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Importance of love and friendship
Importance of love and friendship
Importance of love and friendship
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Mary Jo Bang's Apology for Want
Quiet, unassuming, serene. These characteristics define the appearance of poet Mary Jo Bang. There is, however, another side to the humble St. Louis native which is not readily apparent by either her looks or her demeanor. Beneath her deceiving facade lies another person entirely, which only emerges through her poetic talents. Although she also read from her new manuscript which has not yet gone to print, Mary Jo Bang primarily read from her collection which won the Katherine Bakeless Nason poetry prize in 1996, entitled Apology for Want. According to Edward Hirsch "Apology for Want is, a...dark [and] unabashed apology for desire." But there's something more to her work than confessing the yearnings of humanity, no matter how tarnished they may be. Her work is very personal, yet it touches home, inspiring a feeling of understanding and enlightenment which is very hard to accomplish.
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She opens "Love is also fragment: the cheek of the moon's fat-boy face giving itself up to be kissed, the ingredient phrase, I can't live without you, the sum of the few words that truly invent themselves - You are." At first, the impression of the poem's direction and attitude seemed positive, inspiring the thought that love really is self-sufficient despite it's fragility. Even the title The Desert at Hand seems to imply a biblical simile, that love is a test which can both test and strengthen you, just as Jesus' 40 days in the desert was a time of great temptation and redemption for
She wanted to let people who don’t think that women who don’t have power, actually has power too and that they are all equal. She explains to us how she is different in a unique way, and her magic that gives power to all woman. In her writing, the first stanza is longer for explaining the old and her new definition of magic. Although, on the last two stanzas, it develops her ideas that the magic empowers all the colored women. In the poem it says, “ I have been women for a long time, beware my smile, I have been treacherous with old magic and the noon’s new fury with all your wide features, promised, I am woman, not
This poem holds many metaphors and symbols pertaining to how certain seasons make people feel. She compares the feeling of nature with her personal feelings of being alone after having so many lovers. In “What lips my lips have kissed, and where, and why” Millay reminisces back to a time when she had one lover after another. She cries because she lost them all and instead of opening her heart to them and offering her love, she remained closed off and simply enjoyed the physical connections. Edna St. Vincent Millay may have imagined a speaker for this poem, but she makes it seem as if it is coming from her own personal experiences.
Anne Bradstreet can be considered as a strong-willed but sensitive Puritan woman. Her poetry includes a combination of sarcasm and dispute against certain issues involving the unequal rights between men and women, and sentimental writings about her own emotions. She mostly writes about her feelings towards events going on in her personal life and not so much about politics or social phenomena. She did not write so as to put on a show or to be socially correct, but about her genuine feelings. She writes about being a woman and all the things that come with it, family, love, sorrow and seeking equality. She also incorporates her religious beliefs strongly in her poem as a driving force to reconciliation between herself and God. Anne Bradstreet was an eloquent poet who was able to convey her innermost feelings to the reader through various techniques and diction.
I believe this poem shows her love for God and her love for religion. In the first six lines I believe she gives God the credit for her leaving Africa and going to America. In the fifth line,
In romantic words, the poet expresses how much she does think of love. She state it clear that she will not trade love for peace in times of anguish.
During the next few stanzas, Amos creates a character that fights to become a strong, independent woman who can withstand storms and brambles, but is not afraid to deeply, genuinely love another human being. Amos addresses love in a unique and unconquered manner. For example, logical men would look at a small island bearing a single pineapple tree as solitary blemish on the face of the ocean, but Amos sings that “this ocean is wrapped around that pineapple tree,” thus implying that the pineapple tree is commandeering the attention of the seas. She is giving importance to what is otherwise lost in the middle of a great expanse; metaphorically, she is addressing life. In essence, human beings are simple spots on this great expanse of earth, but instead of looking at the human race as a blemish, Amos addresses human life as burning and indispensable.
"What lips have I kissed" by Edna St. Vincent Millay While reading "What lips my lips have kissed" by Edna St. Vincent Millay, I realized many things about myself. The first thing was that I, after thinking I would never be able to decipher one word of poetry, actually could. I also found that I was able to enjoy it. Another thing was that the narrator (whom I felt was a woman- no man could portray these feelings like a woman) and I had strikingly similar feelings. There happened to be many other amazing findings, but these two were the first and most important to me.
