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Relationship between Wang Lung and O-Lan in the Good Earth by Pearl S. Buck
Development of Wang Lungs character throughout book
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The relationship between Wang Lung and his wife O-Lan, in the novel the Good Earth by Pearl S. Buck, evolves as Wang Lung changes. This development of Wang Lung's character is a result of his rise in wealth and social status, which is something very important to him. Unlike him, o-Lan does not change as they become wealthy. She remains quiet and respectful for the most part, and cares for Wang Lung and the family like a traditional Chinese woman would. The relationship between O-lan and himself is not necessarily romantic, it is a relationship in which O-Lan is viewed by Wang Lung as something close to property.
In the beginning of the novel, Wang Lung tries to impress his wife even though she is not physically attractive to him. He
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expresses this by washing his whole body, which is not something done often during this era.
Because his winter garments are torn and dirty, he opts not to wear them despite the cold weather. In one last measure to impress her with his appearance, he decides to wear his long robe, the only one he owns. Usually, this garment is reserved for feast days and special occasions. The relationship between them stays the same for a while. He appreciates her work ethic, both in the house and out in the fields. He seems very pleased that she delivers him a son and returns to work in the house the very next day. O-Lan knows how to make the most of everything, letting few things in the house go to waste. After the family returns from the South, Wang Lung discovers the jewels O-Lan stole from the abandoned house poor people in the city robbed. In a nice gesture, Wang Lung lets O-Lan keep two pearls. Soon the family begins to prosper from the land Wang Lung buys, land he could afford because of the things they stole. At this point, Wang Lung starts to treat O-lan differently. He is angry at her for having big feet, as a result for not having her feet bound as a child, and for being big boned. Upon his request, she begins to sleep in another room. The pearls that Wang Lung let her keep are taken from her
and given to Lotus. From this point on, the relationship is strained. They are barely a couple. O-lan only acts as a cook and maid to Wang Lung. As her health begins to deteriorate, Wang Lung feels a slight amount of sympathy and guilt. He never stops thinking about how unattractive she is to him, but he appreciates that she birthed him three sons and acted as a good, respectful wife. He says "Go in and lie down in your bed, and I will bid the girl bring you hot water. Do not get up." This expresses a small amount of compassion. Wang Lung even offers to get her a doctor, but she refuses. After O-lan dies, Wang Lung cries. Wang-Lungs treatment of his wife becomes worse after his gain of wealth. He is less appreciative of her, and only sees her as ugly. As a result of this, there once decent relationship is not where to be found. Instead, O-Lan faces verbal abuse about how she looks, and never says anything back. Though there are other women in Wang Lungs life, Lotus and Pear Blossom, his love for his lands seems to trump them all.
Feng Meng-long’s story, “Du Tenth Sinks the Jewel Box in Anger,” authentically represents how money is valued between Du Tenth and Li Jia. The classic story brings forth how tradition and family values are upheld in the highest honor. The young master Li Jia, who is the son of a prominent local official, embarks on a journey to the Ming capitol of Nanjing with the intention of taking exams. During his travels he meets the beautiful courtesan named Du Tenth who is bound to her madam in a house of ill fame in what is known as the pleasure district. Li Jia, being an immature and unmotivated by any type of responsibility, finds himself splurging all of his travel funds on pleasures with the beautiful Du Tenth. The couple find themselves to have fallen in love with one other. Du Tenth proves to be a very smart and loyal character. She cleverly devises a plan to escape her bind to her madam and leave to be with her love. When the couple make their departure, they go on their journey to their new life together as husband and wife. Du Tenth continues to prove how smart she is by showing time and time again to Li Jia that she was very prepared for their future. The story tragically ends when the gullible Li Jia is tricked by the manipulating Sun Fu to trade his love, Du Tenth, for a thousand pieces of white silver.
Liang's main interests consist of movies, stories, tap-dancing, and imitating Shirley Temple. Wong-Suk buys her expensive, beautiful ribbon one day for her second hand tap shoes and Poh-Poh helps her tie them into fancy flowers. -- This is where we learn a bunch about Poh-Poh's childhood. She was born in China and so it was already too bad that she had be born a girl child. But further more she was sort of disfigured. Her forehead was sloppy and mis-shapen and immediately everyone told her mother she was the ugliest baby ever. Her mother sold her to a wealthy family; where she was a servant. The concubine would beat her and their other servants with a rod-- as if they were oxen. Poh-Poh had to learn to do things quickly and flawlessly or she would be beaten. Her fingers would bleed because she was practicing tying these intricet(abc?) patterns. She of course grew out of her 'deformity' and was quite a pretty lady.
