Introduction : Representation has been a major concept in the field of cultural studies. Many philosophers and writers wrote about this concept from different levels and perspectives. In an overall view, it is how a certain aspect of life is represented, how do we reflect and construct reality. This research deals with a certain aspect of representation which is related to the country of Morocco. How Morocco is represented in the eyes of others. How some people, authors, travel writers and people who have been here in a specific period of time reflect Morocco. Indeed, many books have been published about Morocco and Moroccan people, this research deals with one perception of Morocco among others. In Morocco by Edith Wharton gives a certain This book is devided to three sections. In the first section she describes the cities and the ruins in a dreamy poetic way and also mentioned a few shots of her mysterious own experience . In the second section describes her visits to the women’s quarters (harems) and some of her critics toward it, this part show mostly her personal opinions. In the third and section she provides different basic information, ranging from modern history, politics and ancient history and the history of art. This book describes Morocco an accurate description and in-depth. Edith mentioned every detail about every city she is in, starting from the architectural designs, the markets, experience of the Harems, the Sultan the custom of sitting on the roofs , the food, the local flavor , the sacrificial of the sheep in our religion feast and the history of Morocco. She also mentioned some realistic and beautiful moments in her travel such us the rising and setting of the sun. However, in Wharton’s writting there is a sense of racism and western superiority. Her attitudes toward the people has a sense of superiority and arrogance and a sound a However, it was easy to notice her pro-colonial stance. Her majority of racism and western superiority is very obvious. By focusing on the chapter that talks about Meknes and Moulay Driss you Wharton’s gives a snapshot of an exotic city in the midst of colonialism, a look on a cliff notes of a city long and complicated
In the case of Elizabeth Ammons, she introduces her analysis by stating that Edith Wharton,
In Ethan Frome by Edith Wharton, Ethan, a reserved young man was torn between two women. He was married to Zenobia Frome, but his true love was his wife’s cousin, Mattie Silver. Zeena and Mattie were different in all aspects. Mattie was a caring, loving, beautiful young girl, while Zeena was a sickly, shrewish woman aged well beyond her years. Ethan was continuously drawn to Mattie throughout the novel, as she was much more attractive and amicable than Zeena.
Moroccan traveler, Ibn Battuta, is well-known for being one of the greatest travelers of his time. Battuta’s descriptive account of his travels to East and West Africa in the fourteenth century provides important insight into African Islamic life at that point in time. Although Battuta and the peoples in black Africa shared the same religion, he comes to realize that sharing a religion is not enough to completely relate to a different group of people. The story of Ibn Battuta in Black Africa illustrates the difficulties he faced in relating to these peoples due to the non-traditional role of women, different religious customs, and frequent misinterpretation of situations.
Colonialism has a severely negative impact on those being affected due to unknown cultures and systems being infiltrated in their country. In the first chapter of “The Complete Persepolis” by Marjane Satrapi, the author starts off with the Islamic Revolution and the changes it brought to her immediate surroundings. This reminds me of colonialism and the changes it brings to the colonized country. Colonialism started with the expedition of the Portuguese and Spanish to discover new wealth. Since then, the drastic after effects of colonialism are still felt today by the affected group. In the 20th century, colonialism plays a part in why some cultural groups are the way they are today. In conclusion, the change the Islamic Revolution did to Marjane’s immediate surroundings is similar to how colonialism affected the colonized countries.
In the novel Segu, Maryse Conde beautifully constructs personal and in depth images of African history through the use of four main characters that depict the struggles and importance of family in what is now present day Mali. These four characters and also brothers, by the names of Tiekoro, Siga, Naba, and Malobali are faced with a world changing around their beloved city of Bambara with new customs of the Islamic religion and the developing ideas of European commerce and slave trade. These new expansions in Africa become stepping stones for the Troare brothers to face head on and they have brought both victory and heartache for them and their family. These four characters are centralized throughout this novel because they provide the reader with an inside account of what life is like during a time where traditional Africa begins to change due to the forceful injection of conquering settlers and religions. This creates a split between family members, a mixing of cultures, and the loss of one’s traditions in the Bambara society which is a reflection of the (WHAT ARE SOME CHANGES) changes that occur in societies across the world.
After a journey into the dark history of Europe and Africa with Sven Lindqvist, I found myself shocked. It’s earth shattering. Ideas and historical events are presented through a journal/proposal of his unique view on racism. Lindqvist raises questions as to where racism was spurred and why what happened in late 1800’s and early 1900’s lead to the holocaust. Including religion, personal human values, advanced warfare and even societies’ impact as a whole. His travels through the Sahara and Africa in the early chapters show a more current day view of society over seas. The description of the desolate continent and harsh conditions paints a picture of what previous civilization lived through. He explains that part of the reason he has traveled to the desert is to feel the space all around him, a definite emptiness if you will. As his travels progress he introduces his own family life that pertains to the human emotion, which is also a big focus point in this book. Childhood beatings over taking the lord’s name in vain, dropped calls from his daughter that leave him torn and sad. He does an excellent job on taking the reader on a personal journey with him through his current day traveling and even his early life. Linking these personal experiences and tying in histories misconceptions of “right and wrong” is what makes this book so valuable. Lindqvist gives a relevant and educated answer to the question of how racism became such a terrible tribulation in all parts of the world.
Nowadays the wide array of transportation means and infrastructures at our disposal has made it relatively easy for us to travel from one country to another; even when those countries are thousands of miles away from each other. However, during the 13th and 14th centuries, travelling was not that easy. Yet, two men, the Italian tradesman Marco Polo and the Moroccan Jurist Ibn Battuta became famous for having managed to perform extremely long distance journeys away from their home country. At the end of their long travels, both men shared their experiences with the world via the books, The Travels of Marco Polo and The Travels of Ibn Battuta. An analysis of those two texts reveals two things. On one hand, Marco Polo remained a cultural outsider to the people he met during his travels, thus enhancing his power of observation and stimulating his curiosity. On the other hand, Ibn Battuta travelled as an insider, and consequently he judged the people he met only in light of his Muslim background.
