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How religious figures are depicted in films
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Renaissance Summaries: Three Topics
Topic One Some Hollywood cowboy movies draw symbolism from Christian themes. For example, The Magnificent Seven is related to the Seven Virtues. 3:10 to Yuma and High Noon also have Christian symbolism in them. A piece of artwork called Four Horsemen, much like a cowboy movie, has Christian roots, specifically in the New Testament. The artwork and the other pieces in the series depicted an apocalypse in the 16th century. After the world did not end in 1511, the artworks were republished.
Topic Two The text of the New Testament, in Revelation, depict four distinct horsemen. Each horseman has a different specialty as represented by their color. The four colors are white, red, black, and pale and each color
Films from the 1950s were largely science fiction, The Day the Earth Stood Still is one of those films. The movie focuses on an alien named Klaatu that comes to Earth with an important message, that will affect all of humanity. After watching this film it’s common for those with a small background in Christian beliefs to see the references to Jesus Christ throughout the film. During this period, most Americans believed in the religion of Christianity and its views, which made it easy for the predisposed comparisons to Klaatu and Christ easy for people to see. As presented in the article by Krin Gabbard, it can be easy to conclude that Klaatu from The Day Earth Stood Still is an indirect allegory to the Christian figure, Jesus Christ. Through the films multiple signs and clues, such as Klaatu
The poet spends most of the next three stanzas describing the Green Knight in detail; first, we learn of his clothing, trimmed in fur and embroidery, all green and gold. Then we learn that the horse he rides, the saddle, and the stirrups are all green. The man's long hair matches that of the horse, and he has a great, thick beard, also green.
Looking for biblical reflections in movies is something we often don’t do, but you would be surprised in how many Christian connections there are in different movies. If you look for biblical facts in movies you will see a few, if not a lot of connections. When looking for these connections don’t look too hard, or you will see something that’s no really there. When you get into mindset of looking for those Christian connections it is kind of fun. The movie The Chronicles of Riddick written and directed by David Twohy has many biblical connections, although the director has no beliefs that we know of he has not forgotten his roots.
In the movie Signs faith is tested to determine the life of a family. While there are unresolved family issues throughout the movie there are bigger issues as well. There is also the philosophies of god and the home invasion.
In "The Thematic Paradigm", Robert Ray explains how there are two distinctly different heroes, the outlaw hero and the official hero. The official hero embraces common values and traditional beliefs, while the outlaw has a clear sense of right and wrong but operates above the law (Ray). Ray explains how the role of an outlaw hero has many traits. "The attractiveness of the outlaw hero's childishness and propensity to whims, tantrums, and emotional decisions derived from America's cult of childhood", states Ray. (309) Ray also says, "To the outlaw hero's inconsistence on private standards of right and wrong, the official hero offered the admonition, you cannot take the law into your own hands." (312) The values of these two traditional heroes contrasts clearly. Society favors the outlaw hero because we identify with that character more. We see ourselves more so in the outlaw hero than in the official hero. The outlaw hero has the "childlike" qualities that most of us wish we had as adults. To civilians it may seem that the outlaw hero lives more of a fantasy life that we all wish to have.
Armstrong explains the three forms God takes throughout the three monotheistic religions. She describes Him as being one and the same for each faith, perceived as the Father, the Son, and the Holy Ghost. Many people in Delacroix’s time did not understand that this concept (roughly) spanned over Christianity, Islam, and Judaism, thus leading many to believe that Islam (the farthest removed from the three) was a completely different, almost pagan, religion. Arab Horseman Being Attacked By A Lion is not a religious painting, but Christianity’s influence on white society’s thinking is clearly seen here. During the mid-1800s the west colonized many foreign places (i.e. India, the Philippines), introducing Christianity among other cultural influences. Christianity was now the widest-spreading, fastest-growing faith and it came from the most powerful continent; this led many Europeans to consider it the most superior one. To Christian Europe the radically different Muslim way of worship and lifestyle was seen as undomesticated. The Islamic view of God was perceived by the west as a completely different entity, when (according to Armstrong) it is in fact the same deity. Imagery depicting vicious battles between men in turbans and wild animals was extremely popul...
