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Parthenon architecture
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Essays about the parthenon
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Item Two--Parthenon
The Parthenon was an Athenian temple dedicated to the goddess Athena. The name Parthenon derived from Athena’s epithet: Parthenos, ‘Parthenon’ means ‘house of Parthenos’. Its construction began in 447 BC and completed in 438 BC, with decorations been done in 432 BC, it was built in the age of Pericles while the Athenian Empire reached the peak of its power. According to the History Writer Mark Cartwright, the temple itself was known as the ‘large temple’ as it was the largest Doric Greek temple. The whole architectural style of it has mixed both Doric and the newer Ionic. Its height and width, the width of the inner cella and its length were all constructed using 4:9 ratio. The temple was used to house the new cult statue
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They are our pride. They are our sacrifices. They are our noblest symbol of excellence. They are a tribute to the democratic philosophy. They are our aspirations and our name. They are the essence of Greekness.”(Mercouri). It’s a magnificent testimony to the glory and renown the city enjoyed throughout antiquity.
The architectural techniques and styles of the Parthenon heavily influenced the architectures been created later on, such as the neoclassical architecture, the Roman architecture and the beaux-arts architecture. Many modern architectures were designed similar to the Parthenon's style of tapered columns to its material used.
The Second Bank of United States was designed by architect William Strickland and built between 1819--1824, cost half-a-million dollars. It was inspired and modeled by the Parthenon. The structure of this building showed one of the finest examples of Greek Revival architecture in the world. According to the description of it being provided by the National Park Service, the Second Bank of the United States was measuring 86' x 140' with 16' x 10' porticoes at the north and south ends, contains 11,954 square feet of interior space. The main or north entrance was approached by a flight of marble stairs to a portico with eight large fluted Doric columns, 4' 6" in diameter, and a full Doric entablature.
Dedicated to Athena Parthenos (Athena the virgin) goddess of war and wisdom. Every god and goddess had worship temples to assure everything went well and nothing bad happened. Greeks gave sacrifices too, such as food, messages, and sacred tiles were all sacrifices they gave. The Parthenon was built in 480 BC but got destroyed while under construction in a battle between the Romans and Greeks. The Parthenon was rebuilt in 447 BC, with the original statue that first stood in 480 BC. ("The Parthenon Frieze." The Parthenon Frieze. N.p., n.d. Web. 12 Nov. 2013.)
After learning more about these two buildings, I discovered that the Romans were “inspired” by Greek architecture. The columns used in both are common to Greek architecture. Based on the photos that were viewed from online searches, it appears that the Romans were more ornate during the construction of their temple which can be seen by their choice of building materials, such as marble. The Parthenon seems to have had more simple lines. It was rectangular in shape as opposed to the Pantheon that was rounded in many areas, particularly where the sculptures of the gods were. This was to lend to the idea that they were on the same level and that no god was given more preferential treatment since the Pantheon was to honor all of them equally. The structures resemble one another in that they both have those ominous columns as a way to emphasize the dominion the gods had over the
...the Athenian Parthenon’s in some ways its powerful imagery has caused it to be acknowledged it as one of the most wonderful examples of Hellenistic art and architecture.
