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Greek and Roman advancements in architecture
Greek and Roman advancements in architecture
Importance of roman architecture
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Life in the Roman Villa
Every ancient civilization has architectural feats that influence their culture and society, and the Roman Empire is no exception. The transition into the sophisticated culture the occurred in Roman society is known as Romanization. One large part of this movement was the construction of the Roman Villa. Sellers states, “… the idea of a house built away from the city in a natural setting captured the imagination of wealthy patrons and architects,” (1). Roman Villas had great influence on Rome’s development into a higher society through cultural changes, investment and economic patterns, and daily life.
The roman villa originated in the western farmland of the ancient Roman Empire (Freeman 533). It is defined simply
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as, “a farmstead attached to an estate, with farm buildings and accommodation for the estate owner when he wanted to visit. Orchards, fields, and vineyards surrounded Villas, which were all large sources of revenue for wealthy villa owners” (Marks, Anthony, Tingay 56). There were three main types of villas: The villa suburbana was a residential farmstead on the outskirts of town, the villa Martinae, a luxury villa by the sea, and the villa rustica, a farmstead built around a courtyard (Adkins 148). Some beautiful villas were situated on the coasts of Baiae, Naples, and Capri, which attracted rich tourists and regal families (Percival 87). The Roman Villa influenced the life of families through increasing the popularity of farm life and changing the way in which the higher classes lived. Wasson writes in his journal about roman daily life, “Regardless whether rich or poor, tenement or villa, the fundamental social unit throughout the empire was the family,” (1). He also claims, “Daily life in Rome was completely dependent on one’s economic status. In villas such as the subrubana, families lived together in the main house and enjoyed many luxuries such as baths and mosaic murals (Smith 58). The lower classes resided in crowded apartments in the city. The family villa was also an important part of the Roman inheritance (Smith 17). Fathers had absolute power over the family, and could control every aspect of the children and wife’s life. The villa changed the way the higher classes spent their time and money and altered the ideal roman dream. The rich went from living in cities to residing in the lush countryside of the Mediterranean, isolated from bustling life. In the Usborne Internet Linked Roman encyclopedia, it is written, “Though the Romans were sociable, they also valued the privacy off their country life,” (Marks, Anthony, TIngay 57). The family’s relationship with slave workers drastically changed with the growing popularity of villa life. According to Natasha Sheldon, and her writings about roman domestic slavery, “The slave was a part of the family, and the family often became attached to them, (1). Romans began to conduct business differently as well. Transactions were made inside the villa in the morning, and in the afternoon, owners and associates retired to the spacious gardens (Smith 172). These transactions were typically accompanied by food and wine prepared at the villa by the slaves (Wasson 1).This way of conducting business changes the day-to-day life of businessmen and allowed for a more relaxed and high-class lifestyle for all involved. The villa influenced Roman society by altering social classes and changing relationships between the different economic groups.
The Roman villa Urbana was owned by Patricians, which were Roman aristocrats or noblemen (Alchin 1). According to J.T. Smith, “the roman society was dominated by landowners, great and small,” (5). There was a system of social and political classes based on the ownership of land (Percival 119). The main classes represented in villa culture were slaves, artisans, and owners. There were several jobs and groups necessary for the building of villas: artisans such as mosaic layers, tilers, builders, plasterers, engineers, and artists. Pliny described a cultural experience that was an extreme contrast to life in urban Rome and mentioned the relations between groups of people (Bostock and Riley 87). Ultimately, The life in the roman villa fueled a movement of a need for luxury vacationing and popularized farm life. Artisans, slaves, and rich countrymen were all united together as the Roman villa increased in demand and …show more content…
popularity. Slaves and masters’ relationships were greatly impacted by the Romanization caused by the Roman villa. To keep the farmstead functioning properly, slaves remained at the villa year round and therefore developed a close relationship with their masters (Sheldon 1). However, this is not to say that they were looked at as equals. Roman slaves were always looked at as less than no matter the house. The size of the home reflected the multitude of servants occupying the villa, and the smaller the house, the closer the two social classes. (Smith 1). Religion also united the slaves and masters together. Religious shrines built inside the villas united both the slave and free as one in the worship of the gods (Sheldon 1). Sheldon states, “Inscriptions have been found on some household shrines in Pompeii which demonstrate the loyalty and concern slaves felt for their masters,” (Sheldon 1). Those inscriptions had prayers for owner’s safe return and overall prosperity. To sum it up, “increasing prosperity leads to an intensification of the social divisions and ultimately to the growth of an agrarian upper class,” (Percival 134). Economic patterns were affected by the development of roman villas by altering tenure patterns and the way the upper class made money. John Percival believes that “rich men had money to invest and poor men, their farms laid waste and neglected through years of campaigning, had land sell,” (119). A Roman’s economic stance dictated the type of building they lived in, but everyone could move up the ladder (Allchin 1). The rise of the villa was also a result of the expansion of the empire and the uneven distribution of wealth from new conquests (Applebaum 77). The real-estate market was full of rich roman men, all demonstrating an obvious increase in squirearchy or landowners who have political or social influence (Percival 120). As the economy became more stable, more villas were built (Applebaum 83). The typical house can be distinguished from a villa if there is evidence of Romanization (Freeman 153). The Roman villa became prosperous due to the agricultural surplus and the increasing demand for luxury products, which inadvertently contributed to Romanization (Percival 35).
