Remembrance of Empire in the Nomenclature of Belfast Streets
I
Belfast is Northern Ireland’s principal city and at times its centre of government. Its size and past prosperity can be attribute to its role as a major seaport in the former British Empire. In administrative terms at least the city remains “British” today. A clear result of its history is the present demographic pattern of the city and the nomenclature that accompanies it. I intend to discuss an aspect of this nomenclature — the names of Belfast streets, which are evocative of an Imperial past. Such titles should be seen in respect of the political implications and literary function of naming.
It is safe to assert that a name is a construct and therein has a degree of fictionality. To place this in context one could suggest that the naming of an object is less tangible than say its design, naming is governed by few substantial constraints, design by many; physical, financial and so on. However, it would be incorrect to suggest naming is pure fiction; indeed names can be seen as the bridge between the actual object that exists and our ethereal mental image of said object. In light of this a useful definition of fiction would be to see it as “groups of signs” often extremely large groups if one considers the average novel. Thus names in their smallest form would be best seen as individual signs. it would then be possible to theorise that up to a certain point the more signs collected in a single group the broader the fictional and communicative possibilities are.
Consider then if the collector of a group of signs — in literary terms the author — were to bring certain signs together with a thematic intent based upon, for example, an ideological belief. What would be the effect of street names that could be collocated in the same semantic field? A fine working example is a part of Belfast referred to as “The Holy Land” this moniker not being a reflection of the devout nature of its residents but an acknowledgement of the area’s street names, prefixes being “Jerusalem”, “Palestine”, “Damascus” and “Cairo.” Such groupings of street names are certainly noticed, but do they have the power to shape public attitudes? This is doubtful, for example merely renaming the streets of Britain after famous poets would not change its public’s apathy towards the art form single-handedly, it would probably only have an effect in support of say an authoritarian campaign of enforced poetry appreciation.
Revascularization strategies including coronary artery bypass grafting (CABG) and percutaneous coronary intervention (PCI) are recommended as treatments for coronary artery disease. [8-11] CABG generally cost more ...
In the poem “The Names,” by Billy Collins, the speaker is calmly recalling people’s last names alphabetically as he notices them wherever he goes. At first it seems as though he is playing a game to see how many names he can think of. After reading the whole poem several times, it becomes clear that he is referring to people who died on September 11th. Collins uses imagery, a serious tone, and similes throughout the poem to show appreciation for the memory of the victims that died that tragic day.
Roland, Alex. "Was the Nuclear Arms Race Deterministic?" Technology and Culture 51.2 (2010): 444-461. Project MUSE. Web. 1 Nov. 2013.
However, the product has one significant weakness as it exhibits creep and or cold flow characteristics, under compressive loads, thus affecting the gasket’s performance, since frequent retightening is required. The point is most users of PTFE are unaware of the fact that several different materials can be used successfully for the same application. The question to ask is what product is right for your application.
o Things can only have “right names” only if there is a necessary connection between symbols and things being symbolized.
The atomic bomb is a powerful, explosive nuclear weapon. It is fueled by the fission of the nuclei of specific amounts of plutonium or uranium, in a chain reaction. The strength of the explosion created by one of these bombs is equal to the strength of an explosion created by thousands of tons of TNT.
In James Joyce’s Dubliners, the theme of escape tends to be a trend when characters are faced with critical decisions. Joyce’s novel presents a bleak and dark view of Ireland; his intentions by writing this novel are to illustrate people’s reasons to flee Ireland. In the stories “Eveline, “Counterparts”, and the “Dead”, characters are faced with autonomous decisions that shape their lives. This forlorn world casts a gloomy shadow over the characters of these stories. These stories are connected by their similar portrayal of Ireland. They clearly represent Joyce’s views on people’s discontent with Ireland.
A collection of short stories published in 1907, Dubliners, by James Joyce, revolves around the everyday lives of ordinary citizens in Dublin, Ireland (Freidrich 166). According to Joyce himself, his intention was to "write a chapter of the moral history of [his] country and [he] chose Dublin for the scene because the city seemed to [b]e the centre of paralysis" (Friedrich 166). True to his goal, each of the fifteen stories are tales of disappointment, darkness, captivity, frustration, and flaw. The book is divided into four sections: childhood, adolescence, maturity, and public life (Levin 159). The structure of the book shows that gradually, citizens become trapped in Dublin society (Stone 140). The stories portray Joyce's feeling that Dublin is the epitome of paralysis and all of the citizens are victims (Levin 159). Although each story from Dubliners is a unique and separate depiction, they all have similarities with each other. In addition, because the first three stories -- The Sisters, An Encounter, and Araby parallel each other in many ways, they can be seen as a set in and of themselves. The purpose of this essay is to explore one particular similarity in order to prove that the childhood stories can be seen as specific section of Dubliners. By examining the characters of Father Flynn in The Sisters, Father Butler in An Encounter, and Mangan's sister in Araby, I will demonstrate that the idea of being held captive by religion is felt by the protagonist of each story. In this paper, I argue that because religion played such a significant role in the lives of the middle class, it was something that many citizens felt was suffocating and from which it was impossible to get away. Each of the three childhood stories uses religion to keep the protagonist captive. In The Sisters, Father Flynn plays an important role in making the narrator feel like a prisoner. Mr. Cotter's comment that "… a young lad [should] run about and play with young lads of his own age…" suggests that the narrator has spent a great deal of time with the priest. Even in death, the boy can not free himself from the presence of Father Flynn (Stone 169) as is illustrated in the following passage: "But the grey face still followed me. It murmured; and I understood that it desired to confess something.
James Joyce is widely considered to be one of the best authors of the 20th century. One of James Joyce’s most celebrated short stories is “Eveline.” This short story explores the theme of order and hazard and takes a critical look at life in Dublin, Ireland in the early 20th century. Furthermore, the themes that underlie “Eveline” were not only relevant for the time the story was wrote in, but are just as relevant today.
The Lavidge and Steiner’s hierarchy of effects model (1961) was developed to show the process of how advertising works.
A name symbolizes what that person means and stands for. Renaming is an act of changing who you want the world to see you as. Naming and renaming is an important concept throughout Toni Morrison’s Beloved. A name is an identity that allows one to identify as a human being. A name is full of history, culture, and individuality. In Beloved, a name is both a source of freedom and a source of degrading history. Naming transforms and alters one’s future and history.
I have read an account called " 'What's in a Name? " ", which is composed by Henry Louis Gates. This account demonstrates to us a youth experience of the creator that happened amid the mid-1950s. In the article, Gates alludes to an occurrence when a white man, Mr. Wilson, who was well disposed with his dad, called his dad "George", a name which was a prominent method for alluding to African Americans in those circumstances. In any case, Gates' dad needed to acknowledge this separation and couldn't make a move around then. By utilizing sentiment to bring out individuals' enthusiastic reaction, and utilizing suggestion, Gates effectively communicates his claim that name shapes individuals' discernments
much more than that. Their names give us our first hints about them. One of
A long time ago, in the middle of the nineteenth century, there lived a very large lumberjack named Paul Bunyan. Paul Bunyan was a very large person, and it took five big storks to deliver Paul to his parents. He lived in a huge forest, and he was a citizen of the nearby village of Bangor, Maine. Paul loved where he lived because he loved to chop down big trees with his big ax. He was usually unaware of his surroundings, so he often knocked down a lot of trees on accident.
McCann et al. Belfast: Institute of Irish Studies, 1994, 95-109).