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Critical analysis of war photographer
Critical analysis of war photographer
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Robert Capa
	Robert Capa was born in Budapest, hungary in 1913. Robert Capa is most known for his photographs in war. Known for obtaining photos taken during a war that shows what it is like to be in a war. Showing things like the hardships that soldiers have to endure and the suffering of people whose homes and cities were destroyed as a result of war. His photos are divided into three categories: images of battle, images of the effect of war on individual soldiers and civilians, and the images of peace. As the photographer, he did more than just sit back and take the pictures, he also participated, getting as close as he could to the action just to take a good picture. He died sometime in 1954 by stepping on a land mine.
	In the time of World War I the standard camera used by war photographers was the medium-sized bellows extended Graflex with four by-five inch plates. This camera, being fairly large made making candid shots and maneuvering in dangerous situations impossible. Later the 35 mm Leica allowed Capa to do these things. The camera allowed him to be inconspicuous and have a large capability of movement. With this camera he was able to jump into battles to take pictures that no one else was ever able to take.
	One of the main things that Robert Capa tried to capture were the emotions of his subjects. He always tried to portray things such as their sorrow or their shock, mainly focusing on the expressions of the subjects’ faces to show what emotions they might be feeling.
	Despite his worldwide recognition Capa denied the title of a photographer. He always preferred to refer to himself as a photo journalist. To try to prove that he was not a photographer he hated artistic pretension in his medium and refused to learn any more photographic technique than he deemed necessary. In the darkroom he was so careless that many people wondered if he scratched his negatives purposely to try to prove his point that he was not a photographer.
And finally, as the story concludes, you feel through Capote's careful presentation of the facts, that we are participants of the trial ourselves. We experience the witnesses testimony only when the jurors and spectators do so themselves. Having the author reserve vital information so that we learn only what the community learns, when they learn it, offers the opportunity for us to experience genuine emotions as the events unfold.
Capote in his book In Cold Blood set out to create an image of the murders and their motives with the use of rhetorical devices. He uses certain devices, such as diction and syntax to give each character their own distinct personality and also develops their characteristic and tendencies as a person as well. Capote also brings the characters to life with the switching of tone between them and with the things they say about themselves and events going on in the story. Another way Capote develops the reader's perception of the murderers was by the use of imagery to draw the reader a picture in their minds to what the character would look like face to face. With all of these combined he gave each murderer their own personality and views, ultimately
Giving way to the parties and the fun associated with college kids, Caputo failed out of college and realized what he really wanted to be was a Marine. He joined the Marines and went through a lot of officer training until he eventually reached what would be known as his final rank of Lieutenant. Introduced to the Vietnam War in 1965 as a Platoon leader, Caputo walked into the war a little scared but with a lot of determination. Caputo started the war with a lot of field work including jungle expeditions and shooting escapades, and eventually was sent to keep track of the everyday deaths occurring during the war and all the paperwork associated with such a job. Later he was put back in charge of a platoon which eventually lead to his downfall following an unethical order he gave his men that resulted in the killing of a couple Vietnamese pedestrians believed to be part of the Viet Cong.
The impact of discovering something for the first time can often broaden our understanding and lead to new innovations. In Simon Nasht’s documentary; Frank Hurley: The Man Who Made History, Hurley spent most of his life trying to capture the beauty of nature as well as capture photos of war to create emotion and illustrate the hardships that was experienced in WWI and WWII. Representations of discovery can vary one’s understanding of the physical aspects encountered in the process of discovering and this has been portrayed through the montage in the early scenes of the documentary. The combination of archival footage with non-diegetic
On the other hand, and in contrast to this photograph, is the "after" picture of Robert (after the wars). In this picture, life seems to have ceased. There are dead things all around, a dead man in the background with his hand dangling down, the short (dead) grass, and the skull of an animal which Robert has in his hand. Also, the narrator describes Robert as "staring straight into the camera with his lips slightly parted," this is the look of a dead person who is no longer breathing.
Capote used pathos in this book mostly to make the reader sad or feel sympathy for a character. In the beginning of the bo...
Capote uses different voices to tell the story, creating an intimacy between the readers and the murders, the readers and the victims, and all the other players in this event—townspeople, investigators, friends of the family. This intimacy lead...
Many soldiers who come back from the war need to express how they feel. Many do it in the way of writing. Many soldiers die in war, but the ones who come back are just as “dead.” Many cadets come back with shell shock, amputated arms and legs, and sometimes even their friends aren’t there with them. So during World War I, there was a burst of new art and writings come from the soldiers. Many express in the way of books, poems, short stories and art itself. Most soldiers are just trying to escape. A lot of these soldiers are trying to show what war is really like, and people respond. They finally might think war might not be the answer. This is why writers use imagery, irony and structure to protest war.
He may not have been most affected by the war, but it was he who was described in the most detail, due to the fact that he was described in first person.
...of all, the thoughts of the characters were present.'; (http://www.sgi.net/marbles/zeno/capote.html) This sums up some major aspects of the book and why it was so interesting to read. Capote worked to make this book very good all around, he didn't just write a standard documentary. He used important literary methods to convey his total message.
	"It mattered that education was changing me. It never ceased to matter. My brother and sisters would giggle at our mother’s mispronounced words. They’d correct her gently. My mother laughed girlishly one night, trying not to pronounce sheep as ship. From a distance I listened sullenly. From that distance, pretending not to notice on another occasion, I saw my father looking at the title pages of my library books. That was the scene on my mind when I walked home with a fourth-grade companion and heard him say that his parents read to him every night. (A strange sounding book-Winnie the Pooh.) Immediately, I wanted to know, what is it like?" My companion, however, thought I wanted to know about the plot of the book. Another day, my mother surprised me by asking for a "nice" book to read. "Something not too hard you think I might like." Carefully I chose one, Willa Cather’s My ‘Antonia. But when, several weeks later, I happened to see it next to her bed unread except for the first few pages, I was furious and suddenly wanted to cry. I grabbed up the book and took it back to my room and placed it in its place, alphabetically on my shelf." (p.626-627)
Frank Capra, a leading figure in the film industry, had created many remarkable masterpieces from the era of the Great Depression all the way through the Second Great War. Not only did he face the innovating changes of movie life, such as the change from silent to sound film-making, he had has made a great impact on the lives of Americans.
Leica introduced a small format 35mm camera in 1925. This smaller machine revolutionized the way photographers could transport the camera, as they could photograph discretely in all situations. (Uk.leica-camera.com, n.p.) Leica are considered a premium brand camera, well built and precise ensuring the images they create are quality. Leica, who are still a camera maker, have photographic galleries in Frankfurt, Los Angles, New York, Salzburg and Tokyo, alternating exhibitions of work that the Magnum Photographers captured. But from here, the 3...
Francois Viete went to many places and did a lot of things. He lived for 63 years. In his life he got to do more or at least as much he wanted to do. He got to work for Kings, and also been married twice. Francois Viete was a very interesting. He also went to a few different countries.
When looking at the influence of the reign of Queen Victoria it is almost impossible not to look at the birth of photography. In a book written by Getty Museum Curator Anne Lyden, Victoria’s influence on photography is looked at intently, from her first time encounter with the new technology to her famous Diamond Jubilee portrait. Victoria was able to use this new technology from a young age in a way that it would take years to become main-stream. That photography was not just an artistic medium but was an instrument of propaganda. (Lyden, 2014)