Atkins says in The Handbook to Life in Ancient Rome, “the distribution of villas tended to cluster around towns that provided profitable markets,” (149). Most of the money made through these exchanges was on olive oil and wine (Marks, Anthony, Tingay). Slave workers conducted all of the business at the marketplace. Along with increased market success, the demand for luxury décor increased, which fueled a need for artisans (Bostock and Riley 82). Pliny wrote of the ornate designs in his villa, and the large volume of them (Bostock and Riley 83). Art painted by skilled artists revealed historical scenes of roman battles, and mosaic designs were laid by the thousands by experts (James 24). These murals and other artistic pieces employed painters and craftsmen and expanded the creative
market. Though villas were only one option for housing in Rome, they had one of the greatest impacts on society. The Villa altered the family life, social relations, and economic successes of the Roman Empire. Linda Alchin expresses in her book titled Roman Villa that “The grandeur of their architecture reflected the social changes of the people of Rome – The Romans were conquerors of half the civilized world” (Alchin 1). The Roman Villa ultimately stood for the power of the upper class of Rome, and the goals achieved by the empire as a whole.
An educated Roman was well versed in the history of Greek Art and was socially compelled to collect Greek art for personal embellishment.
Built between 1550 and 1570, the Villa Rontonda, a Renaissance villa in Northern Italy, offered a new formula for the ideal Italian villa. The name “Rotunda” refers to the villa's circle within a square design. Palladio carefully used calculated mathematical equations to perfect the symmetry of the villa. Located on a hill, the Villa Rotonda features a centralized plan including four identical facades each with a projecting porch arranged symmetrically around a central round dome. Drawing from classical influences, each portico resembles an ionic temple front and each portico has a pediment adorned with statues. In fusing the temple porch onto a centrally planned dome covered building, Palladio clearly had the Pantheon in mind when designing the villa. Turning to antiquity, Palladio modeled his villa from Roman precedent, using distinctive elements to make his design innovative and contemporary. Like the aforementioned architects, though Palladio relied on classical ideals of symmetry and proportion, his ingenious design of the Villa Rontonda that allowed the landscape to be seen from all four sides of the villa was completely innovative at the time. Likewise, the Villa Rontonda differs from other buildings built at the time with centralistic plan and dome design. Additionally, Palladio introduced an innovation by combining a classic temple with a façade of a house. Traditionally, temple fronts were reserved for churches and public buildings, yet Palladio incorporates religious overtones into an otherwise secular space through adorning the villa with the temple façade. By designing a completely symmetrical building and using through the elegant use of circles and squares, Palladio created a sophisticated construction that emphasized balance and uniformity. Though seemingly simple from the exterior, the Villa
Rome had many architectural buildings that we know of today. Many Roman building ways were copied right from how the greek people use to do theirs. Though they copied Greek style, they came up with their own style. They used many arches, some arches were used to show the wealth of a person, the fancier, the wealthier. Roman people made aqueducts. Aqueducts were able to bring the city of Rome, running water. One of the most famous aqueducts would be the Pont Du Gard, it ran for thirty miles and supplies twenty thousand gallons of water to th...
The Roman Empire rose to power in about 27 B.C. and lasted until 410. During this time, Roman influence reached its height and Rome established a lasting legacy in the history of western civilization. One aspect of the Roman legacy is their architectural achievements. Roman engineering and architecture stand out as some of the most marvelously sophisticated for the time, with the variety of structures they built and the means of construction. Roman architecture went through a golden age beginning in 27 B.C. and lasting until about 180 A.D. when the Empire began to decline. During this golden age, the Romans built coliseums, an intricate road network, aqueducts, and bathhouses. Many examples of these structures still stand today, a testament to Roman architecture genius.
Wilson, R.J.A. “Roman Art and Architecture.” Oxford Illustrated History. Oxford U. Press, 1988. pp. 361-399
At the height of Rome’s expansion, the Romans comprised almost all of the lands surrounding the Mediterranean Sea. This helped to expand the Roman culture to the max. They started to build baths, and theaters. Roman baths were basically large buildings with pools. There were Gyms for men to exercise, recreational and social areas, libraries, and lecture halls. The Romans also brought their laws along with them to all territories obtained. Latin, language the Romans spoke, became the basis for several modern European languages. This was a short period for
after the end of the Roman world, this level of sophistication is not seen again until perhaps the fourteenth century, some 800 years later” (Ward-Perkins, 88). The production of pottery made by the Romans was a phenomenon. Ward-Perkins pointed out before the fall of Rome, Roman pottery was made in excellent quality and in massive quantities that it spread out throughout the Mediterranean world,and regardless of the location it was transported and traded everywhere throughout the empire and people of differing social class were able to afford it because of its production. The decline of pottery being made was only the start of the deteriorating empire.
