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“And of clay are we created” is a heart-wrenching short story about a natural disaster that happened in Colombia written by Isabelle Allende. It follows a journalist, Rolf Carle, and a young girl called Azucena. Rolf Carle is the protagonist of the story. He goes through quite a lot in the story. Let’s start with what type of character he is. Rolf is both a round and dynamic character. He changes quite dramatically throughout the story. Rolf goes from an emotionally detached journalist to a dejected and crushed man that can be barely recognizable. This change is caused by his conflicts and is presented clearly all through the story. His internal conflict is him trying to forget his past and trying to fight his inner demons. The writer reveals to us in the story that Rolf had a horrific past. …show more content…
He had an abusive father and was a survivor of the Holocaust.
The thing is that instead of dealing with his emotions and his past, he just pushed it to the back of his mind and wore an emotionless mask. This is proven in the story when the narrator said, “fear seemed to never touch him, although he confessed to me that he was not a courageous man…..” Although this all changes when he meets Azucena. The moment he first noticed her hand protruding from the mud it was as if his emotionless mask started to chip away. “Don’t worry, we’ll get you out of here…….I could hear his voice break.” As the days passed by the floodgates that had held back his past for such a long time began to open. He started to relive his most horrific memories that were stored at the back of his mind for so long. It was impossible for Rolf to flee from his past any longer, and the visual terror he had lived as a boy suddenly invaded him.” As Rolf’s emotional state surrendered to the pain of his past, the rescuer became the victim and his source of strength was Azucena. “Don’t cry. I don’t hurt anymore. I’m fine,” Azucena said. I’m not crying for
you. I’m crying for myself. I hurt all over.” replied Rolf. This pinpoints the moment when Rolf Carle finally accepted is past and fought his inner demons. We also have his external conflict which was finding a pump to save Azucena. He was very determined as shown here, “nothing can stop [Rolf]…nothing can shake is fortitude” and also in “[Rolf]…was determined to snatch [Azucena] from death.” His determination to save Azucena also showed the fact that he acted very fatherly towards her, “Rolf tried to sing Azucena to sleep.” However, all the trouble he went through was to no avail. Azucena died on her third day of being trapped, the same day the pump was sent to them. Her death took a great toll on Rolf. He grew distant and blamed himself for her death. According to the narrator, “…..we watch the videos of Azucena again; you study them intently, looking for something you could have done to save her, something you did not think of in time.” All in all, Ralf Carle is an amazingly written character that develops throughout the story.
Miguel Castaneda is the narrator and main character of the story “We Were Here”. Miguel is a young teenager from Stockton, California. He is dark complected because of his Mexican background but he does not have the personality to do the work like that of his Mexican relatives. I know this because in the story it says, “Told us we might be dark on the outside, but inside we were like a couple blonde boys from Hollywood.” He is very different from the rest of his family in terms of being able to handle situations that are put in front of him and completing the task at hand.
Dietrich Bonhoeffer was born on February 4th 1906, as a son of a professor of psychiatry and neurology at the University of Berlin. Throughout his early life he was an outstanding student, and when he finally reached the age of 25 he became a lecturer in systematic theology at the University Berlin. Something that is very striking is that when Hitler came to power in 1933, Bonhoeffer became a leading spokesman for the Confessing Church, the center of Protestant resistance to the Nazis. He organized and for a shot amount of time he led the underground seminary of the Confessing Church. His book Life Together describes the life of the Christian community in that seminary, and his book The Cost Of Discipleship attacks what he calls "cheap grace," meaning that grace used as an excuse for moral laxity.
The short story “And of Clay Are We Created,” written by Isabel Allende, has a strong emotional effect on the reader. Because of the imagery and desperate voice Allende portrays, the reader can realize how emotional some situations turn out to be, but in different ways than expected. The story is of a girl, Azucena, who is trapped in a mire after a volcano eruption. A reporter, Rolf Carlé, stays with her, even though they both know help is far away. While staying with Azucena, Rolf comes to terms with his past by realizing how his sister resembles Azucena being stuck without help. Allende uses strong imagery to portray the hopelessness of this girl’s life.
Many people in show business are viewed as role models in our society. Many of these people are just regular men and women that are placed high on a pedestal simply because they can sing or act, hence, becoming all the more famous. Although he was famous and popular in the entertainment world for almost four decades, Frank Sinatra was a singer and actor that had a side to him that not everyone knew. He hid behind the facade of an entirely happy, successful performer, when, in reality, he had many problems that the public was not even aware of. Some of these problems are the same that the average person faces day to day, but many went far deeper than trivial troubles. Some of these specific quandaries had to do with hidden aspects of his personal relationships, hidden connections with criminal elements, and other unknown aspects of his life.
With assertive shouts and short tempers, the prominent character, Ricardo, is characterized as a feisty townsman, doing nothing except trying to protect his town and its members from the judgments of the western world. For example, the characterization of the “‘…quaint’” man is exemplified through the simplicity of his life and the fact that he is “‘…employed’” and is full of knowledge, not a “‘cow in the forest’” (55, 29, 32). Ricardo desperately wants to establish the notion that he is not a heartless, feebleminded man, only an indigent, simple man striving to protect his friends and family from the criticisms of callous cultures. Incessantly Ricardo attempts to make it clear to the photographer the irritation elicited by his prese...
“And of Clay We Are Created,” by Isabel Allende, offers an observation of what social psychologists know to as the bystander effect. In the story, Azucena is a young girl, trapped in the muck, in need of a great amount of assistance. As she suffers and countless reporters are on the scene filming, no one ever stops filming to aid her. The reporters care more about getting the story than saving the precious life of another human being. As the story progresses, Allende connects Eva Luna to Rolf and Azucena use voyeurism as a key dramatic device. Using the interpersonal relationships of the characters, Allende takes a look at how voyeurism can be a contributing factor to the growth of social insensitivity to another’s needs.
