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Women in beowulf analysis
History of women's role in ancient years
Women in beowulf analysis
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Around the tenth century, women were not well respected. They often took a back seat in society and were even looked on as less than men. This is also true in the literature of that time period where women are never the main characters or heroes. However, in the epic poem “Beowulf”, of an unknown source from around the tenth century, women play a major role. They may not be the center of attention, but they are very important nonetheless. The women of “Beowulf” host the men, attempt to keep peace, and defy social expectations of the tenth century of what it means to be a woman. They play the vital roles of hostess, peace weaver, and contradiction to the standard women.
The first roll of women in “Beowulf” is the hostess. It was a very important job in the time “Beowulf” took place in. From a social standpoint, visiting warriors needed to be supplied food and drink while in a hall, such as Heorot, in order to keep them friendly to the local king. A prime example of this is Wealhtheow. She is visibly seen in Heorot handing out mead to the Geat warriors, trying to be as friendly as possible (610-630). This is not always common in mead halls, but when it does happen it is a sign of respect for the visitors as well as a sign of a good hostess. Furthermore, Wealhtheow gives out torques to all the men. She truly wants to make the Geats feel at home in Heorot, so she bestows them with gifts. This is also a sign of a good hostess since she is trying to make her guests as comfortable as possible. In addition, Freawaru, the princess and Hrothgar’s daughter, hands out mead as well. This shows that the Danes really want to be courteous hostesses to the Geats. It is a big deal that the princess is serving the warriors and Beowu...
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...to the other women. She is the only woman to fight and die directly in an actual battle in “Beowulf”. This is not normal by any standards at that time. Not only is Grendel’s mother extremely violent, she is also an outlier to the expectations of women in “Beowulf”. Grendel’s mother defies what it means to be a woman in “Beowulf” through her pure love of violence and hands on approach to battle.
In conclusion, the women of “Beowulf” play the key roles of peace weaver, hostess, and contradiction to the standard woman. They host the men, attempt to keep peace, and defy social expectations of the tenth century of what it means to be a woman. Despite the fact that the women are not the main focus of “Beowulf”, they are necessary to the story. Fortunately today, women play all kinds of important and leading roles in literature and in society.
Works Cited
Beowulf
But even through a gap of almost 1,200 years, we see in We Have Always Lived in the Castle, written in the 1960’s, that the views of women having a say in the community is a minority, and not everyone agrees. Yes, there has been some sort of progress in women’s right, from 800 AD, alike in Beowulf, a person who wants revenge on her son’s death, is considered a hell-bride, but in the mid 1900’s, it would receive a little bit of a less negative reaction. But in both in Beowulf and We Have Always Lived in the Castle men are considered the ruler of them family, well at least until Merricat kills everybody. In my opinion, Merricat’s way of looking the hierarchy of gender, is different of having women in control, that symbolizes that idea that began as a minute topic in the time period of the 1960’s, and has expanded into the situation of women’s role of
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
As the poems of Beowulf and Sir Gawain and the Green Knight show, women have always had power, yet not as overt a power as wielded by their masculine counterparts. The only dynamic of women’s power that has changed in the later centuries is that the confines and conditions in which women have wielded their power has become more lax, thus yielding to women more freedom in the expression of their power. The structure, imagery, and theme in the excerpts from Beowulf (lines 744-71) and Sir Gawain and the Green Knight (lines 2309-30) support the concept of more power in the later centuries, by contrasting the restriction of Wealhtheow and the power she practices in Beowulf with the Lady’s more direct assertion of power in Sir Gawain and the Green Knight five centuries later.
The women in Beowulf are barely discussed and seem to exist solely for the use of the men. They are weak and portray none of the legendary qualities that the men display. Wealhtheow, the Queen of Danes and Hrothgar's wife, is the only female character in the epic that talks. In a speech to her husband, we are able to see that she is a strong woman, who is able to speak her mind. She tells the king that it is good that he adopted Beowulf, but reminds him that he already has two sons. However, her speech is made while she carries the drinking goblet to all of the men in the room, "Wealhtheow came in,/ Hrothgar's queen, observing the courtesies./ Adorned in her gold, she graciously handed the cup first to Hrothgar, their homeland's guardian,/ urging him to drink deep and enjoy it because he was dear to them" (612-618). When she is given the opportunity to talk, she only praises the men and plays a role defined by their society.
