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The influence of architecture
The influence of architecture
Influences of architecture
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Rhetorical Analysis In the article Biomimetic Approaches to Architectural Design for Increased Sustainability, the topic of innovation regarding the field of architecture is discussed thoroughly. From this text, I gathered numerous perspectives on the matter of biomimicry, defined as the design and production of materials, structures, and systems that are modeled on biological entities and processes. Author Zari makes a convincing argument that biomimicry is an extremely effective and innovative step for architectural design, but its potential has gone unrecognized since it is not a heavily studied topic. The introduction opens with an excerpt from McDonough and Braungart that ponders, “Why can’t I design a building like a tree?” As a …show more content…
He further describes this issue in the aspect of limited employment opportunities due to the complicated methodology behind it. The author also breaks down the existing methodology approaches into subcategories that are much easier for his audience to understand. It’s a solid tactic to connect with the audience if a difficult subject is simplified so that less effort is required to comprehend it. Zari clarifies that researchers are not only using biomimicry as an enhancement method, but as a basis of creation as well. Buildings are being alternated to accommodate the environment’s needs, but there’s also a growing interest in compiling modern technology with rudimentary biological structures and behaviors to create a totally new brand of architectural …show more content…
He concludes that recently discovered technologies have surfaced because communication between architects, biologists, and ecologists has increased. Zari forms a very logical understanding that scientific knowledge controls design. Without the comprehension of nature’s behavioral patterns and common structural systems, we would lack the ability to create anything that compliments biology and the environment we inhabit. Zari states that nature has more of an influence on humanity because even though we are occupying the natural space and building civilizations on it, we are doing so with the aware conscience that we are inferior to environmental deterioration and natural
The first element of the rhetorical structure and possibly the strongest in this documentary is pathos. Pathos refers to the emotion exhibited throughout the documentary. Food, Inc. is filled with an array of colors, sounds, stories, and images that all appeal to emotion. Miserable images of cows being slaughtered with dark music in the background, pictures of industrial factories with no sun and unhappy workers, and even a depressing and eye-opening home video of a young boy who was killed by the disease as a result of bad food were all portrayed throughout Food, Inc. Barbara Kowalcyk, mother of the late Kevin, is an advocate for establishing food standards with companies throughout the nation. When asked about her sons death, she replied, “To watch this beautiful child go from being perfectly healthy to dead in 12 days-- it was just unbelievable that this could happen from eating food.” (Food, Inc.) Obviously very devastated and still heartbroken over her loss, Kowalcyk fought
Bill McKibben's "The Environmental Issue from Hell" argues that climate change is a real and dire concern for humanity. His essay deals with the methods and persuasive arguments needed to spur American citizens and the government on to change to more eco-friendly choices. The arguments he proposes are based largely upon emotional appeals calling for empathy and shame, and examples of what in our daily lives is adding to the changes we're seeing in the climate.
Manipulation of language can be a weapon of mind control and abuse of power. The story Animal Farm by George Orwell is all about manipulation, and the major way manipulation is used in this novel is by the use of words. The character in this book named Squealer employs ethos, pathos, and logos in order to manipulate the other animals and maintain control.
Another element that is crucial to understand the photo of the Cabañas family is focal point. The amount of food that is presented for one week might not look like it’s enough to feed eight individuals, five of them being grown adults, for that period of time. Some of the other pictures presented throughout the “Hungry Planet”, has just as much if not more food than the Cabañas family, but is only having to feed 4-5 people. This does not mean that their family is doing something wrong, but it is evident that the economy and opportunity throughout the world is diverse one from another, and that each family is only striving to simply support their family in each unique way they find fit. D’aluisio says, “Inside the Cabañas’ home, although a giant
Richard Neutra preferring his own term of concept “biorealism,” there was further distanced his mature work with his previous mentor, Frank Lloyd Wright. “Biorealism” is combination of “bios” and “realism”. “Bios” or life means biology and psychology, where “realism” means basic realities of existence. Neutra was enlisting biology and psychology into the art of architecture to exploited his design and fully understand the reality of the sense and nature where there was the basic requirement of human well- being. Neutra was concerned at all with ‘organic architecture’ or ‘human scale’, it was primarily in relation to human physiology, which for him was the central issue. In Survival through Design, Neutra explains: ‘Organically oriented design
From the early Greek temples of yesteryear, to the high-tech autonomous buildings of tomorrow, the question of whether the function of a building or its aesthetics qualities are more important has plagued the minds of architects around the world. Webster's II New College Dictionary (Please do not use the encyclopedia or the dictionary to open your essay--way too high school.) defines aesthetics as "The branch of philosophy that provides a theory of the beautiful and of the fine arts" (18). The definition of Functionalism is defined by Webster's as "The doctrine that the function of an object should determine its design and materials" (453). Now, if the function of an object decides the type of design and materials used how does one integrate aesthetics into design, and moreover, how important are aesthetics to an architect? Frank Lloyd Wright was one of the greatest and most renowned architects of the 19th and 20th centuries, and while his buildings where lauded for displaying great artistic design, the issue of function was compromised by the blatant fact that his roofs leaked. This is because he let the aesthetics of his buildings become the focus of the structure, and neglected to adequately address the function of the building allowing for this problem to take root in his designs (Palermo, 4 Mar. 1999). As is apparent from Frank Lloyd Wright, there is a certain balance that has to be attained between aesthetics and functionalism in order for a structure to be appreciated as a successful building.
