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Horror movie analysis
Horror movies analysis
Horror movie analysis
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Prompt Warrant 1 Horror films act as an emotional release that feeds the dark, aggressive elements infested whinin Mankind. In his essay, King creates a hypothetical situation when stating, “When we pay our four or five bucks and seat ourselves at tenth-row center in a theater showing a horror movie, we are daring the nightmare. Why? Some of the reasons are simple and obvious. To show that we can, that we are not afraid, that we can ride this rollercoaster.” In his hypothetical situation, King not only compares Roller coasters to horror films, but explain the true reason as to why we choose to perform these bone-shaking actions. To prove that we have courage. To show that “we are not afraid.” But throughout the essay, King inferred that after …show more content…
we ride these spine-tingling rides or watch those scary horror films, it evokes the inhumane emotions buried deep within us. King makes the claim that the older we get, the less these uncivilized emotions run through our body and into our brain. King first appeals to all ages when he describes “the way we may scream when the roller coaster twist through a complete 360 are plows through a lake at the bottom of a drop. And horror movies, like rollercoasters, has always been the special province of the young; by the time One turns 40 or 50, one's appetite for double twists or 360 Degrees loops becomes depleted.” Starting at a young age, these aggressive emotions demand to be heard. But, King claims that the older we get, better we are in gaining a sense of controlling our emotions. King creates imagery when talking about the”plows” and “drops” of roller coaster and utilizes logos to describe the 360 degree turns in the rollercoaster to the 360 degree turns in our emotions. Warrant 2 Fear is an outlet for the harsh emotions and actions we perform. King theorized why horror films accurately portray our inner thoughts when “we go to reestablish our feeling of essential normality, the horror movie is innately conservative, even reactionary period Freda Jackson as the horrible melting woman... conforms for us that no matter how far we may be removed from the beauty of a Robert Redford or Diana Ross, we are still at light-years from True ugliness. And we go have fun. But this is where the ground starts to slip away?” King gives extreme examples of classic horror films to reestablish our feelings of normalcy. King uses a wide range of relatable actors and actresses like “Diana Ross” and “Freda Jackson” to show that no matter how far away we are from true beauty like “Diana Ross” we are still “light-years from True ugliness.” To further enchant his rhetorical claim, King asks a rhetorical question to transition from relatable horror films, to the actions and behavior we have based off of horror films. King ties “Our emotions and our fears together forming their own body, and we recognize that it demands its own exercise to maintain proper muscle tone.” King personifies our fear into something that needs attention, care, and maintenance. Something that we cannot ignore until it rots and fester inside of us. King implies that it is human nature to feed these aggressive emotions through our fear and anger. When personifying the spirit of human nature and it characteristics, King creates a fearful tone within this sentence when giving emotions like fear and aggression human-like characteristics. Warrant 3 Insanity will forever remain in the instincts of mankind because of the unreleased emotions of anger and fear.
King controls the black and white picture he created and now only looks at one side of the story as he examines the basic reason as to why we crave horror films. In his first observation, King believes that “If we share a Brotherhood of Man, then we also share an insanity with man.” Instead of presenting his ideas in a simple unrealistic tone, King depicts a picture of violence that is fostered deep within all of us. King suggests that violence, anger and aggression are all emotions we have experienced. The only things that set us apart from animals is the way we act upon these emotions. King conveys the impression that all men and women stand in the same insanity infested in our spirit and mind. King admits that even he experiences these powerful emotions when he states, “For myself, I'd like to see the most aggressive of them... As lifting a truck door and a civilized forebrain and throwing a basket of raw meat to the hungry alligators... It was like Lennon and McCartney who said that all you need is love... As long as you keep the Gators fed.” King observes both the good and evil sides of the human Spirit when stating that ‘all You Need Is love... As long as you keep the Gators fed.’ It's almost as if King places the human spirit in the same category as a wild animal. Animals are contained in a zoo. Their violent behavior is suppressed because they have no reason to feed on prey. Like our spirit, we have no reason to act violently when good behavior is rewarded. King believes that as long as we keep good behavior, it suppresses our inhumane instinct to do wrong or show aggression. We classify anger and aggression as being far from the definition of normalcy. Society will find whatever it can to rule against these
emotions.
2. According to Sobchack, contemporary screen violence greatly differs than portrayals of violence in years past. Today, violent scenes are careless and lack significance because we as audiences have become calloused and desensitized to any acts of violence. She states that there is “no grace or benediction attached to violence. Indeed, its very intensity seems diminished” (Sobchack 432). Senseless violence, gruesome acts, and profound amounts of gore are prevalent in movies today, and because even this is not enough, it must be accompanied by loud blasts and noise, constantly moving scenes to keep audiences stimulated and large quantities of violence for viewers to enjoy what they are watching. Decades ago, it was the story that was engaging to audiences and filmmaking was an art.
The article Why We Crave Horror Movies by Stephen King distinguishes why we truly do crave horror movies. Stephen King goes into depth on the many reasons on why we, as humans, find horror movies intriguing and how we all have some sort of insanity within us. He does this by using different rhetorical techniques and appealing to the audience through ways such as experience, emotion and logic. Apart from that he also relates a numerous amount of aspects on why we crave horror movies to our lives. Throughout this essay I will be evaluating the authors arguments and points on why society finds horror movies so desirable and captivating.