The fact there is no mentioning of Grendel’s mother’s name implies that she is valuable insofar as her son is alive. This is could not further away from the truth because Grendel’s mother saved his life, and she is more powerful (Hala 39). Grendel acknowledges when he mentions “a shriek tens as loud as mine came blaring off the cliff. It was my mother!” (Gardner 27). While Grendel situates himself in danger, his mother comes along to save him from the situation that he placed himself into. Even though she has her own identity and persona, the novel never mentions her as something other than him. She is more powerful and dominant than Grendel physically, but because of the nature of her role, she becomes as subservient mother whose only function in life is to serve her son. She does not know anything besides her role as a mother, implying that mothers have no other role in life even they are talented or powerful. The novel is eroding the worth and value that comes from a mother because she has played an important role in raising Grendel. Because the book Grendel is trying to mimic the same world from when Beowulf is written, there are apparent contradictions when Gardner writes the mother “had forgotten all language long ago, or maybe never had never known any. I’d never heard her speak to the other shapes.” The mother is powerful and influential, but Grendel’s mother is continually portrayed is an unintelligent, useless being that has no independent worth beyond her
Despite her evil actions, it is evident that there is less malice in her than Grendel and she is less of a symbol of pure evil than he is. For example, her attack on Heorot is somewhat appropriate and could be considered honorable by the standards of warrior culture, as it marks an attempt to avenge one’s son’s death. In fact, the motive for her attack is similar to Beowulf’s motive for his attack on her: avenging the death of a loved one. One of the most interesting aspects of Grendel’s mother’s attachment to this vengeance-demanding code that the warriors follow is that she is depicted as not entirely alien or monstrous. Her behavior is not only comprehensible but also justified. In other ways, however, Grendel and his mother are indeed portrayed as creatures from another world. One aspect of their difference from the humans portrayed in the poem is that Grendel’s strong parental figure is his mother rather
In the poem “Beowulf,” Grendel’s mother, a monstrous creature, is one of the three antagonists Beowulf, the main character, fights against. The battle against Grendel’s mother appears to be the strangest of the three battles. The main reason for its strangeness is that Grendel’s mother is the mother of the monster Grendel, who was killed by Beowulf in the first battle. Another reason for its strangeness is that Grendel’s mother is the only female-type creature. An alternative reason for this strangeness in the battle is due to the fact that Grendel’s mother is not a true monster, aside from her physical form. Through the explanation of kinship, the understanding of the missing words from the original text, and the comparison of Grendel’s mother to other mothers in the poem, specifically Welthow and Hildeburh, it can be established that the intentions of Grendel’s mother are not monstrous even though she has the appearance of a monster.
The monsters in Beowulf are portrayed as the harbingers of death, despair, and destruction. The crimes in which they commit against human-kind are so grotesque, so evil, that it seems inconceivable that such creatures could exist. But these monsters are not just mere figments of the imagination. Rather they are the inverted ideals of Germanic societal values and reflections of human immorality. While the envious, fratricidal Grendel and the greedy dragon are inverted ideals of Germanic warriors and kings, Grendel’s mother is an inverted ideal woman. In a society where a woman’s role is to serve her husband by being a gracious and hospitable hostess that establishes peace between men, exemplified by the figures of Wealhtheow and Hygd, Grendel’s mother defies such gender roles. Grendel’s mother is an unmarried outcast who embodies inhospitality, tempestuousness, and
This essay explores the role of women in Homer's Odyssey, James Joyce's Ulysses (1922) and Derrick Walcott's Omeros (1990), epics written in very different historical periods. Common to all three epics are women as the transforming figure in a man's life, both in the capacity of a harlot and as wife.
... campaign was against a Welsh king who killed a Mercian abbot. The sole reason she sought to kill this king was to avenge the abbot from her people. This greatly relates to Grendel’s mother in the sense that she became a warrior as well as someone who seeks revenge.
Beowulf is an epic tale written over twelve hundred years ago. In the poem, several different female characters are introduced, and each woman possesses detailed and unique characteristics. The women in Beowulf are portrayed as strong individuals, each of whom has a specific role within the poem. Some women are cast as the cup-bearers and gracious hostesses of the mead halls, such as Wealhtheow and Hygd, while others, Grendel's mother, fulfill the role of a monstrous uninvited guest. The woman's role of the time period, author's attitude, and societal expectations for women are evidenced throughout the poem.
As a man fascinated with the role of women during the 14th Century, or most commonly known as the Middle Ages, Chaucer makes conclusive evaluations and remarks concerning how women were viewed during this time period. Determined to show that women were not weak and humble because of the male dominance surrounding them, Chaucer sets out to prove that women were a powerful and strong-willed gender. In order to defend this argument, the following characters and their tales will be examined: Griselda from the Clerk's Tale, and the Wife of Bath, narrator to the Wife of Bath's Tale. Using the role of gender within the genres of the Canterbury Tales, exploring each woman's participation in the outcomes of their tales, and comparing and contrasting these two heroines, we will find out how Chaucer broke the mold on medievalist attitudes toward women.
The middle English poem Beowulf also defines the important ways in which the feminist heroine is part of an ancient poetic tradition in the depiction of empowered women in patriarchal society. For instance, the plot of the story revolves around Beowulf’s indoctrination into the court of King Hrothgar, since he has been chosen to destroy to the monster Grendel. However, an unusual break with patriarchal tradition finds Wealhtheow, the wife of King Hrothgar, passing the mead cup to Beowulf as part of this indoctrination. In this ceremony, the tradition of the king passing the mead cup has been disavowed due to the power of the Wealhtheow in the royal court: “Wealhtheow came in,/ Hrothgar’s queen, observing the courtesies./ Adorned in gold, she
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).
Women roles have changed drastically in the last 50 to 80 years, women no longer have to completely conform to society’s gender roles and now enjoy the idea of being individuals. Along with the evolution of women roles in society, women presence and acceptance have drastically grown in modern literature. In early literature it was common to see women roles as simply caretakers, wives or as background; women roles and ideas were nearly non-existent and was rather seen than heard. The belief that women were more involved in the raising of children and taking care of the household was a great theme in many early literatures; women did not get much credit for being apart of the frontier and expansion of many of the nations success until much later.