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The influence of the Renaissance on Art
Modern renaissance art
Modern renaissance art
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Recommended: The influence of the Renaissance on Art
Ryan Hernandez
Professor Kelly Emick
Art 111
6 November 2017
Stylized Focus
Art has many styles, shapes, forms, and meanings. The way people perceive art is very different from one another. Prehistoric, ancient, byzantine, and renaissance art are all different eras that produced some of the first and some of the best art. The renaissance era is the greatest era for art known to man. Even though some of the art pieces are similar, prehistoric, ancient, byzantine, and renaissance art all focused on completely different areas of work. The artists were also alive at different times in history which had an effect on their creative process.
Prehistoric art has been dated back to about 30,000 B.C. The first known art pieces were found in western
Europe. The oldest, most well-known prehistoric sculpture was found in Willendorf, Austria. It is a 4 inch sculpture, believed to be a women, carved out of limestone called the Venus of Willendorf. The sculpture is dated back to around 25,000 and 21,000 B.C. The sculpture has very stylized features and not much detail. Her torso, head, thighs, and breasts are bulbous oval shapes which emphasizes her body mass. The Venus of Willendorf is also theorized to be a fertility goddess. Some scholars speculate that the emphasis of her pelvis and breasts represent fertility. Another prehistoric piece of art is the Lascaux cave paintings. These are believed to be from about 15,000 B.C. The Lascaux paintings are one of the first cave paintings ever created by man. The paintings depict animals that could found on the landscape, but it does not show any vegetation or environment. The purpose of the paintings are unknown, but some believe that the paintings were a representation of the animals they hunted to survive. Early prehistoric art was based on humanity. The Venus of Willendorf focused on the value of human form. The artist wanted to represent how life was at the time. The Lascaux cave paintings share the same meaning. Whoever the artist was wanted to capture what was important to humans at the time. Animals were a very big part of their diet and their life which is why they focused on that in their paintings. From the earliest times Egyptian art was developed in the service of the king. Ancient Egyptian art was first created to show that the king was a god. The art-forms were first of all worked out by the master craftsmen in the Pharaoh’s court. Their ideas and fashions were then followed carefully by lesser craftsmen who worked for ordinary Egyptians.
The Renaissance art had well defined landscapes, natural folds in drapery and three dimensional objects or people. The middle ages art was focused on religion and symbolic representations (Doc.A). At the same time the new artistic styles almost kind of mocked the the movements and interest of the new age. That is how the renaissance changed has man’s view of man on art.(doc.A)
All in all, the artworks of Mesopotamia, Ancient Egypt, Aegean cultures, and Ancient Greece have similarities that not only reflect objects and images, but also the media, style and representation, these cultures are vastly exclusive works ranging from triangular depictions of form, to breezy depictions of nature, to sturdy architectural innovations for their citadels. Because of the existence of these major cultures of art in our world, it has made what art is today. These four unbelievable time periods have learned from each other and improved the way they accomplish their art techniques. These amazing cultures set a foundation that we were able to build on for thousands of years now with much more to come.
...ave many differences. These differences originate from the difference in purpose because of the heritage, culture and beliefs of the artists.
Though the Renaissance era included all of Europe, Italy was the cradle of the movement. The cities of Florence, Rome and Venice were of great importance to this period. Major artists created art mainly in these three. As the center of Italy, Rome held the residence of the Pope and many other important factors. Throughout history, the Roman Catholic Church was very insistent on promoting their ideas. During this time, they used artists and their creativity to promote the Bible and other aspects of their beliefs. Artists were paid, or commissioned by patrons (often the Pope) to create art they wanted. One of the most ambitious patrons was Pope Julius II, who realized the impact visual images had on people’s ideas (Kleiner, 599). Pope Julius II was called the warring Pope, because he often went and involved himself in wars. He also held very humanistic ideas. Because of this, Michelangelo’s relationship to Pope Julius II was very different from his relationship with Pope Leo X, who succeeded Julius II. Julius, because of his adaptions to humanistic thoughts, he let Michelangelo express himself to the fullest, even when forcing him to paint the Sistine Chapel. Leo X, however, was very critical of everything Michelangelo set out upon. This resulted a strained relationship, and eventually abandonment of projects that were supposed to be completed. It is clear that Pope Julius II had a liking for Michelangelo, while the Medici’s looked on him as a type of lowly artist subject to their will.
Imagine pondering into a reconstruction of reality through only the visual sense. Without tasting, smelling, touching, or hearing, it may be hard to find oneself in an alternate universe through a piece of art work, which was the artist’s intended purpose. The eyes serve a much higher purpose than to view an object, the absorptions of electromagnetic waves allows for one to endeavor on a journey and enter a world of no limitation. During the 15th century, specifically the Early Renaissance, Flemish altarpieces swept Europe with their strong attention to details. Works of altarpieces were able to encompass significant details that the audience may typically only pay a cursory glance. The size of altarpieces was its most obvious feat but also its most important. Artists, such as Jan van Eyck, Melchior Broederlam, and Robert Campin, contributed to the vast growth of the Early Renaissance by enhancing visual effects with the use of pious symbols. Jan van Eyck embodied the “rebirth” later labeled as the Renaissance by employing his method of oils at such a level that he was once credited for being the inventor of oil painting. Although van Eyck, Broederlam, and Campin each contributed to the rise of the Early Renaissance, van Eyck’s altarpiece Adoration of the Mystic Lamb epitomized the artworks produced during this time period by vividly incorporating symbols to reconstruct the teachings of Christianity.
During the Renaissance artists changed the way they painted and sculpted, they learned how to paint in all three dimensions, which brought life and realism to their works. Also, getting away from the religious roots of art created an entirely new type of art that was rich in drama and emotion. This was also the time period when painting with oils was started.
