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Italian and Northern Renaissance art
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Renaissance art, the culture of art and architecture evolved in the 14-16th century in Florence. Artwork was based on a structure to show human perfection. Examples such as Leonardo Da Vinci’s and Michelangelo art show the artistic implications of what ancient Greeks thought of beauty. The Greeks idealized beauty in terms of forms and applied it in their art, which by the time of the Renaissance, began to incorporate it in a more realistic approach. Michelangelo used the Greek belief of perfect beauty and the newly emerging realistic viewpoint on art to create an image of a near god-like beauty. From the works of both Michelangelo and Leonardo Da Vinci, Renaissance art heavily relied on Greek beauty, to portray their messages across on idealization and portrayed divinity in biblical art.
Ancient Greece is where the search for human beauty began. Exploring symmetrical and ideological perfections on human features, with reference to the Golden Ratio enabled the Greeks to answer what beauty was. Plato, born into an Athenian family in the golden age of Greek democracy, strived to elaborate the idea of Forms which originated from Hereclitus’ statement, “all things accessible to the senses are always in a state of flux.” Expanding from the idea of Forms, Plato questioned beauty, “What is beauty? Is it a reality or appearance? What is the essence of all these things . . . which we call beautiful?"
Along with Plato, Euclid too found a mathematical solution to define what beauty was. The Divine Ratio was founded by Euclid, which Plato incorporated into the theories of platonic solids. The Divine Ratio also known as the Golden Ratio has later influenced art, the reference of Phi helps understand why something comes across as having...
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... the form of mathematic ratios, art from ancient Greece has heavily based off the original concept of beauty in the Golden Ratio. As the renaissance period reinvented the idea of beauty, artists such as Michelangelo and Da Vinci took it a step further when incorporating the Golden Ratio in biblical art, embracing both ancient ideologies with Christianity. As seen in Michelangelo’s work in the Sistine Chapel, Creation of Adam and Pieta, he paired Greek beauty with god-like beauty through biblical referencing. Michelangelo was not the only person in the renaissance period who merged Greek ideals with biblical scripture, Leonardo Da Vinci was too famous for such connections too, in particular with ‘The Virgin of the Rocks.” It is thanks to mathematicians such as Euclid, who collaborated mathematics into beauty, leading artists to create such natural and idealistic art.
...tellectus. However, while painting in the ratio he noticed some things were more beautiful to paint than others. Ratio is what caused him to not enter through the gates of heaven. He had not preserved his intellectus or true beauty of things. He had lost intellectus through realization of time, of time slowing. So, instead of letting time go he grabbed it which brought him to reason his paintings through the mind rather than the spirit.
As Michelangelo once said, “Every block of stone has a statue inside it and it is the task of the sculptor to discover it” ("Michelangelo Quotes"). During the Greek/Roman periods prosperity was scarce, and to the early citizens who lived during this time one of the only values was personal religious beliefs/ideas - mostly pagan. The expression of these beliefs/ideas were most commonly portrayed through paintings, sculptures, and buildings. During the Renaissance periods prosperity was on a steady but slow growth. This growth was still accompanied by a flowering of philosophy, literature, and especially art. Renaissance arts mostly portrayed the beliefs of Christianity. Acknowledging the years passed between the Greek/Roman to the Renaissance, art was still valued as one of life’s great prosperities in both times. Against the backdrop of different political stabilities and prosperity statuses both time periods were jointed by the importance of personal desires and one's beliefs. While the Renaissance and Greek/Roman time periods were different in many ways, the two time periods had similarities including the expression of the human form, the confidence with the body, and different religious beliefs.
About eighty years after Divine Comedy was written, a surge of architecture and sculpture had risen. Three prominent artists in the later Middle Ages were famed for their original designs that held Roman, Greek, and Christian influences within their work. Donatello and Brunelleschi contributed to an era that perpetually changed Western art and it was due to
For my analytical essay I've chosen the Renaissance art movement. I choose this movement because it played such a monumental part in European history. Basically, the Renaissance, also known as the rebirth, was a cultural movement that started an artistic transformation and started the scientific revolution. This time period also links the transition from the end of the Middle Ages to the beginning of the Modern Age. The Renaissance started in Italy in the 14th century and spread to northern Europe by the 16th century.
Plato was born in Athens, Greece around 427 B.C. He was always interested in politics, until he witnessed his mentor and teacher, Socrates, death. After learning of the callousness of politics, Plato changed his mind and eventually opened up The Academy, which is considered if not the first, one of the first Universities. Students at the Academy studied many different fields of science, including biological and astronomical. The students also studied many other fields, such as math. Plato developed many views that were mathematical in nature. He expressed these views through his writings. According to Dr. Calkins of Andrew University, "Timaeus is probably the most renowned of Plato's thirty-five dialogues. [In it] Plato expresses that he believes that the heavenly bodies are arranged in perfect geometric form. He said that because the heavens are perfect, the various heavenly bodies move in exact circles." (Calkins 1). Of course that is a much summarized view of what Plato discusses in Timaeus, but still a solid view on Plato's beliefs about cosmology. Cosmology can be loosely defined as everything being explained and in its place or beautiful. The cosmos is beautiful because everything is perfect. Plato understood that when he defined the most perfect geometric design as the circle. In a circle one line is always equidistance from one point. In Plato's universe there are two realms, eternity and time. The factor that creates "time" out of the chaos of "eternity" is the Demiurge. Plato's Demiurge can be defined as an architect creator theological entity. The importance of the Demiurge in this paper is to compare and contrast him with Boethius's God in The Consolation of Philosophy.