“Many European cities still bear reminders of the power of ancient Rome, and throughout the western world the influence of Roman power is still manifest.” “As the Roman Empire expanded Roman architects struggled to achieve two overriding aims: to demonstrate the grandeur and power of Rome, while also improving the life of their fellow citizens.” They held the Greeks in high regard for both their sculpture and architecture, learned stonework and pyramid architecture from the Egyptians, and absorbed important techniques from the Etruscans. To that end, the Romans perfected three architectural elements: concrete, the arch, and the vault. These three elements helped lighten the load carried by Roman structures while maintaining overall durability.
The three main social classes in Ancient Rome were the Patricians, Plebeians and the slaves. The Patricians were the wealthy Romans and for wealthy Romans, life was good. They lived in beautiful houses often on the hills outside Rome, away from the noise and the smell. They enjoyed an extravagant lifestyle with luxurious furnishings, surrounded by servants and slaves to cater to their every desire. Many would hold exclusive dinner parties and serve their guests the exotic dishes of the day. Many Patricians were powerful leaders in government or the military.
Roman art was also deeply influenced by the art of the Hellenistic world, which had spread to southern Italy and Sicily through the Greek colonies there. The Etruscans and Babylonians can also be seen as inspirations. “With the founding of the Republic, the term Roman art was virtually synonymous with the art of the city of Rome, which still bore the stamp of its Etruscan art” (Honour and Fleming,1999). During the last two centuries, notably that of Greece, Roman art shook off its dependence on Etruscan art. In the last two centuries before Christ, a distinctive Roman manner of building, sculpting, and painting emerged. Indeed, because of the extraordinary geographical extent of the Roman Empire and the number of diverse populations encompassed within its boundaries, “the art and architecture of the Romans was always eclectic and is characterized by varying styles attributable to differing regional tastes and the...
---. Roman Villas: A Study in Social Structure. London: Routledge, 1997. Questia School. Web. 5 May 2014.
Villas were residences outside of the city, and Alhambra and Hadrian’s villas are perfect examples. Alhambra’s villa was built during the 13th-14th centuries in Granada. Muslims created Alhambra’s villa, so it expresses the Islamic culture and traditions. For example the Hall of Ambassadors has thousands of small wooden pieces hovering from the roof planks to alter the celling into the seven layers of Heaven. Hadrian’s villa was built between the 117-38 ce by the Romans in Tivoli. The Romans were the first people to create large interior spaces. They accomplished this by exercising their abilities in masonry vaulting, by utilizing the brick and stone throughout the Empire.
Have you ever seen or visited the Capital building, Washington or amphitheater of Arlinton, Virginia or Cabin John bridge of Washington aqueduct? If an answer is yes, then have you ever think that how we come up with this type of buildings? These all buildings’ basic structures are based on the Greek and Roman cultures’ architecture. Historical records of Western culture in Europe begin with Ancient Greece and Ancient Rome. Roman culture was very inspired from the Greece culture and they had used very basic ideas to build buildings and temples, to portrait sculpture. They modernized and improved their architectures and sculptures in decorative way and made a separate image in the world.
The differences between the art of Roman and other civilizations were that every Roman arts whether were sculptures or architectures had served some purposes and played certain roles in the daily lives of Roman citizens. For example, Romans love to build small concrete building with the vaulting systems. The small building which was called the bay (Pg. 105). This unique system helps to construct much fine and greatest architecture for Romans such as the Sanctuary of Fortuna Primigenia, the Colosseum and the Basilica of Constantine. The Pantheon of Rome was also another striking example of fine Roman structure. These structures were often used for religion matters, public meetings and entertainment for every Roman citizen. If any Roman citizens wanted to have some fun, they would attend the Colosseum and watched the gladiatorial game or a series of chariot race. If some other citizens wanted to seek God or certain deity, they would likely to go to the Sanctuary of Fortuna Primigenia. In fact, architectures were significant in the lives of Roman citizens.
From the time of the ancient Greeks all the way to modern day, some part of humanity has almost always been interested in the past. For the ancient Greeks, it was discovering Mycenaean ruins and composing stories about them. Today, inspiration is still drawn from classical architecture. One has to look no further than the U.S. capitol building, or even the University of Michigan's Angell Hall to see remnants of this architectural style. This raises the question of why does it still persists? Logically, the best way to answer this is to examine the origins of classical architecture, and what it represented then and now. Furthermore, the study of ancient architecture can show insights into past civilizations which otherwise would have been lost.