But then I thought ?Tarantino references the Bible in Jules dialogue in Pulp Fiction?. I did a comicbook about the Bible when I was doing my Foundation Course in MAD (Kent Institute of Art & Design). Violence, sex and betrayal are themes that appear in Tarantino?s films as well as in some of the comics I?ve done. I thought I?ll give a chapter to talk about it.
Western films are the major defining genre of the American film industry, a eulogy to the early days of the expansive American frontier. They are one of the oldest, most enduring and flexible genres and one of the most characteristically American genres in their mythic origins - they focus on the West - in North America. Western films have also been called the horse opera, the oater (quickly-made, short western films which became as common place as oats for horses), or the cowboy picture. The western film genre has portrayed much about America's past, glorifying the past-fading values and aspirations of the mythical by-gone age of the West. Over time, westerns have been re-defined, re-invented and expanded, dismissed, re-discovered, and spoofed. But, most western movies ideas derived from characteristics known to the Native Americans and Mexicans way before the American culture knew about it. What you probably know as a good old western American movie originated from a culture knows as vaqueros (cowboys for Spanish). They are many misrepresentations of cultures and races shown throughout movies from as early as 1920's with silent films. Although one could argue that silent film era was more politically correct then now a day films, the movie industry should not have the right of misrepresenting cultures of Mexicans, Indians and there life styles in films known as western films.
The dichotomy of good and evil is a common theme in both Christianity and the Bible, and plays a large role in this film. World War II was a conflict between the Allied forces (United States, United Kingdom, etc.) which represent the "Good" pitted against the Axis Powers (Germany, Italy, and Japan,) which represent the ‘Evil." ...
Women’s roles in movies have changed dramatically throughout the years. As a result of the changing societal norms, women have experienced more transition in their roles than any other class. During the period of classical Hollywood cinema, both society and the film industry preached that women should be dependent on men and remain in home in order to guarantee stability in the community and the family. Women did not have predominated roles in movies such as being the heroin. The 1940’s film Gilda wasn’t an exception. In Gilda, the female character mainly had two different stereotypes. The female character was first stereotyped as a sex object and the second stereotyped as a scorned woman who has to be punished.
...red, just not in a way that I imagined. My most notable question that was answered was, why was Jesus really crying as he entered Jerusalem riding on a donkey. Wright explains that Israel’s God was coming back at least, but the people couldn't see it, thus Jesus wept.
It is no doubt that Martin Scorsese has heavily influenced the emulating of American film making from European influences. He is a prime example of a ‘New Hollywood Cinema’ director, not only from his ethnicity and background, but from his sheer interest in this form
There is, literally, a rainbow of colors horses come in. Some of the most common colors are bay (brown with black legs, mane, and tail), brown, chestnut (a subdued golden red color), black, and gray (darkish white). Some of the less common are palomino, liver chestnut (dark chestnut), bright chestnut (a very bright golden red color), pinto (piebald being black and white and skewbald being brown or tan and white), dun (tan with black legs, mane, and t...
Eastwood and Tyldum use particular cinematic techniques to support their underlying biases in what makes a national hero. Eastwood is very aware how the title of a national hero is branded on Sully and questions the validity of this. The ultimate scene of Sully was when he was questioned by his superiors a testament to Eastwood's belief. The NTSB interview scene is exemplified, as the public senselessly follow ‘national heroes', and Eastwood wants to show that Sully is a national hero as he fights for what actually happened, the truth. This is shown when sully corrects the NTSB official in the interview, ‘It's not a crash, it was a forced water landing', whilst Sully spoke calmly it did not rile the investigators allowing them to see into his
Movies and books such as The Da Vinci Code that carry themes that are directly related to the Bible are going to face criticism, especially when the themes within them display controversial information that undermines how Christians and the Church understand the Bible. The Da Vinci Code explores a conspiracy about the Vatican and Jesus, and director Ron Howard displays on screen what author Dan Brown presented as historical truth in his novel. Much like Brown, director Darren Aronofsky presented his 2014 film Noah to be a truthful account of the famous Biblical story, but in reality rewrote the story to be what many argue is an “anti-biblical” representation of the true story of “Noah’s