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Report on Problems with Graffiti in Fruitgrove
1.0 introduction
====================
The purpose of this report is to present the problems and results of
an investigation associated with graffiti in Fruitgrove, especially
along the train station. This report was written in response from
interested members of the community to the local council.
Graffiti are described as ugly, anti-social daubs (See Appendix A)
which give an expression of urban decay and criminal intent. Not only
does it cause much unnecessary trouble to those around the area, but
also cost the government ‘significant financial outlays’ in graffiti
prevention and removal schemes. Therefore, this issue needs to be
addressed urgently.
[IMAGE]
Figure1
[IMAGE]
Figure2
1.1 Research Methods
--------------------
Many different research methods were used to produce this report.
These involve observations, physical investigation and taking photos
around the Fruitgrove train station, survey feedback, books, Internet
research, newspaper articles and local government documents.
It is important to note that one of the limitations of this research
was the lack of time to invite the whole neighbourhood to complete a
survey, especially the younger age groups, who might have a different
opinion compared with the older age groups about this issue.
2.0 causes of graffiti
======================
There are two major causes of why graffiti is drawn. Graffiti is
drawn because the vandals want the satisfaction of/gain more:
à Thrilling risks
à Attention and recognition
2.1 Thrilling risks
-------------------------
Some people enjoy the thrill of taking risks, and may become
graffitists just for the excitement of it, since there are two parts
to the thrill. ‘It has been documented that much of the spray paint
used in graffiti is stolen, and that, in fact, part of the
thrill of writing graffiti is stealing the paint.Â’ (Geason and Wilson
1990) The other part of the thrill is the fear of
The most predominant attribute of a graffiti artist is their mindset, for a graffitist is constantly surveying the streets in search for a new spot to “bomb” as well as examining the work of fellow writers. For instance, when a graffiti artist looks at an empty wall or a distant water tower they envision a canvas suitable for displaying their graffiti. A graffiti artist uses specific terminology when speaking to fellow writers as well as average people interested in this illegal art form. The use of terms, such as “tag,” “throw-up,” and “burner” are used to describe different styles of graffiti letters. In addition, the term “bomb” is used when a graffitist paints on numerous surfaces in a given area. When analyzing the desires of a graffitist, they explain the desire to go “all-city.” The term “all-city” describes a writers’ aspiration to display his graffiti throughout the entire city. The lifestyle of a graffiti artist tends to be more active than that of an average person, for graffitist go “bombing” during late hours of the night. The reason for these late-night paint excursions is to avoid cont...
The Graffiti Tunnel in Sydney University echoes the postmodern ideals of questioning structure by challenging what is known to be art. The different views of graffiti – vandalism versus street art – reflect the instability and uncertainty of postmodernism. Furthermore, through its nature of storytelling, graffiti reflects traditions and preserves culture and the ideas and beliefs of the context it was created in.
Although many people believe that Graffiti is vandalism, it is infact art because many museums display graffiti, people are interested in it, and it displays beauty and emotional power. Many people have learned to appreciate graffiti as an art form and have opened their eyes to the beauty and emotional power it holds. From the video on CBS News, “Is Graffiti Art or Vandalism,” Laura Fanning (museum visitor) explains at 1:42 “… now I see it as more of a commentary and a statement of ‘I’m leaving my mark’…” This quote exhibits a museum visitor whose perception of graffiti changed when she went to a museum that displayed Graffiti. The same message is delivered in the article, “Graffiti Art at the Museum of the City of New York: Writing Was on the Wall, and Some Still Remains” by Ken Johnson. Page one of the article reads, “In 1989, Mr. Wong founded his Museum of American Graffiti on the top floor of a townhouse in the East Village, but real estate complications ended that venture after only six months. In 1994, suffering from AIDS, Mr. Wong donated his collection to the Museum of the City of New York and returned to his hometown, San Francisco, where he died in 1999.” The quote from this article informs the reader that museums will accept people’s collections of graffiti to use in their museum. Museums are usually interested in art and when a museum accepts someone’s personal collection that they have donated it must mean that it is truly art. Not only are museums interested in graffiti as an art form, but many people have come to accept graffiti as an art and take interest in it too.
Graffiti has been around for centuries. It can be seen on buildings, cars, and anything that can be painted with a spray can. Since graffiti came to exist, there has been much debate on whether it is an art form or an illegal activity. While it has been banned and deemed illegal all over the world, it still persists in today’s society. Along with the controversy that comes with graffiti, many commonly known stereotypes are apparent within the act of graffiti. Stereotypically, graffiti is seen as an urban act done by younger people. Typically, since this act is considered illegal, it is mostly done in the middle of the night, and the people partaking are usually wearing dark or black clothes. The picture, “LATA 65 IS A CREATIVE
Vandals; Cornbread, Taki 183, Phase 2, Banksy, Jean-Michel Basquiat are only a few of the OG street artist who were able to take claim of their identity and express their art through their graffiti.
Art is defined by Oxford’s Dictionary as works produced by human creative skill and imagination. The argument of whether or not graffiti is art has been around for an indeterminable amount of time. Because of many different and valid reasons, graffiti should be considered as art.
Looking from the taggers' point of view, one can understand why taggers and graffiti artists draw and do graffiti, but this does not justify the fact that often times this form of self-expression is not acceptable when it is done on other peoples property. Having the opportunity to listen (film, class, talk show) to why taggers and graf...