually takes place on a real balcony. This same scene in the 1996 film takes place in a pool; it is more fun to watch and definitely more appealing to the eyes than the ears. This is why Zefferelli’s film is more of an impact towards Shakespeare’s original story. The two films by Franco Zefferelli (1968) and Baz Luhrmann (1996) of Romeo and Juliet, Shakespeare’s famous play, have many similarities and differences between the two. The two films include several different literary, dramatic, and cinematic elements in the balcony scene of Romeo and Juliet.
Romeo and Juliet is a play about two lovers who have to risk their lives in order to demonstrate their love and will to stay together, regardless the feud between their families. By the end, the death of Romeo and Juliet finally bring the reconciliation to these two families. It is fate that the two most shall-not meet people fall in love and it love that eventually won against hatred. Since then, there have been many different versions of Romeo and Juliet, whether it was for film, stage, musicals. These different recontextualised adaptions change the original play by many ways, some modernise the language, environment, props as well as changing the original characteristics of some characters. Out of all the different adaptions of Romeo and Juliet, two stood out the most. One was the Romeo and Juliet (1996) and directed by Baz Luhrmann and the other one was Romeo and Juliet Broadway (2013) play version,
Romeo and Juliet presents an ongoing feud between the Montague and Capulet families whose children meet and fall in love. Markedly, the meeting scene depicting love at first sight continues to be praised by today’s critics. Romeo and Juliet then receive the label of star-crossed lovers whose tragic demise is written in the stars. In fact, Shakespeare 's work is well received and its numerous adaptations have made it one of his most enduring and notorious stories. The cinematic world brings to the screens a disastrous approach by Baz Luhrmann to do the play justice. A glance at Baz Luhrmann’s productions allows audiences to assume he delivers movies which are unlike those of any other filmmaker today, or perhaps ever. Therefore, blending a delicate
Romeo and Juliet is a timeless, classic love story written by the incomparable William Shakespeare. Many of Shakespeare’s works are considered literary classics, but none are more loved than Romeo and Juliet. This play masterfully tells the love story of two teenagers in Elizabethan England. The title characters Romeo and Juliet are members of two feuding families, Romeo is a Montague and Juliet is a Capulet. There are different stylistic ways of portraying Romeo and Juliet, and the two most popular film versions portray two very different styles of this one play. Zeferelli's Romeo and Juliet was made in the 1970s, and is the film version most commonly shown in high school classrooms. The newest film version of this play is Baz Luhrmanns Romeo and Juliet. This version sets the classic story in a modern day setting. Both versions, while different stylistically, hold true to the basic story line of the play.
Baz Lurhmann’s creation of the film Romeo and Juliet has shown that today’s audience can still understand and appreciate William Shakespeare. Typically, when a modern audience think of Shakespeare, they immediately think it will be boring, yet Lurhmann successfully rejuvenates Romeo and Juliet. In his film production he uses a number of different cinematic techniques, costumes and a formidably enjoyable soundtrack; yet changes not one word from Shakespeare’s original play, thus making it appeal to a modern audience.
Zeffirelli’s ultimate goal for his version of Romeo and Juliet was to capture Shakespeare’s original intentions for the play while targeting the teenage audience of his generation. Luhrmann’s intentions were different however; he changed the way an audience looks at Shakespeare’s masterpiece by modernising the props, costumes, and sets. Obviously, to match film time quotas Zefirelli and Luhrmann has both cut many lines out of the play.
Romeo & Juliet (1968) was originally a play that was written by William Shakespeare, but as time progressed, plays became less popular and films became more popular. In 1968, Franco Zefirelli directed the film Romeo & Juliet that was nominated and won fifteen awards. Some of these awards are two Oscars, three Golden Globes, and five Silver Ribbon Awards. Romeo & Juliet is a romantic tragedy about forbidden love between two young teens whose families despise one another (CITE). Juliets family is referred to as “the Capulets”, and Romeo’s family are “the Montagues” (CITE). Zefirelli uses lighting and framing to capture the audience’s attention and design to reflect that the Capulets and Montagues during the Medieval time era. Meanwhile, he portrays
In William Shakespeare’s Romeo and Juliet and Yukio Mishima’s The Sound of Waves, the secondary characters play an essential role in the book. In Romeo and Juliet by an English playwright and poet William Shakespeare, Friar Lawrence is an important secondary character who designs solutions for Romeo and Juliet and brings the play into the dramatic results. The failure of his plan causes the tragedy of death for both main characters at the end of the story. In The Sound of Waves, Shinji Kubo, a young and poor fisherman in Uta-Jima falls in love with Hatuse, a rich man’s daughter. Shinji and Hatsue try to be together throughout the book, but encounter many difficulties with their neighbors. Shinji’s mother tries to help Shinji and Hatsue by asking many people and going to shrines to beg the gods for help to get them together.
