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How were the typical anglo-saxon warriors viewed in beowulf
Comparing and contrasting anglo saxon culture in beowulf
The role of the warrior in beowulf
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Fate. It is “the development of events beyond a person's control, regarded as determined by a supernatural power,” as defined by Google. In short, fate is seen as a predetermined future. In the Greek religion, they believed that the God of the Sky, Zeus controlled the fate of humans. In the Gnostic religion, fate is viewed as something that’s destined to happen, and something that cannot be altered. Many other religions have their own interpretation of fate, which leads me to the essential question: How did the Anglo-Saxon society view fate?
The Anglo-Saxons were loyal warriors who lived by a code of honor and took oaths and pledges to obey their tribe. They had so much loyalty for their people, that when a warrior’s leader was killed, it was the warrior’s obligation to avenge his leader’s death. When they were not engaged in battle, the Anglo-Saxons often spent
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In Beowulf: “The Death of Beowulf”, Beowulf says that he’ll battle the wicked dragon until fate decides which one of them wins. Fate is mentioned once again after Beowulf’s intense battle with the Dragon. As Beowulf sat against the wall, with blood coming out of his neck, he told Wiglaf (Wexstans’s son) that fate had swept their race away. Beowulf then signified that fate had a certain path for warriors like him, saying that fate has “taken warriors in their strength and led them to the death that was waiting. And now I follow them.”
Aside from heroic verses that were told in Beowulf, fate was also mentioned in The Exeter Book, which focused more on the uncertainties of the Anglo-Saxon life. One of the notable mentions of fate appeared in “The Seafarer” – page 63, line 43: “Wondering what fate has willed and will do.” Along with that, fate received a few more intriguing mentions in “The Wanderer”:
• “Fate has opened a single port:
In the two epics, Antigone and Beowulf, fate plays a major part in determining the events that happen to the two main roles of these stories, Antigone and Beowulf respectfully. They both go along with their actions, knowing that it is fate that has determined they must act in this manner, and that fate itself will determine whether they will succeed or fail. In both cases, even when they feel death will find them if they proceed on their current actions, they continue to move forward towards what they believe is their fated end. Overall these stories follow the fate of both Beowulf and Antigone, and their journey to the end.
Fate plays a significant role in the Old English epic poem Beowulf and William Shakespeare's play Macbeth.. The major events of the poem, such as the three killings by Beowulf and his own death, are said to have been predestined. In Macbeth, fate is so significant that it is personified by the Weird Sisters, who drive the action of the play. But if predestination exists, then there must be an agent that determines destiny. In Beowulf, God plays this role, and fate is generally accepted as God's will. In John Gardner's Grendel, a novel which serves as a commentary on the poem, fate is totally predetermined, and is the will of no being. By contrast, Macbeth's agents of fate are the Witches, who generally go against God's will.
The concept of Fate differs significantly in Grettir’s Saga and Beowulf. In Grettir’s Saga the eponymous hero wanders around from misfortune to misfortune, with no apparent Fate apart from vague predictions about the nature of his death. Grettir is plagued by bad luck as well. This is very different than the concept of Fate in Beowulf, where Beowulf has an established fate, and good luck or divine intervention works on his and his fate’s behalf. Fate in both narratives is predetermined, yet the concept of Fate in Beowulf is more deterministic than that of Grettir’s Saga since Fate for Grettir seems more a diffuse collection of unlucky events that repeat through his life.
The strongest ties of loyalty in their society were to kin and lord. A kingdom was only as strong as its war-leader king. In order to have loyal men, the King needed to repay them. In other words the men were paid for loyalty. They were sometimes given, land, gold, money, food, armor and other things for a reward after battle. Both the Anglo-Saxons and the characters in Beowulf are willing to risk their life at any moment-they are inattentive to danger. The Anglo-Saxons acquired riches by plundering treasures of their enemies. Every family formed a bond of loyalty and protection. A family was bound to avenge a father or brother’s death by feud with the tribe or clan which had killed him. This duty of blood revenge was the supreme religion of the Anglo-Saxons. The family passed down this hatred forever until avenged. Always staying loyal to family and the lord. (Allen, 12-14)
Beowulf begins with a history of the Danish kings. Hrothgar is the present king of the Danes. He builds a hall, called Heorot, to house his army. The Danish soldiers gather under its roof to celebrate and have fellowship with each other. Grendel, who lives at the bottom of a nearby swamp, is awakened and disgusted by the singing of Hrothgar's men. He comes to the hall late one night and kills thirty of the warriors in their sleep. For the next twelve years Grendel stalks the mead hall known as Heorot.
The battle between fate and free will produces a lopsided victory by fate in Beowulf. A continuous reference is directed to fate by context as well as in elements of theme, plot, and character. The most prominent relation to fate is seen with Beowulf. From his early adventures as a warrior to his later rule as king, fate strongly influences Beowulf's beliefs and courage. He attributes the successful outcomes of his many fights and struggles to the reasons of fate. The lives and outcomes of Beowulf and his enemies are obvious examples of the Beowulf poet showing that God has the power to control everything, resulting in predetermined fate. "Fate goes ever as fate must."(Line 455)*
The Anglo-Saxons were a group of warlike tribes who occupied England starting around A.D. In the Anglo-Saxon epic Beowulf, by an unknown author, the titular character is shown to be a perfect example of what the Anglo-Saxons believed to be a hero. Beowulf is a glory seeking warrior who throughout the epic is encouraged by the pursuit of glory; he later achieves this glory by winning great battles and boasting of his accomplishments; these accomplishments are later recognized by others in Anglo-Saxon society, further forwarding his quest for the glory.
