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The Parthenon and its influence on today
Greek influence in architecture
Greek influence in architecture
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The Parthenon
Building the Parthenon was a greater feat than they ever would have known. Work on the Parthenon began in 477 BC. A much smaller shrine already stood on this site, one to which we can attribute various pieces of surviving decorative material--lions and snakes, a cornice incised with flying birds, and a blue-bearded trinity that may conceivably represent Cecrops, Erechtheus, and Poseidon. If such an edifice in fact existed, it was torn down to make way for a huge limestone platform, roughly 252 by 103 feet in size, that was built as a base for the new temple. The slope of the Acropolis was such that while on the north side the foundations rested directly on bedrocks, the southeast corner needed to be built up with no less than twenty-two courses, in order to correct a vertical drop of thirty-five feet. This was only the beginning of the temple. The actual base of the new temple was smaller than the platform, as can be still be clearly seen. The temple itself was Doric, with a peristyle of six columns at each end and sixteen along the sides. Except for the lowest course of the base, the structure was to be built entirely of Pentelic marble.
The first year of construction was consumed almost entirely with quarrying and transporting marble from Mount Pentelicus-that pure white, finely grained stone that, because of its slight iron content, weathers to the pale honey gold so characteristic of the Parthenon itself. This part of the work, too often ignored or taken for granted, presented formidable obstacles that were overcome only with extraordinary ingenuity. One can still see the chisel marks where rectangular blocks were first cut and then split away from the rest of the excavation by means of water--...
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...ler than the humans standing near them.
In my conclusions I have found that not only were there one Parthenon but there were many. The Parthenon had been rebuilt several times in its existence. The information on the temple was very complete, but I found that there are many discrepancies in all of the writings on the Parthenon. There was much confusion on exactly how many columns there were; this being the only great confusion that I found.
Bibliography:
Green, Peter. The Parthenon. New York: Newsweek, 1973.
Hambidge, Jay. The Parthenon. New Haven: Yale University, 1924.
MacDonald, William L. The Pantheon. Cambridge: Harvard University, 1976.
Neils, Jenifer. "Reconfiguring the Gods on the Parthenon Frieze." The Art Bulletin 81.1 (Mar. 1999): 6-20.
http://homer.reed.edu/Parthenon.html, The Parthenon, designed by: David Silverman.
Jenkins, Ian. “The 1930’s Cleaning of the Parthenon Sculptures in the British Museum,” The British Museum (2001): http://www.thebritishmuseum.ac.uk/parthenon/
I wanted to compare the Lincoln Memorial with the Parthenon. While doing research I found that architect Henry Bacon based this monument to the Parthenon: the origin of democracy. Most of Lincoln’s Memorial is resembled to ancient history: the columns, the murals, the roman fasces. I furthered into the comparison and found out the meaning behind each monument. The Parthenon and Lincoln memorial both resemble a political state, and their frieze depict a specific event in their time. The metopes in the Parthenon show the struggle between forces of order and justice, while in the Lincoln memorial the Second Inaugural Address and the Gettysburg Address depict the struggle between freed men and slave, and North and South. Since the Lincoln Memorial was inspired from the
There is an ongoing debate on whether the Parthenon Marbles, now located in London, England, should be returned to their original homeland of Athens, Greece. The marbles were removed from the Parthenon by Lord Elgin from 1801-1812 and transported to England. They were sold to the British government in 1816 and put in the British Museum where they have been for the last 200 years. I believe that the marbles should now be returned to Greece, not only because of the method and circumstances surrounding their removal, but because they are original pieces of the oldest and most symbolic structure in Greek history that epitomizes the pinnacle of Ancient Classical Greece and the beginning of western democracy through artistic ingenuity.
Dedicated to Athena Parthenos (Athena the virgin) goddess of war and wisdom. Every god and goddess had worship temples to assure everything went well and nothing bad happened. Greeks gave sacrifices too, such as food, messages, and sacred tiles were all sacrifices they gave. The Parthenon was built in 480 BC but got destroyed while under construction in a battle between the Romans and Greeks. The Parthenon was rebuilt in 447 BC, with the original statue that first stood in 480 BC. ("The Parthenon Frieze." The Parthenon Frieze. N.p., n.d. Web. 12 Nov. 2013.)