In particular, when discussing the possession of cultural heritage, Appiah believes that from the point of view of cosmopolitanism, cultural and artistic objects do not belong to a particular nation or country, because artists absorbed the essence of diversified civilization and culture in the process of its creation. Therefore they should belong to all mankind. For exam...
The characters in the novel get caught up in a frenzy of hate, scandal, and love. Newland Archer is a wealthy societal man who views his wife, May, as the reason for his unhappiness. In addition, Newland Archer get swept into the scandal and falls in love with Ellen, who he sees as a route to independence. Ellen Olenska, the cousin of May, brings a tornado of scandal to New York and becomes the center of criticism in society. In The Age of Innocence by Edith Wharton, Archer and Ellen describe the desire for freedom in order to portray society as an oppressor.
A poem that incorporates the oppression of the people living in Martinique, and the political uprising of Martinique during French colonization would be “Out of Alien Days” by Aime Cesaire. Cesaire especially uses examples of imagery and tone to express the ideas of oppression and political revolution to focus on the forms of literature he describes. Along with examples of the literary elements, there should be an explanation of Cesaire’s usage of image and tone that explains the author’s main message in “Out of Alien Days.” In “Out of Alien Days,” Aime Cesaire uses the concepts of imagery and a revolutionary tone to illustrate the problems of the French colonization in Martinique. Cesaire constructs a definitive path in his poem where he is calling for change in Martinique, and rallying his people against the French empire. This paper is about introducing the concepts of imagery and a revolutionary tone along with examples used by Cesaire in “Out of Alien Days,” and an interpretation of the literary elements in connection to Cesaire’s theme in the poem.
On January 24, 1862, Edith Wharton was born to George Frederic Jones and Lucretia Stevens Rhinelander in New York City. Wharton’s family were decedents of English and Dutch colonists who had made fortunes in shipping, selling and banking. Wharton, the youngest and only girl of 3 children, spoke 3 languages and was taught by a series of governesses. Because Wharton was taught only with the intention to provide her with the proper social skills needed to become a good wife, she began to read books from her father’s library, especially western culture books. At the age of 18 Edith Wharton feel in love with Walter Berry, but could not truly pursue the relationship because Berry was not from the same social class as Wharton, which in Old New York, was not socially allowed. However, in 1885 at the age of 23, Wharton married Edward Wharton who was 12 years older then her. Edward Wharton was a gentlemen and a sportsman from a well-established family in Philadelphia. Edward shared her love of travel and was acceptable in eyes of Edith’s parents. From the late 1880’s to 1902 Edward Wharton suffered from acute depression and at this time they stopped traveling and lived exclusively at “the Mount” – the home Edith Wharton designed in Lenox, Massachusetts. Edward Wharton’s depressed really put a strain on their relationship and in 1913 Edith Wharton divorced Edward Wharton. After the divorce Edith returned to writing, at this time she wrote a lot of books that often dealt with divorce, unhappy marriages, and free-spirited people who are trapped by social pressure.
In her lifetime, Edith Wharton experienced the restraining nature of societal expectations against her attempts to establish her individual identity, in both her sexuality and publication of her written works. Wharton specifically has an excellent opportunity to criticize the expectations placed on American women during the Realist era because she emigrated to France and experienced a radically different system to that of America’s. This enabled her to more clearly contemplate how society limited and impacted the personal development of women without Wharton being restricted by her knowledge of solely the American social system. The struggle with societal expectations establishes itself in her novella Summer, in which Charity Royall faces the
Edith Wharton’s books are considered, by some, merely popular fiction of her time. But we must be careful not to equate popularity with the value of the fiction; i.e., we must not assume that if her books are popular, they are also primitive. Compared to the works of her contemporary and friend, Henry James, whose books may seem complex and sometimes bewildering; Wharton’s The Age of Innocence appears to be a simplistic, gossipy commentary of New York society during the last decade of the 19th century*. Instead, it is one man’s struggle with the questions of mortality and immortality. Wharton’s characters, settings and the minutiae of social rituals, manners, speech habits, dress and even flowers help her expose the mortal and immortal. But her adroit contrasts and comparisons with mythology elevate her fiction to the heights of sophistication.
People being generalized based on limited and inaccurate information by sources as television, cartoons or even comic books (Tripod). This is a definition that seems to go against many public standards. The above words are the exact definition of stereotypes. Stereotypes as understood from the definition, goes mostly hand in hand with media -- only not the regular meaning of the innocent media we know. Media propaganda is the other form of media that is rather described as media manipulation. In this paper, the following will be discussed: first, how stereotypes of ethnic groups function in propaganda, why does it function so well, and finally, the consequences of these stereotypes on the life of Egyptians in particular in society. A fair examination will be conducted on this example of stereotypes through clarification examples and research results from researches conducted from reliable sources. The real association between Egyptians’ stereotypes and propaganda discussed in this paper shall magnify the association of stereotypes and propaganda in general.
In Marrakech, the way the people act and are treated is odd. The most striking thing is the strange invisibility of the people. An example of this are the women that passed by Orwell everyday without his noticing. All Orwell noticed was the firewood they were carrying. He realizes that he felt for the donkeys carrying too much before he noticed the old women. He continued on to state, “Anyone can be sorry for the donkey with its galled back, but it is generally owing to some kind of accident if one even notices the old women under her load ...