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Recommended: A road trip essay
Blacktop reflects on the rocker-panel of my car and its constant monotonous pattern has been following me for the past 200 miles. The mile markers on the side of the road stand like a line of obedient soldiers at attention to mark my way toward freedom and salute me when I pass. Eventually they become somewhat invisible because the beauty of the background wins my competitive eye and draws me to its splendor. The copper-colored mountains mix with the purple base to form a contrast that compliments the sunset, and the road curves through the giant rocks as if God put His finger down and drew squiggly lines in the malleable sand. When I need to clear my head, I come here. I come to the place where I can valiantly chase down the horizon with the grill of my car—a perilous fight. Only the continuous double yellow line and the white line box me in. I hesitantly look in the rear-view mirror, and see the clouds hanging on the mountains like a smooth white cloth over the back of a crocodile. I pass by the large city signs on the road staring down each and move on like checking off boxes on a to-do list When my car hits just the right angle on the two lane road, the sun reflects on the dried and fresh bug carcasses and they become confetti to celebrate my commencement into my new world. The road knows where I am going, and because I come here so frequently, my tires glide in its parallel-like rails leading me safely to my destination. I don’t know where I am going, but all I know is that I have to get somewhere. I vanish into the calming sound of the wind through the sunroof, taste the mountain air on my tongue, and let the soundtrack of my journey syncopate with my heartbeat. I am miles away from a “home,” but the welcome mat of the ope... ... middle of paper ... ...is being unaccompanied. After all, sometimes the “conversation” can be a little loud and overwhelming. In my writing process I get on the road and let the hum of the engine agree or disagree with my ideas. Solace seeks me out like a bounty hunter. The back window provides an opening to the past and my rearview mirror reminds me to always be mindful of changes. I look forward to each trip and my writer’s Spirit yearns for its dose of creative therapy. My car, my music, and the open road, together we converse in tumultuous harmony to resolve any issues and effectively communicate to our readers. Mark Twain put it best when he stated, "I have found out that there ain't no surer way to find out whether you like people or hate them than to travel with them." I have found that despite my areas of improvement and frustrations, I am easy to travel with—all be it by myself.
The drive to cross the Kentucky border had taken hours and hours of strenuous patience to finally arrive in another state. The view was by far country like as hints of cow manure could be smelled far from a distance. We drive through small towns, half the size of our hometown of Glen Ellyn had been the biggest town we've seen if not smaller. The scenery had overwhelmed us, as lumps of Earth from a great distance turned to perfectly molded hills, but as we got closer and closer to our destination the hills no longer were hills anymore, instead the hills had transformed to massive mountains of various sizes. These mountains surrounded our every view as if we had sunken into a great big deep hole of green pastures. Our path of direction was seen, as the trails of our road that had followed for numerous hours ended up winding up the mountainous mountains in a corkscrew dizzy-like matter.
In this country, the age of the internal combustion engine has found its niche, states Jack Burden. And where cars go, roads must follow. Warren uses the exposition to describe a road in detail. Highway 58 has two components. Jack notes that the road has a slick, black line down the center and a dazzling concrete slab on both sides of the line. Because of the heat and light reflecting off the slab, only the black line is clear. Since the contrasting colors of the road are specified, the archetypes of the colors can be examined. The white of the slab is associated with purity, peace, and wholesomeness, while black of the line is associated with darkness, ignorance, and even death. Warren develops tension in the symbol of the road through the
The Joy of Canning: Motivation in a Productive Home” by Erica Strauss. Strauss had my full-on attention with her writing methods. She was crystal clear in her message without even having to explain the portions of her article that hardly pertained. It’s the beauty that I see in writing and daily language. There are no boundaries of what a person can talk about so long as they get the main idea back into circulation. If there’s one thing that I’ve learned from college is that the thought process of an article needs to be as spontaneous without drawing out boredom as possible in order to retain the thoughts of students. So once again the question of, why am I exiled from groups like there’s no tomorrow? Easy enough to answer, but hard to explain; my writing techniques follow me into the speaking world. If there’s one place that a person hates to be led around in a flashy display of words, it’s within speech. The reason being is that they won’t comprehend it the first time and don’t have the luxury of rereading it in order to grasp a better understanding of what’s being said. I strive for this “imperfection” on the behalf of my speaking capacities. The reason being is that I love watching people get flustered over the fact that they weren’t paying close enough attention to find the point of a conversation. It’s a conversation checker to see who is worth the time to speak to. An introduction into the complexity of which is my mind; the only constant is the hamster on the wheel that powers my
Writing is a process I’ve grown to despise. Ever since grade school, I’ve had problems trying to express my ideas on paper. My writing process involves thinking about what’s being asked and trying to reflect my thoughts the best way I can on paper, but my thoughts don’t always come out as clear as I want them to be sometimes leaving a question not fully answered. My writing process isn’t a consistent set in stone process, but since being in ENC 1101 I always follow some of the same parameters such as revising my drafts, grammar usage and considering context and audience.
There are various ways writers can evaluate their techniques applied in writing. The genre of writing about writing can be approached in various ways – from a process paper to sharing personal experience. The elements that go into this specific genre include answers to the five most important questions who, what, where, and why they write. Anne Lamott, Junot Diaz, Kent Haruf, and Susan Sontag discuss these ideas in their individual investigations. These authors create different experiences for the reader, but these same themes emerge: fears of failing, personal feelings toward writing, and most importantly personal insight on the importance of writing and what works and does not work in their writing procedures.
