Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Compare and contrast the three monotheistic religions
Comparing the three monotheistic religions
The three monotheistic religions
Don’t take our word for it - see why 10 million students trust us with their essay needs.
I chose to elaborate on two of Karen Armstrong’s themes from the first chapter of A History of God as I felt they were both very strong ideas. The first explains how cultural differences between North Africa and Europe during the Romantic Period affected white society’s failure to realize that Islam indeed worshipped the same deity. The second explains how Delacroix’s audience desired the imagery in the painting because people were, during this time, losing their concept of God.
Armstrong explains the three forms God takes throughout the three monotheistic religions. She describes Him as being one and the same for each faith, perceived as the Father, the Son, and the Holy Ghost. Many people in Delacroix’s time did not understand that this concept (roughly) spanned over Christianity, Islam, and Judaism, thus leading many to believe that Islam (the farthest removed from the three) was a completely different, almost pagan, religion. Arab Horseman Being Attacked By A Lion is not a religious painting, but Christianity’s influence on white society’s thinking is clearly seen here. During the mid-1800s the west colonized many foreign places (i.e. India, the Philippines), introducing Christianity among other cultural influences. Christianity was now the widest-spreading, fastest-growing faith and it came from the most powerful continent; this led many Europeans to consider it the most superior one. To Christian Europe the radically different Muslim way of worship and lifestyle was seen as undomesticated. The Islamic view of God was perceived by the west as a completely different entity, when (according to Armstrong) it is in fact the same deity. Imagery depicting vicious battles between men in turbans and wild animals was extremely popul...
... middle of paper ...
...ing the Bible doesn’t provide. As society began to favor fact over faith, Europeans especially allowed religion to dominate their lives less and less. Arab Horseman Being Attacked by a Lion shows our ideological shift from religious themes to purely human ones.
Delacroix’s society was dominated by very Christian values. People were restricted to the many mores of their social classes and used escapism– namely, art that showed exotic scenes of adventure in far-off places¬– to satisfy their human wants that were ignored in their daily lives. Arab Horseman Being Attacked By A Lion comes from these values, as it shows how people did not yet understand that the three monotheistic religions were worshiping the same deity. It also shows the point at which we began to move away from religious-based art in order to satisfy and celebrate human emotions, needs, and desires.
By most accounts, the year 1500 was in the midst of the height of the Italian Renaissance. In that year, Flemmish artist Jean Hey, known as the “Master of Moulins,” painted “The Annunciation” to adorn a section of an alter piece for his royal French patrons. The painting tells the story of the angel Gabriel’s visit to the Virgin Mary to deliver the news that she will give birth to the son of God. As the story goes, Mary, an unwed woman, was initially terrified about the prospects of pregnancy, but eventually accepts her fate as God’s servant. “The Annunciation” is an oil painting on a modest canvas, three feet tall and half as wide. The setting of the painting is a study, Mary sitting at a desk in the bottom right hand corner reading, and the angel Gabriel behind her holding a golden scepter, perhaps floating and slightly off the canvas’s center to the left. Both figures are making distinct hand gestures, and a single white dove, in a glowing sphere of gold, floats directly above Mary’s head. The rest of the study is artistic but uncluttered: a tiled floor, a bed with red sheets, and Italian-style architecture. “The Annunciation” was painted at a momentous time, at what is now considered the end of the Early Renaissance (the majority of the 15th Century) and the beginning of the High Renaissance (roughly, 1495 – 1520). Because of its appropriate placement in the Renaissance’s timeline and its distinctly High Renaissance characteristics, Jean Hey’s “Annunciation” represents the culmination of the transition from the trial-and-error process of the Early Renaissance, to the technical perfection that embodied the High Renaissance. Specifically, “Annunciation” demonstrates technical advancements in the portrayal of the huma...
In the first chapter of God Behaving Badly, David Lamb argues that God is unfairly given a bad reputation. He claims these negative perceptions are fueled by pop culture and lead many to believe the lie that the God of the Old Testament is angry, sexist, racist, violent, legalistic, rigid, and distant. These negative perceptions, in turn, affect our faith. Ultimately, Lamb seeks to demonstrate that historical context disproves the presumptuous aforementioned. In addition, he defends his position by citing patterns of descriptions that characterize God throughout the Old Testament. “Our image of God will directly affect how we either pursue or avoid God. If we believe that the God of the Old Testament is really harsh, unfair and cruel, we won’t want anything to do with him” (Lamb 22). Clearly, they way Christians choose to see God will shape their relationship with Him.
Plantinga’s (2002) book Engaging God’s World consists of five parts: “Longing and Hope,” “Creation,” “The Fall,” “Redemption,” and “Vocation in the Kingdom of God.” Throughout the work, Plantinga references public speakers and activists, lyricists, philosophers, saints, and authors to help his audience connect to his perspective.
Through these events, islamic themes are displayed by Salih, but they are shown in many different ways. In this miraculous representation of a Sudanese town, two individuals bring together and resemble the Islamic religion in two opposing ways. By describing
The film Aguirre, the Wrath of God is a classical tragedy. It was written and directed by Werner Herzog, in the year 1972. This film tells the story of the tragic expedition of the Spanish conquistador Gonzalo Pizarro, who, in the year 1561, led an expedition into the Peruvian rain forest to search for, the lost city of gold, El Dorado. The expedition encounters a dangerous river. A small group led by Pedro de Ursua, is selected to search of food and the El Dorado city. Ursua is overthrown by power hungry Aguirre when he orders the group to return to the expedition. Aguirre appoints a nobleman Fernando de Guzman as their new leader. They proclaim their independence from King Philip II of Spain. They Travel down the river by small a raft. They crew frequently gets attacked by mysterious Indian arrows. They eventually run out of food and Guzman's leadership fails. After Guzman’s death, Aguirre then takes direct command of the disintegrated crew. His ambitious plan is to conquer El Dorado and start the purest dynasty ever known, by marrying his own daughter. By the end everyone on this expedition dies due to the harsh natural land scape and the ambition of Aguirre. I will explore the most intriguing theme of this movie, which revolves around the power of natural world and the destruction of mankind.