Yan Zhitui states that, "women take charge of family affairs, entering into lawsuits, straightening out disagreements, and paying calls to seek favor...the government offices are filled with their fancy silks." (Differences between north and south, 111). Yet, even in the Qing dynasty women were still restricted by and expected to uphold more traditional ideals, especially in the public eye. So, in the end, through her virtue, Hsi-Liu’s two children we able to become upright. Here, there is a split between what a woman is supposed to be according to old Chinese tradition, and the realities facing women in Tancheng. The loss of her husband, and economic hardship had forced His-Liu to behave in a different way, as if she were usurping the power from the eldest son so she could teach the two boys a lesson about being good family members. While she still maintains the ideals of bearing children, and being loyal to her husband, even after he dies, out of necessity she is forced to break from Confucian ideals of being only concerned with the domestic issues. This too put her at odds with the more traditional society around her, as the villagers pitied her sons, but vilified the Hsi-Liu for being so strict with them (Woman Wang, 65). Had she remarried, she would have been looked down upon even more because she would had broken her duty to remain faithful to her deceased
I would like to point out that Wang Lung was never the most filial of men. Early in the novel, we saw him slip up once or twice. However, at a younger age, he felt guilty when this happened and was able to hold his tongue in most situations. Wang Lung’s uncle is able to exploit Wang Lung based on his filial piety. When the uncle, a lazy man who blames his struggles on an “evil destiny”, asks his nephew to borrow money, Wang Lung explodes, saying, “‘If I have a handful of silver it is because I work and my wife works, and we do not…[let our] fields grow to weeds and our children go half fed!’” (65). But right after he lets these words slip, he “[stands] sullen and unmovable” (66) because knows that his outburst is wrong. However, later in the novel, Wang Lungs lack of sense for filial piety grows evident as he becomes more arrogant. For example, when he is nearing the end of his life, Wang Lung asks without a second thought to be buried below his father but above his uncle and Ching. Asking to be buried above his uncle makes the statement that Wang Lung believes he is a greater man than his uncle. Before his rise through the ranks of society, Wang Lung would never have even considered being buried above his uncle, even though he always had a disliking for him. However, because of his power, he feels that he has the right to disrespect his
The beginning of the book starts out with Liang’s typical life, which seems normal, he has a family which consist of three children, two older sisters and him the youngest, his two sister’s reside in Changsha 1 his father has an everyday occupation working as a journalist at a local newspaper. Things start to take a turn early in life for Liang Heng, his families politics were always questioned, the mistake mad...
.... In the end, O-lan’s anger helped her stand up to Wang Lung. She grew more bold. In the end, when she died, Wang Lung wished that he had treated her better because he truly missed her presence.
