Research Paper On Mona Lisa

. As Charles de Tolnay 1951 wrote, "The Mona Lisa represents the individual as a supernatural person - at the same time the species: the profile of the character, transcends social boundaries and gains universal value." Leonardo worked on this as a researcher and thinker, and as a painter and poet, But the formal aspect and the new design, the nobility and dignity of the resulting model - took decisive action on painting in Florence the next two decades [...] Leonardo created the Mona Lisa painting with a new formula, more valuable and at the same time more lively, more specific , And also more poetic than his predecessors before In the mystery of the missing images and the artists that show that the shape of the exterior without the soul,

or when the soul is distinguished itself, it tries to reach the audience through gestures, and clear symbolic objects (written). to her.*Using a unique technique of painting the woman drawn from the side and forward together, which gave the painting a little three-dimensional character, and contributed to the details more clearly, so it was considered one of the most beautiful paintings throughout the ages until today.

The most important thing that distinguishes the painting from the others is the mysterious smile that adorns the face of the Mona Lisa. The interpretation of it has remained vague until today, despite the many theories around it. Some of them said that it was his mother's smile, and some said it was due to the complex Mona Lisa emotions at that moment. Others said that Leonardo rented Clown to keep her cheering all the time.

The Mona Lisa was also the first painting painted foggy, when you see the lady's clothes, for example, do not find any clear lines and explicit, but a set of overlapping colors give the desired appearance, which is contrary to what was followed at that time

Looking at the background, we find another technique, Leonardo's view of the perspective so as to give an impression of depth and the embodiment of the background and not flatten it, the details become more foggy and opaque as the depth and distance. As was the case in the period of the Madafel.* Leonardo da Vinci used oils and cotton during the Mona Lisa painting, unlike the rest of the paintings in that period, which was painted on canvas from a plant of cannabis. The drawing of the painting on cotton is one of the reasons for the fame of the painting, For six consecutive centuries without being damaged by weather conditions.

The Guinness Book of Records records the Mona Lisa plate with the highest insurance value for a painting in the world. It was secured by US $ 100 million on December 14, 1962.

Paris-Paris is the capital of France.

Located in the north of central France, in the heart of an area called Ile de France, this region includes several cities, regions and counties, with Paris as its capital, and the capital of the country. Paris is the capital of the art of providing a feast for the eyes of art lovers. From the architecture of Paris itself to the masterpieces of Impressionism in the Musée d'Orsé to large holdings in the famous Louvre Museum and many less famous museums, there are almost endless treasures to discover., It is considered one of the most famous cities in the world, European continent, and is the political, economic and commercial center of France. Paris is a destination and destination for many tourists in the world, given its attractive tourist attractions and the most important of these is the Louvre Museum* The Louvre Museum is one of the most famous and important museums in the world. It was formerly a palace, but turned into a museum during the French Revolution in

1798.

Two sections form the painting, Da Vinci chose to draw half the body of the lady (chest and arms) sitting in a slanted position but looking at the viewer.

We find it sitting on a chair without a frame in the frame of a cabin. We also notice a flat edge of a wall and the emergence of two columns from the right and from the left, and the geocond at the center of the formation, reflecting this geometrical place as the main place where humanity is located.

Elements of painting

The absence of human existence from the backdrop of the scene was unusual in the Renaissance

The lady's soul is surrounded by two blocks of a monstrous nature, the right part is higher than the left side and we are unable to cross from one to the other as the face of Mona Lisa cuts through.

the light

The light comes from the left and lightens the face and neck of my personal hand. The choice of dark clothing increases the concentration of lighted sections. Man is the most important element here, highlighting the contradiction between

The vitality of this young lady versus the disturbing natural scene that runs her back to him

Da Vinci fully mastered it, which means blurry as the lines of specific elements fade and merge with each other thanks to the layers accumulated on top of each other, giving an impression of softness and

clarity

The relationship between the smile and the scene.
The smile reflects the back scene. On the right we see high mountains and at the top there is a flat lake, a mirror that forms a high horizon line on the left side. On the contrary, we see a scene at a much lower level, and there is no way to reach from one side to the other. In fact there is a gap hidden behind the face itself and mouth that rises to draw a smile at the high point of the scene indicates the impossible transition between the two sides.* The first features of the art of the Middle Ages are the crisis of the collapse of the old world, the disintegration of the system of slavery and servitude, the domination of the feudalism and the subsequent decline of the classical art curriculum, the changing nature of modeling in the culture of art and the function of social art on the one hand and the birth of forms and genres that meet the overall and ideological needs To the state and religious institutions on the other hand, as well as the historical events witnessed in this era of large migrations of peoples as a result of the various military conquests, and new phenomena embodied in the widespread spread of culture and the arts, after it was a moratorium on the Rakz civil and urban, in addition to the emergence of local schools and Ckloss national culture, and prosperity of folk art that reveals the imagination of a fertile and Aftrhmsalmh, Tjlta great in the richness of decorative motifs and paper applied arts, which Oattyzachma important for the emergence of art Nasba based on the structures of association. The arts went to the general public after Al-Falah Al-Qun, who replaced the deprived man with citizenship and the spiritual and social aspects of life, received new rights. He was recognized as a member of the social fabric. This stage witnessed a qualitative change in the public's awareness and a wide spread of the doctrines and To large segments of the population* The art of the Middle Ages is religious in form, relying heavily on symbols and connotations, and it has led to the absence of forms, its materiality, and its sensory origins. This is the result of the belief that all elements of earthly existence are only a reflection of what is heavenly. The rich inherited traditions that have gone a long way in formulating forms that mimic the reality, are in depth study of nature and its laws, sometimes the prohibition of analogy and diagnosis, and the sharp controversy in the Byzantine era (since the beginning of the ninth century) to deliver religious implications, called this Alenzaabhrb icons (the era of iconoclasm); Vaguetsrt Accessories churches Dinahwalzacharv symbols and inscriptions on the walls. Despite this, and with some aspects of civil art, plastic art remained an important expressionist instrument adopted by the Church in disseminating its teachings;* The artists carried out their work commissioned by the religious authorities and under its direct supervision, and it can be said that the art at this stage was purely religious in order to highlight the spiritual aspects.