Rock Music And Social Impact On American Social Change

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Introduction
The radio disc jockey leads in with, “And now, here’s a number from the Rolling Stones!” The drums throb, the guitars wail, and Mick Jagger belts out, “It 's only Rock and Roll, but I like it!” America liked it, too. From its roots in black gospel to its modern version, rock music has evolved along with and because of American societal changes. By the late 1940’s and early 1950’s, Americans were enjoying a prosperity that had not been seen since before the Great Depression of the 1930’s. This prosperity, along with other changes, helped to bring about a new American music as well. Since its beginnings in the 1950 's, rock music has been a reflection of and a catalyst for American social change.
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The war polarized the country and music reflected that polarization. “Rock music was forever linked to the ferment of social change and widespread dissent against American actions and social conditions that violated the nation’s professed beliefs” (McGovern, n.d.). Protest songs such as “Ohio”, by Crosby, Stills, Nash, and Young, and “Fortunate Son”, by Creedence Clearwater Revival, said what protesters felt. John Lennon and Yoko Ono were vocal in their opposition to war and various social issues. Bob Dylan’s influence as a writer of social commentary became very clear with his Blowin in the Wind” and “The Times They are a Changin”. He wrote, “Don’t criticize/what you can’t understand/Your sons and daughters are beyond your command/Your old road is/Rapidly aging/Please get out of the new one/If you can’t lend a hand” (Dylan, 1963). Songs such as these became anthems and rallying points for a group who was weary of war, and would no longer be ignored (Gilmore, 1990). Rock had become the voice of the discontented. “An LSD crazed Jimi Hendrix played “The Star Spangled Banner” on a screaming guitar, war policies were denounced, hatred of various US officials was voiced, the war and the draft were mocked” (Repellent, 2010). All of these statements were decidedly against everything that previous generations believed. In a very strong, very loud, very public voice, music of the period questioned evil,injustice, violence, and

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