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The Complex Character of King Richard II
Richard III according to Shakespeare
Analyse the character of King Richard II
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Richard III a Tyrant as King
Throughout history, this very title has been disputed and the outcome
has remained debatable to this very day.
Richard, Duke of York had remained loyal to his brother, Edward IV
throughout his years of reign, and had been well rewarded for his
support, he became the Duke of Gloucester. In marrying Anne Neville,
daughter of Earl of Warwick, he had inherited mass amounts of Neville
land in the north of England after both the Earl and Anne died. He was
respected within the northern parts of England and provided land for
his friends. He was an able man who showed signs of being an efficient
king amidst the preoccupations of the rebellions, sadly he went about
it the wrong way.
On the death of the king, Edward's eldest son, then only 12 years old,
was proclaimed king as Edward V. It was due to this, with the aid of
Henry Stafford, second duke of Buckingham, Richard seized custody of
the young king and was able to assume the protectorship.
Richard's rise to power has been cloaked with many secrets. One belief
Richard had was that Edward V, his nephew could be swayed by the
Woodville's to their advantage. As Edward V mother had been a
Woodville herself, Elizabeth Woodville, it could be argued that the
Woodville's had a right to influence the King. But Richard eventually
replaced Edward V and was crowned king in July 1483 after claiming the
illegitimacy of Edward IV's son's, but was this idea of his enough to
take the crown. Richard also counter-claimed that as the young Kings
uncle he should be the rightful protector of him.
Perhaps Richard was power hungry and when he saw a chance to take
seize t...
... middle of paper ...
...out a battle of conscience;
Richard refuses to accept he even has a conscience, another sign that
he is rooted in pure evil. Although he collapses mentally the night
before the battle at Bosworth, he finds that he is forced to confront
the reality of something he chose to ignore. It can be argued that
this lack of acceptance led to his downfall.
Richard did show on many occurrences that he was not a tyrant. He was
a normal man with a slight deformity of a humped back. His labour for
religion and to the financial state of England shows this fact.
However Richards route to power does point out a deeper, more
mysterious side to his character. An attribute of the tyrant King is
the seize of the thrown without proper reason or motive. But I do not
believe that Richard III of England was as history makes him out to
be.
Composers throughout various zeitgeists are linked by different representations of universal human concerns, and their texts simultaneously embody certain values and agendas individual to themselves. An exploration of Shakespeare’s King Richard III (1592) and Al Pacino’s Looking for Richard (1996) allows for a greater understanding of the composer’s respective contexts, along with their intended agendas, through the lens of their own societal values and concerns. The manipulation of Richard III’s persona, whether by authorial adaptation of historical sources related to his character, or through the differing views of Richards motives, are universal concepts, that when studied in relation to the differing time periods, accentuates the context and our understanding of recurrent aspects of the human experience.
To explore connections between texts is to heighten understanding of humanity’s progressing values and the underlying relevant themes that continue to engage societies regardless of context. William Shakespeare’s King Richard III (1592) (RIII) and Al Pacino’s docudrama Looking for Richard (1996) (LFR) demonstrate how opinion is created through comparative study, both explore the struggle for power within differing contexts to determine the duplicity of humanity. Ultimately, despite the divergent eras of composition and textual form, these connections expose the relevant social commentaries of their composers, highlighting innately human values, which remain constant.
The content and construction of texts are inexorably influenced by the plethora of social, cultural, and historical factors relative to a composer’s context. Context thus becomes the principle medium for deciphering the complex and often didactic meanings within texts. Through the comparative study of Shakespeare’s historical tragedy King Richard III and Al Pacino’s postmodern docudrama Looking For Richard, both texts explore the various connections explored through the protagonist Richard with respective societal influence affecting their portrayal. Shakespeare’s text strongly conveys a sense of providentialism which was influential by the Tudor monarchy whilst Al Pacino thorough the implement of modern day media portrays these influences to a secular, postmodern audience.
Henry VIII wanted a male to take the throne when he passed away. He paved the way for his son Edward. After Edward died in 1553 Elizabeth found herself once again in political intrigue. [Elizabeth’s older sister, M...
William was very powerful being the Duke of Normandy, and as soon as he was knighted at the a...
Through his earlier years he was upsesed with conquering France. He had spent a lot of England’s money on senseless battles that achieved nothing. He invested lots of money into a navy. He also messed with everybody in Europe including Spain and he was just a man that was hated and loved at the same time. After he died in January 1547 his son Edward took over and reigned. The whole irony is out of all the years he wanted a boy to be his heir, Elizabeth ended up ruling for 43 years.
The Tower of London arose as a result of the fight concerning who would succeed King Edward the Confessor as the next King of England. King Edward had initially promised William I, the Duke of Normandy, that he would have the throne upon King Edward's death. However, upon his deathbed, he was persuaded to relinquish the throne to his brother-in-law Harold, Earl of Wessex, who was English. This enraged Duke William, who led his army into England from France to obtain what he considered was his rightful throne. He easily defeated Earl Harold at the Battle of Hastings and was crowned King of England on Christmas Day. However, Duke William-who was now called King William the Conqueror-was in a country that was largely hostile toward him. In order to provide protection for himself, he built wooden forts across the country. Realizing that he needed a more permanent structure to show the English he was there to stay, and in case of a large attack, he decided to build a fortress to protect himself.
—. Biography of William Cavendish, 1st Duke of Newcastle upon Tyne (1593-1676). n.d. Web. 10 April 2014.
A hero is a man who is distinguished by exceptional courage, nobility. and strength to carry out tasks that involve great risks. A hero can also be a person who fights for other people to help or save them. from their fears and fears. He opposes the villain - a person who does wicked or intentionally harm others in some way, emotionally or otherwise.
Elizabeth the first took over after Edward the 6th. Elizabeth reasserted her fathers separation from Rome and her half brothers (Edward) demand for conformity. Many common people of the colony thought that she wouldn't be able to achieve what she was striving for. By doing what her dad
Shakespeare Richard III was a traitor, a murderer, a tyrant, and a hypocrite. The leading characteristics of his mind are scorn, sarcasm, and an overwhelming contempt. It appears that the contempt for his victims rather than active hatred or cruelty was the motive for murdering them. Upon meeting him he sounds the keynote to his whole character. " I, that am curtailed of this proportion, cheated of feature by dissembling nature, Deform'd, unfinish'd sent before my time Into this word scarce half made up"( 1.1.20-23)
According to many, Shakespeare intentionally portrays Richard III in ways that would have the world hail him as the ultimate Machiavel. This build up only serves to further the dramatic irony when Richard falls from his throne. The nature of Richard's character is key to discovering the commentary Shakespeare is delivering on the nature of tyrants. By setting up Richard to be seen as the ultimate Machiavel, only to have him utterly destroyed, Shakespeare makes a dramatic commentary on the frailty of tyranny and such men as would aspire to tyrannical rule.
...asty from the complete end to Lancaster and York, changing England to become a very ambitious and vigorous superpower.
"What tongue speaks my right drawn sword may prove" is the sentence which concludes a short speech delivered by Henry Bolingbroke to King Richard II (1.1.6). These words are but the first demonstration of the marked difference between the above-mentioned characters in The Tragedy of Richard II. The line presents a man intent on action, a foil to the title character, a man of words.
There was a gap in his life where no one had any evidence of him or his wife. Between 1585 and 1592. All people know, is that he left Stratford for London either in 1586 or 87.