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The nature of romanticism
The nature of romanticism
American romanticism
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The 19th century was the era of Romanticism. How do I describe Romanticism? I describe it as an era of drastic changes. Not good, nor bad changes. Just drastic changes. From the Enlightenment and the reason that at the end the reasoning failed. During Romanticism there was an appeal to the spontaneous, to the highly dramatic, to feelings. There was an osmosis with the emotional. The Romantics would end an era of frivolity and would look for total freedom. There was a communion with Nature. The artists ran away from the western industrial zones and they settled in the countryside. They found harmony in Nature. They were inspired by their surroundings. They were intimate with Nature. There was this sweet selfishness to fulfill those emotional needs and transmit them to the poem or to the paint. One of those drastic changes was music. In music before Romanticism there was a format to follow. The were rules to follow. Mozart followed those rules all the time. There was a four movement format: Fast, slow, dance (minuet), and fast. However, that format was no longer followed by all musicia...
Just as the European romantics cared about emotions, nature, imagination, meditation, humanity and freedom, the American first "group of great imaginative writers -Irving, Bryant and Poe" (readers Note p 57) -cared about the them too . In their writings, these writers were taken by the romantic ideals empathizing on nature, creating their own world, borrowing sets from the past or from legends, meditating their life, and finding their own explanations to its processes . With such attitudes, these writers made their way into literature as romantics . " The Devil And Tom Walker","Hop Frog", " To a Waterfowl" and "Thanatopsis" serve as good examples for American Romanticism .
(3) In the Romantic era the compositions were very expressive and inventive. The Romantic composers experimented with already existing forms, and dramatic expressiveness. This grew out of the improvement of instruments and the newly invented genres (Britannica). The limits in music composing were pushed with great contrast in the music. There were tempo changes in the music, difference in dynamics that ranged from pppp to ffff, either gradual or sudden, for a great emotional effect. Chromatic harmony was a popular, new way of making dissonance and unstable chords, prolonging the resolution of dissonance, using tones from the chromatic scale to create tension and unpredictability in the music (“OnMusic”). Other traits of the Romantic style of music were individualism and self-expression. Therefore it is possible to hear who the composer of the piece is (An Appreciation 257, 259). Compositions could be either absolute, which meant that the music was not based on a story or a text, or it could be program, which meant that the music was based on a story or a text. During the Romantic era, the composers mostly preferred program music. Nationalism and exoticism in the music was also common. The composers used dances and rhythms that were common...
“Romanticism, is an artistic, literary, and intellectual movement that originated in Europe toward the end of the 18th century and in most areas was at its peak in the approximate period from 1800 to 1850” (Wikipedia).
Can a society of learners and explorers coexist with an ecosystem that can barely stay afloat? “The Tables Turned” by William Wordsworth and “When I Heard the Learn’d Astronomer” by Walt Whitman both tackle the concept of nature vs. science. While the two agree on many terms, the underlying message of each is drastically different. “Tables” is much more didactic while “Astronomer” is the story of a revelation. With both poems having Romantic themes, the two must agree on the basic notions of Romanticism, in this case, the power of nature. Yet, the two disagree on a major aspect of Romanticism, self discovery. “Tables” and “Astronomer” share the same baseline thoughts, yet still tell their own stories of Romanticism.
The Romantic period is chronologically defined by the 19th century. It was an era of great turmoil. With the French Revolution, the American Civil War, the Franco-Prussian War, the Crimean War, the Spanish-American War and various revolutions across Europe, a great sense of upheaval was felt by the bourgeoisie and upper class struggling to maintain their affluent lifestyle during this time period. The revolutionaries who were fighting for their rights and independence felt a great sense of freedom, pride and other intense emotions. These intense emotions helped identify the Romantic period. Characteristics of the Romantic period help define it as a whole, and allow for the overall appreciation for the music ...
Romanticism was an artistic and philosophical time period that occurred in Europe during the late 18th century. Many forms of art were introduced at this time, as were forms of poetry and unorthodox ideals coming from the creators of these pieces. The poetry of Blake, Wordsworth, and Keats all shared aspects of nature and their personal emotions displayed through literary allusions. They break away from social norms, and even artistic norms, which was the aim of the artists during this part of literary history.