He admitted to his companion that he was not a courageous man. This hinted that something deep down was bothering him, though he never spoke of it not until he came face-to-face with Azucena did he accept that reality had been “irreparably distorted”. Azucena was physically trapped, but Rolf mentally. Each time Rolf tugged on the rope as a means of rescue, the girl screamed. And each scream was a “tug” on Rolf’s pride. It was unbearable torture for the both of them. Rolf was determined to “snatch her from death”, but nothing could be done to save the young girl and both Azucena and Rolf were forced to accept their “fate”. As he sat with the girl for those long three days and nights watching Azucena die, his memories gradually began to come back to life. He became unable to look at this dying girl through a “lens” anymore. The camera was gone. Rolf was recalling all of his memories, and finally felt the need to let go. He had been “buried in clayey mud” all of this time, just as Azucena. The young girl had given in to an “ancestral resignation”, compelling Rolf to give into his grief. Heartache took over inside of him and his eyes overflowed with tears. Azucena says to him, “Don’t cry. I don’t hurt anymore. I’m fine.” Rolf responds “I’m not crying for you. I’m crying for myself. I hurt all over.” they both were finally relieved of their suffering.
Leonard Bernstein is widely known not only as one of the greatest American conductors, but also as a composer whose creativity and passion was spread over a wide range. His social and cultural influences helped shape his career into a musical icon and his music rekindled the American spirit. Above all, he will be remembered as one of the most amazing and influential musical personalities of the twentieth century.
Richard Brautigan’s short fiction stories incorporate protagonists that are recognizably fictionalized versions of the author himself. He writes in order to extract his own struggles of the past and the difficulties of discovering himself in the present. Through the characters in The Weather in San Francisco and Corporal, the portrayal of his optimistic view of life as a consequence of the rigors of daily life, and the use of symbols, Brautigan presents his personal story through the words on the paper.
In his article, Marques implicitly argues that The Rain God is story about repression. His idea is expressed through the historical imagination, which Marquez describes as the recreation of the “burden of history”, which represent the past of the characters that has caused their repression. Their past has become a burden because the Angel family cannot break away from the repression their history is creating. In his article, the idea of the historical imagination can be seen in the following, “The role of the commentator is given to Miguel Chico an inner historian who recalls, recasts, assesses, and seeks an understanding of events from his family history”. This quote...
Carlin, George 1938 -- Comedian, actor, writer. Born May 12, 1937, in the Bronx, New York. Carlin and his younger brother, Pat, were primarily raised by their mother in Manhattan’s Morningside Heights section. Mary Carlin, a devout Irish Catholic, worked as a secretary to support her children after the death of her husband in 1940. Carlin attended parochial school and much of his negative religious sentiment stems from his experience as a Roman Catholic altar boy. Carlin completed two years of high school before dropping out. At age 17, he enlisted in the U.S. Air Force as a computer mechanic and was stationed at Shreveport, Louisiana. Over the next three years, Carlin earned his high school equivalency and moonlighted as a disc jockey at a local Louisiana radio station.
Powder, a short story written by Tobias Wolff, is about a boy and his father on a Christmas Eve outing. As the story unfolds, it appears to run deeper than only a story about a boy and his father on a simple adventure in the snow. It is an account of a boy and his father’s relationship, or maybe the lack of one. Powder is narrated by a grown-up version of the boy. In this tale, the roles of the boy and his father emerge completely opposite than what they are supposed to be but may prove to be entirely different from the reader’s first observation.
As a child Dylan was comfortable being the center of attention, often writing creative poetry for his mother and on occasion singing. Dylan had no formal music lessons, but none the less he began to compose. Later at age 14, he took up the guitar and shortly after formed a band, one of many he played the guitar in. Always plunging ahead, performing to his up most potentional, Dylan absorbed his surroundings as a source of inspiration. Even during his early efforts Dylan responded very positivly to mainstream musicians, such as country star Hank Williams. Yet, he responded especially well to early rock stars such as Little Richard, Elvis Presley and Jerry Lee Lewis. In the summer of 1959, after graduation Dylan began to work at a cafe, where he began to pay increasing attention to folksingers such as Judy Collins and Jesse Fuller. Finding an instant connection with their songs, songs relevant to social issues. Dylan was drawn into both the musical style and the social message of these indivisuals.
In the short story, “And of Clay Are We Created” written by Isabel Allende, a reporter named Rolf finds himself alone with a small girl, Azucena, of whom he tries to save from a mudslide. As tragedy strikes, he finds himself staying by her side until help arrives. His darkest secrets creep out of the dark as he begins to tell the girl stories from his childhood. In the end, he lets her sink into the mud as she closes her eyes to fall into a peaceful sleep that becomes the end of her life. The theme of the story is that as a person, no one can move on if they have not taken care of their personal demons or past that haunts them. The author shows multiple forms of literary devices within the story, such as foreshadowing, flashbacks, and imagery, to form the theme of the story.
Hans Eysenck is notable for his theory of crime and personality, which explains how personality types are related to criminality. His theory is based on three traits affecting behaviour, holding that extraversion, neuroticism, and psychoticism in conjunction with social experiences produce personality (Center and Kemp 2002). The first dimension, extraversion, describes individuals as sociable and needing people around. Extraverts thrive off of excitement, take risks, and are impulsive and unreliable. Meanwhile, introverts are the opposite, have control of their emotions, and are rarely aggressive. Extraverts will usually have less well-developed consciences because of their poor conditionability, which is associated with their low arousal (Farrell