From the inception of comic books to the current age of superhero movies, strong female characters are few and far between. The strength referred to here is not the ability to bench press a bus, but the characteristic of being able to stand alone without support from a male character. Why aren't there more strong female superheroes? With the sex ratio in just the United States at 96.99% (which means that for every 100 men there are 103.11 women) showing that there are just a few more women than men (StatisticTimes). Would it not stand to reason that this statistic would show up in comic books? Erik Kain discusses the blatant sexism involved with superhero franchise merchandise. He points out how sexism within the superhero franchise extends outside of their home medium. For example, one of the toys from Marvel’s the Avengers: Age of Ultron movie replaced the only female member of the Avengers with Captain America. The scene from the movie, upon which this toy is based, depicts the heroine, Black Widow, being launched from the quinjet (the Avengers primary mode of transportation) on a motorcycle. The irony of this is that Black Widow rescued Captain America by returning his shield to him in time to fight off the titular villain (Kain). In addition, no Black Widow action figures were created which tied into the movie at all. There was absolutely no reason to exclude Black Widow from production, except maybe gender bias and the stereotype that boys …show more content…
Just as young boys need role models, so to do young girls need role models which they can look up to and emulate. Shining examples which exhibit independence, strength, character, and intelligence. Looking at this financially, psychologically, and from a perspective of disconnection, empathy, and unfairness between the sexes will cast a spotlight on the reasons for this lack of heroines to look up
Throughout her book Mary Pipher, a clinical psychologist, describes the behaviors and relationships of adolescent teen girls. She explores the issues that most of her patients have in common: parents and divorce, depression, weight, drugs, alcohol, violence, and sex. Pipher provides examples of girls who had suffered from each category, and ends with a generalization that connects each situation to a deeper meaning. Although parents and daughters are somewhat to blame in each occasion, Pipher holds the corrupt modern culture of western society accountable. She believes that the idealized image of girls that the media puts out is the root of most adolescent insecurities. In Reviving Ophelia, Pipher draws attention to the increasing need for female teen awareness and incorporates the methods she suggests to the struggling families.
In this book therapist Mary Pipher writes about her experiences at work with adolescent girls. It is intended to make the reader aware of the perils of being a teenager in today's sexualized and media-saturated culture. She talks about how this new and more hostile environment affects adolescent girls' emotional growth and development, and how hard it is to stay true to yourself while trying to fit in with peers. For the most part this book is Dr. Pipher's attempt to reach out to adolescents, as well as their parents and teachers, and tell them that this "problem without a name" is not a death sentence but rather a journey to adulthood, and tells adults how to help these impressionable young girls through what might be the most trying period of their lives.
In the first paragraph of Laurie Penny’s essay “What to do when you’re not the hero anymore” she tells the reader how she recently went to see the new Star Wars movie. To her surprise a female character, Rey, fought off a bad guy as an equal. Hollywood has incredible power in how messages are portrayed in books, TV shows, and movies. It is no secret that media representation normalizes the reality of white male power. Penny explores how it is becoming more common to see a women lead in books, movies, and TV shows, rather than the stereotypical male.
Mary Pipher, author of the book Reviving Ophelia, has made many observations concerning young adolescent girls in our society. She wrote this book in 1994, roughly eleven years ago. Although some of her observations made in the past are not still accurate in today’s world, there are many that are still present in 2005. The primary focus of Pipher’s comments is to explain how young girls are no longer being protected within our society.
Modern day superheroes still reflect the misogynistic and chauvinist society in which they were first created and this will be argued with reference to two of the films studied.
In conclusion, Mary Pipher’s main point in writing “Reviving Ophelia” is to reveal how adolescent girls are being neglected and overlooked. We must be willing to look beyond the surface, become involved, and support girls as they develop physically, emotionally, intellectually, and spiritually. We must strive for something better for our teens. We cannot keep labeling our “daughters and sisters”, instead we have got to give them a path that leads to self-esteem. The media will give the public what they are search for. Right now that has been women roles that are lessened and more sexualized for the pleasures of men.
Disney movies have a very narrow view of what women should be like. Since the arrival of the first Disney movie, Snow White and the Seven Dwarfs in 1937, the idea of it has expanded, but rather marginally. There is a clear distinction of what a young women should be and what she shouldn’t be. Those who do not fit the mold of Disney’s expectations are cast aside to become villains, but those who do, end up becoming the damsel in distress. Ultimately, these stereotypes are what influences young girls who watch these films, and can have devastating effects on their self worth and change their idea of what it means to be a women. Films like Sleeping Beauty, The Little Mermaid, Cinderella, and Snow White and the Seven Dwarfs,
To say that girls are different from boys is an understatement. Boys and girls are treated and raised differently while growing up in a patriarchal environment(Chesney-Lind & Sheldon. Chapter 6); the diverse ways in which they mature physically and emotionally, boy’s and girl’s involvement or path that leads to their potential delinquency are worlds apart. In addition, bombardment by role models and advertisements of society plays a large aspect in the differences between boys and girls. The majority of female role m...