The first line of the poem refers to following the idea of perfect love and perfect trust. This phrase has been around for awhile, original origins seem to be lost but it can be seen in an early version of Gerald Gardner’s early book of shadows as well as here itself in the wiccan rede. The phrase itself refers to being vulnerable, within a circle, with members of your coven. When you enter into a circle and perform magic you completely open yourself. This phrase means that you know everyone there with you is going to treat you with respect and not cause you any harm. This can also refer to putting your trust in your deity, humans are not perfect, we all will have times that we may misinterpret a situation but the divine is just that. You should
Ferguson, Margaret W., Salter, Mary J., and Stallworthy, Jon. The Norton Anthology of Poetry. fifth ed. N.p.: W.W. Norton, 2005. 2120-2121. 2 Print.
Four disturbed characters from four different time periods who all desire the same thing: the destruction of others. Ultimately, this has led to the ruin of them. Shakespeare’s Lady Macbeths thirst for power, Browning’s persona motivated by revenge that has been consumed by the green-eyed monster, the necrophilia fantasies of Duffy’s Havisham with her also being obsessed over jealousy and Brontë’s character who is challenged by the thought of choice. All of these women share and unhinged mind. Society has made them believe as though they have no power. The fact that the persona within ‘Spellbound’ is assumed to be female goes to show the influence society has over us even today. This is why these poems are important, as they still represent the society which we are surrounded by. The characters were definitely not born in this way but were moulded over time. It is very difficult to put yourself in the shoes of these women as they are different in many ways; however, they are all united in their uneasy mind-set.
This is a complex poem. She even began with a complex idea, love. What exactly is love? Is it a feeling, an emotion that no one has control of? Is love something you can feel or touch? Some say it is not something that you can feel or touch, but you are well aware when love touches you, because you can feel it. It is an emotion that causes pleasure and pain. In this poem, Millay is showing how complex love is. The first half is about what love cannot do. Love is not a lifesaver, shelter, or a doctor. The second half is about the power of love. Even though love is not tangible, is it as important as something that is? Millay seems to be coming from the idea that love is not everything, but it is important. A question is raised, is love necessary for survival?
At the start, the first stanza of the poem is full of flattery. This is the appeal to pathos. The speaker is using the mistress's emotions and vanity to gain her attention. By complimenting her on her beauty and the kind of love she deserves, he's getting her attention. In this first stanza, the speaker claims to agree with the mistress - he says he knows waiting for love provides the best relationships. It feels quasi-Rogerian, as the man is giving credit to the woman's claim, he's trying to see her point of view, he's seemingly compliant. He appears to know what she wants and how she should be loved. This is the appeal to ethos. The speaker seems to understand how relationships work, how much time they can take, and the effort that should be put forth. The woman, if only reading stanza one, would think her and the speaker are in total agreement.
Humans hunger and thirst for peace, and the poet making the claim that she wouldn’t even trade love for such a valuable feeling such as peace, gives off the vibe that love really is
The poem is formatted into three stanzas, each consisting of six alternating lines with the first line containing ten syllables and the next six syllables. The poem’s form makes it so each line is distinct from the rest, consequently making every line noticeable to the reader’s eye. This highlights a recurring theme in the poem, that of the number three. The poem itself is the third and final of a group of poem, all entitled ‘Love.’ Three is an important number in Christianity as it represents the Holy Trinity. Furthermore, the poem’s title, ‘Love,’ is commonly used by Christians when referring to God. For example, the OED defines love, when used in a religious sense, as “the benevolence and affection of God towards
...hat the poet wants us to see this “doom” (12) as the biblical end of days. In this case, we see that love will last for the entire history of all creation. If this is the way we are meant to read it, we see that God and love stand together as the universe is undone. We could further see this as a statement of God being the perfection of love. Love is the conduit with which man can experience the purity of God. The poet concludes the poem in lines thirteen and fourteen saying “If this be error and upon me proved” and “I never writ, nor no man ever loved” (13 – 14). Here he is saying that if he is wrong we may consider him to have never existed at all. Since what we have of the poet is his writing, we know that he did exist and he seems to suggest that we would be better to ignore all he ever was if to us love does not have the power which he attributes it.