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Recommended: Drama analysis
Set during the reign of King Sukjong of the Joseon dynasty, the Korean drama ‘’Dong yi’’ is a historical drama based on the life of Royal Noble Consort Suk of the Haeju Choe clan. Love has existed in many forms throughout time. Often considered as a great love story, it is in fact accurate to say that love is naturally the drama’s dominant and most important theme. In ‘’Dong yi’’, love is a violent, ecstatic, overpowering force that supersedes all other values, loyalties, and emotions. In the course of the play, King Sukjong is driven to defy and ruin his entire royal life: reputation, wealth and power for the sake of the woman he loves. Love is the overriding theme of the drama, but a reader should always remember that in ‘’Dong Yi’’, love is an overwhelming and powerful emotion that captures individuals and propels them against their own world. This Korean drama focuses on romantic love, specifically the intense feeling that springs up at first sight in the King Sukjong, even if though he was not aware of it at that time, towards Dong yi from the first time he met her.
When a man is in love, he often exhibits signs of emotional dependency and wishes to always be close to the woman he loves and King Sukjong was no different. After the first time he met her, he kept inviting her to eat food and drink alcohol together. He also longed for emotional union with his beloved, seeking out ways to get closer and day-dreaming about her. They start to have happy times together with her and the two guys from the Royal Music Department. The King started to generally feel a powerful sense of empathy toward Dong Yi, feeling the other person's pain as their own and being willing to sacrifice anything for her. His sentiments towards her are final...
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...!” The king screams, “Listen here. I’m…” Dong-yi interrupts him, “At this rate, we are going to lose all the evidences. With the criminals right in front of us, how can a police officer try to avoid getting little dirty.” The king looks back at her with a tinge of calmed annoyance at all the ballyhoo, “Alright. I will do it already.” When he finally bends and kneels, of course he moans and groans when she steps on his back in her attempt to climb the wall.
This Korean drama ‘’Dong Yi’’ does not make any direct exemplary and ethical statement about the relationships between love and society or the influence it can have on its victims; rather, it portrays the consequences of being in love, while in the same time, heartens humans in a impressionistic motive and goal leading to the conclusion that love is eternal and that its flame is not by all means, extinguishable.
This literary analysis will define the historical differentiation of female gender identity roles that occurred in the Memoirs of Lady Hyegyong and the Tale of Genji. The modern gender values in the Joseon Period define a more elevated freedom for women in patriarchal Korean society that is defined in Memoirs of Lady Hyegyong. In a more progressive gender role for women, Lady Hyegyong exhibits an aggressive male trait in angrily denouncing the execution of her younger brother, which advocates a less submission depiction of women’s rights in early 19th century Korea. In contrast to this aggressive female gender role, Murasaki Shikibu writes a novel through the perspective of Emperor Hikaru Genji and his illicit love affair with his stepmother, Lady Fujitsubo. Lady Fujitsubo is a strong woman, much like the mother of Genji, but she is a concubine with little real power in the court. Historically, the patriarchal culture of 11th century Heian Period in Japan is different from the Joseon Period in that
The deeply rooted history of a Confucian paradigm in Korea has for long limited women’s roles and rights. In the male-dominated and patriarchal society, women’s roles remained in the domestic sphere, where they were required to be submissive. However, with the introduction of westernization and modernity in the 1920s, modern generation was rapidly incorporated into colonial modernity. Korean women began to “redefine the Korean female identity” by displaying the “new woman” characteristics, in which some literate women initiated to “enhance their education, determine their own physical appearance, and contribute to the debate about changing gender roles and expectations”(Yoo, p.59) Fearing the threat of the emergence of the “new women” with the potential disturbance to the hegemony, Japanese colonial authorities as well as nationalist reformers veered the direction where the new ideologies of womanhood with modern sensibilities, also contained them within traditional gender boundaries, such as in education and social spheres(Yoo, 60). Park Kyung Won, the main female character in the film Blue Swallow, also lived during this era of the “new women” as well as restrictions under the Japanese colonial rule. In the film Blue Swallow, while her father encouraged her to stay at home for her to fit into the role of the traditional women, Park works as a taxi driver and eventually studies abroad to attend Tachikawa Flight academy, where she becomes the first civilian Korean female pilot. She displays the “new women” image, in which like the other “new women”, she does not conform to the traditional norms of a woman and strives in redefining the Korean female identity. However, her engagement in male-dominated education and profession, “ma...
