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Views of Robert Frost for Nature
Robert frost use of nature and imagery
Views of Robert Frost for Nature
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The poem I was assigned to analyze was a poem by Robert Frost called "Design". The poem talks about white characters such as the spider, the heal-all,and the flower. The poem "Design" opens up the mind of the reader and broaden the perspective of how everything is made and why it is made.
The poem's opening line is describing a spider. Robert Frost's first line says "I found a dimpled spider, fat and white."(Frost 1) In Deirde Tagan's overview the spider's description is similar to an infant. He states "Even the spider, which is apparently the exterminator, is described in terms usually applied to infants (“dimpled” and “fat”)." (Deirdre Fagan and Robert Seltzer's "Frost's Design.") The spider is told to be on a white heal-all. This raises some eyebrows since a
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Frost says "On a white heal-all, holding up a moth Like a white piece of rigid satin cloth" (Frost 2&3) It is unusual to find similarity between the piece of satin cloth and the spider. Frost describes the characters of his poem as white objects. Frost's descriptions of the characters go against what some would see if they were to see them in their natural environment.
The poem goes on to talk about death and blight. Blight is used to describe a disease in plants. This gets the reader to believe the poem has darker hidden meaning.The next line brings some suspicious into mind when Robert Frost states "Mixed ready to begin the morning right,Like the ingredients of a witches' broth."(Frost 5,6) When someone thinks of witches and their broth chances are they suspect the presents of something evil. Frost paints a picture of the spider and the heal-all as being white and pure. Frost uses
Surprisingly, the poem shifts its focus off of love and to a very similar subject, although it has a slightly less favorable connotation: desire. "Tomorrow [is] getting shorter, even as we speak. In this flinty age of materialism we've gorown fond of witches - they embody our with to believe, to immerse ourselves...to be welcomed into imprudence, the elevated tor, unbreakable oath." She seems to be reaching out, saying that people in general have succumbed to materialism, that the ideal of love as it was presented previously was something which is quickly becoming lost to humanity. The people will now turn to "witches," symbolically implying that mankind will follow a false path in the hopes of his own advancement.
The third stanza is describing the snowstorm beginning; “Unwarmed by any sunset light The gray day darkened into night”
An elegance in word choice that evokes a vivid image. It would take a quite a bit of this essay to completely analyze this essay, so to break it down very briefly. It portrays a positive image of blackness as opposed to darkness and the color black normally being connected with evil, sorrow, and negativity. The poem as a whole connects blackness with positivity through its use of intricate, beautiful words and images.
The night is a symbol for dark moments of solitude during the speaker’s life. Through being “acquainted with the night” (line 1), the speaker is saying that he is familiar with darkness, proving how symbolism brings out a detached tone with the help of diction, saying that isolated darkness is something the speaker experiences regularly. The exertion of the night as symbolism creates an image for readers to realize that Frost did not actually mean nighttime in his poem; he used the night as symbolism to provide deeper insight and bring the image of our own dark times to describe as “the night”(line 1) just as the speaker of “Acquainted With the Night” did. Symbolism goes on to present itself in line 2, the “rain” is used as a symbol for tears and melancholy. The rain was not meant to be read literally, but rather symbolically as tears, or times of mourning over the harsh struggles in life, just as the speaker did when he “walked out in rain and back in rain” (line 2) meaning he walked into and out of life’s struggles. If the weather is cold and rainy, no one goes outside because of the gloomy clouds and cold rain. Similarly, no one reached out to the speaker in “Acquainted With the Night” during his gloomy periods of “rain”(line 2) or sadness, which expresses
She questions who created "the swan," "the black bear," and "the grasshopper," all extremely different animals. By doing so, the speaker is able to depict the fascinating diversity of nature and how it is the home of both big beasts and small insects. However, as the poem progresses, the speaker starts to interact with nature when the grasshopper hops onto her hand as she feeds it. The speaker carefully observes the grasshopper's behavior, describing in great detail how the grasshopper moves "her jaws back and forth" as she eats a sugar cube from the speaker's hand. The speaker utilizes imagery to convey a very specific image of the majestic grasshopper to the reader, describing "her pale forearms" and the grasshopper's "enormous and complicated
Furthermore, the opening “I stand” sets e assertive tone in the [poem. The speaker never falters in presenting the complexity of her situation, as a woman, a black [person], and a slave. The tone set at the beginning also aid the audience to recognize that the speaker in the “white man’s violent system” is divided by women, and black by whites. The slave employs metaphors, which Barrett use to dramatized imprisonment behind a dark skin in a world where God’s work of creating black people has been cast away. To further illustrate this she described the bird as “ little dark bird”, she also describes the frogs and streams as “ dark frogs” and “ dark stream ripple” Through the use of her diction she convey to readers that in the natural world unlike the human one, there is no dark with bad and light with good, and no discrimination between black and white people.