A character goes through many changes that depend on the kind of events they experience. The play “Romeo and Juliet” written by William Shakespeare, uses different tones and language that shows the readers that Juliet, a Protagonist, changes over time, proving the idea that she is a dynamic character. At the beginning of the play, we are introduced to a young, innocent and inexperienced girl, Juliet the daughter of Lord Capulet . She has not yet seen the real world and is raised by the person she trusts most, her nurse. Juliet begins as a naive child who has thought little about love and marriage, but she grows up quickly upon falling in love with Romeo, the son of her family’s great enemy. Due to the fact that Juliet is a girl in an aristocratic family, she has none of the freedom Romeo has to rome around the city, climb over walls in the middle of the night, or get into swordfights. As we begin to learn more about the character of Juliet, we learn that Juliet is not the girl she used to be anymore. She is more courageous and willing to break the rules. She goes against her and her family beliefs. In the beginning of the play she obeys her parents. But as the play descends Juliet is disregarding of what her parents say. She is no longer the innocent girl she use to be. Shakespeare use of language helps the reader to see the change in a character that makes them a dynamic character.
Romeo and Juliet, written by William Shakespeare, is a tragic love story about two young lovers who are forced to be estranged as a result of their feuding families. The play is about their struggle to contravene fate and create a future together. As such, it was only a matter of time before Hollywood would try and emulate Shakespeare’s masterpiece. This had been done before in many films. Prominent among them were, Franco Zeffirelli’s 1968 “Romeo and Juliet” and Baz Luhrmann’s 1996 “William Shakespeare’s Romeo & Juliet.” Both films stay true to the themes of Shakespeare’s original play. However, the modernised Luhrmann film not only maintains the essence of Shakespeare’s writings, Luhrmann makes it relevant to a teenage audience. This is done through the renewal of props and costumes, the reconstruction of the prologue and the upgrading of the setting, whilst preserving the original Shakespearean language. Out of the two, it is Luhrmann who targets Romeo & Juliet to a younger audience to a much larger extent than Zeffirelli.
Interpretation of the Balcony Scene by Baz Luhrmann and Franco Zeffirelli of William Shakespeare's Romeo and Juliet. “Romeo and Juliet” is a famous love story written by William Shakespeare. The. Two interpretations were made of this text into a film by the two directors, Baz Luhrmann (1996) and Franco Zeffirelli (1968). The films use different types of media to portray the characters and the overall context of Shakespeare’s play.
Romeo & Juliet Romeo and Juliet was a tragedy, but it did not have to be. Many things could have been done to prevent their deaths. Many characters contributed to their deaths. The sole character that was responsible for their deaths is Friar Lawrence. Friar Lawrence is responsible for the deaths of the lovers because he was secretive with their relationship, he was unable communicate effectively, and he had a cowardly persona.
Romeo and Juliet is known as one of the greatest love stories, but it has its fair share of tragedy as well. The story riddles with themes throughout. Love is the first theme and there is no greater love than the love Romeo and Juliet share. Shakespeare offers his audiences just as much hate as love in Romeo and Juliet. The families of both Romeo and Juliet involve themselves in centuries of feuding. The ongoing feud between the Montagues and Capulets drives Romeo and Juliet into a life of secrecy, which ultimately causes their deaths. Youth is another theme and ties directly to how young both Romeo and Juliet are both in their age and their relationship. The story of Romeo and Juliet uses sex as a theme as well although not in the intimate details of more modern stories. The two lovers concerns are not with the wishes of their warring families, they just want to be together “Deny thy father and refuse thy name / Or, if thou wilt not, be but sworn by my love / And I’ll no longer be a Capulet” (2.2.34-36). Love is the first theme Shakespeare displays in this play.
The environment surrounding the star-crossed lovers in the tragedy of Romeo and Juliet can influence audiences who may interpret the scenes in different ways. The audience can be greatly affected in their interpretation of the story by the mise-en-scene, costuming, and the hidden symbolic meaning. This great piece of literature was edited in two unique and intriguing forms, one Zeferelli directed which was filmed in 1968, and the modern version produced in 1996. The different scenes throughout the length of the party were the most influential to me in that I saw how different these movies were directed, and the different meaning I experienced from watching these movies. Focusing on the environment of the scenes and the costuming helped me in my interpretation, because I found hidden symbolism from these two qualities.
One of the most celebrated plays in history, “Romeo and Juliet”, was written by William Shakespeare in the late 16th century. It is a story about two lovers that have to meet in secret because of an ongoing family feud. Tragically, because of their forbidden love Romeo and Juliet take their lives so they can be together. In 1997, a movie was adapted from the play “Romeo and Juliet”, directed by Baz Lurhmann. However, as alike as the movie and the play are, they are also relatively different.
Romeo and Juliet is a play about two adolescents—Romeo and Juliet from two hostile families fall in love with each other. This prohibited love ultimately turns into a romantic tragedy, in which they commit suicide for each other. Both Franco Zeffirelli’s (1968) and Baz Lurhmann’s (1996) versions retained the dialogues written by William Shakespeare in their movies. However, these two movies are directed in their own unique ways, which have several distinctive differences.