In his essay, “Why We Crave Horror Movies” King attempts to bring understanding to the phenomenon of the horror film genre. He states “sanity becomes a matter of degree” eluding to the theory that sanity is relative and that all humans are relatively insane. Jack the Ripper and the Cleveland Torso Murderer were the examples of humans on one extreme of the spectrum of sanity; saints represent the other safe end of the sanity spectrum. He illustrates the thought that in order for human kind to stay functionally sane there needs to be some sort of outlet for our violent “mad” thoughts. In King’s view horror movies provide a stable outlet and mental relief for innate madness. King argues that his insanity/ant civilization emotions are ingrained
King chooses to compare the minds of a child and an adult to see the different resilience levels when exposed to the horror genre. He describes his findings as a paradox, “Children, who are physically quite weak, lift the weight of unbelief with ease” (PP 118). King assumes because the mind of an adult is mature it can handle the horrific depictions within the horror variety yet children seem too be able to withstand the pressure. King backed his theory by analyzing Walt Disney’s movies and their impact on a child’s imagination. Walt Disney’s movie Bambi is what Stephen King pinpointed when comparing the toll of horrific events in children and adult minds. King questioned adults about what was most terrifying about a movie when they were younger and they stated, “Bambi’s father shot by the hunter, or Bambi and his mother running before the forest fire” (PP 119). Another aspect King unveiled was the Doppler Effect and that, “A part of ‘growing up’ is the fact that everything has a scare potential for the child under eight” (PP 119). The cognitive imagination does not stop developing it just suppresses certain mental functions to draw a line between what is real and what is not. Horror novelist mask the tension with comedy yet with one swift motion it, “Knocks the adult props out from under us and tumbles us back down the slide into childhood” (PP
Insanity: “doing the same thing over and over again and expecting different results” a quote by Albert Einstein that helps sum up humanity’s love for horror movies. People go see horror movies all the time, each time the graphics are clearer and more intense than the last. Are people expecting them to change? If not then why would anyone in their right mind, make a conscious decision to go see the next horror movie knowing what they know, understanding that someone will get stabbed, beaten, shot, or killed? Its simple humans crave them, we enjoy horror but why? In this essay Stephen Kings thesis “I think we’re all mentally ill; those of us outside the asylums only hide it a little bit better” (405). In that statement he provides a twisted example of “Why we crave Horror Movies” claiming it’s mainly because of our mental state. King explains there are many reasons for going to see them, he says we go to have fun, we go to dare the nightmare and we go to re-establish our since of normalcy. All of which I find are strong arguments were he states his case. With his use of urbane humor, he says “the potential lyncher is in almost all of us”(406). King uses practical wisdom to lead his audience to believe that without horror films, humans are all ticking time bombs set to explode from buildup of pathos, just waiting to become another “funny farm crazy” or “Jack the ripper” to some degree or another.
horror movies, King argues that “we are all mentally ill” (345). He expresses that we all
I have provided a clear evaluation of his essay in an organized way using the appropriate standards of evaluation. In understanding why humans “Crave Horror Movies” even when some people get nightmares after watching them we find the importance of our emotions and fears. We find those emotions and fears form a body of their own which needs to be maintained properly in order to remain healthy. We see how emotions can be controlled though viewing horror movies. Stephen King’s “Why We Crave Horror Movies” is a well written essay with convincing analogies, comparisons, and urban humor.
This essay will explore how horror films reflect the fears of both individuals and societies focusing on the film Cloverfield (Cloverfield, 2008). Films can often serve as an astute reflection of reality in a varying number of ways depending on the genre. The horror film can often serve as an analogy for the horrors of the real world. In the case of Cloverfield Director Matt Reeves creates a solid allegory of the September 11th terror attacks on New York City. “The horror film can bring us uncomfortably close to the worst that could ever happen—to a character or to ourselves” (Kawin, 2012).
King used an appeal to pathos, in order to persuade his viewers to aid in the quest for equality. By using the power of human emotion, King established the connection needed to ...
I would also like to address the levels of appeal that Moyer points out in the film. Within each kind of scene, violent acts are often accompanied by sex or humor. Not only can this be used to bring a higher level of acceptance to the viewer, but it also brings a level of gratification or appeal to the scene.
King owes his success to his ability to take what he says are “real fears” (The Stephen King Story, 47) and turn them into a horror story. When he says “real fears” they are things we have all thought of such as a monster under the bed or even a child kidnapping and he is making them a reality in his story. King looks at “horror fiction...as a metaphor” (46) for everything that goes wrong in our lives. His mind and writing seems to dwell in the depths of the American people’s fears and nightmares and this is what causes his writing to reach so many people and cause the terror he writes about to be instilled in his reader.
People are addicted to the synthetic feeling of being terrified. Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned.
Stephen King, in “Why We Crave Horror Movies”, sets forth the idea of an inborn, subconscious evil that resides in all humans. He attempts to offer an explanation towards humans’ relentless craving for movies that ultimately expose the worst aspects of society. Through his use of meticulously chosen language and humorous tone, King attempts to relate and connect with readers.
We all have cravings, be it for snacks or sweets, there is always something we desire. We crave horror in the same way. In Stephen King’s essay, “Why We Crave Horror Movies,” he argues that people need to watch horror films in order to release the negative emotions within us. King believes that people feel enjoyment while watching others be terrorized or killed in horror movies. King’s argument has elements that are both agreeable and disagreeable. On one hand he is acceptable when claiming we like the thrill and excitement that comes from watching horror movies; however, his views regarding that the fun comes from seeing others suffer cannot be agreed with because the human condition is not as immoral as he claims it to be.
Stephen King , also known as the father of horror , has created stories the tormented us as children and continued to scare us into adulthood. Though, the faint of heart may not be able to stomach King’s writing , some of us not only enjoy it , we crave it . As King challenges the sanity of mankind in his essay “Why We Crave Horror” , he explores just why we enjoy such morbid images. Could it be a gory get away or dive into the complex world of mental illness ? In agreeance with King , I will attempt to understand the possible mental insanity that may go hand in hand with humans love for horror movies.