This shows how complex Japanese and Korean interactions with each other are during this time period, because on one hand many people are experiencing extreme racism such as vulgar racism, while here a Japanese person is treating a Korean person with respect and kindness. This shows how nothing is black and white when interacting with people, however it can also be credited for this period of cultural rule and the government’s effort at assimilation with Koreans and Japanese. Kang Pyongju’s experience differs from Ulsu’s experience in which he did not have a close relationship with his business partner, however, the relationship he had with his work was subtle and affective racism where he observed racism and how it disenfranchise him and his people throughout his work. For example, he noticed that now the Bank of Agriculture now decided to let Koreans apply which benefited him and any other Koreans, however it has its flaw when the bank selected more Japanese than Koreans, regardless of how qualified a Korean is. He also noticed that although it appeared as if the salaries for both Japanese and Korean bank managers appeared to be the same, Japanese people received
The character of O-lan was twisted by the circumstances of her life. Surviving adversity made her bitter, stoic, and wise. O-lan’s wisdom was from the things she saw and heard during the tough times. Without her stoicism, she would have fallen to pieces amongst the people who used Wang Lung. She tried not to let her bitterness get in the way of serving her family because they meant everything to her. In the end, it was her pride that held her together. Her pride would not allow her to give up or show weakness. Her pride kept her mind sharp until the end. And at the end, she had a husband who mourned for her, but only after her death did others really appreciate her.
Yang makes her topic of the treacherous history of the Hmong people an appealing one with the story of her parents. She brings emotion into her writing that makes her readers feel as if they are there in the jungle, experiencing the fear and love these two lovers felt. Yang makes us aware of how hard it was for a young Hmong couple to survive in this trying time. Fate and destruction brought Yang’s parents together, and like other Hmong people, love kept them moving forward.
In the beginning of the novel, Wang Lung tries to impress his wife even though she is not physically attractive to him. He
Wang Lung starts off poor, but happy. While he is not satisfied with his place in life, especially compared to the seemingly mighty and rich House of Hwang, Wang Lung is pleased to have a wife, Olan. Olan helps him in the fields, in addition to all of her housework, and she bears him sons. With her help, Wang Lung becomes successful and rich. His displeasure in his place in life is evident with Olan; while he is pleased to have her as his wife, he is upset that he cannot afford to have a wife with bound feet. Although he is disappointed in Olan’s appearance, it does not truly affect him until he becomes rich, at which point he decides that she is too ugly and he must take another wife, against his father’s wishes.