Maalouf’s main thesis in The Crusades Through Arab Eyes is that the crusades are a major part of history and have truly influenced every one of our lives. The second pa...
Timothy Keller stated, “My friends, when God’s presence comes into your life full of selfishness with his love, full of power with your anxiety, there’s going to be a clash.” The book The Reason for God: Belief in an age of Skepticism by Timothy Keller is a book that should be read by believers in God, and unbelievers as well. This book helps all people knock down the barrier between themselves and God in order to grow a relationship with Him. Timothy Keller is the pastor of Redeemer Presbyterian Church that he started in 1989, and is also Chairman of Redeemer City to City. He is prepared with the tools to help people strengthen their belief in God, as well as open their eyes to the Christian God.
Eugène Delacroix was a French painter who focused on the values of Romanticism: self-realization through the act of embracing emotions and contemplating nature. The contribution of his compelling works greatly influenced the Ro...
...learly that Ayaan Hirsi Ali, Van Gogh and Bouyeri had indeed highly divergent understandings of several issues including the relation between Church and government and gender equality. Bouyeri, for instance, a Muslim immigrant unable to assimilate to a western, secular nation seemed to fail to identify either with his original or with his host culture. His fanaticism, therefore, was apparently more a remedy to his feeling of isolation than real identification. Ironically, the country that is supposed to host the most tolerant civilization of the entire world was home of a prime example of intolerance – Van Gogh’s murder. Clearly, the three characters’ clashing perceptions, added to the effects of globalization pointed out by Huntington (economic modernization and social change) made them – even if Bouyeri more visibly – fall into the “trap” of civilizations’ clash.
Nelson, Jack. Is religion killing us?violence in the Bible and the Quran / Jack Nelson-Pallmeyer.. 2003 Print.
Karen Armstrong’s A History of God is an extremely thorough and comprehensive piece of work which explores the complexities of how human beings have perceived God historically and presently. Karen Armstrong, a British journalist, is well-known for her published works, which include Through the Narrow Gate and The Spiral Staircase, typically concerning comparative religion. As a former nun, Armstrong is able to reflect not only about her experiences, but also her spiritual awakening in which she discovers and relates the intricate fundamentals of the three major monotheistic religions: Judaism, Christianity and Islam. The purpose of this review is to provide an elaborate analysis of how effectively Karen Armstrong was able to demonstrate her
--.I will compare the themes and tones of the works of art, as well as the experiences and attitudes of the main roles of each individual that represents the paintings in the above paintings. I will connect these to the experiences of the believers, that particular in those who have had their faith disputed by some ideas, theories, and some events in the world today. --
Throughout human history power imbalances have been prevalent in almost every civilization. One method of controlling people, in addition to power power, is to control how much knowledge gets out to the masses. This paper examines how iconoclasm is used in the Middle East as a method of controlling popular opinions and thoughts on race,sex and many other important details of everyday life. Iconoclasm is the systemic destruction of religious or cultural pieces of artwork for political or religious reasons. The destruction of artifacts can rewrite cultural history and change opinions on how the history of a nation is perceived. This also results in extensive loss of cultural history which can never be recovered. The Middle East is of particular interest in this research paper as it has been in the news recently for such acts. Most Middle Eastern countries have Islam listed as their official religion. In Islam it is forbidden to show the face of Allah, the God of Islam, in any form of artwork. It is also seen as taboo to have any living creatures such as humans or animals depicted in a mosque, the Islamic place of worship. As such, many buildings which have been converted into mosques have been defaced to suit the proper Islamic code. One such incident of this happening is the Hagia Sophia in Istanbul. Once a Roman Catholic church, it was converted into a mosque after the conquer of the Byzantine Empire by the Ottoman Turks and all mosaics depicting Jesus, His mother and saints were removed. Another popular incident attributed to iconoclasm within Middle Eastern countries include the missing nose of the Sphinx in Egypt(World Heritage Site). One confirmed incident of iconoclasm in within the past few decades is of the defacing and d...
The Prophet is a book of short essays by Kahlil Gibran on a variety of themes ranging from love and marriage to pain and death presented by a character named Almustafa. By using a variety of rhetorical devices such as metaphors, similes, and imagery, he enhances the ideas presented in each section and makes them easier for the reader to comprehend and put into practice. Although written in 1923, all of the themes are still very relevant in today’s world, perhaps even more so.
Orthodox Christianity introduced religious intolerance into the world and the conflicts that emerged from this intolerance helped shaped the world in which we know. The moments of intolerance are counterbalanced with moments of acceptance and tolerance by many different religions, including the Jews, Muslims and Christians. Medieval Spain witnessed many such moments; it has been said that “despite intractable differences and enduring hostilities, [these religions] nourished a culture of tolerance” (Menocal, 1). Yet in the texts that we have read, intolerance is the prevailing theme that is displayed. In The Song of El Cid, the acts of violence towards the Muslim people help showcase the negative feelings that developed since the introduction of Christianity. The coexistence that they were once able to share is eliminated with only few gestures of tolerance. The question that can be asked though is if these moments of tolerance are really acceptance of the other cultures, or acceptance based on fear. The triumph of intolerance is visible throughout The Song of El Cid, as well as other Christian texts, such as the writings of St. Paul and the works of Hildegard of