words that help capture what is medieval art. The artists behind these pieces of artwork
Living conditions in the Middle Ages contributed to the rapid spread of the Bubonic Plague which led to people relying on religion as a source of comfort and security. However, it was also thought to be a punishment from God. As people died and more land became available, the Church was able to gain more power. This is a good example of how much people relied on religion and the Church during Medieval times. The art of the time period reflected this as artists designed and painted their artwork to worship and honor God and religion. An example of this devotion to the faith is shown in The Bull of Canonization of St. Francis of Assisi where Pope Gregory IX praises Francis for giving everything up to serve God and seeking “not his own interests,
A successful civilization is portrayed though art; it is a luxurious pastime that shows wealth and time. During the Renaissance, the production of art was long-standing. New techniques and characteristics emerged as well as masterpieces that were made by some of the most influential artists in history. During the Gothic and Romanesque periods, the techniques used for art were not as realistic as the Renaissance; they were flat, one-dimensional, and unproportional. During the Renaissance however, the concept of proportion, perspective, chiaroscuro and sfumato was formed. Proportion is the technique of having a greater understanding of portraying objects or people accurately. Marcus Vitruvius Pollio was a Roman author, architect, mathematician and doctor who described the ideal proportions of a human during his time. He set out certain measurements and values of the human body, for example the pa...
History plays a very important role in the development of art and architecture. Over time people, events, and religion, have contributed to the evolution of art. Christianity has become a very common and well established religion, however, in the past it was hidden and a few people would worship this religion secretly. Gradually, Christianity became a growing religion and it attracted many converts from different social statuses. Christian art was highly influenced by the Greco-Romans, but it was immensely impacted by the establishment of the Edict of Milan in the year 313 AD. The Edict of Milan was so significant that scholars divide Christian art into two time periods, time before and after the Edict of Milan of 313.
The Italian Renaissance included some of the greatest artists we have ever seen from Leonard Da Vinci, to Michelangelo, and Raphael. The Renaissance took place from the late thirteenth to sixteenth centuries and is know as the ‘rebirth’. The idea that the rebirth of the arts after being asleep for a thousand years is an amazing thing to grasp. This time brought back light to liberal arts, which were on the brink of being extinct. (Murray 2) What is also interesting about art during this time was that most of the art had Christian in its roots, for example, Botticelli’s The Allegory of Spring (Faure 1) is said to have had a Christian interpretation. (Murray) “Every Italian artist, willingly took the title of architect, sculptor, and painter” (Faure 2). At the beginning of the fifteenth century, the Italian painters had asked the Flemish painters for their secret techniques because the Italians felt like the language of painting was one that was always meant for them. (Faure 4) The sculptors claimed their inspiration from ancient works. Lastly the Renaissance introduced idea of individualism, which helped the Italians get away from everything that was going on during that time. Art during the Renaissance included painting, sculpting and architecture, all of which were an important part in expressing the idea of individualism and making art what is is today.
Emily Noe Art History Art Profile Raphael The School of Athens represents all the greatest mathematicians, philosophers and scientists gathered together sharing their ideas and learning from each other. These figures all lived at different times, but here they are gathered together under one roof. The men according to History of Art: The Western Tradition Zeno of Citium, Epicurus, Empedocles, Averroes,Pythagoras, Alcibiades, Antisthenes, Raphael, Aeschines, Parmenides, Socrates, Heraclitus,Plato, Aristotle, Diogenes of Sinope, Plotinus, Euclid, Strabo, Ptolemy, Apelles and Protogenes.The dawn of these lives have built the path we know today that challenges our very existence.The shape of the earth, the solar system. The understanding of the
The Baroque era was the age of magic. Flat surfaces became three-dimensional and paint on plaster became alive. It was the age of masterful illusion. Nothing exhibits this mastery better than Baroque ceiling paintings.
The golden ratio is a ‘famous’ number that is said to be recurring throughout the world. Architects are said to build with it, painters are said to use it, even sculpter are said to sculpt with it. The Greeks found this ‘Golden Section’ called phi around 500 BC. Phidias was a Greek sculptor and mathematician who is said to have studied phi. Today, there are many claims of where we can find the golden ratio.
A rectangle is a very common shape. There are rectangles everywhere, and some of the dimensions of these rectangles are more impressive to look at then others. The reason for this, is that the rectangles that are pleasing to look at, are in the golden ratio. The Golden Ratio is one of the most mysterious and magnificent numbers/ratios in all of math. The Golden Ratio appears almost everywhere you look, yet not everyone has ever heard about it. The Golden Ratio is a special number that is equal to 1.618. An American mathematician named Mark Barr, presented the ratio using the Greek symbol “Φ”. It has been discovered in many places, such as art, architectures, humans, and plants. The Golden Ratio, also known as Phi, was used by ancient mathematicians in Egypt, about 3 thousand years ago. It is extraordinary that one simple ratio has affected and designed most of the world. In math, the golden ratio is when two quantities ratio is same as the ratio of their sum to the larger of the two quantities. The Golden Ratio is also know as the Golden Rectangle. In a Golden Rectangle, you can take out a square and then a smaller version of the same rectangle will remain. You can continue doing this, and a spiral will eventually appear. The Golden Rectangle is a very important and unique shape in math. Ancient artists, mathematicians, and architects thought that this ratio was the most pleasing ratio to look at. In the designing of buildings, sculptures or paintings, artists would make sure they used this ratio. There are so many components and interesting things about the Golden Ratio, and in the following essay it will cover the occurrences of the ratio in the world, the relationships, applications, and the construction of the ratio. (add ...
The Renaissance used the Golden Mean and Phi in their sculptures and paintings to achieve vast amounts balance and beauty.