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Femme fatale in film noir
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Chicago Review Rob Marshall’s Chicago is an adaptation of Maurine Watkins 1926 musical of the same name. The story took place in the roaring 20’s based on the concept of femme fatale and commercialized criminals. The plot of the movie revolves around ambition and the fickle nature of fame, and breaks the boundaries of stereotypical musicals in its unique theatricality and stagecraft. The success in the cinematic, theatrical, and editing elements aid in the creation of wonderful movie that is Chicago. To analyze a film requires the understanding of the setting, characters, and plot. The setting of the movie is in Chicago, hence the name of the film, during the 1920’s era where flappers and burlesque were becoming increasingly popular. The story revolves around the ambitious, yet lovable Roxie Hart. A married woman with a husband by the name of Amos. Amos lead a quiet life compared to Roxie who only cared about her career. Whatever it took, Roxie would use her body or even kill if it would move her up the ladder of fame. Her unearthly desire for notoriety landed her in jail for the murder of a man who was supposed to help her put a foot in the door of show business. In jail, she meets the infamous Velma Kelly. A performer of a double act with her sister in a club which would sell out every night. Velma killed both her sister and her husband after she caught them sleeping together and was awaiting her trial for the murder. Her attorney was the hotshot Billy Flynn, a man who could talk himself out of anything. Roxie employs Billy for her trial, and along the way earns her 15 seconds of fame from a made-up story of her crime. In the end, Roxie desperately tries to hold on to her short-lived fame of her criminal career and attempt... ... middle of paper ... ...rs of action into just a few seconds. For example, the action in the Cell Block Tango scene illustrates the prisoners’ backstory while switching back and forth between a scene of each of them telling Roxie the reasons they are in jail and the dance number which actually displays the reality of them doing the crime. The rapidly paced cutaways to the extravagant and dramatic burlesque performances entices the audience and demands attention. This movie held my full attention from beginning to end. The actors and actresses do an amazing job of portraying the story that is Chicago. The film gives off the right tone and right feeling of joy to the audience after watching. There were stunning visuals, outstanding acting, and a great story, additionally the superb choreography of the dancers. Chicago is a truly great film and has earned it’s right as a musical classic.
Sidewalk is a documentary based on the extraordinary book written by Mitchell Duneier in 1999. In this film, we were able to see life through the eyes of book vendors and street peddlers on the streets of New York. We were taken to the congested urban areas where street vendors occupy almost every free area, trying to earn a living. By analyzing the backgrounds of certain vendors, we are able to see how and why they got to this point in their lives. Throughout the film, the audience starts to understand the hardships and real life problems these vendors face.
The story begins in “Catfish Row” a small coastal town based on the real town of Cabbage Row in Charleston, South Carolina during the 1920’s. The main protagonist of the story and leading man is Porgy, a disabled beggar man who is known for riding his goat cart around Charleston. Bess is the leading lady of the opera and is in an unhealthy relationship with Crown, a powerful, violent, alcoholic, short-tempered stevedore (dockworker). Act I starts with a lullaby being sang to a small baby by a young mother named Clara, as she sings the men of Catfish Row prepare for a crap game, prior to the game, Crown purchases whisky and Cocaine from the Sportin’ Life, the local drug dealer of the town, during the crap game, Crown who is very drunk kills a local man named Robbins, Crown flees Catfish Row and leaves Bess to fend for herself. Sportin’ Life who is attracted to Bess, he gives her cocaine and asks her to join him in New York, Bess refuses and is now alone, she has no where to go, she is rejected by all of the Catfish Row resident, all except for Porgy who takes her in. A funeral takes place for Robbins, Serena, Robbins’ wife acts very coldly towards Bess when she offers her donation to help pay for Robbins’s funeral cost until Bess explains that she is no longer with Crown, and now lives with Porgy. Soon after, a detective enters and tells Serena that if...
While there are many different ways to classify a Neo-noir film, Roman Polanski’s, Chinatown captures many. The 1974 movie consists of many of these elements, including both thematic and stylistic devices. One of the main themes of neo-noir film that is constant throughout the film is the deceptive plot that questions the viewers’ ideas and perceptions of what is actually happening in the film. Every scene of Chinatown leads to a twist or another turn that challenges the practicability of the film’s reality. All of the never-ending surprises and revelations lead up to the significant themes the movie is trying to convey in the conclusion of the film.
The first thing about this film that caught my eye from a sociological perspective is that the society in the film is not depicted as a “perfect society” as most films do, instead it shows the real conflicts that society had back then with certain subjects. The film shows us the prejudices, and misconceptions that people had about things like sex, and homosexuality at the time.
The Narrative or storyline is much the same as any other film noir movie. It has a ‘hard boiled’ cop (Russell Crowe) who we grow attached to. The narrative of any film must have certain ‘key conventions’ which are apparent for the audience to tell the genre of the film. The narrative can be used to provide an explanation as to why the film contains certain things, or why a character does something.
This movie was a tale of an immigrant seeking money and power who untimely set up his own demise. The producers did a good job at pointing out certain features that let you into the life of an organized crime leader. He tells of his humble beginnings and shows you in details how he rose to the top. The producer had a point to make and I took that point as being you can never get and stay someone good while being bad. The sound effects and graphics also makes this movie. They show just enough to intrigue you but yet not to completely make you sick to your stomach. The music is very telling and
... my sister and I returned to New York. Once again we made the trek to the Nederlander. We took our seats and relished the memories. While the cast was different, the affect was similar. It opened our eyes and renewed our appreciation for those that are different than us. I feel in love with it all over again. Even though I had seen the show in Indianapolis and Chicago, there was something about sitting in that theater that made it special.
