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Revelation and Rebirth in Helena Viramonte's The Moths
The famous phrase "looks may be deceiving" strongly pertains to Helena Viramontes's short story, "The Moths." The story, instead of focusing the creatures in the title, is actually about a young girl who comes of age as she is faced with the deterioration and death of her grandmother. Even though the title, "The Moths," seems to have no relevance at the beginning, these creatures help to portray a sense of spirituality, rebirth, and become, finally, an incarnation of the grandmother. The relationship between the moths and the main characters aids in conveying the main theme of the story, which is not simply the death of a loved one, but a spiritual and maturing experience undergone by the grandchild.
The moths help illustrate a sense of spirituality in this short story. Abuelita, the grandmother, uses old remedies which stem from a religious/spiritual nature to cure physical illnesses such as scarlet fever and other infirmities. Her granddaughter is very disrespectful and doubtful of the medicines which her grandmother used, but they always work. The granddaughter tells us that "Abuelita made a balm out of dried moth wings . . . [to] shape my hands back to size" (Viramontes 1239). In this way the granddaughter begins to accept the spiritual belief and hope.
The spirituality is not only present in the moth wing balm, but is also evident after the death of her grandmother. A sense of spirituality is apparent in the quote, "Then the moths came. Small gray ones that came from her soul and out through her mouth fluttering to light" (1242). This presents a religious parallel in which the light resembles heaven. These moths represent angels who are carrying Abuelit...
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...esses the grandchild?s comfort when she is at her grandmother?s house (1239). Abuelita is her grandchild?s guardian angel or moth?she shows her the light. She cures her illnesses, instills values in her, and brings religion into her life. She is the reason that the grandchild undergoes such spiritual and emotional maturation.
It is clearly apparent that "The Moths" is not only the title, but also an important piece of the story which embodies its central theme. The moths become the catalyst that gives identity to the grandmother and her granddaughter, bringing revelation, security, rebirth, and the desire to be reunited. The grandmother, in becoming a moth herself, leaves some of herself behind with her grandchild.
Works Cited
Viramontes, Helena. "The Moths." The Harper Anthology of Fiction. Ed. Sylvan Barnet. New York: HarperCollins, 1991. 1239- 1242.
In the Time of the Butterflies is a historical fiction novel by Julia Alvarez based on events that occurred during the rule of Trujillo in the Dominican Republic. This book shows the hardships the Mirabal Sisters had to go through while being part of an underground effort to overthrow the dictatorship of Trujillo. It also shows that ultimately, it was their courage that brought upon their own death. Alvarez wants us to understand anyone and everyone has the potential to be courageous.
“The secret of happiness is freedom, and the secret of freedom is courage.” In America, Americans are blessed to have the right to freedom. Unlike other unfortunate countries, their freedom is limited. In many Latin American countries, the government’s leader has all power of the Country. Citizens have no rights to freedom, they are trapped in a cruel country where innocent people are killed each day. Civilians fear to speak out to the regime of leader; However, there were a few courageous citizens enough to speak out against the government. For example, “The Censors” by Luisa Valenzuela and the historical fictionalized account, “In The Time Of The Butterflies” by Julia Alvarez reveal individual 's role in overcoming oppression.
In the Time of the Butterflies, by Julia Alvarez, takes place in the Dominican Republic during Trujillo’s control of the country. Dedé and Minerva are two extremely different Mirabal sisters, shown by how they respond to Trujillo taking over their country. Dedé and Minerva are only two of the sisters. There are four in total: Minerva, Dedé, Patria and María Teresa. The four sisters take turns throughout In the Time of the Butterflies telling their stories from the 1940s while living in the Dominican Republic. Manipulating her point of view and attitude, Julia Alvarez uses an impassioned style of writing to portray Minerva’s strong leadership and an explicit style of writing to portray Dedé’s willingness to compromise.
Alvarez, Julia. In The Time of the Butterflies. New York, NY: Penguin, 1994. Print Hardback. 31 Oct 2013 - 8 Dec 2013.
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
Taylor, Edward. “Upon a Wasp Chilled With Cold.” The Norton Anthology of American Literature. Ed. Nina Baym. 8th ed. Vol. A. New York: W.W. Norton & Company, 2012. 304-305. Print.
She describes the September morning as “mild, benignant, yet with a keener breath than the summer months.” She then goes on to describe the field outside her window, using word choice that is quite the opposite of words that would be used to describe a depressing story. She depicts the exact opposite of death, and creates a feeling of joy, happiness, and life to the world outside her room. After this, she goes into great detail about the “festivities” of the rooks among the treetops, and how they “soared round the treetops until it looked as if a vast net with thousands of black knots in it had been cast up into the air”. There is so much going on around her that “it was difficult to keep the eyes strictly turned upon the book.” Descriptions like these are no way to describe a seemingly depressing story about a moth, but by using these, joyful descriptions, Woolf connects everything happening outside to a single strand of energy. These images set a lively tone for the world around her, and now allow her to further introduce the moth into the story.