During Classical Greece the Parthenon was built as temple to the Goddess Athena, as symbol of the state’s wealth and superiority, along with serving as the treasury. The architecture uses a bit of both Doric and Ionic orders. On the outside rim of the temple Doric columns, triglyphs and metopes are used but on the inside of the temple Ionic friezes were used. Both the metopes and friezes were completely filled with painted sculptures depicting the gods, Athenians, and conquered enemies. The themes center on gods or Athenians being victorious over chorus. One of the main stories shown in the Parthenon is the story of the Goddess of Wisdom, Athena being chosen as the patron Goddess of Athens over the Sea God, Poseidon. Poseidon was a war god who offered the people a beautiful but useless saltwater spring while Athena offered an olive tree. The people of Athens choose the olive tree symbolizing their culture valuing peace and prosperity over the chorus of war. The Parthenon also shows the Ancient Greeks value in mathematics and idealized perfection. The columns were carved to bulge slightly as well as tilting inwards, which creates the illusion that the columns were both straighter and taller than they were. Other illusions they used to give the appearance of perfection included arching in the middle just enough to ensure what would not pull and stop the eye from seeing the ends of the steps rise. Ancient Greeks valued their gods, perfection, mathematics, wealth and
The Entrance Hall has the dimensions 27’ 11" x 23’ 9"; ceiling 18’ 2". This is done in the Ionic order. The entrance hall was influenced by frieze ornaments from the temple of Antoninus and Faustinia. (figure two)
The Parthenon was built to honor the goddess of wisdom, Athena. When structures are built using straight lines they tend to look slightly distorted due to the science of optics. The architects Iktos and Kallikretes were skilled architects of their time and they used illusory tactics to create an ideal aesthetic for The Parthenon. The architects compensated for these visual illusions by counteracting them in their design. The end result is a structure that is not composed of straight lines, but when viewed by the human eye, looks perfectly straight. Plato would have mentioned one of his famous dictums, ?That which changes least is most real.? He would have viewed Iktos and Kallikretes designs as less real than other designs that do not u...
Building the Parthenon was a greater feat than they ever would have known. Work on the Parthenon began in 477 BC. A much smaller shrine already stood on this site, one to which we can attribute various pieces of surviving decorative material--lions and snakes, a cornice incised with flying birds, and a blue-bearded trinity that may conceivably represent Cecrops, Erechtheus, and Poseidon. If such an edifice in fact existed, it was torn down to make way for a huge limestone platform, roughly 252 by 103 feet in size, that was built as a base for the new temple. The slope of the Acropolis was such that while on the north side the foundations rested directly on bedrocks, the southeast corner needed to be built up with no less than twenty-two courses, in order to correct a vertical drop of thirty-five feet. This was only the beginning of the temple. The actual base of the new temple was smaller than the platform, as can be still be clearly seen. The temple itself was Doric, with a peristyle of six columns at each end and sixteen along the sides. Except for the lowest course of the base, the structure was to be built entirely of Pentelic marble.
Brief History Though the Persian wars were possibly over before the Parthenon was being considered, the wars played a vital role for Athens and her temples. During the wars, the armies of Persia attacked Athens and sacked the city leaving much of it in ruins, including the new temple in honour of Athene atop the Acropolis that was under construction. During the struggle, many of the states in Greece joined together to fight against the Persians and decided that they should not rebuild any of the temples that had been destroyed by the Persians to have an eternal memory of the devastation they caused and the lack of respect they have for religion. The once impressive city of Athens was reduced to dust, with small basic houses and nothing really imposing.
The foundation of Greek culture was balance, reason, and harmony which can be unveiled in their art. As the civilization heavily revolved around religion, massive temples were built to serve the Gods. Greeks believed in many Gods, meaning they had polytheistic views . This notion of polytheism passed down to the Romans who adopted nearly the exact same deities and built similar architecture as well. One of the most famous buildings of worship was the Greek Parthenon built around 447-432 B.C.E, worshipping the goddess Athena . While building these brilliant pieces of art, concepts regarding laws and the natural world from philosophers were being incorporated in the structure. Pillars were often built in temples and various buildings in both Greek and Roman cultures. Doric, ionic, and Corinthian stand as the main three pillars built; each of them becomes increasingly more elaborate by order. For example, the Corinthian was the most intricate. Romans quickly developed a taste for this form of architecture and incorporated into theirs later on. The Romans however were very inventive, and began to develop the arch, vault and dome to add to what they emulated from the Greeks. Using these elements the Romans built what is known as the Coliseum, built over a 10 year span from around 70 AD to 80 AD. The Coliseum was said to hold 50,000 spectators and was used for entertainment
The Parthenon is an amazing Greek temple that was built 2,500 years ago. Even the architects of today have numerous questions about how it was constructed and how it has held up through its eventful past. The Parthenon's detailed appearance is not its only meaningful quality. The Parthenon was constructed as a temple to the goddess, Athena, and as an icon of the Greek people themselves. The Parthenon represents the Greek ideals of humanism, idealism, and rationalism.
