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Church art from the renaissance
Religion to art in the Middle Ages
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St. Cyriakus is a medieval church in Gernrode, Saxony-Anhalt, Germany. One of the few surviving and best preserved examples of Ottonian architecture, it was built in 969/960-965 by margrave Gero, and it was restored in the 19th century. It is a three-aisled cruciform basilica with simple alternation of pillars, side gallery and east crypt. Originally, the church was likely dedicated to St. Mary and St. Peter, but after the arrival of St. Cyriakus' relics obtained by Gero himself in Rome; changed its name to the present one. In the 11th and 12th century’s additions to the church included the west crypt, side galleries, the enlargement of the westwork, the towers and the two-story cloisters. The vault of the transept was added in the Gothic period. …show more content…
The interior has kept most of the original Ottonian appearance and the exterior was partly changed. A chapel from about the 12th century in the southern aisle houses and a late 11th century copy of the grave of Christ, which is a representation of the Holy Sepulchre found in Jerusalem. Gernrode’s Holy Grave, which was probably built in the place of an older arched grave in several stages at the end of the 11th century, has an anteroom and a main chamber just like its original. The insides as well as the outside are decorated with stucco reliefs of an exceptional quality. They show the Easter story from the walk of the disciples to the grave, through the meeting of Christ and Mary Magdalene in the garden, to the three ladies at the grave and the risen Christ. The once rich sculptural works on the Holy Sepulchre in the former convent church of St Cyriakus in Gernrode were of high quality, as is shown by what has been saved. The west wall of the chambers built in between the two eastern bays of the southern transept is extensively decorated. The central area with three niches is framed by a double frieze. In the central niche a plaster tablet with the figure of Mary Magdalen is set in flanked by two columns standing in …show more content…
1120-30. Its interior is decorated with designs of ancient Roman decoration. The Church of San Clemente has been described to be like a “layered cake” of archeological wonder. The upper level which is the present basilica is from the 12th century, below it is the 5th century basilica and below that are a first century house, warehouse, and Mithraic temple, which is an ancient temple of worship. It was excavated in the 19th century under the direction of an Irish Dominican priest, Fr. Mullooly. There are three layers and each represent different historical features of Christianity as it changed from the early third century to today. The artifacts show how religious belief in Rome has grown and changed. Each layer symbolizes the characteristics of religion at the time they were built. Through the art of frescos the stories of Jesus are depicted. The frescoes are depicting martyrs, saints, popes and the passion of Jesus Christ. It has the oldest known tabernacle-style altar and it is adorned by an anchor. Saint Clement, who was the fourth pope, was honored by early Christians who dedicating the church to him and it is said to be built over the house which belonged to his family. He died by having an anchor tied to his leg and was thrown into the Black Sea by the Romans. Fourth-century accounts report of his forced labor in the mines during exile to the Crimea while the emperor Trajan was in power
Jesus’s body is centered in the middle of the altarpiece, positioned in an elegant curve as his lifeless form is removed from the cross. His body is sickly thin, ribs easily visible
Another example of Christian iconography is The Transfiguration. It is located in the Church of Saint Catherine’s monaster...
When entering the Basilica one intakes the view of the catenary arches with light figures hanging down above them as well as beautiful Main Alter with the original paintings and statuary. The first thing at the door of the Basilica is a large black that holds the holy are. On the left there is a gothic style baptisrty The walls of the Basilica are white with several paintings hanging from them. On the right midway though the Basilica stand the Christ of King Shrine against the wall. On the left side midway though the Basilica the entryway to the chapel in which has the “Our Lady Bethlehem Shine”. The Our Lady Bethlehem Shrine is very important to the mission because, “thousands of pilgrims come every year and pray tour Lord through her intercessions.” At the foot of the alter the gave is Junipero Serra is placed, making this Basilica so significant. To the right of the alter there is a glass in casement with the relics of the coffin of blessed Fray Junipero Serra. “The pieces of the original casket which fallen to decay were set aside for safekeeping and now exhibited here in the reliquary.” The exit of the Basilica is on the left hand site at the very front near the alter. This exit then leads to the Mission’s Main
The Mérode Altarpiece is a triptych because it includes 3 paintings in one or 3 panels with hinges that can be closed together. The painting on the left shows two people praying and on the right a man is working. As can be seen, the painting in the middle is a recreation of the Annunciation scene stated in the Bible where the angel Gabriel descends from heaven to tell Mary that she will have a baby named Jesus who is the son of God.
St Peter’s basilica which is built based on rational form of architecture is a Late Renaissance church located within Vatican City, designed by Donato Bramante. Its significant history is that according to the Catholic tradition this was the place that Saint Peter was buried. Not so far away...
Saint Christopher, the patron saint of travelers and children, is one of the most popular yet mysterious saints of the Catholic Church. Though considered a saint. Saint Christopher is not in the official canon of the saints, and not much is really known about him. It is theorized that Saint Christopher was actually a martyr named Reprobus who was beheaded in the third century.