Love is a powerful force of nature. It is a feeling of passionate and deep affection. It is patient, kind, and honest. It has the ability to consume someone’s thoughts, feelings, and emotions. It serves as the foundation for numerous songs, poems, shows, and novels. However, the attributes of love in The Brief Wondrous Life of Oscar Wao are depicted as a curse preying on the insecurities of relationships and a blessing embodying its beauty. Fukú, a curse, strikes the Dominican Republic and its inhabitants through violent acts of revenge, rage, and jealousy. The source of fukú’s power, nonetheless, is derived from the infamous dictator of the Dominican Republic, Trujillo. The dictator not only presided over all political, economic, and social
Power and Money do not Substitute Love and as it denotes, it is a deep feeling expressed by Feng Menglong who was in love with a public figure prostitute at his tender ages. Sadly, Feng Menglong was incapable to bear the expense of repossessing his lover. Eventually, a great merchant repossessed his lover, and that marked the end of their relationship. Feng Menglong was extremely affected through distress and desperation because of the separation and he ultimately, decided to express his desolation through poems. This incidence changed his perception and the way he represents women roles in his stories. In deed, Feng Menglong, is among a small number of writers who portrayed female as being strong and intelligent. We see a different picture build around women by many authors who profoundly tried to ignore the important role played by them in the society. Feng Menglong regards woman as being bright and brave and their value should never be weighed against
In The Lover, Duras tells the largely autobiographical story of a fifteen-year-old French girl’s amazing love affair with an older Chinese man in Vietnam, the place colonized by France during the 1930s. “She” was just a young girl attending a boarding school, living with an abnormal family, which had a life poor as beggars and violent as gangsters; “he” is the son of a Chinese millionaire, and settled in the colonies as one of “the financiers of Chinese origin who own all the working-class housing” (Duras 33). They meet each other on the ferry crossing the Mekong and on that day they start an unusual relationship. Such plot sounds like an ordinary love story—“She” is fragile and helpless while “he” is the symbol of power and wealth and has a strong sense of protecting her. They fall in love at the first sight and look forward to their everyday meeting. Then how could “The Lover” become an exception from the general standard love relationship? The phenomenon of cross-racial dating is too superficial to make the story rebellious, but the real consciousness behind the race—which known as stereotype—works.
Love is a concept that has puzzled humanity for centuries. This attachment of one human being to another, not seen as intensely in other organisms, is something people just cannot wrap their heads around easily. So, in an effort to understand, people write their thoughts down. Stories of love, theories of love, memories of love; they all help us come closer to better knowing this emotional bond. One writer in particular, Sei Shōnagon, explains two types of lovers in her essay "A Lover’s Departure": the good and the bad.
The classic play Romeo and Juliet by the famous playwright William Shakespeare is one of the most beautiful love stories of all time and has captured and inspired readers everywhere. Regardless of the fact that it was written in the 1500’s, it is still being performed and extolled today. There is a multitude of reasons for such continuance of the play. First of all, its everlasting themes of love and hate enable people to deeply relate to the story. Secondly, its memorable characters deeply imprint on the minds of readers. And lastly, above all, is its magnificent language which many writers today regard in awe. These three elements make the acclaimed play, Romeo and Juliet, one of the most timeless stories of our lives.
Love is such a small word that holds such a strong meaning. Many people in their lives, at some point, contemplate about love, dream about it, and even lose sleep over it. Why is it that so many people imagine what love is? This one word, with many meanings, is so problematic to explain and yet it is impossible to live without. The movies in the romance section of this course, each depict a type of love many of us might go through. The first two films, Water for Elephants and How Do You Know, explore the concept of finding love. Whereas, the film Groundhog Day emphasizes the notion one has to become a loving person before one can love. Lastly, The Painted Veil and Stuck Between Stations explores the idea of creating love and seeing goodness in one another. Therefore, all of these films have a specific structure leading us to the notion that love seems to be the center of all things, both in giving and receiving, and can ultimately have many different meanings.
Love has been expressed since the beginning of time; since Adam and Eve. Each culture expresses its love in its own special way. Though out history, though, it’s aspect has always been the same. Love has been a major characteristic of literature also. One of the most famous works in literary history is, Romeo and Juliet by William Shakespeare. This story deals with the love of a man and a woman who’s families have been sworn enemies. There love surpassed the hatred in which the families endured for generations. In the end they both ended up killing their selves, for one could not live without the other. This story is a perfect example of true love.
Victor Hugo once said, “The greatest happiness of life is the conviction that we are loved; loved for ourselves, or rather, loved in spite of ourselves.” Whether in Shakespeare’s tragic play about lovers doomed by fate, Romeo and Juliet, Shakespeare’s sonnet describing love, “Sonnet 116”, or O. Henry’s age old The Gift of the Magi, love motivates the characters and authors to make decisions that have a weighty impact on their lives. Throughout these works of literature, authors use love’s power to drive the plot forward to create good events within the characters’ lives. Love is a force for good because it makes people willing to forgive each other, it brings the best out of people in bad situations, and it