Fate is the development of events beyond a person’s control. Essentially it means that there are certain events in everyone’s life that are predetermined and completely unavoidable. In The Iliad, fate is even unchangeable by the gods. The belief is that there is a fixed natural order to the universe and that
In Beowulf, there is a continuos reference to fate, and the protagonist attributes his success to God’s will. After Beowulf defeats Hrothgar’s nemesis, Grendel, Hrothgar gave thanks to “…the Almighty Father…” (927). Similarly, when Beowulf vanquished Grendel’s mother, “his thanes advanced in a troop to meet him, / thanking God and taking great delight / in seeing their prince back safe and sound” (1626-1628). Likewise, Beowulf’s last words after overcoming the Fire Dragon were “fate swept us away, / sent my whole brave high-born clan / to their final doom. Now I must follow them” (2813-2815). The Anglo-Saxon society do not question God’s will (fate) because they believe that what happens in life happens for a reason, so the concept of death comes easily to them. At the final battle with the Fire Dragon as Beowulf lies dying, he accepts the end of his life. When he speaks his final words, he does not regret coming to fight the Dragon. The symbolic moment when Beowulf’s sword and shield fails him demonstrates that “…fate spares the man it has not already marked” (573). Wiglaf, Beowulf’s final fighting companion, knew “…there was no way / he could preserve his lord’s life on earth / or alter in the least the Almighty’s will. / [because] what God judged right would rule what happened / to every man, as it does to this day” (2855-2859). Wiglaf accepts that Beowulf dies because of God’s will. During his rebukes to
Fate can be defined many different ways. Webster's Dictionary defines fate as a power that supposedly predetermines events. Fate is synonymous to the word destiny, which suggests that events are unavoidable and unchangeable. Whatever happens in life is meant to be and cannot be changed by mankind. In Shakespeare's Macbeth, fate plays an important role in the lives of Macbeth, Lady Macbeth and Banquo.
...that fate. Events that lead to other events will eventually lead one to their fate. “Oedipus the King” is a great play that sets an example of what fate is. Oedipus chooses to flee from home, in attempt to avoid the god’s statement of his fate from coming true. However, Oedipus’s decision for fleeing is what was necessary to make his fate come true. Undoubtedly, this is what was meant to happen because Oedipus allowed it to. Perhaps if Oedipus ignored the god and never did a thing then perhaps the outcome could have been different for Oedipus. However it did not turn out that way and the choices that Oedipus made is what led him to his doom.
One of the oldest and most prominent issues that mankind has faced throughout history is that of their own mortality. In every society mankind has wrestled with the inevitable problem of their eventual death, and literature often reflects each society’s take on their mortality. For instance one of the most pronounced motifs in the epic poem Beowulf is the impending doom that each and every character knows will eventually come for them. This is most clearly illustrated by the protagonist himself in his dialogue with other characters. It is also perpetuated by the compelling need for glory and renown that many of the characters continuously search for. Lastly, the issue of mortality is presented by the preeminence of the history of the clans
The idea of fate has baffled mankind for centuries. Can humans control what happens to them, or is everyone placed in a predestined world designed by a higher power? The Epic of Gilgamesh and Oedipus The King highlight on the notion that no matter what, people cannot control what is destined to occur. Interestingly enough, many other distantly connected cultures had, and have similar gods or goddesses who play a role in the fate of individuals. Oedipus, King of Thebes, was told by the Oracle at Delphi that he would one day kill his father and marry his mother. Determined not to let this prophecy verify his fears, Oedipus does all in his power to prevent this from happening, yet fails. Similarly, Gilgamesh, king of Uruk, attempts to obtain immortality, but fails as well. Gilgamesh's and Oedipus's intense fear and ignorance cause them to try to interfere with their fates, leading to their failures and realization of the futility of trying to control destiny.
In English literature and Greek mythologies fate and free will played colossal responsibilities in creating the characters in the legendary stories and plays. The Greek gods believed in fate and interventions, predictions of a life of an individual before and after birth which the individual has no control over their own destiny. Free will and fate comingle together, this is where a person can choose his own fate, choose his own destiny by the choices the individual will make in their lifetime. According to Merriam-Webster Dictionary, the definition of free will is the “freedom of humans to make choices that are not determined by prior cause of divine intervention”. Fate and the gods who chose their destinies directed Gilgamesh, Oedipus and Achilles.
It can be said that there is nothing more permanent than change throughout human history. This notion has prevailed throughout thousands of years as old beliefs and ways of life are replaced by the next logical step in humanity’s attempt to achieve some sensation of sureness or stability in life. Change is at the forefront of much of Old English literature, as the pagan, naturalistic religion of the Anglo-Saxons slowly shifted to Christian ideology. This clash of spiritualistic superiority is clearly illustrated in the episode of Grendel’s Mother from Beowulf, the Wanderer, and Caedmon’s Hymn, all of which display a shift of Anglo-Saxon society to Christianity through a demonization of nature, the passing of old tradition, and the power of God’s will over man.