Anyone who is doing any type of writing piece has a process. They may not know it but it is there and it exists. It is one’s approach to their piece and how they go about accomplishing it. It has to do with how you write it, how many drafts you do, as well as your revision process if you even have one. My writing process however has room for improvement. A summation of my writing process consist of heavy planning, one draft, and little revisions. Anne Lamott, Shirley Rose, and Kathleen Yancey all drew attention to major points through their writing pieces that support and dispute my writing process. Through their pieces they have found a way to inspire, inform, and entertain me all at the same time while passing along great information that
Writing can be a very difficult process for those who do not know how to go about constructing
I am sitting in my bed, thinking about my process of writing as I am trying to go through it. It seems the more I think about it, the less I understand it. When I am writing, I don’t think. Which I know, sounds bad. But, I spend every single moment of every single day over thinking, over analyzing, and over assuming every aspect of my life. When I’m writing, I’m free from that for just a little bit. Until of course, my hands stop typing or the pencil (no pens- never pens) stops moving, then I’m right back on the carousel that is my brain. Heidi Estrem says, “...writers use writing to generate knowledge that they didn’t have before.” (Writing is a Knowledge-Making Activity 18). I believe my ability to write without an exact destination
Located in the popular Yosemite National Park, Yosemite Falls is the tallest waterfall in California. Every year, mother nature’s breathtaking beauty attracts millions of people from around the world. People hike for three long and fatiguing hours in anticipation of witnessing forceful water rushing down the steep mountain from 2,425 feet above. Last summer, my family and I backpacked through the Yosemite Falls Trail and I came to learn what a truly exhausting experience it is.
“There is no royal path to good writing; and such paths as exist…lead through…the jungles of the self, the world, and of craft” (Jessamyn West, qtd. in Lindermann 22). As West states, the process of creating “good writing” is as much an individual process as it is a challenging course to accomplish. How does one teach an individual process to a class of students? In order for instructors to reach every student, they need to inform students of the personal, ongoing process it takes to write a paper, or in the words of Lindermann “Writing involves not just one process but several”(22). To reach every student, instructors need to apprise students of the personal, ongoing process it takes to write a paper. The writing process is not a formula, or template to be taught as a one size fits all aspect. Lindermann attempts to answer the question, what does the process involve by tackling the elements of the process as what is
The ruckus from the bottom of the truck is unbearable, because of the noise and excessive shaking. As we slowly climbed the mountain road to reach our lovely cabin, it seemed almost impossible to reach the top, but every time we reached it safely. The rocks and deep potholes shook the truck and the people in it, like a paint mixer. Every window in the truck was rolled down so we could have some leverage to hold on and not loose our grip we needed so greatly. The fresh clean mountain air entered the truck; it smelt as if we were lost: nowhere close to home. It was a feeling of relief to get away from all the problems at home. The road was deeply covered with huge pines and baby aspen trees. Closely examining the surrounding, it looks as if it did the last time we were up here.
Walking, there is no end in sight: stranded on a narrow country road for all eternity. It is almost dark now. The clouds having moved in secretively. When did that happen? I am so far away from all that is familiar. The trees are groaning against the wind’s fury: when did the wind start blowing? Have I been walking for so long that time hysterically slipped away! The leaves are rustling about swirling through the air like discarded post-it notes smashing, slapping against the trees and blacktop, “splat-snap”. Where did the sun go? It gave the impression only an instant ago, or had it been longer; that it was going to be a still and peaceful sunny day; has panic from hunger and walking so long finally crept in? Waking up this morning, had I been warned of the impending day, the highs and lows that I would soon face, and the unexpected twist of fate that awaited me, I would have stayed in bed.
My head pounded as I raced down the asphalt. I could feel the cool breeze running through my hair and cooling me down. The roars of my parents cheering chased me down as I went. My bike gleamed beneath me, a white streak in the wind. Slowing down I rode to the curb allowing a black van to ride by.
I slowly trudged up the road towards the farm. The country road was dusty, and quiet except for the occasional passing vehicle. Only the clear, burbling sound of a wren’s birdsong sporadically broke the boredom. A faded sign flapped lethargically against the gate. On it, a big black and white cow stood over the words “Bent Rail Farm”. The sign needed fresh paint, and one of its hinges was broken. Suddenly, the distant roar of an engine shattered the stillness of that Friday afternoon. Big tires speeding over gravel pelted small stones in all directions. The truck stopped in front of the red-brick farmhouse with the green door and shutters. It was the large milking truck that stopped by every Friday afternoon. I leisurely passed by fields of corn, wheat, barley, and strawberries. The fields stretched from the gradient hills to the snowy mountains. The blasting wind blew like a bellowing blizzard. A river cut through the hilly panorama. The river ubiquitously flowed from tranquil to tempestuous water. Raging river rapids rushed recklessly into rocks ricocheting and rebounding relentlessly through this rigorous river. Leaves danced with the wind as I looked around the valley. The sun was trapped by smoky, and soggy clouds.
It all started with just one road trip that changed my thought about how road trips could be a horrible experience. Over the summer my family and I were going on a road trip to Canada, but many things had happened to us. Before we head to Canada, we had to go to the airport to pick up some of my family members that came from India. So on a friday night, around twelve o’clock we went to the airport to pick them up. When we got there we meet each other and then left the airport. That’s when the road trip started.