Romanticism is an influential literary movement in America that changed literature permanently from the drastically modest and structured ideals of Puritanism. Two contrasting types of authors, Romantics and Dark Romantics, introduce new, meaningful literature to America; while Romantics see the light and airy side of the world, Dark Romantics see the darker more horrific side. This drastically modified literary period is influenced by Europe and was revolutionary for America from the moment it arrived. American Romanticism rejects the normal, rational thought and praises the unpredictability and complexity of emotion. Romanticism has changed American literature forever.
The term romantic first appeared at sometime during the latter half of the 18th Century, meaning in quite literal English, "romance-like", usually referring to the character of mythical medieval romances. The first significant jump was in literature, where writing became far more reliant on imagination and the freedom of thought and expression, in around 1750. Subsequent movements then began to follow in Music and Art, where the same kind of imagination and expression began to appear. In this essay I shall be discussing the effect that this movement had on music, the way it developed, and the impact that it had on the future development of western music.
When many hear “Romanticism” they think of love, but Romanticism isn’t mainly about love. Yes, it may have some love, but it’s also about reasoning, nature, imaginations, and individualism. Like American Romanticism, that occurred from 1830 – 1865. It was actually caused by Washington Irving and James Fenimore Cooper. For Americans, “it was a time of excitement over human possibilities, and of individual ego. American writers didn’t know what “America” could possibly mean in terms of literature, which was American and not British. It questioned their identity and place in society, creatively” (Woodlief). It was characterized by an interest in nature, and the significance of the individual’s expression on emotion and imagination; good literature should have heart, not rules. Some of the most famous authors who wrote during American Romanticism were Nathaniel Hawthorne, Walt Whitman, Emily Dickinson, Henry David Thoreau, and Ralph Waldo Emerson. American Romanticism is important because it was the “historical period of literature in which modern readers most began to see their selves and their own conflicts and desires”. Romanticism was a literary revolution.
The Romantic period was an expressive and intellectual movement that originated in Europe towards the end of the 18th century and peaked in the 1800s-1850s. This movement was defined and given depth by an expulsion of all ideals set by the society of the particular time, in the sense that the Romantics sought something deeper, something greater than the simplistic and structured world that they lived in. They drew their inspiration from that around them. Their surroundings, especially nature and the very fabric of their minds, their imagination. This expulsion of the complexity of the simple human life their world had organised and maintained resulted in a unique revolution in history. Eradication of materialism, organisation and society and
Music expresses what words cannot express; music reflects the improvement of the society; music calms our hearts and inspires people. Everyone enjoys music because he or she can have good moods while listening to music. Composers express their feelings in songs. Some put in their ideas about nature, politics and life, others write songs to reflect the progression of society. Popular music in the Gilded Age and jazz music in the Roaring Twenties are examples of music which correspond to the society’s movement. The rise of popular music was the result of the anti-German movement. American composers rose to replace the German culture. Also, popular music was popular because of its affordability. Every class of people could enjoy this kind of music by simply going to music halls. On the other hand, Roaring Twenties was a period of time which marks color line upheavals. Although music in Gilded Age and Roaring Twenties are quite different about their styles, genres and lyrics; popular music and jazz music were both adaptions to the society’s movement during these two periods.
Romanticism started in the 18th century and was said to be influenced by the French and Industrial Revolution.
In conclusion, the art of the 19th century was composed of a sequence of competing artistic movements that sought to establish its superiority, ideologies and style within the artistic community of Europe. These movements, being Romanticism, Realism, Impressionism and Post-Impressionism, ultimately spread far beyond the confines of Europe and made modern art an international entity which can still be felt in today’s artistic world.
Romantic music was a different form of music that didn’t focus on religion, political or social tendencies. According to Lawrence Kramer the author of the book Why Classical Music Still Matters, “historically, the ideal of romantic love, tended to substitute for broader schemes of political, social, vocational, or religious meaning, as part of an increasing general tendency to rely on private rather that public schemes of fulfillment.” Meaning that romanticism had an impact on music in which religion, political and social meanings were substituted by a new form that rely on private situations instead of general public situations. This music form influenced the most in modern music because most of them are not based on
Roughly from 1815 to 1910, this period of time is called the romantic period. At this period, all arts are transforming from classic arts by having greater emphasis on the qualities of remoteness and strangeness in essence. The influence of romanticism in music particularly, has shown that romantic composers value the freedom of expression, movement, passion, and endless pursuit of the unattainable fantasy and imagination. The composers of the romantic period are in search of new subject matters, more emotional and are more expressive of their feelings as they are not bounded by structural rules in classical music where order, equilibrium, control and perfection are deemed important (Dorak, 2000).