Plant geneticist Pamela Ronald in her TED talk, “The Case of Engineering Food” argues that she acknowledges a food system that admits both organic and genetically engineered food. In order to compel viewers, she describes examples with images of organic plants and vegetables in her TED talk presentation. Her intended audience is the public and she claims to provide examples of plant genetic applications that are in the public domain and not controlled by large seed companies. She uses rhetorical analysis and evaluation of an argument throughout her talk for the purpose of persuading listeners about the genetic methods used in food that are safe for humans and the environment. For example, her talk is very convincing, argumentative,
Yan, J. & Plainiotis, S. (2006): Design for Sustainability. Beijing, China: Architecture and Building Press.
Simon Unwin, the author of the book ‘Analysing Architecture’ says that the ‘the purpose of architecture is to design buildings’ is an unsatisfactory definition because the definition limits architecture to just the design of buildings. He feels that architecture involves more than just designing buildings. He also believes that the definition fails to explain the real purpose of architecture and transfers the problem of comprehending the word ‘architecture’ to the word ‘building’. This definition doesn’t go in-depth to analyze and understand the essence of architecture in our everyday lives. It fails to relate human life and needs to the buildings built.
With the interaction between the development of computational approaches in architecture and the contemporary forms of spatial design intelligence, some new architectural design theories emerged to make differences between architects and control designing processes. These theories are almost employed in all designing realms, from architecture to urban design to provide fields of ideas and solutions that privilege by complexity. Most of these theories are oriented to relay on understanding and using computational methods to generate exotic and complex geometries. In this respect, three of these theories will discussed and tested against three buildings. The theories are: parametric design, genetic architecture and emergence, which characterize some of the contemporary architectural design approaches.
Architecture has long been seen as a work of art. “The art of designing and constructing buildings has generated countless inspiring and commanding structures across the globe.” Among these include St. Paul’s Cathedral in London, The White House, and the Leaning Tower of Pisa. Each of these structures is unique to its location, its surroundings, and its creator. “Architecture conceptualizes space and ensures that a structure is both habitable and in harmony with the surrounding environment” Therefor, it is important that each architect gets the credit they deserve for crafting each piece. Each and every building, home, monument, and establishment has a certain place within our world and contributes to our cultures and lives more than we realize. “Architecture makes a key contribution to human heritage. It identifies culture, space and time and creates the environment in which we spend a good part of our lives.” (Ortega) Because it has such great influence, it should not be overlooked as just the making o...
This Sustainable Architecture began long ago with scientists brainstorming and designing a new design for an eco-home that’s liable on decreasing massive numbers of en...
... architectures would led to a more organic organization beneficial to the people that choose to make their lives in this city. Although this model of a sustainable city is not a perfectly closed loop, it lays the foundation for one that is. Over time, with constantly evolving and improving technology and new methods of design from the scale of products to buildings, the gaps in the loop could be closed, and a “true” sustainable city could be fully realized.
Nature in architecture is critical. Laugier made this clear in the 1700s with his basic, but insightful, claims in “An Essay on Architecture.” Modern architects have taken his beliefs further than he probably ever imagined with technology and the cutting-edge idea of biomimicry. After studying natures’ artistic design, architectural stature, and overall success rate on this earth, I believe that the incorporation of nature is vital to architectural design.
Constantly judged and evolving, the practice of architecture is forever plagued by the future. The future of people, of culture, technology and its resulting implications on the built environment that more often than not, outlives their creators. Much of the conversation surrounding this future architecture currently hinges itself on the creation of new experiences, forms and spatial relationships brought about by technological innovation.