When his wife, O-lan sees this drastic change, she is horrified and rebukes her husband, telling him he “cut off his life”. O-lan’s criticism leaves Wang Lung regretful about his decision to cut his hair. Buck emphasizes the mutation of the symbol of hair in this passage, as Wang Lung’s hair no longer represents his loyalty to tradition, but rather his yearning to be modernized. O-lan emphasizes Wang Lung’s conversion to modernism when she exclaims that he “cut off his life”, which indicates that Wang Lung is ditching his traditional lifestyle by modernizing his hair. While Wang Lung does assimilate more to modern culture, he does experience guilt, realizing that he is being controlled by Lotus. Wang Lung’s regret proves that while his hair represents mostly modernism, it also of a bit of traditionalism. Therefore, Buck utilizes hair to highlight Wang Lung’s shift in
Wen Fu expects Winnie to “to become a proper wife (9),” one who entirely submits herself
He uses the money to buy some seeds, a new ox and he is able to return back home. The greed starts to set in when Wang learns that his wife stole some jewels from when there the looting was happening. They talked it over and agreed to buy some more land leaving O-lan with two pearls. The good thing that has come out of Wang looting another person’s home helped him understand why others did so to him and led him to forgive them. He becomes so wealthy that he is able to buy Ching’s land and build enough rooms for him to live in and to also buy laborers. Wang buying laborers shows what wealth does to a once poor peasant man. He is not the one that cares for his land nor is he compassion about his land anymore. Wang hits the biggest turning point when he disrespects his wife and tells her that she is not fit to be a wife of a wealthy man. “Now anyone looking at you would say you were a wife of a common fellow and never of one who has land which he hires men to plow!” (Buck, 168). Wang then starts to “buy” more wives because that is what wealthy men do. In the end Wang ends up like the rest of the wealthy men the he never thought he would become. He got his own uncle’s family addicted to opium, wouldn’t give other refugees seeds without either having high interest or giving up some of their land. This was one of Buck’s main goal, to show the readers what happened to people when they were consumed by wealth and started to become
The Death of Woman Wang, by Jonathan Spence is an educational historical novel of northeastern China during the seventeenth century. The author's focus was to enlighten a reader on the Chinese people, culture, and traditions. Spence's use of the provoking stories of the Chinese county T'an-ch'eng, in the province of Shantung, brings the reader directly into the course of Chinese history. The use of the sources available to Spence, such as the Local History of T'an-ch'eng, the scholar-official Huang Liu-hung's handbook and stories of the writer P'u Sung-Ling convey the reader directly into the lives of poor farmers, their workers and wives. The intriguing structure of The Death of Woman Wang consists on observing these people working on the land, their family structure, and their local conflicts.
aspect of her personality remains completely foreign to her mother. the narrator, who describes it with an innocent wonder. In the Beginning of the story The mother speaks of Wangero's actions in the past. The. Even then she displayed an arrogance that isolated her mother.
The film explains the difference between Chinese and American values of gender in marriage and family as well. It clearly shows how Chinese woman is expected to good wives for their chosen husband. Girls are promised at an early age to a man. In the film Aunty Lindo had an arranged marriage when she was only four years old. In an American marriage, it is supposed to be based on a love and connection between two people.
Chang portrays the complexity of Henry’s character by showing the conflict that he faces both in his personal and professional life. His confusion towards his own Cultural identity is noticed in his relationships with his co-workers as well as with his family. His personal relationship with his family, especially with his father and his wife exemplifies the clash between the two cultures which seems to tear Henry apart. Leila, Henry’s wife, seems to epitomize the traditional American Culture which Henry tries very hard to be a part of. Her forthright nature along with the independence and individuality contradicts the stereotypical qualities of an Asian wife. However, Henry’s desperation is seen in his forgiving attitude towards Leila’s action and behavior. His deter...
Although she got pregnant by someone other than her husband they did not look at the good and joyful moments the child could bring. Having a baby can be stressful, especially being that the village was not doing so great. The baby could have brought guilt, anger, depression, and loneliness to the aunt, family, and village lifestyle because having a baby from someone other than your husband was a disgrace to the village, based on the orientalism of women. Society expected the women to do certain things in the village and to behave a particular way. The author suggests that if her aunt got raped and the rapist was not different from her husband by exploiting "The other man was not, after all, much different from her husband. They both gave orders; she followed. ‘If you tell your family, I 'll beat you. I 'll kill you. Be, here again, next week." In her first version of the story, she says her aunt was a rape victim because "women in the old China did not choose with who they had sex with." She vilifies not only the rapist but all the village men because, she asserts, they victimized women as a rule. The Chinese culture erred the aunt because of her keeping silent, but her fear had to constant and inescapable. This made matters worse because the village was very small and the rapist could have been someone who the aunt dealt with on a daily basis. Maxine suggests that "he may have been a vendor
Wang Lung needs a wife so saves up the little money he has and buys a woman who is a slave named O-lan. O-lan is sold to Wang Lung so she can take care of the home, cooking and bear children. Wang Lung is disappointed when he first sees O-lan because she does not have bound feet which was a desirable quality at that time but he does enjoy when O-lan has the food ready when he comes in a night from the land. Wang Lung is very proud when O-lan makes cakes that no one else in the village knows how to makes and when his family comes to feast for the new year at their house.