King Henry stumbles onto the battlefield and hides behind a tree, just in time to grab a front row seat to the metaphorical birth of King Richard. This scene draws a comparison between the gentle King Henry and the monstrous, merciless ruler Richard is on his way to becoming. It was with a look of almost childlike wonder that Richard rallied behind his father, and with a look of absolute horror as he hid, much like Henry in this scene, and witnessed the murder of his brother. King Henry as witness to the fight between Richard and Clifford serves to highlight Richard’s development as a character as well as Henry’s ruin. The confrontation between Richard and Clifford takes place in broad daylight. The only shadow comes from the tree branches, as the light eerily moves across their faces. For now, there is not any non-diegetic background music, but we hear swords clashing as the others continue to battle. Richard appears to be no match for Clifford, as Clifford tosses his helmet aside and proudly declares …show more content…
We view Clifford from a high angle as Richard is now the one to tower over him. As Clifford encourages Richard to kill him, a faint alarm-like sound begins. As the words “have mercy” leave Clifford’s mouth, we view Richard from a disorienting low angle, emphasizing the power he now has over Clifford. Disorienting, almost dream-like, music begins and it takes only a couple of seconds for Richard to lower his sword. This is it. The exact moment it becomes clear that there is no going back for Richard. He cannot kill Clifford. Not because he is a coward or because he wants him to live, but because he wants him to die a slow and painful death. It is in this moment that Richard fully transforms into the ruthless killer he claims his deformity made him. Richard the Third has no mercy. He cocks his head, as an eerily satisfied smile appears on his face before he limps
...ive for Richard’s manipulation in different ways, reflecting the values of their respective zeitgeists, and Looking for Richard emphasizes that there is no fear of divine retribution in the modern context, but the impact of their immoral behavior on their individual identity.
The undeniable pursuit for power is Richard’s flaw as a Vice character. This aspect is demonstrated in Shakespeare’s play King Richard III through the actions Richard portrays in an attempt to take the throne, allowing the audience to perceive this as an abhorrent transgression against the divine order. The deformity of Richards arm and back also symbolically imply a sense of villainy through Shakespeare’s context. In one of Richard’s soliloquies, he states how ‘thus like the formal Vice Iniquity/ I moralize two meanings in one word’. Through the use of immoral jargons, Shakespeare emphasises Richard’s tenacity to attain a sense of power. However, Richard’s personal struggle with power causes him to become paranoid and demanding, as demonstrated through the use of modality ‘I wish’ in ‘I wish the bastards dead’. This act thus becomes heavily discordant to the accepted great chain of being and conveys Richard’s consumption by power.
give in to Richard that quickly, or at all. Also we know that the only
“I am determined to prove a villain / and hate the idle pleasures of these days. / Plots have I laid, inductions dangerous, / by drunken prophecies, libels and dreams.” Richard III, the evil Duke of Gloucester, is fighting a bloody road to the crown in Shakespeare's dramatic play. Stopped by nothing and with brilliant intelligence, Richard fights his way to the king’s position, clothing his villany with “old odd ends stolen out of holy writ.” With no one to fully trust, Richard breaks many hearts by killing all people in his way, and becomes the unstoppable villain. He hides behind a shield of kindness and care, but when he is alone, his real soul comes alive. Sending murderers, or killing people himself, he has no mercy. Manipulating Lady Anne to marry him and promising Buckingham rewards for his deeds, he knows what he is doing, and won’t stop until the crown lies at his feet.
...historical background set forth in the film, with the broad details of the attempted rebellion propelled by Queen Eleanor and led by Richard and Geoffrey are accurate, as is the attempt by Philip of France to undermine the Angevin Empire to regain the provinces acquired by Henry through his marriage to Eleanor. As depicted in the film, the indecision, faced by Henry II in attempting to determine which son to name as successor resulted from his desire to have the empire that he had created remain intact, rather than dividing the empire between his sons and this, in turn, led to the fracturing of both family and political cohesion, leaving the empire vulnerable to outside forces. Both Richard and John eventually ruled the empire, supported and influenced by their mother, Eleanor of Aquitaine, who was released from her Salisbury prison upon the death of King Henry II.
...f control of scenes and verbal encounters, which finally ends with his magnificent downfall. [implement more Margaret control/curses/competition in the beginning]. Despite Richard's best attempts to write his own ending, the audience is now forced with the truth that it was Margaret's prophecy that ripened to fruition. With Richard's final soliloquy taking blame for his actions and "the outward movement away from any semblance of Richard's control, completes the separation of Richard and audience" (Schellenberg 66). Through the course of Act V, Richard takes part in only two of the six scenes. Of these two scenes, he shares the stage with Richmond, the rising actor to take the lead role.
In this play of challenge and debate, could it be possibly suggested that King Richard had a part to play in the murder of his uncle the Duke of Gloucester? Could the reader possibly pick up this assumption having known nothing about the play? These are all factors that one must find by reading in between the lines, noticing and understanding the silence that is exchanged. For the silence is just as important as the speech.Why is it assumed that King Richard II has anything to do with the murder? Let us review a scene from the play were Gaunt accuses Richard of being accountable for Gloucester's death.
Richard had weakened since he had become king and was no longer ruthless as he had no reason to be ruthless. He had got what he wanted and was pleased with himself. He thought he was invincible, and he was too confident, which cost him his life. If he had been more careful, he would have been aware of the danger that lied before him. But, he did use some similar techniques in both the scenes.
Richard has a dream that reveals to him why Donald seems so mysterious. He sees a man a...
In this essay I will explore how significant act 3 scene 7 is to the
... bloody pathway to kingship. Filled with scorn against a society that rejects him and nature that curses him with a weakened body, Richard decides to take revenge and ultimately declares a war between himself and the world. By achieving goals for the mere sake of self-advancement, a self-made hero, an ambitious king, and an atrocious villain were created. Richard assumes that love forms a bond which men can break, but fear is supported by the dread of ever-present pain (Machiavelli ch. XXIV); thus, for true success the hero must be a villain too. Richard III becomes one of literature’s most recognized anti-heroes under the hands of Shakespeare as he has no objective or thought to take up any other profession than the art of hatred; however, ironically being a representative of a heroic ruler sent by God, he is made to commit murder to redeem society of their sins.
who stands in his way. Richard talks about a pretext for his villainy. by pointing out his physical deformity. “Why, I in this weak piping. time of peace and peace.
"therefore, since I can not prove a lover, To entertain these fair well spoken days, I am determined to be a villain".As a villain Richard must be heartless, he can not let his emotions interfere with his actions.
He breeds anger in Clarence and the populace, not of himself, but of Edward and the rightful heirs. "We are not safe, Clarence, we are not safe,"3 he exclaims as his brother is hauled away to the tower. He preys on the "hateful luxury And bestial appetite"4 of the citizenry, catapulting himself to the thrown over a heap of bodies: deaths that hang on his head. But, it is Richard's attitude that his end goal of the crown justifies the murderous means that so closely links ...
Henry IV is a play that concerns itself with political power and kingship in English history. References to kingship are prevalent throughout the play, especially in the depiction of the characters. Although most of the characters in this play could teach us about kingship, I would like to focus my attention to Prince Henry. I think that this character helps us to best understand what kingship meant at this particular time in history.