Frost uses different stylistic devices throughout this poem. He is very descriptive using things such as imagery and personification to express his intentions in the poem. Frost uses imagery when he describes the setting of the place. He tells his readers the boy is standing outside by describing the visible mountain ranges and sets the time of day by saying that the sun is setting. Frost gives his readers an image of the boy feeling pain by using contradicting words such as "rueful" and "laugh" and by using powerful words such as "outcry". He also describes the blood coming from the boy's hand as life that is spilling. To show how the boy is dying, Frost gives his readers an image of the boy breathing shallowly by saying that he is puffing his lips out with his breath.
He merely commits to writing a deliberation of what he understands to be a reality, however tragic. The affliction of dissatisfaction that Frost suffers from cannot be treated in any tangible way. Frost's response is to refuse to silently buckle to the seemingly sadistic ways of the world. He attacks the culprit of aging, the only way one can attack the enigmatic forces of the universe, by naming it as the tragedy that it is.
In his poem A Noiseless Patient Spider, Walt Whitman talks about how a spider is lost in a large space and is working hard to find a connection to everything around it. He compares it to his own life and how he hopes he will be able to use bridges or ships to find connections in large “oceans of space (7)” to prevent feeling isolated. Whitman expresses this through an extended metaphor, repetition of certain words or phrases, and alliteration.
Keats begins with the poem with a question, “O what can ail thee, knight-at-arms, alone and palely loitering?”. He does this to ask the “knight-at-arms” what has made him this weak, this pale, dying in a field somewhere and the knight’s answer takes up the rest of the poem. The imagery in my visual representation depicting a heart broken and weakened by the icy, deceptive lips of ‘femme fatale’ is both powerful and highly symbolic because it expresses the coldness and the deviousness of the deceptive witch that has weakened the knight. The icy cold lips of the witch symbolise her deceptive nature, and the way she tricks the knight into a deathly sleep, which is also visualised in my representation. His deathly sleep is also represented in a ‘before/after’ representation in which an image of the beautiful woman in the meadows is shown, and after his nightmare, the icy cold, desolate and dark hill side upon which the knight awakes is shown in the neighbouring image. The speaker says that the "sedge" have all died out from around the lake, and "no birds sing”. We can deduce that it 's autumn since all the birds have migrated, and the plants have “withered." The speaker continues to address this sick, depressed "knight at arms." He asks about the "lily" on the knight 's "brow," suggesting that the knight 's face is pale like a lily.
At first, the cheerfully perceptive stroller on backcountry roads: “I found a dimpled…” (593) the iambic lilt supplements a tone of pleasurable astonishment. With the introduction of “spider”, he betrays himself, and in “fat” and “white”, the dimpled insect appears less amiable. Additionally, in the next line, “On a white heal-all…” the verse is suggestive of innocence and fortification (Frost, 593). The white heal-all, which for the most part is a light blue flower, is how Frost suggests the purity of the situation.
There is also a third reason that could be addressed. Naturally, a white moth would be attracted to a white flower as camouflage from predators. The white spider would use the flower as concealment from prey. There is a design at work but not a "design of darkness." It is simply an order of nature. It can be attributed to survival of the fittest. The final verse however calls to doubt not just evidence of natural darkness but the entire epistomogical basis of the poem. Is there someone or something controlling us or are we so small that is doesn't really matter in the grand scheme of things. "If design govern a thing so small" questions the result and method of the rest of the poem.
sexual element. The fact that the worm is invisible indicates it can? t be stopped and nothing can be done because it can?t be seen in the picture. I believe this adds mystery to the poem.
Robert Frost is known for his poems about nature, he writes about trees, flowers, and animals. This is a common misconception, Robert Frost is more than someone who writes a happy poem about nature. The elements of nature he uses are symbolic of something more, something darker, and something that needs close attention to be discovered. Flowers might not always represent beauty in Robert Frost’s poetry. Symbolism is present in every line of the nature’s poet’s poems. The everyday objects present in his poems provide the reader an alternative perspective of the world. Robert Frost uses all the elements of poetry to describe the darker side of nature. After analyzing the Poem Mending Wall and After Apple Picking it is clear that nature plays a dark and destructive role for Robert Frost. This dark side of Frost’s poetry could have been inspired from the hard life he lived.
Robert Frost is an amazing poet that many admire today. He is an inspiration to many poets today. His themes and ideas are wonderful and are valued by many. His themes are plentiful however a main one used is the theme of nature. Frost uses nature to express his views as well as to make his poetry interesting and easy to imagine in your mind through the detail he supplies.