The representation of female characters in the work may initially come across as acting irrationally, but closer examination shows that in fact their motivations were guided by contemporary values and therefore are more reflective of more positively portrayed characters.
Due to traditional stereotypes of women, literature around the world is heavily male-dominant, with few female characters outside of cliché tropes. Whenever a female character is introduced, however, the assumption is that she will be a strong lead that challenges the patriarchal values. The authors of The Thousand and One Nights and Medea use their female centered stories to prove their contrasting beliefs on the role of women not only in literature, but also in society. A story with a female main character can be seen as empowering, but this is not always the case, as seen when comparing and contrasting Medea and The Thousand and One Nights.
In the world of comics, two main publishers dominate: DC Comics and Marvel Comics. DC Comics promotes superheroes such as Batman, a vigilante who began fighting crime solely to avenge the untimely death of his parents. He possesses no unique superhuman ability, other than a substantial fortune inherited from his late parents. Yet, the public in the Batman comics still adore their hero. In contrast, Marvel Comics promotes superheroes such as the X-Men, a team of superheroes who possess the X-Gene, a DNA mutation that gives each member a different ability. Under the leadership of Professor X, this team fights to protect their world from evil. Despite the many accomplishments of the X-Men, society persecutes them. In fact, when the X-Men first try to recruit Wolverine, he refuses: "Be an X-Men? Who the hell do you think you are? You're a mutant. The world out there is full of people who hate and fear you and you're wasting your time trying to protect them?" (Housel 140) Because the people view the X-Men as mutants, not humans, they refuse to treat them as equals. Consequently, Marvel's comic series X-Men discusses the philosophical dichotomy of equal human rights versus discrimination, revealing that everyone deserves human rights even if they are different.
However, well beneath the surface of the plotline, the viewer can also find himself or herself looking at a struggle for survival that is greatly affected by the roles of genders. Collins asks many questions regarding this; such as “If young girls do not see themselves reflected in media, will this diminish their sense of importance and self-esteem? Will boys conclude that women and girls are unimportant, as well? Will girls lack role models? Will adult women feel disenfranchised? Does the under-representation of women constrict societal perspectives and information in important ways?” (Collins). If Becky had not followed the standard gender role that the frame of time presented itself, she may have seen herself surviving the endeavor, despite almost no chance of her doing so. It is one of those things that today’s society may be glad to have moved past, because there is no reason for anyone to lose their life because they rely so heavily on the opposite
Tough women are always attractive, scantily dressed, with plunging necklines, and extremely tight leather and spandex. Such is shown in marvel’s Avengers, Black widow is among all male counterparts, she is a russian assassin with a troubled past. She wears a black skin-tight jumpsuit with a low neckline, her physical capabilities and prowess isn’t enough she has to appeal to the male view. Black Widows strength and performance as a strong fearless woman, cannot be seen as progress. Such performance portrays a deep doubt towards female struggle for equality. “The tough woman is testament to a still male-dominant society’s own contradictory responses to women’s demands for equal treatment, equal pay, and equal status. The tough girl is nearly always stripped down (often literally) to what lies at her core, her essential, biological womanliness, her essential subordinate position to man.” (Byerly, Carolyn, Ross
Females can be strong but they have to work at it much harder than males because males are just naturally stronger. This is because, “Men are 50 percent stronger than women in brute strength” (drjamesdobson.org). Men are stronger than women because the sex hormone testosterone, is found in high levels in men which gives them a head start in building muscle, “The sex hormone has anabolic effects, meaning it promotes muscle development. Secreted by the pituitary gland, testosterone binds to skeletal fiber cells and stimulates the growth of proteins, the building blocks of meaty muscles” [source: Roundy](science.how...
Women have made progress in the film industry in terms of the type of role they play in action films, although they are still portrayed as sex objects. The beginning of “a new type of female character” (Hirschman, 1993, pg. 41-47) in the world of action films began in 1976 with Sigourney Weaver, who played the leading role in the blockbuster film ‘Aliens’ as Lt. Ellen Ripley. She was the captain of her own spaceship, plus she was the one who gave out all the orders. Until then, men had always been the ones giving the orders; to see a woman in that type of role was outlandish. This was an astonishing change for the American industry of film. Sometime later, in 1984, Linda Hamilton starred in ‘The Terminator’, a film where she was not the leading character, but a strong female character as Sarah Connor. She had a combination of masculine and feminine qualities as “an androgynous superwoman, resourceful, competent and courageous, while at the same time caring, sensitive and intuitive” (Hirschman, 1993, pg. 41-47). These changes made in action films for female’s roles stirred up a lot of excitement in the “Western society” (Starlet, 2007). The demand for strong female characters in action films grew to a new high when Angelina Jolie starred in ‘Tomb Raider’ in 2001 and then in the sequel, ‘Tomb Raider II: The Cradle of Life’ in 2003 as Lara Croft. Her strong female character was not only masculine, but was also portrayed as a sex object. Most often, strong women in these types of films tend to fight without even gaining a mark. At the end of each fight, her hair and makeup would always be perfect. The female characters in these action films, whether their role was as the lead character or a supporting character, had similar aspects. I...