During my second time visiting the museum, I looked at paintings from the 15th and 19th centuries. Two of the art works that I choose is “The Story of Joseph” from the Renaissance period and “The Marketplace” from the modern art period. Both of these paintings were from different time periods but they were also very similar in content and style.
Juan Ponce de Leon was born in 1460 in San Seravas, Spain. He was born into Spanish nobility but he and his family were not wealthy, which is unusual for noble families. He then went on to become a knight where he sought fame and fortune. He was given high class education in fighting, manners, and religion while he was serving another knight named Pedro Nunez de Guzman. He would later help in the fight against the Muslim, kingdom Granada in southern Spain. After the war, there was no need for military services. Ponce de Leon began his exploration career. When Christopher Columbus announced he was going to sail again to the new world, Ponce de Leon took this opportunity, and sailed with him.
The shift between the Middle Ages and the Renaissance was characterized by great socio-economic, political, and religious changes. Politically, the feudal system of the Middle Ages was exchanged for a more stable centralized republic/monarchy system that gave the people more freedom and input. Religiously, secularism became more important as stability gave people a chance to concern themselves with the “here and now” rather than simply the “hereafter.” Socially, there was a shift from dogma and unshakeable belief to humanism and the ability to interpret things for oneself. The Middle Ages began around 400 CE and lasted until 1400 CE while the Renaissance began around 1200 and continued until 1600. The 200 years that overlap between these two periods contain many pieces of “transition” art in which it is obvious that the change is beginning to take place. These collective changes that took place in this period dictated change in art as well. There were changes in iconography, style, purpose, and patronage that facilitated the overall transformation of art from a sense of illustrating what you are told to believe is true to optical realism and conveying how you yourself interpret that “truth”.
The word renaissance means rebirth in French. Later historians would claim and label era of the renaissance by the rebirth of approach and standards based on in traditional antiquity. The renaissance was from 1420 to 1600 and it was both historical and cultural. Some of the most notable events that occurred during this period was the end of the hundred-year war between England and France, Christopher Columbus heads for the new world, Ottaviano Petrucci publishes the Odhecaton which is the first book of music printed, Henry VIII breaks with Rome, declares himself the head of the church of England, and William Shakespeare’s Romeo and Juliet. However, there are other countless events that took place this time period.
While it's apparent that artists of the modern age owe much to the artists in the Renaissance, there are many differences between the two. There are some similarities however much of what the artist is expressing, and how they present their concepts are entirely different. Renaissance art appears to be more of a historic record, and heavily influenced by reason and mathematics. Modern art on the other hand tends to convey ideas, and emotions, leaving interpretation to the viewer, instead of being straight forward.
The Renaissance time period started in the late 14th century and it lasted all through the 16th century. It all started in the late Middle ages throughout Italy (http://fashionhistory.net) taking at least one-hundred years before it reached the Northern Alps. This was also the period where the word “European” was put in use and understood by other places, and the word “Renascrere” originated from the Italian word “Renascrere” and it meant to be re-born. The word Renascrere fitted perfectly to this age due to the fact that many had intellectual pursuits and creative energy was re-born (www.richeast.org). The Renaissance would be best known for its artistic aspect and famous polymaths as Leonardo da Vinci and Michelangelo given the term “Renaissance men.” It was an effective cultural and development of perspective in painting movement spreading to the rest of Europe and the advancements in science. (www.richeast.org)
Renaissance music is vocal and instrumental music written and performed in Europe during the Renaissance era. The consensus among music historians has been to start the era around 1400, with the end of the medieval era, and to close it around 1600, with the beginning of the Baroque period, therefore commencing the musical Renaissance about a hundred years after the beginning of the Renaissance as it is understood in other disciplines. As in the other arts, the music of the period was significantly influenced by the developments which define the Early Modern period: the rise of humanistic thought; the recovery of the literary and artistic heritage of Ancient Greece and Ancient Rome; increased innovation and discovery; the growth of commercial
The Italian Renaissance included some of the greatest artists we have ever seen from Leonard Da Vinci, to Michelangelo, and Raphael. The Renaissance took place from the late thirteenth to sixteenth centuries and is know as the ‘rebirth’. The idea that the rebirth of the arts after being asleep for a thousand years is an amazing thing to grasp. This time brought back light to liberal arts, which were on the brink of being extinct. (Murray 2) What is also interesting about art during this time was that most of the art had Christian in its roots, for example, Botticelli’s The Allegory of Spring (Faure 1) is said to have had a Christian interpretation. (Murray) “Every Italian artist, willingly took the title of architect, sculptor, and painter” (Faure 2). At the beginning of the fifteenth century, the Italian painters had asked the Flemish painters for their secret techniques because the Italians felt like the language of painting was one that was always meant for them. (Faure 4) The sculptors claimed their inspiration from ancient works. Lastly the Renaissance introduced idea of individualism, which helped the Italians get away from everything that was going on during that time. Art during the Renaissance included painting, sculpting and architecture, all of which were an important part in expressing the idea of individualism and making art what is is today.
Art is represented in many ways. During the Egyptian era the art was arise through its divinity and praise to god. The pharaohs believed they were the chosen one picked by the gods. So, the kings ordered statues and paintings to be created the way they wanted. I have noticed that the statues proportion were very tall to symbolize how close to god the pharaoh is. The sharp features on the face and body, jewelry, and the pharaohs crown. Paleolithic era art was either stationary or portable. Portable art from this time was very recognizable whether animal or human in form. All most all the portable art was carved from stone, bone, or antler, or molded clay.