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Jamaican culture research paper
Jamaican culture research paper
Jamaican culture research paper
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Retention and Preservation of African Roots in Jamaican Folk Music
Preface
Amid tens of thousands of volumes in this library collection at UVM, the "silence" is in fact a low hum issuing from the vents. I read essay upon essay, ideas and histories of ideas, until I pause in a pensive moment. A thick green binding breaks my meditation. A title, The Power of Sound, fills my mind with music. I consider the power of words.
The music issuing from the Caribbean island of Jamaica has for decades — and many contend longer — broadcast a uniquely Jamaican identity. This personality arises from a complex intermingling of diverse cultures, unforgivable power structures, passionate religious expressions, not to mention the late twentieth century pressures of global capitalism. Though many characters both principle and complimentary have passed away amid this cultural evolution, a musical lineage bears witness to the island’s history.
This study will focus on cultural themes in Jamaica’s colonial history which contributed to the retention of distinctively African forms of musical expression. The goal of such an approach is to learn something about the process of change itself, an indomitable fact of life which stands in contradiction to all efforts at preservation. The grandeur of such knowledge is appropriately called out by Romanian scholar Constantin Brailoiu who writes, "each time our studies have as an aim a human fact or one tied to human reality, we are bound to conclude that the understanding of any particular aspect of life is only possible if we understand life itself in its entirety." This statement represents a comment on the then emerging field of sociology as a response to what Brailoiu interprets as a "powerful wish f...
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Nettl, Bruno. "The Concept of Preservation in Ethnomusicology" in More Than Drumming, Essays on African and Afro-Latin American Music and Musicians edited by Irene V. Jackson (Westport, CT: Greenwood Press, 1985).
Rattray, Robert Sutherland. Religion and Art in Ashanti (London: Oxford University Press, Second Impression, 1954).
Rattray, Robert Sutherland. Ashanti (Oxford: Clarendon Press, 1923).
Roberts, John Storm. Black Music of Two Worlds (Trivoli, New York: Original Music, 1972).
Stewart, Gary. Rumba on the River, a history of the popular music of the two Congos (London: Verso, 2000).
Waterman, Christopher A. "The Uneven Development of Africanist Ethnomusicology: Three Issues and a Critique" in Comparative Musicology and Antrhropology of Music edited by Bruno Nettl and Philip V. Bohlman (Chicago: University of Chicago Press, 1991), pp. 169-186.
For centuries, music has been defined by history, time, and place. To address this statement, Tom Zè, an influential songwriter during the Tropicália Movement, produced the revolutionary “Fabrication Defect” to challenge oppression as a result from the poor political and social conditions. On the other hand, David Ramsey discusses, in mixtape vignettes, the role of music to survive in New Orleans’ violent setting. Furthermore, “The Land where the Blues Began”, by Alan Lomax, is a film and perfect example to understand under what musical conditions profound ways of communication are made to stand the hard work of cotton plantations. As a result, music plays a crucial role in the sources’ cultures and its creation relies on particular conditions such as the social
According to Albert Murray, the African-American musical tradition is “fundamentally stoical yet affirmative in spirit” (Star 3). Through the medium of the blues, African-Americans expressed a resilience of spirit which refused to be crippled by either poverty or racism. It is through music that the energies and dexterities of black American life are sounded and expressed (39). For the black culture in this country, the music of Basie or Ellington expressed a “wideawake, forward-tending” rhythm that one can not only dance to but live by (Star 39).
During the course of this semester, the several musical styles that have been discussed and analyzed have displayed various similarities and differences. These differences in certain musical elements have accounted for the distinctiveness and uniqueness of each style of music. The culture behind these countries’ music adds even more to their individualism. Cultural aspects such as religion play a huge role in the music of each country as well. Styles of music in Africa might be more upbeat than certain styles in India, for example. Some cultures use music in religion, while others may not. Aspects such as dance are important factors in all three types of music. Despite the differences and similarities, however, without music, these cultures would perhaps not be as fascinating and unique as they are now.
Angeles, Los. (2009). African arts. Volume 28. Published by African Studies Center, University of California.
Miller, Terry, and Andrew Shahriari. World Music: A Global Journey. New York, London: Routledge Taylor and Francis Group, 2006.
