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How modern theatres reflects the greek theatres
Greek theatres and modern theatres
Theatre 5th century ancient greece
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Roman theatres derive their basic design from the Theatre of Pompey, the first permanent Roman theatre. The characteristics of Roman to those of the earlier Greek theatres due in large part to its influence on the Roman triumvir Gnaeus Pompeius Magnus. Much of the architectural influence on the Romans came from the Greeks, and theatre structural design was no different from other buildings. However, Roman theatres have specific differences, such as being built upon their own foundations instead of earthen works or a hillside and being completely enclosed on all sides. The Roman theatre was shaped with a half circle or orchestra space in front of the stage. Most often the audience sat here in comfortable chairs. Occasionally, however, the actors …show more content…
would perform in this space. To solve the problem of lighting and sound - the theaters were outdoors. The Romans built theaters anywhere, even on flat plains, by raising the whole structure off the ground. As a result, the whole structure was more integrated and entrances/exits could be built into the cave, as is done in large theaters and sports arenas today. The arena was as high as the rest of the structure, so the audience could not look out beyond the stage. It also created more of an enclosed atmosphere and may have helped keep out the noises of the city. A tarp could be rigged and moved over the top of the theater to create shade. The huge amount of people present still held problems for the sound as the audience would not always stay quiet. To solve this problem, costumes and mask were worn to show the type of person on stage. Different symbols were worked out. The actors wore masks - brown for men, white for women, smiling or sad depending on the type of play. The costumes showed the audience who the person was - a purple gown for a rich man, a striped toga for a boy, a short cloak for a soldier, a red toga for a poor man, a short tunic for a slave etc. Women were not allowed to act, so their parts were normally played by a man or young boys wearing a white mask. The actors spoke the lines, but a second actor mimed the gestures to fit the lines, along with background music. Some things were represented by a series of gestures, which are recognized by the audience to mean something, such as feeling a pulse to show a sick person, making the shape of a lyre with fingers to show music. The audience was often more interested in their favorite actors than the play itself. The actors would try to win over the audience's praise with decorative masks, costumes, dancing and mime. If the play scripted an actor's dying, a condemned man would take the place of the actor at the last moment and actually be killed on stage.
The Romans loved the bloodthirsty spectacles. Emperors such as Nero used the theatre as a way of showing their own talents - good or otherwise. Nero actually used to sing and would not let anyone leave until he was finished. Most theaters still standing date from the Hellenistic period, which dates from the 4th century BC and later. It's possible to assume much of the features were preserved, but not definitely. This is due to the fact that most plays completely lacked staging directions. Those directions found in modern translations were merely added by the translator. Some plays, however, do sometimes contain scenic requirements. Pompeii's large theatre underwent a structural change from the Hellenistic style to a more Greco-Roman style. The traditional Hellenistic theatres had the scene section moved forward into the orchestra area, reducing it to a semicircle. The front portion of the scene converted into a 'proskeniontogeion' (high raised stage). The stage was 8-12 feet, 45-140 feet in width, and 6.5-14 feet in depth. The back wall of the stage had 1-3 doors that opened onto the stage but later the number of doors increased to 1-7, depending on the theatre. The stage was supported in front by open
columns.
The stage was in proscenium form so it allowed most audience members to have the same amount of viewing as others throughout the theater. Due to the theatre space being so small and intimate, it created the relevant atmosphere of everything on stage happening to be small.
There were two theatres at Pompeii used for a variety of purposes. One of these includes drama performances. The two theatres held a large number of patrons. The largest held 5000 people while the smaller once called the Odeon held approximately 1500 people. The types of performances that where held were usually tragedies, comedies and farces. They took place in the larger theater usually during religious celebrations and in celebration of achievements.. The larger theatre was designed for comfort in mind with facilities for an awning on days that where very hot. Historians including Paul Zanker and Richard Beacham suggest that the theatres of Pompeii were as much as a political venue then a entertaining one. Entry was free in the theatre but social class assigned seating. The lower social class sat in the back of the theatre while the upper class sat at the front where the best view was. The smaller theatre known as the Odeon was ...
The theatre can hold up to 1500 and more people, so each performance is in front of a huge audience. Many members of the audience can watch from the grounds directly in front of the stage. Up to 3000 people can stand there to be exact.
Beacham, Richard C. Later Stages and Stagings. The Roman Theater and its Audience. Cambridge, MA: Harvard Univ Press, 1992.
Question : Who were the spectators at Roman games? Discuss the relationship between them and the performers they watched.
...m. This huge circular arena was the pinnacle of the Roman Gladiatorial games, and though it isn't fully intact, it is a great reminder of ancient culture. Though today these games seem inhumane and unnecessary, to their ancient culture it was a vacation from everyday stress. Even the Emperor was said to understand that though money and grain would satisfy and individual, large spectacles were necessary for the contentment of the masses' (wes civ).
The circular area in the middle of the theatre is called the orchestra. The music of the orchestra. In ancient Greek times this area would have been used for dancing and where the ‘chorus’ would sing and perform. A ‘chorus’ was. a group of people who would play a major part in ancient plays often describing scenes much like a modern narrator.