"Mrs. Robinson, you are trying to seduce me," says Benjamin Braddock (Dustin Hoffman). The Graduate, directed by Mike Nichols in 1967 is an influential satire/comedy film about a recent East Coast college graduated who finds himself alienated and aimless in the changing, social and sexual general public of the 1960s, and questioning the values of society. The theme of the film is of an innocent and confused youth who is exploited, mis-directed, seduced (literally and figuratively) and betrayed by a corrupt, self-indulgent, and discredited older generation (that finds stability in “plastics”) that I found to be quite clear and understanding, while also capturing the real spirit of the times and allows America's youth to perceive onscreen an image of themselves which they can both identify with and emulate. The Graduate is a significant film even today due to its use of abstract camera angles, telephoto lenses, excellent cinematography, and great acting. Few visual effects were used, however, matting and numerous point of view shots were used. These characteristics and the fabulous use of mis-en-scene, great writing and the era of the film all made The Graduate what it is today, magnificent.
The film stays in line with classic noir in many ways. The usage of dark sets and high contrast lighting, which creates heavy shadows on the actors faces, makes the movie feel like it all happens at night and in dark alley ways. The story focuses on the inhumane parts of human nature. Each of the main characters experiences some kind of tragedy. For Vargas his tragedy was in dealing with Quinlin who has set out to frame him and his wife. For Quinlin his entire life represented a man consumed with darkness who lives his life with a “Touch of Evil.” Menzies was a hopeful man who looked up to Quinlin but was let down. For the viewer, film noir represents truth, even if it is not a truth that all people would like to hear.
The Classical Hollywood style, according to David Bordwell remains “bound by rules that set stringent limits on individual innovation; that telling a story is the basic formal concern.” Every element of the film works in the service of the narrative, which should be ideally comprehensible and unambiguous to the audience. The typical Hollywood film revolves around a protagonist, whose struggle to achieve a specific goal or resolve a conflict becomes the foundation for the story. André Bazin, in his “On the politique des auteurs,” argues that this particular system of filmmaking, despite all its limitations and constrictions, represented a productive force creating commercial art. From the Hollywood film derived transnational and transcultural works of art that evoked spectatorial identification with its characters and emotional investment into its narrative. The Philadelphia Story, directed by George Cukor in 1940, is one of the many works of mass-produced art evolving out of the studio system. The film revolves around Tracy Lord who, on the eve of her second wedding, must confront the return of her ex-husband, two newspaper reporters entering into her home, and her own hubris. The opening sequence of The Philadelphia Story represents a microcosm of the dynamic between the two protagonists Tracy Lord and C.K. Dexter Haven, played by Katherine Hepburn and Cary Grant. Through the use of costume and music, the opening sequence operates as a means to aesthetically reveal narrative themes and character traits, while simultaneously setting up the disturbance that must be resolved.
The controversy over abortion has been going on for years. This movie portrays how the debate has changed over the decades in a befitting manner. It is about three different women who come upon having to make the choice of terminating their pregnancies. The setting takes place in the same house during the course of 40 years where a different women deals with the option of aborting her fetus. This movie shows the various reasons woman want to get abortions, each being a valid reason in a liberal point of view.
...y conveyed a story based on the musical components. Through, pitch, duration, tempo, timbre, dynamics, tecture, rests, structure and mood at different parts, Harlem Shake conveyed a desensitized depiction of gang warfare in the rough Harlem district of New York during the 1920s. Perhaps the lack of emotion tries to convey a darker message. Indeed, an emotion that accepts tragedy and evil as reality because it has always been present. Yet, instead of ignoring the evil, acknowledging it and finding the positive out of it may help deal with the issue: Dancing.
One major theme of the movie is thing aren’t always as they appear . The major character Briony in many instances misinterprets what she has witnessed and these misunderstanding ruin the life of the people she cares the most about. The first misunderstanding took place in her back yard where she finds her elder her sister played by Kiera Knightley undressing and jumping into a fountain .in front of her garden taker Robbie played by James McAvoy. Briony’s wild imagination allows her to believe Robbie and Cecilia were having a lover’s quarrel. When actually, Robby just broke the most expensive piece of china they owed and Cecilia jumped in to the fountain to retrieve the broken piece. This is exacerbated when Briony later intercepts an erotic letter written by Robbie, intended for Cecilia’s eyes only. This letter and the fact that she caught Robby and her sister having sexual relations in the library, makes Robbie appear to be “sex maniac”. So later on when her cousin Lola Quincy was raped she automatically assumes it to be the sex crazed gardener.
Film Review of Dead Poets Society Dead Poets Society explores the conflict between realism and romanticism as these contrasting ideals are presented to the students at an all boys preparatory school. Welton Academy is founded on tradition and excellence and is bent on providing strict structured lessons prescribed by the realist, anti-youth administration. John Keating is a new English teacher with a passion for poetry. When he returns to his own strict childhood school to teach, his unconventional methods quickly prove to be inspirational to a group of students. He inspires them to pursue their desires and live life to the fullest.