“How Musical is Man?” was published in 1974. This book was written by John Blacking, a musician turned social anthropologist. His goal in writing this ethnography, and several other papers during this same time period, was to compare the experience of music-making that takes place within different cultures and societies throughout the world. In this book, he discusses and describes the musicology of the Venda people in South Africa. Though he does go to Africa to research and learn about the Venda people and their music, he specifically states that his book is “not a scholarly study of human musicality” (ix), but rather it is a summary (written from his point of view), which is both expressive and entertaining, of several different issues and ideas that he has seemingly been contemplating for some time.
Music is a form of communication, letting others knows what is going on in the country, political, social or economic and any other problems the people of the Caribbean faced. With so many different ethnic backgrounds in the Caribbean, they are people with Asians, Indians, and Africans descents. This created a language and culture barrier but each ethnic background shared a common link music. Music bridged the gap between the different ethnicities Music is part of everyone’s culture especially here in the Caribbean. Our culture is recognized worldwide for its music. The Caribbean has different genres of music such as calypso, reggae, dance hall, zouk and many others. Our music has roots in both African and European cultures. The drum rhythm comes from the African in...
Monson, I. (2010).Freedom sounds : civil rights call out to jazz and Africa. New York Oxford: Oxford University Press.
Breckenridge, Stan L. (2003). "The 'Path African American music for everyone. Second Edition. Iowa: Kendall-Hunt Publications, Inc. Enotes.
When looking at the evolution of the Reggae genre of music, there is a lot more than people think that contributed to its popularity. The most common reference among today’s generation and the Reggae music is undoubtedly, Bob Marley. Although, he really brought this genre of music to the forefront and made it as popular as we know it today, people do not full understand the history of this music and what it evolved from. The evolution of Reggae is contributable to the evolution of the recording studios, primarily in Jamaica at the time. The local Rastafarians, who pioneered and perfected this sound, started this music. Of course, because Jamaica was a British territory at the time, and given its proximity to the United States; there was an influence of American Jazz and Blues on Jamaica. Without getting into too much history of the evolution of Jamaica, it is important to understand that this transition, and their finding an identity, had a lot to do with the type of music they produced and the evolution of their recording systems and businesses. In Jamaica, as the culture changed so rapidly, the type of music did too, and eventually the people began to create Reggae, and not long after that, they were hooked, and had formed a world identity through their music.
ASEAN was formed to promote economic growth, understand each other cultures and to enhance and sustain own country’s living standards so as to allow their citizens to maximize their full potential. These countries will also arrange a meeting regularly so as to discuss on how to improve on ASEAN Trade and also with more interaction, they are able to synchronize among them and it has the benefit to ensure that civil peace are always in place.
Powell, A. (2007). The Music of African Americans and its Impact on the American Culture in the 1960’s and the 1970’s. Miller African Centered Academy, 1. Retrieved from http://www.chatham.edu/pti/curriculum/units/2007/Powell.pdf
“A woman has to use what she’s got to get just what she want.” -- James Brown
Music played a very important role in the lives of people is diaspora communities. It served as a reminder for the immigrants of their homeland, which allowed them to proudly express their national and cultural identities. Diaspora refers to an international network of communities linked together by the identification of a common ancestral homeland and culture. People in these communities are no longer living in their homelands, with no guarantee of a return either. (Bakan, 19). Music played a large role in African diaspora communities. This was first started by the slave trades many years ago when slave traders traveled to the coast of West Africa to capture Africans and brought them back to the United States to be slaves on plantations. Slaves were more prone to loose a sense of their own culture because every new aspect of their lives was forced upon them, therefore they were undoubtedly forced to abandon their n...
Music has played a role in society since the dawn of man. Said to be the beginning of communication in early civilization, music and dance have influenced how we think, act and treat members of our own society. Song and dance is used in rites of passage ceremonies such as births, weddings and funerals throughout the world. Jamaican and Yoruba cultures have made many contributions to our society. The uses of this music as a vehicle for political issues, values, and beliefs have been used by many musicians from different cultures. I intend to discuss the Contribution of these two contemporary cultures music and their effect on society.