The Merode Altarpiece is a triptych painting that represents the Annunciation of the Virgin Mary. This work displays the main characteristics of the Northern Late Gothic period. There is so much detail in this work of art. Campin utilizes many symbols in this altarpiec. The setting of the painting is in a Flemish middle class house. The Annunciation theme is being depicted in the central panel. A scene of Saint Joseph at work as a carpenter occupies the right-hand panel. The portraits of the donors are depicted in the left hand panel. Campin failed to understand the scientific perspective. To illustrate, there is no focal point in the painting and the table looks tilted. Campin used no aerial perspective. To illustrate, the background is still very crisp when seen from a distance. The most important aspect of the painting is the symbolism. For example, the lilies represent Mary's purity, the candle represents the Holy Spirit, even the mouse traps represent trapping evil. Campin also made use of bright, rich colors. In the central panel, the drapery of the figures are filled with colors of red and white. Campin has also made a good use of illusion of the space by making the town seem to be far away by distance by making them appear blurry. Furthermore, Campin has created figures that are not in proper proportion. To illustrate, the figure’s head is small and the bodies are big and it seems that if they get will hit their head if they get up. They look very unrealistic. Although they are not in proportion, the figures seem to have very sharp edges. The figures also look very stiff and rigid. In Merode Altarpiece, the light is arbitrary and the figures do not cast any...
Saint Christina of Markyate’s story provides more than the religious experiences of a hermit, it presents twelfth-century life in, mostly, the Huntington area of England in a very detailed manner. Baptized as Theodora, Christina of Markyate’s path of religious devotion is claimed to have begun in her early teen years with a vow of chastity (35). This vow was only known to one other person, a close friend named Sueno, until her parents attempted to arrange a marriage for her. Being described as attractive and intelligent, as well as coming from a wealthy family, this was not uncommon for women in Christina’s lifetime. Upon declining the first suitor, a bishop, her hardships begin and, at times, seem as though they were both unlikely to end and
After walking inside and trying to first experience, the church, and all its beauty and ornateness, I began examining the floor plan and elevations of the cathedral. Grace Cathedral was build in a gothic style, which it represents in its architecture inside and out. There were three huge rose windows. One at the very top of the main entrance and one on either end of the transept. There wer...
This cathedral was built during the Medieval Period for the worshipers of God. To this day pilgrims come to see the pure, Gothic cathedral. The massive cathedral seems to loom overhead as if a symbol of God watching over the worshippers that visit. The earlier church burned in 1194, it was rebuilt and has gained a much more appreciated and admirable character distinction, statuary, and stained glass. The distinct character of the thirteenth century was captured, through the “Age of Faith” period. The architecture is Gothic which was very popular in the 1200s. Gothic architects created a frame of support with columns and arches so that the walls no longer need to support the ceilings, but are freed up to hold windows. The Gothic structure allows for plenty of windows. Chartres has a significant collection of medieval stained glass, with over 150 early thirteenth century windows. The windows allowed sunlight to enter the dark, Gothic cathedral in order to highlight the story of Christ through the stained glass windows told throughout history to pilgrims alike. These windows create a spiritual and promising place for thought and prayer. Stained glass was used to help teach the stories of Christ to people that were illiterate during the medieval times. While most worshippers of that day were illiterate, comprehending the symbolism of the story of Christ in each of the windows was vital and gave meaning towards adversity during the medieval ages, as they struggled through their dark and dreary lives, which were filled with hopefulness, while viewing the story through the stained glass windows. The windows are also...
Even though the current city is under the church its beginnings were not at all related to Christianity. The old legend tells the reader that two brothers, Romulus and Remus, found the city. In reality group of people settled in the seven hills and the population grew and the Roman population came about (Trauman). From there on the city went under various ruling strategies such as being senatorial republic to finally being under the emperor (Cowling). Then onwards it became the capital of the Roman Empire. Even though the Roman outskirts land was very organized like a grid pattern, this was not the case at the capital. The capital never followed a structure (Kostof 1991). Being built near river Tiber is the only strategy it f...
As I walked into the first gallery, I saw a wood sculpture that stood in the center of the room. This carving depicted “the crucified Christ, flanked by the Virgin Mary and St. John the Evangelist with Angels holding instruments of the Passion”. It was painted oak and very appealing to the eye. It stood approximately 15 feet in the air. The origin of this sculpture is unknown, but it was found in a Belgium church. This kind of sculpture usually stood at the entrance or at the center of the alter in the church facing the congregation. This image of the suffering Christ relates to the Christian ideas of suffering and Christ’s salvation of all mankind.
These twin bronze pulpits, covered with reliefs showing the passion of Christ, are works of tremendous spiritual depth and complexity. Even though some parts were left unfinished, they had to be completed by lesser artists. Bibliography:.. 1. What is the difference between a. 1998 Microsoft Encarta. Copyright 1993-1997 Microsoft Corporation.
Monuments such as the Dome of the Rock in Jerusalem and San Vitale in Ravenna, perform a great importance in Byzantine and Islamic architecture. Both of these structures did not exclusively represent the main place of worship, but most importantly as a symbol of achievement and growth within the current times of construction. Starting in 524, under the influence of Orthodox bishop Ecclesius, the development of San Vitale was to represent the achievements of the emperor Justinian. Julius Argentarius was the sponsor for this structure and it was dedicated by Bishop Maximian in 547. The Dome of the Rock is built on the Temple Mount in Jerusalem in 692 with the help of Abd al-Malik with the suspected intention to symbolize Islams influence in Jerusalem and its involvement in a highly Jewish and Christian supremacy. Although separated by over 100 yrs, both of these domes share multiple similarity's including a projected confidence of their originating culture.
St. Peters Basilica. (2009). Chapel of the Pieta. Retrieved April 15, 2011, from St. Peters