Image a family. Now imagine the parents divorcing and never see the father again. Then imagine the mother dying and leaving three kids behind. All of which get taken in by someone. The two year old is given to a family, with a loving mother and caring father. Edgar Alan Poe did not have to imagine this, this was his childhood. Poe’s difficult youth was a heavy contributor to his perspective that pain is beautiful. Poe illustrates many things in “The Raven”, one of his most well-known pieces. “The Raven” is about a depressed man who lost his lover Lenore. The speaker states “’Tis the wind and nothing more!” (Line 36) in his delusional state to help himself cope with his loss. In “The Raven” Poe uses irony and complex diction. This helps Poe create his theme of the human tendency to lie to one self to feel better.
Evans, Robert C., Anne C. Little, and Barbara Wiedemann. Short Fiction: A Critical Companion. West Cornwall, CT: Locust Hill, 1997. 265-270.
Procrastination is the word that I would use to thoroughly depict people. It’s not that everyone procrastinates, but most people do, and almost everyone has at least once in their lifetime. I am positive that you have put off an assignment and had good reason to do so. I often put off all my assignments because the TV is always a better way to spend my time. The history paper can wait, as can the dog that needs feeding. The job doesn’t need to be completed until the very last minute. Now, there is a very sound science to procrastinating. Some would say that it is a skill; furthermore, all my friends refer to me as the “Pro” crastinator. Procrastinating is the best thing ever it feels amazing, and especially if the assignment is boring. The
This lost love, Lenore, represents his reality of his wife Virginia slowly preparing to pass away. The character of Lenore directly parallels with the events happening in Poe’s life just before the publication of “The Raven”. This fear is directly referenced again, in stanza five “Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortal ever dared to dream before” (Poe). The dreams the speaker alludes to are the authors actual dreams of his wife passing away and leaving him alone. His fear and distraught over his life events even leads him to attempt to speak to the nothingness in the same stanza, which is the start of the insanity that both the speaker and Poe are starting to experience. Not long after this spark of mental weakness, the raven appears before the speaker and sits upon his chamber door, just waiting for deeper entrance. Throughout much of literature, this melancholy bird has been used as an allusion to a much larger image, the image of death. Writers from many times and parts of the word use this creature as a symbol of misfortune and impending death. Poe’s raven is no different, as it is a direct symbol for the darkness filling his life after
This piece of writing gave more and deeper understanding how other facts have effects on our life as procrastinators. In this research, I came to very important information. This new idea I never imagined that was connected to my behavior as a procrastinator which was "Procrastination is a psychological phenomenon that extends broadly in society. Ferrari, O’Callahan, and Newbegin (2005) reported that 61% of the population display some form of procrastination, of which 20% do so in a chronic manner (e.g., routinely late for deadlines and postponing impor-tant tasks daily or weekly)" (Mun ̃oz-Olano, J. F., & Hurtado-Parrado, C. 2). As I mentioned before procrastination is not the same as laziness. Procrastination has to be with our psychological
I am a procrastinator and I have been ever since I was a child, which I am sure many others have been as well. As a child, I would put off my work mainly because I did not want to do and wanted to occupy myself with something else, rather than to sit there and actually do the work. When this happened, of course, the work would either be done in the morning, at night, or it would not be done at all. In his article, “The 5 Most Common Reasons We Procrastinate,” written for Psychology Today, Shahram Heshmat (2016), “The lack of imposed direction that’s become common in the workplace might contribute to the increase in procrastination” (para. 4). This is something that was more prevalent in my freshmen year of high
In the poem “The Raven” Edgar Allan Poe wrote about grief, sadness, and depression. He is writing about a young girl named Lenore. She is depicted as pure, beautiful, and the very thing that the main character lives for, his beloved Lenore. When he loses her, he is sent into a spiral of depression. This leads him to believe that a black raven pecking at his door was sent by Lenore. Through out the poem “The Raven” Poe uses many things to illustrate the theme darkness, such as the words he so carefully uses, the symbols that are chosen, and the description of everything.
During a cold, dark evening in December, a man is attempting to find some solace from the remembrance of his lost love, Lenore, by reading volumes of "forgotten lore." As he is nearly overcome by slumber, a knock comes at his door. Having first believed the knock to be only a result of his dreaming, he finally opens the door apologetically, but is greeted only by darkness. A thrill of half-wonder, half-fear overcomes the speaker, and as he peers into the deep darkness, he can only say the word "Lenore." Upon closing the door, another knock is immediately heard from the chamber's window. The narrator throws open the shutter and window, and in steps a large, beautiful raven, which immediately posts itself on the bust of Pallas Athena, the Greek goddess of wisdom, above the entrance of the room. Amused by the animal, the speaker asks it its name, to which the bird replies "Nevermore." Believing "Nevermore" to be the raven's name, the narrator's curiosity is piqued, but the speaker believes the name to have little relevancy to his question, for he had never before heard of any man or beast called by that name. Although the bird is peaceful, the narrator mutters to himself that it, like all other blessings of his life, will soon leave him. Again the bird replies "Nevermore." Intrigued, the speaker pulls a chair up directly before the bird to more readily direct his attention on the wondrous beast, and to figure out the meaning of the bird's single monotonous reply. While in contemplation in the chair, the speaker's mind turns to Lenore, and how her frame will never again bless the chair in which he now reposes. Suddenly overcome with grief, the persona believes that the raven is a godsend, intended to deliver him from his ang...