In ancient Rome, where did you go to have fun or enjoy a show, interact with people. Was their a place or building that can be able to entertain the crowd. Well the Colosseum was the only way where people from Rome, Italy were able to go for entertainment. The Colosseum was design as an amphitheater arena for the people from Rome can enjoy the violent shows they hold. In Rome, Italy during that ancient time it was a very violent and scare era. Therefore, they entertain themselves with gladiator fight and animal attack and the crowd will go wild for that show. The Colosseum architecture was designed purposely to be like an amphitheater. In the city of Austin which is a very popular city in Texas and it is growing more every year. The city of
The Flavian Amphitheater was built from 70 CE To 80 CE. The Flavian was Rome’s largest amphitheater standing at 157 feet and with a perimeter of 1788 feet. It was built to cater to the roman community and their enjoyment of sports. That being said the entire amphitheater was built for the ease of the community. It was placed in the center of Rome. The amphitheater was built in an oval shape. This feature helped give an all around view for spectators. There were four stacked levels. The bottom two levels were meant for the nobles and the upper two levels were meant for the common people. Even though the common people sat in higher seats they still maintained a visual due to the stacked arrangement. The stacked arrangement also allowed for more spectators, about 50,000 could be seated for one event. To help filter the 50,000 possible spectators there was a total of seventy-six entrances. To shelter the spect...
The theater of Dionysus stands at the foot of the acropolis and its date originates back to the 6th Century, B.C.. Its originally wood seats rise in tiers above one another against the slope of the acropolis, creating a natural setting for the plays (D'ooge, 231). The Greek Theater was built to house a drama which, during the festivals of Dionysus, had evolved from the long tradition of choral hymns which were presented each year. As Greek culture changed and flourished, entertainment transformed from being a series of choral chanting and dancing to placing an emphasis on the actor. As the actors' importance grew, there became a need for a stage from which they could be seen by each of the fourteen thousand spectators the theater housed. The chorus was still a very active part of the entertainment and they resided in the orchestra (Norwich, 64). The orchestra was the oldest part of the Greek theater and thus, when the actor was given
To begin, the Globe had a distinct structure. It was a three story amphitheater that was about one hundred feet long and fifteen feet tall. The twenty circular walls were covered with a thatched roof but no ceiling (“Fun Facts on the Globe theater”). The roof protected the audience for the weather. On top of the roof was a flag that signified which type of play was being performed: black for tragedy, white for comedy, red for history. Just below the flag was the stage that was split into the upper stage, main stage, and inner stage. The main stage, where most of the action took place, contained a trap door where witches or ghosts could rise or descend to/from the space beneath called, “hell”. Along the back of the main stage, the inner stage was used for indoor scenes. Above that area, a chamber that was used for most balcony and bedroom scenes was called the upper stage. Next, the seats surro...
Like any journey, it is necessary to begin with a single step – the evolution of lighting in theatre began with the resources available to the ancient Roman and Greek societies; sunlight and candles. As such, performances and events were held at the height of the day, so as to allow the most natural light to fill the stage. While this method successfully brought the stage to life and made the actors and scenery visible, it did little to create dynamics, establish mood, or manipulate the audience’s perspective and emotion. Rather than a creative tool, lighting was viewed as a solution to a problem – a product born out of necessity. Innovative uses of light were limited to grand demonstrations that often became the centerpieces of Greek and Roman theatre. For example, large burned houses graced center stage, but any other indications of lighting were strictly two-dimensional, painted on the backdrop. While this forced the audience to focus their energy and attention on the players and the action, it also limited their experience – without lighting t...
Sophocles' Oedipus the King was designed to work on an Athenian stage . Great amphitheatres, like those at Athens and Epidauros would hold thousands of citizens who would be seated in a semi-circular tiered theatron looking down upon the acting space. Central to this space was the skene, which represented the wall of a building, and would be entered by a central door. There would have been a rectangular stage in front of the skene for actors and a semi-circular orchestra for the chorus. The audience would be able to see the stage, each other and also the surrounding landscape beyond the amphitheatre. The theatre place, and the way the play was designed to be viewed on stage certainly contributed much to the play's impact and message.
The Globe Theatre was where Shakespeare had most of his plays performed. It had many decorations to make it look appealing and to try and to make it seem expensive and luxurious. The Globe Theatre was built in just 6 months between 1597 and 1598 just outside central London. The Thames River separated it from St Paul’s cathedral. The Globe was made in a round circular shape. This meant that at least one actor would have their back to the audience, however, this would not have mattered because the audience came mainly to hear the play – not to see it. When you were buying a seat for the theatre, the most expensive seats would not be the ones with the best view, they would be the closest ones in order to hear better. Also, these seats would be facing towards the audience, which means that everyone would see them, meaning fame. The Globe would usually be packed with decorations and ornaments. These would have nothing to do with the play, it was used to make the theatre look more attractive/expensive. Lots of people would come to see the plays. They would do this because Shakespeare’s plays were not published at that time so the public would want to see it...
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...