The Greeks finished building an exquisite temple to their beloved goddess, Athena in the year 432 BCE. (Sayre 60). The name of this enriched, unique temple was the Parthenon. The Parthenon took the Greeks approximately fifteen years to complete and as Pericles stated, it was built to give gratitude to their goddess Athena for the salvation of their city, Athens and all of Greece in the Persian Wars (Sayre 60). It was also a symbol of their power and superiority among other cultures. It was something the Greeks took great pride in and recognized it to a great extent. The Parthenon was built on the highest point of the city of Athens to look over the precious Greek city. On the exterior walls of the Parthenon there was beautiful artwork that adorned the walls, also known as the Parthenon Frieze (“The Parthenon Frieze”, par 1). According to the National Geographic video, “Parthenon Marbles Battle”, two thousand years after the Parthenon was built, in the late 1600's the Parthenon was blown up during a war between Venice and the Ottoman Empire, which left the Parthenon almost in complete ruins. Then, in the early 1800's, there came Lord Elgin, who was a huge fanatic of Greek history. Because Greece was currently under conquest by the Ottoman Empire, Lord Elgin made the Ottoman Empire a deal and bought the remains of the Parthenon Frieze artwork along with other sculptures as well. Elgin sent these unique sculptures of art work back to his country, England. Since then these sculptures became known as the "Elgin Marbles", and currently sit in the British Museum at London (“What are the 'Elgin Marbles”, par 1). However, do these fine pieces of artwork truly belong to Elgin? There has been a lot of controversy throughout the years of whet...
...though, today a current restoration project has been continuing in order to reconstruct the Parthenon and is almost finished.
Unlike the La Jolla Project, Stonehenge was probably not an abstract sculptural installation made of polished granite blocks. Stonehenge was built starting in 3100 B.C.E.(Encyclopedia Brittanica 287). The builders used mostly sarsen, a gray sandstone. Bluestones, or blocks of bluish dolerite, were also used. The number of stones used is unknown because the present structure of Stonehenge is the product of at least four major building phases. The stones have endured many centuries of rough weather and erosion.
In Rome the buildings were constructed under Roman Empire. The Roman Colosseum was constructed between 69 to 79 CE by the Vespasian emperor, The Circus Maximum was built in the 2nd century B.C by the high emperor, in 31 B.C the fire destroyed it that led Emperor Augustus to rebuild the Circus in 82 AD, Ludus Magnus was a gladiatorial training school in Rome and it was originally built between 81-96AD by Emperor Domitian. The emperor’s theme was large public stone buildings that would bring the people of Rome together and also the emperor was rich and they had manpower. The emperors also patron towards the workers and also to prove that they are the great leaders. The emperors had money, a lot of workers to build the buildings to the Emperor’s satisfaction. The buildings were used by the public as entertainment where they would go and watch all sorts of races & fights.
The philosophical ideas of Plato that relate to the Parthenon include whether the structure is an element of the Visible World or the Intelligible World. In my opinion, Plato would view the Parthenon as an object in the Visible World. The Parthenon is a one of a kind monument that is tangible and exists in our real world. The Parthenon is an architectural project and deals with forms of science and mathematics. Plato's view of science and mathematics are categorized as forms in the Intelligible World, which are intangible. Through analysis of illusory tactics, the Tripartite Soul, the simile of the line, and the artistic qualities of architecture, Plato's, as well as my view of the Parthenon will become evident.
So to conclude, I believe that national pride was hugely important in the building of the Parthenon, and although it seems that religion took a lower priority, it may have been just as important as national pride in the building of the Parthenon. Bibliography - Books = == ==
Possibly one of the greatest testaments to the Greeks passion for their gods is the Acropolis and Parthenon in Athens, Greece. “. . . temple after temple, each more gorgeous and more perfect than the one before, rose all over the Greek main land, to reach a final climax in the Athenian Parthenon . . .” (Hamlin 124). Here Hamlin explains the greatness of what was achieved in Athens at the Acropolis and how nothing beyond that point could compare.
The Parthenon is an amazing Greek temple that was built 2,500 years ago. Even the architects of today have numerous questions about how it was constructed and how it has held up through its eventful past. The Parthenon's detailed appearance is not its only meaningful quality. The Parthenon was constructed as a temple to the goddess, Athena, and as an icon of the Greek people themselves. The Parthenon represents the Greek ideals of humanism, idealism, and rationalism.
The Parthenon was built during the Golden age in Athens, Greece. The Parthenon is made of mainly columns; there is a 9:4 ratio. It was almost destroyed in war; the ruins that remained were dedicated to Athena. The purpose of the Parthenon was to house the statue of Athena, made of ivory and gold, and also Athena’s treasure. The ratios and the equations used to make the Parthenon were used as a sign of the harmony in the natural world around us. The mathematical harmony in the world shows how we can work with the world rather than destroy to make it what we want. The Parthenon also has no straight lines. The columns of the Parthenon are angled going up getting smaller the higher they get. This was done so that you could get the best lighting
The Roman Colosseum, also known as the Flavian Amphitheatre, is perhaps the most famous ancient landmark in the world. The Colosseum was the host to thousands of gladiatorial shows, mock naval battles, executions, and animal hunts. Today, the Colosseum still stands in the center of Rome, Italy, however, not quite as it used to be. Still, today, the Roman Colosseum is a large tourist attraction, thousands of tourists from all over the world still come to view this marveled arena. The Roman Colosseum has a rich history, and remains a prized possession of the Roman citizens.
interior of the Parthenon. "The statue seems to have been over 12 meters tall, nearly 40