The Parthenon was the focus point, it was supposed to drawn in the most people. To this day the Parthenon draws in a large amount of people from all over the world. The Parthenon was built between 447-432 BCE. It costs the city 469 talents. The Parthenon is mostly Doric columns with a few ionic to draw attention to certain areas. The back room of the Parthenon was said to house Athena’s treasure while the front room holds the statue of Athena. The Parthenon was built so anyone that walks through the arch way will be able to see all angles and inside the Parthenon to see the statues and the details of the
The end of the Geometric period resulted in the beginning of the Orientalizing Period, dated between 700-600 BC. Within this time frame, Greek introduced a new innovation, the Peripteral Temple. For many years prior, a row of colonnade was used on the interior primarily to hold up the roof of the building. In contrast, columns are seen being used on the outside, creating a visual wall around the building exposing parts of the interior. With in the temple existed the megaron style, carried forward from Bronze Age homes. It was also in eastern influenced period, the first real stone temples, and terra cotta roof tiles came to exist to hold the weight on these new stone temples. The population grew drastically, introducing new techniques and styles, which blended to form designs with balance and symmetry. It was during this period, two major Greek designs were developed, the Ionic and Doric order. (Pedley, 2012: pg. 180) The Doric order, being the first and most simple, consisted of baseless columns placed closely together as the Greeks did not know how much weight the shortened columns could hold. Reason behind this was the lack of length in the columns were believed to hold less weight and therefore forced into being placed closer together. This closely set arrangement created a very bold statement in the Doric temple. The Capital, which sat on top of the concaved shaped shaft, was left plain but when grouped alongside others, suggested a bold harmony. In contrast, the Ionic order was less bulky and more delicate than the Doric order. The top of the capital is decorated with two scrolls, also known as volutes, which could have resembled a shell or animal horns. Above the capital, held room for a surrounding frieze depictin...
The Parthenon was built to house the goddess Athena, but was first used as a treasury. There is some symbolism to its location as the acropolis on which the temple is sited, was also the place other temples had been, but the Athenians rebuilt after the Persian wars and the Parthenon was according to this week’s reading from Reed College, one of those structures built ‘to commemorate their victory and in gratitude to heaven’ (n.d, Reed College)
...on. It is important to understand the history and mechanics of Greek architecture in order to fully appreciate it. The ancient Greeks were very well known for their beautiful temples. They were able to devise several different ways to create beautiful buildings and implement those designs. The ancient Greeks set the architectural foundations for the rest of the world with their three orders. The three styles, or orders, are the Doric, Ionic, and Corinthian. The three distinctive styles are referred to as orders because they display proportionate, ordered, and coordinated parts. The Doric, Ionic, and Corinthian orders serve a functional purpose, as well as lend so much beauty to structures. “All the world’s culture culminated in Greece, and Greece in Athens, all Athens in its Acropolis, all the Acropolis in the Parthenon” (Nardo, 61).
In Ancient Greece, religion dominated their life, so it is understandable that their architecture would be dominated by their religion. Before Greece became many different city-states, they had kings, and they would build a room called a megaron to show they King’s authority. A typical megaron is a single chamber with a fire pit in the middle with a throne off to the side. This room opened up into a porch (portico) that had four columns in the front. After there were no more kings these megarons turned into temples. The fire pit, which turned into some type of altar or a place to show a sacrifice for that god, was now outside in front of the temple. The altar was now outside so people could see you make these sacrifices to their gods. The first Greek temples were made out of wood and were long rectangular buildings with a porch all the way around which was supported by columns made from tree trunks. A Greek temple consists of five basic parts: the pediment, entablature, columns, base, and the cella, or the inner sanctum. The pediment is triangular and would have a type of sculpture or ornament known as acreteria on each corner. An entablature consists of three parts: the cornice, frieze, and architrave, which holds up the pediment. The columns are the support between the entablature and the base. The base usually consists of three steps. The cella is the inner sanctum, which has different rooms with more columns for support. Each temple would have a cella but they were not identical.